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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CA0B it is the complementary color #9735F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CA0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CA0B shade: #6DCA06, #7EDC19, #8FEE2C, #A0FF3F and #B1FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CA0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CA0B shade: #68CA0B, #57B800, #46A600, #359400 and #248200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CA0B shade: #68CB0A, #9CCB0A, #CBC60A, #CB920A and #CB5E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CA0B shade: #68CB0A, #34CB0A, #0ACB14, #0ACB48 and #0ACB7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CA0B shade matches the following richer shades: #68CB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CA0B shade: #68CB0A, #69BA1C, #69A82D, #69973E and #6A8650

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CA0B shade: #CBC50A, #9ECB0A, #6BCB0A, #37CB0A and #0ACB11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CA0B shade: #407D06, #54A408, #68CB0A, #7CF20D and #91F434

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CA0B shade: #68CA0B, #0ACB91 and #CB0AB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CA0B shade: #68CA0B, #0A6BCB and #CB0A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CA0B shade: #68CA0B, #0ACB91, #6B0ACB and #CB0A44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CA0B shade: #68CA0B, #0ACBCB, #6B0ACB and #CB0A0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

Complementary color

CMYK 38 / 78 / 0 / 4

HEX #9735F4

RGB 151 53 244

HSL 270.79, 0.9%, 0.58%

LAB 46.52, 72.32, -77.8

 

CMYK 46 / 0 / 97 / 21

HEX #6DCA06

RGB 109 202 6

HSL 88.47, 0.94%, 0.41%

LAB 73.22, -54.04, 71.82

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC19

RGB 126 220 25

HSL 88.92, 0.8%, 0.48%

LAB 79.44, -55.14, 74.74

 

CMYK 40 / 0 / 82 / 7

HEX #8FEE2C

RGB 143 238 44

HSL 89.38, 0.85%, 0.55%

LAB 85.59, -55.97, 76.38

 

CMYK 37 / 0 / 75 / 0

HEX #A0FF3F

RGB 160 255 63

HSL 89.69, 1%, 0.62%

LAB 91.39, -56.19, 76.79

 

CMYK 31 / 0 / 68 / 0

HEX #B1FF52

RGB 177 255 82

HSL 87.05, 1%, 0.66%

LAB 92.34, -49.3, 71.63

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

CMYK 53 / 0 / 100 / 28

HEX #57B800

RGB 87 184 0

HSL 91.63, 1%, 0.36%

LAB 66.75, -54.09, 67.01

 

CMYK 58 / 0 / 100 / 35

HEX #46A600

RGB 70 166 0

HSL 94.7, 1%, 0.33%

LAB 60.4, -52.32, 61.76

 

CMYK 64 / 0 / 100 / 42

HEX #359400

RGB 53 148 0

HSL 98.51, 1%, 0.29%

LAB 53.96, -50.31, 56.44

 

CMYK 72 / 0 / 100 / 49

HEX #248200

RGB 36 130 0

HSL 103.38, 1%, 0.25%

LAB 47.42, -47.93, 51.06

 

CMYK 49 / 0 / 95 / 20

HEX #68CB0A

RGB 104 203 10

HSL 90.78, 0.91%, 0.42%

LAB 73.34, -55.9, 71.41

 

CMYK 23 / 0 / 95 / 20

HEX #9CCB0A

RGB 156 203 10

HSL 74.61, 0.91%, 0.42%

LAB 75.95, -37.53, 74.59

 

CMYK 0 / 2 / 95 / 20

HEX #CBC60A

RGB 203 198 10

HSL 58.45, 0.91%, 0.42%

LAB 77.94, -15.56, 77.6

 

CMYK 0 / 28 / 95 / 20

HEX #CB920A

RGB 203 146 10

HSL 42.28, 0.91%, 0.42%

LAB 64.38, 11.77, 67.61

 

CMYK 0 / 54 / 95 / 20

HEX #CB5E0A

RGB 203 94 10

HSL 26.11, 0.91%, 0.42%

LAB 52.65, 39.5, 59.5

 

CMYK 49 / 0 / 95 / 20

HEX #68CB0A

RGB 104 203 10

HSL 90.78, 0.91%, 0.42%

LAB 73.34, -55.9, 71.41

 

CMYK 74 / 0 / 95 / 20

HEX #34CB0A

RGB 52 203 10

HSL 106.94, 0.91%, 0.42%

LAB 71.87, -67.95, 69.61

 

CMYK 95 / 0 / 90 / 20

HEX #0ACB14

RGB 10 203 20

HSL 123.11, 0.91%, 0.42%

LAB 71.44, -71.73, 67.73

 

CMYK 95 / 0 / 65 / 20

HEX #0ACB48

RGB 10 203 72

HSL 139.27, 0.91%, 0.42%

LAB 71.72, -68.11, 52.05

 

CMYK 95 / 0 / 39 / 20

HEX #0ACB7C

RGB 10 203 124

HSL 155.44, 0.91%, 0.42%

LAB 72.38, -60.09, 27.86

 

CMYK 49 / 0 / 95 / 20

HEX #68CB0A

RGB 104 203 10

HSL 90.78, 0.91%, 0.42%

LAB 73.34, -55.9, 71.41

 

