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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688BAF it is the complementary color #977450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688BAF shade: #6D8BAA, #7E9DBD, #8FAFD0, #A0C1E3 and #B1D3F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688BAF shade: #688BAF, #57799C, #466789, #355576 and #244363

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688BAF shade: #688BAF, #6878AF, #6B68AF, #7F68AF and #9268AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688BAF shade: #688BAF, #6878AF and #6868AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688BAF shade matches the following richer shades: #688BAF, #568BC2, #438BD4, #308AE7 and #1E8AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688BAF shade: #688BAF, #7B8C9D, #8D8C8A, #A08C78 and #B28C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688BAF shade: #68AFAD, #689FAF, #688CAF, #6879AF and #6B68AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688BAF shade: #446281, #52779C, #688BAF, #83A0BE and #9EB5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688BAF shade: #688BAF, #9A68AF and #A8AF68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688BAF shade: #688BAF, #AF688C and #8CAF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688BAF shade: #688BAF, #9A68AF, #AF8C68 and #7EAF68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688BAF shade: #688BAF, #AF68AF, #AF8C68 and #68AF68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

Complementary color

CMYK 0 / 23 / 47 / 41

HEX #977450

RGB 151 116 80

HSL 30.42, 0.31%, 0.45%

LAB 51.44, 8.96, 25.13

 

CMYK 36 / 18 / 0 / 33

HEX #6D8BAA

RGB 109 139 170

HSL 210.49, 0.26%, 0.55%

LAB 56.7, -2.72, -19.75

 

CMYK 33 / 17 / 0 / 26

HEX #7E9DBD

RGB 126 157 189

HSL 210.48, 0.32%, 0.62%

LAB 63.53, -2.94, -20

 

CMYK 31 / 16 / 0 / 18

HEX #8FAFD0

RGB 143 175 208

HSL 210.46, 0.41%, 0.69%

LAB 70.21, -3.13, -20.27

 

CMYK 30 / 15 / 0 / 11

HEX #A0C1E3

RGB 160 193 227

HSL 210.45, 0.54%, 0.76%

LAB 76.78, -3.3, -20.55

 

CMYK 28 / 14 / 0 / 4

HEX #B1D3F6

RGB 177 211 246

HSL 210.43, 0.79%, 0.83%

LAB 83.23, -3.45, -20.84

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 44 / 22 / 0 / 39

HEX #57799C

RGB 87 121 156

HSL 210.43, 0.28%, 0.48%

LAB 49.62, -2.41, -22.63

 

CMYK 49 / 25 / 0 / 46

HEX #466789

RGB 70 103 137

HSL 210.45, 0.32%, 0.41%

LAB 42.47, -1.97, -22.48

 

CMYK 55 / 28 / 0 / 54

HEX #355576

RGB 53 85 118

HSL 210.46, 0.38%, 0.34%

LAB 35.13, -1.37, -22.37

 

CMYK 64 / 32 / 0 / 61

HEX #244363

RGB 36 67 99

HSL 210.48, 0.47%, 0.26%

LAB 27.55, -0.52, -22.29

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 41 / 31 / 0 / 31

HEX #6878AF

RGB 104 120 175

HSL 226.48, 0.31%, 0.55%

LAB 51.23, 8.4, -31.1

 

CMYK 39 / 41 / 0 / 31

HEX #6B68AF

RGB 107 104 175

HSL 242.54, 0.31%, 0.55%

LAB 47.13, 18.95, -37.52

 

CMYK 27 / 41 / 0 / 31

HEX #7F68AF

RGB 127 104 175

HSL 259.44, 0.31%, 0.55%

LAB 48.89, 24.66, -34.63

 

CMYK 17 / 41 / 0 / 31

HEX #9268AF

RGB 146 104 175

HSL 275.49, 0.31%, 0.55%

LAB 50.81, 30.41, -31.49

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 41 / 31 / 0 / 31

HEX #6878AF

RGB 104 120 175

HSL 226.48, 0.31%, 0.55%

LAB 51.23, 8.4, -31.1

 

CMYK 41 / 41 / 0 / 31

HEX #6868AF

RGB 104 104 175

HSL 240, 0.31%, 0.55%

LAB 46.89, 18.13, -37.91

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 56 / 28 / 0 / 24

HEX #568BC2

RGB 86 139 194

HSL 210.56, 0.47%, 0.55%

LAB 56.43, -1.47, -33.96

 

CMYK 68 / 34 / 0 / 17

HEX #438BD4

RGB 67 139 212

HSL 210.21, 0.63%, 0.55%

LAB 56.5, 1.02, -44.06

 

CMYK 79 / 40 / 0 / 9

HEX #308AE7

RGB 48 138 231

HSL 210.49, 0.79%, 0.55%

LAB 56.66, 6.02, -54.47

 

