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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688023 it is the complementary color #977FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688023 shade: #6D801E, #7E9231, #8FA444, #A0B657 and #B1C86A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688023 shade: #688023, #576E10, #465C00, #354A00 and #243800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688023 shade: #688023, #807F23, #806523, #804C23 and #803323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688023 shade: #688023, #4F8023, #358023, #238029 and #238042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688023 shade matches the following richer shades: #688023, #6E8D15 and #749A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688023 shade: #688023, #617230, #5B653D, #54584A and #4E4B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688023 shade: #806523, #807E23, #688023, #508023 and #378023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688023 shade: #333F11, #4D5F1A, #688023, #82A02B and #9CC034

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688023 shade: #688023, #23804C and #722380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688023 shade: #688023, #236880 and #802368

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688023 shade: #688023, #23804C, #3A2380 and #802356

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688023 shade: #688023, #238068, #3A2380 and #80233A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

Complementary color

CMYK 31 / 42 / 0 / 14

HEX #977FDC

RGB 151 127 220

HSL 255.48, 0.57%, 0.68%

LAB 58.91, 29.51, -44.41

 

CMYK 15 / 0 / 77 / 50

HEX #6D801E

RGB 109 128 30

HSL 71.63, 0.62%, 0.31%

LAB 50.43, -20.66, 47.49

 

CMYK 14 / 0 / 66 / 43

HEX #7E9231

RGB 126 146 49

HSL 72.37, 0.5%, 0.38%

LAB 57.28, -21.3, 47.2

 

CMYK 13 / 0 / 59 / 36

HEX #8FA444

RGB 143 164 68

HSL 73.13, 0.41%, 0.45%

LAB 64.01, -21.75, 46.37

 

CMYK 12 / 0 / 52 / 29

HEX #A0B657

RGB 160 182 87

HSL 73.89, 0.39%, 0.53%

LAB 70.61, -22.08, 45.31

 

CMYK 12 / 0 / 47 / 22

HEX #B1C86A

RGB 177 200 106

HSL 74.68, 0.46%, 0.6%

LAB 77.1, -22.31, 44.17

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 21 / 0 / 85 / 57

HEX #576E10

RGB 87 110 16

HSL 74.68, 0.75%, 0.25%

LAB 43.09, -21.83, 44.76

 

CMYK 24 / 0 / 100 / 64

HEX #465C00

RGB 70 92 0

HSL 74.35, 1%, 0.18%

LAB 35.9, -20.79, 42.7

 

CMYK 28 / 0 / 100 / 71

HEX #354A00

RGB 53 74 0

HSL 77.03, 1%, 0.15%

LAB 28.52, -19.2, 36.52

 

CMYK 36 / 0 / 100 / 78

HEX #243800

RGB 36 56 0

HSL 81.43, 1%, 0.11%

LAB 20.84, -17.57, 28.7

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 0 / 1 / 73 / 50

HEX #807F23

RGB 128 127 35

HSL 59.35, 0.57%, 0.32%

LAB 51.71, -11.29, 47.37

 

CMYK 0 / 21 / 73 / 50

HEX #806523

RGB 128 101 35

HSL 42.58, 0.57%, 0.32%

LAB 44.26, 3.43, 39.91

 

CMYK 0 / 41 / 73 / 50

HEX #804C23

RGB 128 76 35

HSL 26.45, 0.57%, 0.32%

LAB 37.63, 18.22, 32.9

 

CMYK 0 / 60 / 73 / 50

HEX #803323

RGB 128 51 35

HSL 10.32, 0.57%, 0.32%

LAB 31.98, 32.24, 26.59

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 38 / 0 / 73 / 50

HEX #4F8023

RGB 79 128 35

HSL 91.61, 0.57%, 0.32%

LAB 48.54, -32.71, 43.05

 

CMYK 59 / 0 / 73 / 50

HEX #358023

RGB 53 128 35

HSL 108.39, 0.57%, 0.32%

LAB 47.39, -41.25, 41.5

 

CMYK 73 / 0 / 68 / 50

HEX #238029

RGB 35 128 41

HSL 123.87, 0.57%, 0.32%

LAB 46.92, -44.89, 38.25

 

CMYK 73 / 0 / 48 / 50

HEX #238042

RGB 35 128 66

HSL 140, 0.57%, 0.32%

LAB 47.22, -41.32, 26

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 22 / 0 / 85 / 45

HEX #6E8D15

RGB 110 141 21

HSL 75.5, 0.74%, 0.32%

LAB 54.47, -27.15, 53.98

 

