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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #689DCE it is the complementary color #976231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #689DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #689DCE shade: #6D9DC9, #7EAFDC, #8FC1EF, #A0D3FF and #B1E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #689DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #689DCE shade: #689DCE, #578BBB, #4679A8, #356795 and #245582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #689DCE shade: #689DCE, #6882CE, #6A68CE, #8668CE and #A168CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #689DCE shade: #689DCE, #6882CE and #6868CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #689DCE shade matches the following richer shades: #689DCE, #589EDE, #489EEE and #389FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #689DCE shade: #689DCE, #789CBE, #899CAE, #999B9D and #A99B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #689DCE shade: #68CEC7, #68B9CE, #689ECE, #6883CE and #6868CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #689DCE shade: #3874AC, #4989C4, #689DCE, #87B1D8 and #A7C5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #689DCE shade: #689DCE, #AC68CE and #C7CE68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #689DCE shade: #689DCE, #CE689E and #9ECE68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #689DCE shade: #689DCE, #AC68CE, #CE9868 and #8ACE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #689DCE shade: #689DCE, #CA68CE, #CE9868 and #6CCE68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

Complementary color

CMYK 0 / 35 / 68 / 41

HEX #976231

RGB 151 98 49

HSL 28.82, 0.51%, 0.39%

LAB 46.36, 16.65, 36.03

 

CMYK 46 / 22 / 0 / 21

HEX #6D9DC9

RGB 109 157 201

HSL 208.7, 0.46%, 0.61%

LAB 63, -4.26, -27.61

 

CMYK 43 / 20 / 0 / 14

HEX #7EAFDC

RGB 126 175 220

HSL 208.72, 0.57%, 0.68%

LAB 69.66, -4.61, -27.79

 

CMYK 40 / 19 / 0 / 6

HEX #8FC1EF

RGB 143 193 239

HSL 208.75, 0.75%, 0.75%

LAB 76.2, -4.91, -27.99

 

CMYK 37 / 17 / 0 / 0

HEX #A0D3FF

RGB 160 211 255

HSL 207.79, 1%, 0.81%

LAB 82.53, -5.93, -26.76

 

CMYK 31 / 10 / 0 / 0

HEX #B1E5FF

RGB 177 229 255

HSL 200, 1%, 0.85%

LAB 88.26, -10.69, -17.99

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 53 / 26 / 0 / 27

HEX #578BBB

RGB 87 139 187

HSL 208.8, 0.42%, 0.54%

LAB 56.17, -3.45, -30.38

 

CMYK 58 / 28 / 0 / 34

HEX #4679A8

RGB 70 121 168

HSL 208.78, 0.41%, 0.47%

LAB 49.26, -2.75, -30.27

 

CMYK 64 / 31 / 0 / 42

HEX #356795

RGB 53 103 149

HSL 208.75, 0.48%, 0.4%

LAB 42.2, -1.81, -30.17

 

CMYK 72 / 35 / 0 / 49

HEX #245582

RGB 36 85 130

HSL 208.72, 0.57%, 0.33%

LAB 34.97, -0.53, -30.07

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 50 / 37 / 0 / 19

HEX #6882CE

RGB 104 130 206

HSL 224.71, 0.51%, 0.61%

LAB 55.45, 11.68, -42.22

 

CMYK 49 / 50 / 0 / 19

HEX #6A68CE

RGB 106 104 206

HSL 241.18, 0.51%, 0.61%

LAB 48.79, 27.91, -52.81

 

CMYK 35 / 50 / 0 / 19

HEX #8668CE

RGB 134 104 206

HSL 257.65, 0.51%, 0.61%

LAB 51.18, 34.68, -48.84

 

CMYK 22 / 50 / 0 / 19

HEX #A168CE

RGB 161 104 206

HSL 273.53, 0.51%, 0.61%

LAB 53.96, 41.85, -44.26

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 50 / 37 / 0 / 19

HEX #6882CE

RGB 104 130 206

HSL 224.71, 0.51%, 0.61%

LAB 55.45, 11.68, -42.22

 

CMYK 50 / 50 / 0 / 19

HEX #6868CE

RGB 104 104 206

HSL 240, 0.51%, 0.61%

LAB 48.64, 27.46, -53.06

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 60 / 29 / 0 / 13

HEX #589EDE

RGB 88 158 222

HSL 208.66, 0.67%, 0.61%

LAB 63.18, -3, -39.08

 

CMYK 70 / 34 / 0 / 7

HEX #489EEE

RGB 72 158 238

HSL 208.92, 0.83%, 0.61%

LAB 63.35, -0.33, -47.69

 

