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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68A323 it is the complementary color #975CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68A323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68A323 shade: #6DA31E, #7EB531, #8FC744, #A0D957 and #B1EB6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68A323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68A323 shade: #68A323, #579110, #467F00, #356D00 and #245B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68A323 shade: #68A422, #8BA422, #A49922, #A47722 and #A45422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68A323 shade: #68A422, #45A422, #22A422, #22A445 and #22A468

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68A323 shade matches the following richer shades: #68A422, #69B412 and #6BC402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68A323 shade: #68A422, #679432, #658342, #647353 and #636363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68A323 shade: #A49922, #8CA422, #69A422, #47A422 and #24A422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68A323 shade: #3D6014, #52821B, #68A422, #7EC62A and #92D642

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68A323 shade: #68A323, #22A476 and #A4229D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68A323 shade: #68A323, #2269A4 and #A42269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68A323 shade: #68A323, #22A476, #5C22A4 and #A42250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68A323 shade: #68A323, #22A49D, #5C22A4 and #A42229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

Complementary color

CMYK 31 / 58 / 0 / 14

HEX #975CDC

RGB 151 92 220

HSL 267.66, 0.65%, 0.61%

LAB 51.15, 49.11, -56.75

 

CMYK 33 / 0 / 82 / 36

HEX #6DA31E

RGB 109 163 30

HSL 84.36, 0.69%, 0.38%

LAB 61.25, -37.4, 57.54

 

CMYK 30 / 0 / 73 / 29

HEX #7EB531

RGB 126 181 49

HSL 85, 0.57%, 0.45%

LAB 67.8, -37.97, 57.92

 

CMYK 28 / 0 / 66 / 22

HEX #8FC744

RGB 143 199 68

HSL 85.65, 0.54%, 0.52%

LAB 74.26, -38.34, 57.56

 

CMYK 26 / 0 / 60 / 15

HEX #A0D957

RGB 160 217 87

HSL 86.31, 0.63%, 0.6%

LAB 80.62, -38.58, 56.8

 

CMYK 25 / 0 / 55 / 8

HEX #B1EB6A

RGB 177 235 106

HSL 86.98, 0.76%, 0.67%

LAB 86.9, -38.73, 55.85

 

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

CMYK 40 / 0 / 89 / 43

HEX #579110

RGB 87 145 16

HSL 86.98, 0.8%, 0.32%

LAB 54.36, -38.28, 54.54

 

CMYK 45 / 0 / 100 / 50

HEX #467F00

RGB 70 127 0

HSL 86.93, 1%, 0.25%

LAB 47.6, -37.19, 51.71

 

CMYK 51 / 0 / 100 / 57

HEX #356D00

RGB 53 109 0

HSL 90.83, 1%, 0.21%

LAB 40.73, -35.56, 46

 

CMYK 60 / 0 / 100 / 64

HEX #245B00

RGB 36 91 0

HSL 96.26, 1%, 0.18%

LAB 33.68, -33.69, 40.17

 

CMYK 37 / 0 / 79 / 36

HEX #68A422

RGB 104 164 34

HSL 87.69, 0.66%, 0.39%

LAB 61.32, -39.51, 56.31

 

CMYK 15 / 0 / 79 / 36

HEX #8BA422

RGB 139 164 34

HSL 71.54, 0.66%, 0.39%

LAB 63.47, -25.59, 59.08

 

CMYK 0 / 7 / 79 / 36

HEX #A49922

RGB 164 153 34

HSL 54.92, 0.66%, 0.39%

LAB 62.33, -8.99, 58.8

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 0 / 49 / 79 / 36

HEX #A45422

RGB 164 84 34

HSL 23.08, 0.66%, 0.39%

LAB 44.73, 29.4, 42.39

 

CMYK 37 / 0 / 79 / 36

HEX #68A422

RGB 104 164 34

HSL 87.69, 0.66%, 0.39%

LAB 61.32, -39.51, 56.31

 

CMYK 58 / 0 / 79 / 36

HEX #45A422

RGB 69 164 34

HSL 103.85, 0.66%, 0.39%

LAB 59.83, -50.66, 54.37

 

CMYK 79 / 0 / 79 / 36

HEX #22A422

RGB 34 164 34

HSL 120, 0.66%, 0.39%

LAB 58.98, -57.73, 53.27

 

CMYK 79 / 0 / 58 / 36

HEX #22A445

RGB 34 164 69

HSL 136.15, 0.66%, 0.39%

LAB 59.27, -54.18, 39.2

 

CMYK 79 / 0 / 37 / 36

HEX #22A468

RGB 34 164 104

HSL 152.31, 0.66%, 0.39%

LAB 59.79, -48.13, 21.7

 

CMYK 37 / 0 / 79 / 36

HEX #68A422

RGB 104 164 34

HSL 87.69, 0.66%, 0.39%

LAB 61.32, -39.51, 56.31

 

CMYK 42 / 0 / 90 / 29

HEX #69B412

RGB 105 180 18

HSL 87.78, 0.82%, 0.39%

LAB 66.28, -46.48, 64.56

 

