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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68BEDD it is the complementary color #974122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68BEDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68BEDD shade: #6DBED8, #7ED0EB, #8FE2FE, #A0F4FF and #B1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68BEDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68BEDD shade: #68BEDD, #57ACCA, #469AB7, #3588A4 and #247691

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68BEDD shade: #69BEDD, #699FDD, #697FDD, #7169DD and #9169DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68BEDD shade: #69BEDD, #699FDD, #697FDD and #6969DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68BEDD shade matches the following richer shades: #69BEDD, #5AC5EB and #4BCCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68BEDD shade: #69BEDD, #78B7CE, #87B0BF, #95A9B0 and #A4A2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68BEDD shade: #69DDBC, #69DDDB, #69C0DD, #69A1DD and #6982DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68BEDD shade: #2D9EC6, #47AFD5, #69BEDD, #8ACCE4 and #ACDBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68BEDD shade: #68BEDD, #9D69DD and #DDCB69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68BEDD shade: #68BEDD, #DD69C0 and #C0DD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68BEDD shade: #68BEDD, #9D69DD, #DD8669 and #A8DD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68BEDD shade: #68BEDD, #C069DD, #DD8669 and #86DD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

Complementary color

CMYK 0 / 57 / 77 / 41

HEX #974122

RGB 151 65 34

HSL 15.9, 0.63%, 0.36%

LAB 38.68, 34.15, 35.62

 

CMYK 50 / 12 / 0 / 15

HEX #6DBED8

RGB 109 190 216

HSL 194.58, 0.58%, 0.64%

LAB 72.92, -17.8, -20.7

 

CMYK 46 / 11 / 0 / 8

HEX #7ED0EB

RGB 126 208 235

HSL 194.86, 0.73%, 0.71%

LAB 79.35, -18.01, -21.1

 

CMYK 44 / 11 / 0 / 0

HEX #8FE2FE

RGB 143 226 254

HSL 195.14, 0.98%, 0.78%

LAB 85.7, -18.16, -21.49

 

CMYK 37 / 4 / 0 / 0

HEX #A0F4FF

RGB 160 244 255

HSL 186.95, 1%, 0.81%

LAB 91.41, -22.7, -13.34

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

CMYK 57 / 15 / 0 / 21

HEX #57ACCA

RGB 87 172 202

HSL 195.65, 0.52%, 0.57%

LAB 66.36, -17.08, -23.08

 

CMYK 62 / 16 / 0 / 28

HEX #469AB7

RGB 70 154 183

HSL 195.4, 0.45%, 0.5%

LAB 59.74, -16.56, -22.66

 

CMYK 68 / 17 / 0 / 36

HEX #3588A4

RGB 53 136 164

HSL 195.14, 0.51%, 0.43%

LAB 53, -15.85, -22.2

 

CMYK 75 / 19 / 0 / 43

HEX #247691

RGB 36 118 145

HSL 194.86, 0.6%, 0.35%

LAB 46.15, -14.85, -21.69

 

CMYK 52 / 14 / 0 / 13

HEX #69BEDD

RGB 105 190 221

HSL 196.03, 0.63%, 0.64%

LAB 72.93, -17.26, -23.42

 

CMYK 52 / 28 / 0 / 13

HEX #699FDD

RGB 105 159 221

HSL 212.07, 0.63%, 0.64%

LAB 64.18, -0.4, -36.91

 

CMYK 52 / 43 / 0 / 13

HEX #697FDD

RGB 105 127 221

HSL 228.62, 0.63%, 0.64%

LAB 55.48, 18.38, -50.61

 

CMYK 49 / 52 / 0 / 13

HEX #7169DD

RGB 113 105 221

HSL 244.14, 0.63%, 0.64%

LAB 50.49, 33.38, -58.57

 

CMYK 34 / 52 / 0 / 13

HEX #9169DD

RGB 145 105 221

HSL 260.69, 0.63%, 0.64%

LAB 53.32, 40.79, -53.87

 

CMYK 52 / 14 / 0 / 13

HEX #69BEDD

RGB 105 190 221

HSL 196.03, 0.63%, 0.64%

LAB 72.93, -17.26, -23.42

 

CMYK 52 / 28 / 0 / 13

HEX #699FDD

RGB 105 159 221

HSL 212.07, 0.63%, 0.64%

LAB 64.18, -0.4, -36.91

 

CMYK 52 / 43 / 0 / 13

HEX #697FDD

RGB 105 127 221

HSL 228.62, 0.63%, 0.64%

LAB 55.48, 18.38, -50.61

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

CMYK 52 / 14 / 0 / 13

HEX #69BEDD

RGB 105 190 221

HSL 196.03, 0.63%, 0.64%

LAB 72.93, -17.26, -23.42

 

CMYK 62 / 16 / 0 / 8

HEX #5AC5EB

RGB 90 197 235

HSL 195.72, 0.78%, 0.64%

LAB 74.89, -19.66, -28.04

 

CMYK 70 / 18 / 0 / 2

HEX #4BCCFA

RGB 75 204 250

HSL 195.77, 0.95%, 0.64%

LAB 77.03, -20.92, -32.83

 