CMYK 49 / 0 / 95 / 20

HEX #68CB0A

RGB 104 203 10

HSL 90.78, 0.91%, 0.42%

LAB 73.34, -55.9, 71.41

 

CMYK 44 / 0 / 85 / 27

HEX #69BA1C

RGB 105 186 28

HSL 90.76, 0.74%, 0.42%

LAB 68.17, -48.57, 64.14

 

CMYK 38 / 0 / 73 / 34

HEX #69A82D

RGB 105 168 45

HSL 90.73, 0.58%, 0.42%

LAB 62.67, -40.23, 53.9

 

CMYK 30 / 0 / 59 / 41

HEX #69973E

RGB 105 151 62

HSL 91.01, 0.42%, 0.42%

LAB 57.54, -31.14, 41.19

 

CMYK 21 / 0 / 40 / 47

HEX #6A8650

RGB 106 134 80

HSL 91.11, 0.25%, 0.42%

LAB 52.61, -20.14, 25.88

 

CMYK 0 / 3 / 95 / 20

HEX #CBC50A

RGB 203 197 10

HSL 58.13, 0.91%, 0.42%

LAB 77.67, -15.06, 77.39

 

CMYK 22 / 0 / 95 / 20

HEX #9ECB0A

RGB 158 203 10

HSL 73.99, 0.91%, 0.42%

LAB 76.07, -36.74, 74.74

 

CMYK 47 / 0 / 95 / 20

HEX #6BCB0A

RGB 107 203 10

HSL 89.84, 0.91%, 0.42%

LAB 73.45, -54.98, 71.56

 

CMYK 73 / 0 / 95 / 20

HEX #37CB0A

RGB 55 203 10

HSL 106.01, 0.91%, 0.42%

LAB 71.92, -67.47, 69.68

 

CMYK 95 / 0 / 92 / 20

HEX #0ACB11

RGB 10 203 17

HSL 122.18, 0.91%, 0.42%

LAB 71.43, -71.82, 68.19

 

CMYK 49 / 0 / 95 / 51

HEX #407D06

RGB 64 125 6

HSL 90.76, 0.91%, 0.26%

LAB 46.67, -38.25, 49.61

 

CMYK 49 / 0 / 95 / 36

HEX #54A408

RGB 84 164 8

HSL 90.77, 0.91%, 0.34%

LAB 60.3, -47.29, 60.76

 

CMYK 49 / 0 / 95 / 20

HEX #68CB0A

RGB 104 203 10

HSL 90.78, 0.91%, 0.42%

LAB 73.34, -55.9, 71.41

 

CMYK 49 / 0 / 95 / 5

HEX #7CF20D

RGB 124 242 13

HSL 90.92, 0.9%, 0.5%

LAB 85.92, -64.17, 81.58

 

CMYK 41 / 0 / 79 / 4

HEX #91F434

RGB 145 244 52

HSL 90.94, 0.9%, 0.58%

LAB 87.47, -57.31, 76.04

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

CMYK 95 / 0 / 29 / 20

HEX #0ACB91

RGB 10 203 145

HSL 161.97, 0.91%, 0.42%

LAB 72.77, -55.63, 17.32

 

CMYK 0 / 95 / 9 / 20

HEX #CB0AB8

RGB 203 10 184

HSL 305.91, 0.91%, 0.42%

LAB 47.46, 79.25, -41.46

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

CMYK 95 / 47 / 0 / 20

HEX #0A6BCB

RGB 10 107 203

HSL 209.84, 0.91%, 0.42%

LAB 45.49, 11.98, -56.6

 

CMYK 0 / 95 / 47 / 20

HEX #CB0A6B

RGB 203 10 107

HSL 329.84, 0.91%, 0.42%

LAB 44.2, 70.79, 0.12

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

CMYK 95 / 0 / 29 / 20

HEX #0ACB91

RGB 10 203 145

HSL 161.97, 0.91%, 0.42%

LAB 72.77, -55.63, 17.32

 

CMYK 47 / 95 / 0 / 20

HEX #6B0ACB

RGB 107 10 203

HSL 270.16, 0.91%, 0.42%

LAB 33.25, 69.15, -76.35

 

CMYK 0 / 95 / 67 / 20

HEX #CB0A44

RGB 203 10 68

HSL 341.97, 0.91%, 0.42%

LAB 43.26, 68.24, 23.28

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0B

RGB 104 202 11

HSL 90.79, 0.9%, 0.42%

LAB 73.03, -55.51, 71.06

 

CMYK 95 / 0 / 0 / 20

HEX #0ACBCB

RGB 10 203 203

HSL 180, 0.91%, 0.42%

LAB 74.25, -40.21, -11.84

 

CMYK 47 / 95 / 0 / 20

HEX #6B0ACB

RGB 107 10 203

HSL 270.16, 0.91%, 0.42%

LAB 33.25, 69.15, -76.35

 

CMYK 0 / 95 / 95 / 20

HEX #CB0A0A

RGB 203 10 10

HSL 0, 0.91%, 0.42%

LAB 42.67, 66.6, 53.45

 

Description

Color code: HEX #68CA0B | qconv.com Color code: HEX #68CA0B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 202 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 202 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 95 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 95% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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