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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688B40 it is the complementary color #9774BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688B40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688B40 shade: #6D8B3B, #7E9D4E, #8FAF61, #A0C174 and #B1D387

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688B40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688B40 shade: #688B40, #57792D, #46671A, #355507 and #244300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688B40 shade: #688B40, #7C8B40, #8B8640, #8B7140 and #8B5D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688B40 shade: #688B40, #548B40, #408B40, #408B55 and #408B69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688B40 shade matches the following richer shades: #688B40, #699C2F, #6AAC1F and #6BBD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688B40 shade: #688B40, #677B50, #666A61, #655A71 and #644982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688B40 shade: #8B8640, #7C8B40, #688B40, #548B40 and #408B40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688B40 shade: #3E5326, #536F33, #688B40, #7DA84D and #92B865

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688B40 shade: #688B40, #408B72 and #8B4086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688B40 shade: #688B40, #40688B and #8B4068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688B40 shade: #688B40, #408B72, #63408B and #8B4059

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688B40 shade: #688B40, #408B89, #63408B and #8B4042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

Complementary color

CMYK 21 / 39 / 0 / 25

HEX #9774BF

RGB 151 116 191

HSL 268, 0.37%, 0.6%

LAB 54.9, 28.72, -34.29

 

CMYK 22 / 0 / 58 / 45

HEX #6D8B3B

RGB 109 139 59

HSL 82.5, 0.4%, 0.39%

LAB 54.06, -24.03, 38.7

 

CMYK 20 / 0 / 50 / 38

HEX #7E9D4E

RGB 126 157 78

HSL 83.54, 0.34%, 0.46%

LAB 60.87, -24.17, 37.55

 

CMYK 18 / 0 / 45 / 31

HEX #8FAF61

RGB 143 175 97

HSL 84.62, 0.33%, 0.53%

LAB 67.55, -24.23, 36.35

 

CMYK 17 / 0 / 40 / 24

HEX #A0C174

RGB 160 193 116

HSL 85.71, 0.38%, 0.61%

LAB 74.11, -24.24, 35.16

 

CMYK 16 / 0 / 36 / 17

HEX #B1D387

RGB 177 211 135

HSL 86.84, 0.46%, 0.68%

LAB 80.56, -24.23, 34.01

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 28 / 0 / 63 / 53

HEX #57792D

RGB 87 121 45

HSL 86.84, 0.46%, 0.33%

LAB 46.83, -25.39, 36.91

 

CMYK 32 / 0 / 75 / 60

HEX #46671A

RGB 70 103 26

HSL 85.71, 0.6%, 0.25%

LAB 39.71, -25.08, 37.61

 

CMYK 38 / 0 / 92 / 67

HEX #355507

RGB 53 85 7

HSL 84.62, 0.85%, 0.18%

LAB 32.41, -24.44, 37.14

 

CMYK 46 / 0 / 100 / 74

HEX #244300

RGB 36 67 0

HSL 87.76, 1%, 0.13%

LAB 24.92, -23.16, 32.91

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 11 / 0 / 54 / 45

HEX #7C8B40

RGB 124 139 64

HSL 72, 0.37%, 0.4%

LAB 55.2, -17.27, 37.82

 

CMYK 0 / 4 / 54 / 45

HEX #8B8640

RGB 139 134 64

HSL 56, 0.37%, 0.4%

LAB 54.98, -8.06, 37.87

 

CMYK 0 / 19 / 54 / 45

HEX #8B7140

RGB 139 113 64

HSL 39.2, 0.37%, 0.4%

LAB 49.09, 3.76, 30.83

 

CMYK 0 / 33 / 54 / 45

HEX #8B5D40

RGB 139 93 64

HSL 23.2, 0.37%, 0.4%

LAB 43.78, 15.42, 24.21

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 40 / 0 / 54 / 45

HEX #548B40

RGB 84 139 64

HSL 104, 0.37%, 0.4%

LAB 52.64, -32.99, 34.16

 

CMYK 54 / 0 / 54 / 45

HEX #408B40

RGB 64 139 64

HSL 120, 0.37%, 0.4%

LAB 51.75, -39.32, 32.88

 

CMYK 54 / 0 / 39 / 45

HEX #408B55

RGB 64 139 85

HSL 136.8, 0.37%, 0.4%

LAB 52.08, -35.9, 21.99

 

CMYK 54 / 0 / 24 / 45

HEX #408B69

RGB 64 139 105

HSL 152.8, 0.37%, 0.4%

LAB 52.48, -31.77, 11.22

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 33 / 0 / 70 / 39

HEX #699C2F

RGB 105 156 47

HSL 88.07, 0.54%, 0.4%

LAB 58.96, -34.77, 49.36

 

