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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #687BC4 it is the complementary color #97843B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #687BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #687BC4 shade: #6D7BBF, #7E8DD2, #8F9FE5, #A0B1F8 and #B1C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #687BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #687BC4 shade: #687BC4, #5769B1, #46579E, #35458B and #243378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #687BC4 shade: #687BC4, #6E68C4, #8768C4, #9F68C4 and #B868C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #687BC4 shade: #687BC4 and #6868C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #687BC4 shade matches the following richer shades: #687BC4, #5771D5, #4667E6 and #355DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #687BC4 shade: #687BC4, #7985B3, #8A8FA2, #9B9991 and #ACA380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #687BC4 shade: #68ADC4, #6894C4, #687CC4, #6D68C4 and #8568C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #687BC4 shade: #3D509D, #4A61B8, #687BC4, #8695D0 and #A3AFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #687BC4 shade: #687BC4, #C268C4 and #A1C468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #687BC4 shade: #687BC4, #C4687C and #7CC468

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #687BC4 shade: #687BC4, #C268C4, #C4B068 and #69C468

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #687BC4 shade: #687BC4, #C468AA, #C4B068 and #68C482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

Complementary color

CMYK 0 / 13 / 61 / 41

HEX #97843B

RGB 151 132 59

HSL 47.61, 0.44%, 0.41%

LAB 55.48, -2.02, 41.24

 

CMYK 43 / 36 / 0 / 25

HEX #6D7BBF

RGB 109 123 191

HSL 229.76, 0.39%, 0.59%

LAB 53.14, 12.61, -37.29

 

CMYK 40 / 33 / 0 / 18

HEX #7E8DD2

RGB 126 141 210

HSL 229.29, 0.48%, 0.66%

LAB 60.01, 11.88, -37.2

 

CMYK 38 / 31 / 0 / 10

HEX #8F9FE5

RGB 143 159 229

HSL 228.84, 0.62%, 0.73%

LAB 66.74, 11.27, -37.16

 

CMYK 35 / 29 / 0 / 3

HEX #A0B1F8

RGB 160 177 248

HSL 228.41, 0.86%, 0.8%

LAB 73.35, 10.73, -37.16

 

CMYK 31 / 24 / 0 / 0

HEX #B1C3FF

RGB 177 195 255

HSL 226.15, 1%, 0.85%

LAB 79.38, 7.27, -31.5

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 51 / 41 / 0 / 31

HEX #5769B1

RGB 87 105 177

HSL 228, 0.37%, 0.52%

LAB 46.05, 13.81, -40.5

 

CMYK 56 / 45 / 0 / 38

HEX #46579E

RGB 70 87 158

HSL 228.41, 0.39%, 0.45%

LAB 38.88, 15.03, -40.74

 

CMYK 62 / 50 / 0 / 45

HEX #35458B

RGB 53 69 139

HSL 228.84, 0.45%, 0.38%

LAB 31.53, 16.59, -41.04

 

CMYK 70 / 58 / 0 / 53

HEX #243378

RGB 36 51 120

HSL 229.29, 0.54%, 0.31%

LAB 24, 18.65, -41.38

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 44 / 47 / 0 / 23

HEX #6E68C4

RGB 110 104 196

HSL 243.91, 0.44%, 0.59%

LAB 48.51, 25.84, -47.49

 

CMYK 31 / 47 / 0 / 23

HEX #8768C4

RGB 135 104 196

HSL 260.22, 0.44%, 0.59%

LAB 50.73, 32.32, -43.83

 

CMYK 19 / 47 / 0 / 23

HEX #9F68C4

RGB 159 104 196

HSL 275.87, 0.44%, 0.59%

LAB 53.23, 39.02, -39.71

 

CMYK 6 / 47 / 0 / 23

HEX #B868C4

RGB 184 104 196

HSL 292.17, 0.44%, 0.59%

LAB 56.16, 46.24, -34.9

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 47 / 47 / 0 / 23

HEX #6868C4

RGB 104 104 196

HSL 240, 0.44%, 0.59%

LAB 48.04, 24.4, -48.27

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 59 / 47 / 0 / 16

HEX #5771D5

RGB 87 113 213

HSL 227.62, 0.6%, 0.59%

LAB 50.26, 20.66, -54.5

 

CMYK 70 / 55 / 0 / 10

HEX #4667E6

RGB 70 103 230

HSL 227.63, 0.76%, 0.59%

LAB 47.9, 29.97, -67.97

 