CMYK 25 / 0 / 95 / 40

HEX #749A08

RGB 116 154 8

HSL 75.62, 0.9%, 0.32%

LAB 58.83, -31.2, 60.28

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 15 / 0 / 58 / 55

HEX #617230

RGB 97 114 48

HSL 75.45, 0.41%, 0.32%

LAB 45.34, -17.26, 33.93

 

CMYK 10 / 0 / 40 / 60

HEX #5B653D

RGB 91 101 61

HSL 75, 0.25%, 0.32%

LAB 41.01, -11.18, 21.39

 

CMYK 5 / 0 / 16 / 65

HEX #54584A

RGB 84 88 74

HSL 77.14, 0.09%, 0.32%

LAB 36.67, -4.45, 7.59

 

CMYK 10 / 14 / 0 / 66

HEX #4E4B57

RGB 78 75 87

HSL 255, 0.07%, 0.32%

LAB 32.57, 3.94, -6.63

 

CMYK 0 / 21 / 73 / 50

HEX #806523

RGB 128 101 35

HSL 42.58, 0.57%, 0.32%

LAB 44.26, 3.43, 39.91

 

CMYK 0 / 2 / 73 / 50

HEX #807E23

RGB 128 126 35

HSL 58.71, 0.57%, 0.32%

LAB 51.42, -10.74, 47.09

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 38 / 0 / 73 / 50

HEX #508023

RGB 80 128 35

HSL 90.97, 0.57%, 0.32%

LAB 48.59, -32.33, 43.12

 

CMYK 57 / 0 / 73 / 50

HEX #378023

RGB 55 128 35

HSL 107.1, 0.57%, 0.32%

LAB 47.46, -40.69, 41.6

 

CMYK 19 / 0 / 73 / 75

HEX #333F11

RGB 51 63 17

HSL 75.65, 0.58%, 0.16%

LAB 24.64, -12.97, 25.69

 

CMYK 19 / 0 / 73 / 63

HEX #4D5F1A

RGB 77 95 26

HSL 75.65, 0.57%, 0.24%

LAB 37.55, -17.89, 35.56

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 19 / 0 / 73 / 37

HEX #82A02B

RGB 130 160 43

HSL 75.38, 0.58%, 0.4%

LAB 61.71, -26.96, 54.18

 

CMYK 19 / 0 / 73 / 25

HEX #9CC034

RGB 156 192 52

HSL 75.43, 0.57%, 0.48%

LAB 72.9, -31.14, 62.48

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 73 / 0 / 41 / 50

HEX #23804C

RGB 35 128 76

HSL 146.45, 0.57%, 0.32%

LAB 47.39, -39.43, 20.66

 

CMYK 11 / 73 / 0 / 50

HEX #722380

RGB 114 35 128

HSL 290.97, 0.57%, 0.32%

LAB 30.25, 47.49, -35.89

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 73 / 19 / 0 / 50

HEX #236880

RGB 35 104 128

HSL 195.48, 0.57%, 0.32%

LAB 40.92, -12.99, -19.57

 

CMYK 0 / 73 / 19 / 50

HEX #802368

RGB 128 35 104

HSL 315.48, 0.57%, 0.32%

LAB 31.33, 46.86, -18.81

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 73 / 0 / 41 / 50

HEX #23804C

RGB 35 128 76

HSL 146.45, 0.57%, 0.32%

LAB 47.39, -39.43, 20.66

 

CMYK 55 / 73 / 0 / 50

HEX #3A2380

RGB 58 35 128

HSL 254.84, 0.57%, 0.32%

LAB 22.51, 35.72, -48.78

 

CMYK 0 / 73 / 33 / 50

HEX #802356

RGB 128 35 86

HSL 327.1, 0.57%, 0.32%

LAB 30.55, 44.35, -8.33

 

CMYK 19 / 0 / 73 / 50

HEX #688023

RGB 104 128 35

HSL 75.48, 0.57%, 0.32%

LAB 50.1, -22.56, 45.14

 

CMYK 73 / 0 / 19 / 50

HEX #238068

RGB 35 128 104

HSL 164.52, 0.57%, 0.32%

LAB 48, -32.86, 5.33

 

CMYK 55 / 73 / 0 / 50

HEX #3A2380

RGB 58 35 128

HSL 254.84, 0.57%, 0.32%

LAB 22.51, 35.72, -48.78

 

CMYK 0 / 73 / 55 / 50

HEX #80233A

RGB 128 35 58

HSL 345.16, 0.57%, 0.32%

LAB 29.66, 41.33, 8.86

 

Description

Color code: HEX #688023 | qconv.com Color code: HEX #688023 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 128 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 128 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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