CMYK 78 / 37 / 0 / 0

HEX #389FFE

RGB 56 159 254

HSL 208.79, 0.99%, 0.61%

LAB 63.99, 2.74, -55.45

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 37 / 18 / 0 / 25

HEX #789CBE

RGB 120 156 190

HSL 209.14, 0.35%, 0.61%

LAB 62.92, -3.83, -21.53

 

CMYK 21 / 10 / 0 / 32

HEX #899CAE

RGB 137 156 174

HSL 209.19, 0.19%, 0.61%

LAB 63.47, -2.69, -11.6

 

CMYK 3 / 1 / 0 / 38

HEX #999B9D

RGB 153 155 157

HSL 210, 0.02%, 0.61%

LAB 63.88, -0.33, -1.3

 

CMYK 0 / 8 / 17 / 34

HEX #A99B8D

RGB 169 155 141

HSL 30, 0.14%, 0.61%

LAB 64.8, 2.74, 9.19

 

CMYK 50 / 0 / 3 / 19

HEX #68CEC7

RGB 104 206 199

HSL 175.88, 0.51%, 0.61%

LAB 76.81, -31.39, -5.68

 

CMYK 50 / 10 / 0 / 19

HEX #68B9CE

RGB 104 185 206

HSL 192.35, 0.51%, 0.61%

LAB 70.94, -19.11, -18.26

 

CMYK 50 / 23 / 0 / 19

HEX #689ECE

RGB 104 158 206

HSL 208.24, 0.51%, 0.61%

LAB 63.22, -4.57, -30.08

 

CMYK 50 / 36 / 0 / 19

HEX #6883CE

RGB 104 131 206

HSL 224.12, 0.51%, 0.61%

LAB 55.72, 11.09, -41.8

 

CMYK 50 / 50 / 0 / 19

HEX #6868CE

RGB 104 104 206

HSL 240, 0.51%, 0.61%

LAB 48.64, 27.46, -53.06

 

CMYK 67 / 33 / 0 / 33

HEX #3874AC

RGB 56 116 172

HSL 208.97, 0.51%, 0.45%

LAB 47.38, -1.06, -35.58

 

CMYK 63 / 30 / 0 / 23

HEX #4989C4

RGB 73 137 196

HSL 208.78, 0.51%, 0.53%

LAB 55.37, -2.25, -36.78

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 38 / 18 / 0 / 15

HEX #87B1D8

RGB 135 177 216

HSL 208.89, 0.51%, 0.69%

LAB 70.56, -4.42, -24.17

 

CMYK 26 / 13 / 0 / 11

HEX #A7C5E2

RGB 167 197 226

HSL 209.49, 0.5%, 0.77%

LAB 78.25, -3.62, -17.74

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 17 / 50 / 0 / 19

HEX #AC68CE

RGB 172 104 206

HSL 280, 0.51%, 0.61%

LAB 55.2, 44.88, -42.21

 

CMYK 3 / 0 / 50 / 19

HEX #C7CE68

RGB 199 206 104

HSL 64.12, 0.51%, 0.61%

LAB 80.34, -16.74, 49.43

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 0 / 50 / 23 / 19

HEX #CE689E

RGB 206 104 158

HSL 328.24, 0.51%, 0.61%

LAB 57.55, 46.65, -10.63

 

CMYK 23 / 0 / 50 / 19

HEX #9ECE68

RGB 158 206 104

HSL 88.24, 0.51%, 0.61%

LAB 77.53, -32.63, 45.38

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 17 / 50 / 0 / 19

HEX #AC68CE

RGB 172 104 206

HSL 280, 0.51%, 0.61%

LAB 55.2, 44.88, -42.21

 

CMYK 0 / 26 / 50 / 19

HEX #CE9868

RGB 206 152 104

HSL 28.24, 0.51%, 0.61%

LAB 66.96, 14.54, 33.08

 

CMYK 33 / 0 / 50 / 19

HEX #8ACE68

RGB 138 206 104

HSL 100, 0.51%, 0.61%

LAB 76.4, -39.73, 43.75

 

CMYK 50 / 24 / 0 / 19

HEX #689DCE

RGB 104 157 206

HSL 208.82, 0.51%, 0.61%

LAB 62.94, -4.01, -30.51

 

CMYK 2 / 50 / 0 / 19

HEX #CA68CE

RGB 202 104 206

HSL 297.65, 0.51%, 0.61%

LAB 58.89, 53.27, -36.16

 

CMYK 0 / 26 / 50 / 19

HEX #CE9868

RGB 206 152 104

HSL 28.24, 0.51%, 0.61%

LAB 66.96, 14.54, 33.08

 

CMYK 48 / 0 / 50 / 19

HEX #6CCE68

RGB 108 206 104

HSL 117.65, 0.51%, 0.61%

LAB 75.03, -49.12, 41.76

 

Description

Color code: HEX #689DCE | qconv.com Color code: HEX #689DCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 157 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 157 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 24 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 24% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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