CMYK 52 / 14 / 0 / 13

HEX #69BEDD

RGB 105 190 221

HSL 196.03, 0.63%, 0.64%

LAB 72.93, -17.26, -23.42

 

CMYK 42 / 11 / 0 / 19

HEX #78B7CE

RGB 120 183 206

HSL 196.05, 0.47%, 0.64%

LAB 71.09, -14.22, -17.97

 

CMYK 29 / 8 / 0 / 25

HEX #87B0BF

RGB 135 176 191

HSL 196.07, 0.3%, 0.64%

LAB 69.44, -10.18, -12.12

 

CMYK 15 / 4 / 0 / 31

HEX #95A9B0

RGB 149 169 176

HSL 195.56, 0.15%, 0.64%

LAB 67.95, -5.45, -5.96

 

CMYK 0 / 1 / 2 / 36

HEX #A4A2A1

RGB 164 162 161

HSL 20, 0.02%, 0.64%

LAB 66.75, 0.53, 0.76

 

CMYK 52 / 0 / 15 / 13

HEX #69DDBC

RGB 105 221 188

HSL 162.93, 0.63%, 0.64%

LAB 80.93, -40.76, 6.23

 

CMYK 52 / 0 / 1 / 13

HEX #69DDDB

RGB 105 221 219

HSL 178.97, 0.63%, 0.64%

LAB 81.75, -33.16, -9.06

 

CMYK 52 / 13 / 0 / 13

HEX #69C0DD

RGB 105 192 221

HSL 195, 0.63%, 0.64%

LAB 73.5, -18.3, -22.55

 

CMYK 52 / 27 / 0 / 13

HEX #69A1DD

RGB 105 161 221

HSL 211.03, 0.63%, 0.64%

LAB 64.73, -1.53, -36.05

 

CMYK 52 / 41 / 0 / 13

HEX #6982DD

RGB 105 130 221

HSL 227.07, 0.63%, 0.64%

LAB 56.28, 16.58, -49.35

 

CMYK 77 / 20 / 0 / 22

HEX #2D9EC6

RGB 45 158 198

HSL 195.69, 0.63%, 0.48%

LAB 60.86, -17.46, -29.42

 

CMYK 67 / 18 / 0 / 16

HEX #47AFD5

RGB 71 175 213

HSL 196.06, 0.63%, 0.56%

LAB 67.13, -18.12, -28.03

 

CMYK 52 / 14 / 0 / 13

HEX #69BEDD

RGB 105 190 221

HSL 196.03, 0.63%, 0.64%

LAB 72.93, -17.26, -23.42

 

CMYK 39 / 11 / 0 / 11

HEX #8ACCE4

RGB 138 204 228

HSL 196, 0.63%, 0.72%

LAB 78.57, -14.86, -18.48

 

CMYK 27 / 7 / 0 / 7

HEX #ACDBEC

RGB 172 219 236

HSL 195.94, 0.63%, 0.8%

LAB 84.74, -11.37, -13.29

 

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

CMYK 29 / 52 / 0 / 13

HEX #9D69DD

RGB 157 105 221

HSL 266.9, 0.63%, 0.64%

LAB 54.54, 43.79, -51.85

 

CMYK 0 / 8 / 52 / 13

HEX #DDCB69

RGB 221 203 105

HSL 50.69, 0.63%, 0.64%

LAB 81.35, -6.2, 50.59

 

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

CMYK 0 / 52 / 13 / 13

HEX #DD69C0

RGB 221 105 192

HSL 315, 0.63%, 0.64%

LAB 61.03, 55.89, -24.7

 

CMYK 13 / 0 / 52 / 13

HEX #C0DD69

RGB 192 221 105

HSL 75, 0.63%, 0.64%

LAB 83.93, -26.73, 53.08

 

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

CMYK 29 / 52 / 0 / 13

HEX #9D69DD

RGB 157 105 221

HSL 266.9, 0.63%, 0.64%

LAB 54.54, 43.79, -51.85

 

CMYK 0 / 39 / 52 / 13

HEX #DD8669

RGB 221 134 105

HSL 15, 0.63%, 0.64%

LAB 64.52, 30.41, 29.74

 

CMYK 24 / 0 / 52 / 13

HEX #A8DD69

RGB 168 221 105

HSL 87.41, 0.63%, 0.64%

LAB 82.41, -35.77, 50.9

 

CMYK 53 / 14 / 0 / 13

HEX #68BEDD

RGB 104 190 221

HSL 195.9, 0.63%, 0.64%

LAB 72.89, -17.48, -23.48

 

CMYK 13 / 52 / 0 / 13

HEX #C069DD

RGB 192 105 221

HSL 285, 0.63%, 0.64%

LAB 58.54, 52.92, -45.27

 

CMYK 0 / 39 / 52 / 13

HEX #DD8669

RGB 221 134 105

HSL 15, 0.63%, 0.64%

LAB 64.52, 30.41, 29.74

 

CMYK 39 / 0 / 52 / 13

HEX #86DD69

RGB 134 221 105

HSL 105, 0.63%, 0.64%

LAB 80.63, -47.39, 48.35

 

Description

Color code: HEX #68BEDD | qconv.com Color code: HEX #68BEDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 190 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 190 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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