CMYK 88 / 45 / 0 / 2

HEX #1E8AFA

RGB 30 138 250

HSL 210.55, 0.96%, 0.55%

LAB 57.42, 11.73, -63.8

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 22 / 11 / 0 / 38

HEX #7B8C9D

RGB 123 140 157

HSL 210, 0.15%, 0.55%

LAB 57.46, -2.25, -11.06

 

CMYK 0 / 1 / 2 / 45

HEX #8D8C8A

RGB 141 140 138

HSL 40, 0.01%, 0.55%

LAB 58.28, -0.01, 1.19

 

CMYK 0 / 13 / 25 / 37

HEX #A08C78

RGB 160 140 120

HSL 30, 0.17%, 0.55%

LAB 59.51, 4.27, 13.45

 

CMYK 0 / 21 / 43 / 30

HEX #B28C65

RGB 178 140 101

HSL 30.39, 0.33%, 0.55%

LAB 60.92, 9.2, 26.31

 

CMYK 41 / 0 / 1 / 31

HEX #68AFAD

RGB 104 175 173

HSL 178.31, 0.31%, 0.55%

LAB 66.99, -22.74, -5.99

 

CMYK 41 / 9 / 0 / 31

HEX #689FAF

RGB 104 159 175

HSL 193.52, 0.31%, 0.55%

LAB 62.37, -13.86, -14.02

 

CMYK 41 / 20 / 0 / 31

HEX #688CAF

RGB 104 140 175

HSL 209.58, 0.31%, 0.55%

LAB 56.87, -3.33, -22.37

 

CMYK 41 / 31 / 0 / 31

HEX #6879AF

RGB 104 121 175

HSL 225.63, 0.31%, 0.55%

LAB 51.51, 7.8, -30.67

 

CMYK 39 / 41 / 0 / 31

HEX #6B68AF

RGB 107 104 175

HSL 242.54, 0.31%, 0.55%

LAB 47.13, 18.95, -37.52

 

CMYK 47 / 24 / 0 / 49

HEX #446281

RGB 68 98 129

HSL 210.49, 0.31%, 0.39%

LAB 40.49, -1.96, -20.73

 

CMYK 47 / 24 / 0 / 39

HEX #52779C

RGB 82 119 156

HSL 210, 0.31%, 0.47%

LAB 48.74, -2.55, -24.01

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 31 / 16 / 0 / 25

HEX #83A0BE

RGB 131 160 190

HSL 210.51, 0.31%, 0.63%

LAB 64.71, -2.89, -18.73

 

CMYK 23 / 11 / 0 / 20

HEX #9EB5CC

RGB 158 181 204

HSL 210, 0.31%, 0.71%

LAB 72.68, -2.84, -14.26

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 12 / 41 / 0 / 31

HEX #9A68AF

RGB 154 104 175

HSL 282.25, 0.31%, 0.55%

LAB 51.69, 32.89, -30.06

 

CMYK 4 / 0 / 41 / 31

HEX #A8AF68

RGB 168 175 104

HSL 65.92, 0.31%, 0.55%

LAB 69.46, -13.5, 35.53

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 0 / 41 / 20 / 31

HEX #AF688C

RGB 175 104 140

HSL 329.58, 0.31%, 0.55%

LAB 52.85, 33.39, -7.57

 

CMYK 20 / 0 / 41 / 31

HEX #8CAF68

RGB 140 175 104

HSL 89.58, 0.31%, 0.55%

LAB 67.45, -24.49, 32.57

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 12 / 41 / 0 / 31

HEX #9A68AF

RGB 154 104 175

HSL 282.25, 0.31%, 0.55%

LAB 51.69, 32.89, -30.06

 

CMYK 0 / 20 / 41 / 31

HEX #AF8C68

RGB 175 140 104

HSL 30.42, 0.31%, 0.55%

LAB 60.67, 8.29, 24.25

 

CMYK 28 / 0 / 41 / 31

HEX #7EAF68

RGB 126 175 104

HSL 101.41, 0.31%, 0.55%

LAB 66.59, -29.64, 31.29

 

CMYK 41 / 21 / 0 / 31

HEX #688BAF

RGB 104 139 175

HSL 210.42, 0.31%, 0.55%

LAB 56.59, -2.76, -22.81

 

CMYK 0 / 41 / 0 / 31

HEX #AF68AF

RGB 175 104 175

HSL 300, 0.31%, 0.55%

LAB 54.14, 39.47, -26.05

 

CMYK 0 / 20 / 41 / 31

HEX #AF8C68

RGB 175 140 104

HSL 30.42, 0.31%, 0.55%

LAB 60.67, 8.29, 24.25

 

CMYK 41 / 0 / 41 / 31

HEX #68AF68

RGB 104 175 104

HSL 120, 0.31%, 0.55%

LAB 65.44, -37.04, 29.57

 

Description

Color code: HEX #688BAF | qconv.com Color code: HEX #688BAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 139 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 139 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 21 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 21% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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