CMYK 38 / 0 / 82 / 33

HEX #6AAC1F

RGB 106 172 31

HSL 88.09, 0.69%, 0.4%

LAB 63.89, -42.36, 59.59

 

CMYK 43 / 0 / 93 / 26

HEX #6BBD0E

RGB 107 189 14

HSL 88.11, 0.86%, 0.4%

LAB 69.15, -49.51, 67.59

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 16 / 0 / 35 / 52

HEX #677B50

RGB 103 123 80

HSL 87.91, 0.21%, 0.4%

LAB 49.04, -15.52, 21.17

 

CMYK 4 / 0 / 8 / 58

HEX #666A61

RGB 102 106 97

HSL 86.67, 0.04%, 0.4%

LAB 44.23, -3.37, 4.51

 

CMYK 11 / 20 / 0 / 56

HEX #655A71

RGB 101 90 113

HSL 268.7, 0.11%, 0.4%

LAB 40.03, 9.33, -11.43

 

CMYK 23 / 44 / 0 / 49

HEX #644982

RGB 100 73 130

HSL 268.42, 0.28%, 0.4%

LAB 36.15, 23.71, -27.9

 

CMYK 0 / 4 / 54 / 45

HEX #8B8640

RGB 139 134 64

HSL 56, 0.37%, 0.4%

LAB 54.98, -8.06, 37.87

 

CMYK 11 / 0 / 54 / 45

HEX #7C8B40

RGB 124 139 64

HSL 72, 0.37%, 0.4%

LAB 55.2, -17.27, 37.82

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 40 / 0 / 54 / 45

HEX #548B40

RGB 84 139 64

HSL 104, 0.37%, 0.4%

LAB 52.64, -32.99, 34.16

 

CMYK 54 / 0 / 54 / 45

HEX #408B40

RGB 64 139 64

HSL 120, 0.37%, 0.4%

LAB 51.75, -39.32, 32.88

 

CMYK 25 / 0 / 54 / 67

HEX #3E5326

RGB 62 83 38

HSL 88, 0.37%, 0.24%

LAB 32.59, -16.88, 23.6

 

CMYK 25 / 0 / 54 / 56

HEX #536F33

RGB 83 111 51

HSL 88, 0.37%, 0.32%

LAB 43.43, -21.31, 29.86

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 26 / 0 / 54 / 34

HEX #7DA84D

RGB 125 168 77

HSL 88.35, 0.37%, 0.48%

LAB 64.08, -30.03, 41.87

 

CMYK 21 / 0 / 45 / 28

HEX #92B865

RGB 146 184 101

HSL 87.47, 0.37%, 0.56%

LAB 70.41, -27.01, 37.93

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 54 / 0 / 18 / 45

HEX #408B72

RGB 64 139 114

HSL 160, 0.37%, 0.4%

LAB 52.7, -29.66, 6.35

 

CMYK 0 / 54 / 4 / 45

HEX #8B4086

RGB 139 64 134

HSL 304, 0.37%, 0.4%

LAB 39.37, 41.84, -24.95

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 54 / 25 / 0 / 45

HEX #40688B

RGB 64 104 139

HSL 208, 0.37%, 0.4%

LAB 42.54, -3.44, -23.6

 

CMYK 0 / 54 / 25 / 45

HEX #8B4068

RGB 139 64 104

HSL 328, 0.37%, 0.4%

LAB 38.12, 36.8, -8.27

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 54 / 0 / 18 / 45

HEX #408B72

RGB 64 139 114

HSL 160, 0.37%, 0.4%

LAB 52.7, -29.66, 6.35

 

CMYK 29 / 54 / 0 / 45

HEX #63408B

RGB 99 64 139

HSL 268, 0.37%, 0.4%

LAB 34.36, 31.21, -36.27

 

CMYK 0 / 54 / 36 / 45

HEX #8B4059

RGB 139 64 89

HSL 340, 0.37%, 0.4%

LAB 37.62, 34.71, 0.43

 

CMYK 25 / 0 / 54 / 45

HEX #688B40

RGB 104 139 64

HSL 88, 0.37%, 0.4%

LAB 53.79, -25.51, 35.81

 

CMYK 54 / 0 / 1 / 45

HEX #408B89

RGB 64 139 137

HSL 178.4, 0.37%, 0.4%

LAB 53.34, -23.61, -6.02

 

CMYK 29 / 54 / 0 / 45

HEX #63408B

RGB 99 64 139

HSL 268, 0.37%, 0.4%

LAB 34.36, 31.21, -36.27

 

CMYK 0 / 54 / 53 / 45

HEX #8B4042

RGB 139 64 66

HSL 358.4, 0.37%, 0.4%

LAB 37.02, 32.11, 14.11

 

Description

Color code: HEX #688B40 | qconv.com Color code: HEX #688B40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 139 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 139 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 54 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 54% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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