CMYK 45 / 0 / 99 / 23

HEX #6BC402

RGB 107 196 2

HSL 87.53, 0.98%, 0.39%

LAB 71.29, -52.45, 70.68

 

CMYK 37 / 0 / 79 / 36

HEX #68A422

RGB 104 164 34

HSL 87.69, 0.66%, 0.39%

LAB 61.32, -39.51, 56.31

 

CMYK 30 / 0 / 66 / 42

HEX #679432

RGB 103 148 50

HSL 87.55, 0.49%, 0.39%

LAB 56.38, -31.61, 45.35

 

CMYK 23 / 0 / 50 / 49

HEX #658342

RGB 101 131 66

HSL 87.69, 0.33%, 0.39%

LAB 51.14, -22.45, 31.53

 

CMYK 13 / 0 / 28 / 55

HEX #647353

RGB 100 115 83

HSL 88.13, 0.16%, 0.39%

LAB 46.44, -11.87, 15.91

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 0 / 7 / 79 / 36

HEX #A49922

RGB 164 153 34

HSL 54.92, 0.66%, 0.39%

LAB 62.33, -8.99, 58.8

 

CMYK 15 / 0 / 79 / 36

HEX #8CA422

RGB 140 164 34

HSL 71.08, 0.66%, 0.39%

LAB 63.54, -25.17, 59.17

 

CMYK 36 / 0 / 79 / 36

HEX #69A422

RGB 105 164 34

HSL 87.23, 0.66%, 0.39%

LAB 61.37, -39.14, 56.37

 

CMYK 57 / 0 / 79 / 36

HEX #47A422

RGB 71 164 34

HSL 102.92, 0.66%, 0.39%

LAB 59.89, -50.12, 54.46

 

CMYK 78 / 0 / 79 / 36

HEX #24A422

RGB 36 164 34

HSL 119.08, 0.66%, 0.39%

LAB 59.01, -57.45, 53.31

 

CMYK 36 / 0 / 79 / 62

HEX #3D6014

RGB 61 96 20

HSL 87.63, 0.66%, 0.23%

LAB 36.76, -25.77, 36.91

 

CMYK 37 / 0 / 79 / 49

HEX #52821B

RGB 82 130 27

HSL 87.96, 0.66%, 0.31%

LAB 49.3, -33.02, 46.85

 

CMYK 37 / 0 / 79 / 36

HEX #68A422

RGB 104 164 34

HSL 87.69, 0.66%, 0.39%

LAB 61.32, -39.51, 56.31

 

CMYK 36 / 0 / 79 / 22

HEX #7EC62A

RGB 126 198 42

HSL 87.69, 0.65%, 0.47%

LAB 72.89, -45.69, 65.06

 

CMYK 32 / 0 / 69 / 16

HEX #92D642

RGB 146 214 66

HSL 87.57, 0.64%, 0.55%

LAB 78.81, -43.96, 63.13

 

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

CMYK 79 / 0 / 28 / 36

HEX #22A476

RGB 34 164 118

HSL 158.77, 0.66%, 0.39%

LAB 60.07, -45.04, 14.37

 

CMYK 0 / 79 / 4 / 36

HEX #A4229D

RGB 164 34 157

HSL 303.23, 0.66%, 0.39%

LAB 40.36, 63.9, -37.1

 

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

CMYK 79 / 36 / 0 / 36

HEX #2269A4

RGB 34 105 164

HSL 207.23, 0.66%, 0.39%

LAB 42.95, -0.42, -37.93

 

CMYK 0 / 79 / 36 / 36

HEX #A42269

RGB 164 34 105

HSL 327.23, 0.66%, 0.39%

LAB 37.94, 56.89, -8.74

 

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

CMYK 79 / 0 / 28 / 36

HEX #22A476

RGB 34 164 118

HSL 158.77, 0.66%, 0.39%

LAB 60.07, -45.04, 14.37

 

CMYK 44 / 79 / 0 / 36

HEX #5C22A4

RGB 92 34 164

HSL 266.77, 0.66%, 0.39%

LAB 29.66, 51.81, -59.16

 

CMYK 0 / 79 / 51 / 36

HEX #A42250

RGB 164 34 80

HSL 338.77, 0.66%, 0.39%

LAB 37.14, 54.46, 6.04

 

CMYK 36 / 0 / 79 / 36

HEX #68A323

RGB 104 163 35

HSL 87.66, 0.65%, 0.39%

LAB 61.01, -39.02, 55.71

 

CMYK 79 / 0 / 4 / 36

HEX #22A49D

RGB 34 164 157

HSL 176.77, 0.66%, 0.39%

LAB 61.07, -34.69, -6.06

 

CMYK 44 / 79 / 0 / 36

HEX #5C22A4

RGB 92 34 164

HSL 266.77, 0.66%, 0.39%

LAB 29.66, 51.81, -59.16

 

CMYK 0 / 79 / 75 / 36

HEX #A42229

RGB 164 34 41

HSL 356.77, 0.66%, 0.39%

LAB 36.36, 52, 29.77

 

Description

Color code: HEX #68A323 | qconv.com Color code: HEX #68A323 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 163 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 163 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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