CMYK 79 / 62 / 0 / 3

HEX #355DF7

RGB 53 93 247

HSL 227.63, 0.92%, 0.59%

LAB 46.04, 40.36, -80.57

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 32 / 26 / 0 / 30

HEX #7985B3

RGB 121 133 179

HSL 227.59, 0.28%, 0.59%

LAB 56.18, 6.68, -25.63

 

CMYK 15 / 12 / 0 / 36

HEX #8A8FA2

RGB 138 143 162

HSL 227.5, 0.11%, 0.59%

LAB 59.58, 2.21, -10.64

 

CMYK 0 / 1 / 6 / 39

HEX #9B9991

RGB 155 153 145

HSL 48, 0.05%, 0.59%

LAB 63.17, -0.76, 4.45

 

CMYK 0 / 5 / 26 / 33

HEX #ACA380

RGB 172 163 128

HSL 47.73, 0.21%, 0.59%

LAB 66.92, -2.45, 19.39

 

CMYK 47 / 12 / 0 / 23

HEX #68ADC4

RGB 104 173 196

HSL 195, 0.44%, 0.59%

LAB 67.14, -15.61, -18.52

 

CMYK 47 / 24 / 0 / 23

HEX #6894C4

RGB 104 148 196

HSL 211.3, 0.44%, 0.59%

LAB 59.99, -1.86, -29.48

 

CMYK 47 / 37 / 0 / 23

HEX #687CC4

RGB 104 124 196

HSL 226.96, 0.44%, 0.59%

LAB 53.32, 12.23, -39.89

 

CMYK 44 / 47 / 0 / 23

HEX #6D68C4

RGB 109 104 196

HSL 243.26, 0.44%, 0.59%

LAB 48.43, 25.6, -47.62

 

CMYK 32 / 47 / 0 / 23

HEX #8568C4

RGB 133 104 196

HSL 258.91, 0.44%, 0.59%

LAB 50.54, 31.78, -44.15

 

CMYK 61 / 49 / 0 / 38

HEX #3D509D

RGB 61 80 157

HSL 228.13, 0.44%, 0.43%

LAB 36.3, 17.34, -44.3

 

CMYK 60 / 47 / 0 / 28

HEX #4A61B8

RGB 74 97 184

HSL 227.45, 0.44%, 0.51%

LAB 43.46, 18.35, -48.76

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 36 / 28 / 0 / 18

HEX #8695D0

RGB 134 149 208

HSL 227.84, 0.44%, 0.67%

LAB 62.61, 8.88, -32

 

CMYK 26 / 20 / 0 / 14

HEX #A3AFDB

RGB 163 175 219

HSL 227.14, 0.44%, 0.75%

LAB 71.93, 5.47, -23.55

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 1 / 47 / 0 / 23

HEX #C268C4

RGB 194 104 196

HSL 298.7, 0.44%, 0.59%

LAB 57.42, 49.15, -32.85

 

CMYK 18 / 0 / 47 / 23

HEX #A1C468

RGB 161 196 104

HSL 82.83, 0.44%, 0.59%

LAB 74.86, -26.77, 42.17

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 0 / 47 / 37 / 23

HEX #C4687C

RGB 196 104 124

HSL 346.96, 0.44%, 0.59%

LAB 55.17, 38.72, 5.57

 

CMYK 37 / 0 / 47 / 23

HEX #7CC468

RGB 124 196 104

HSL 106.96, 0.44%, 0.59%

LAB 72.74, -39.98, 39.06

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 1 / 47 / 0 / 23

HEX #C268C4

RGB 194 104 196

HSL 298.7, 0.44%, 0.59%

LAB 57.42, 49.15, -32.85

 

CMYK 0 / 10 / 47 / 23

HEX #C4B068

RGB 196 176 104

HSL 46.96, 0.44%, 0.59%

LAB 72.09, -2.54, 39.33

 

CMYK 46 / 0 / 47 / 23

HEX #69C468

RGB 105 196 104

HSL 119.35, 0.44%, 0.59%

LAB 71.88, -45.85, 37.81

 

CMYK 47 / 37 / 0 / 23

HEX #687BC4

RGB 104 123 196

HSL 227.61, 0.44%, 0.59%

LAB 53.05, 12.83, -40.32

 

CMYK 0 / 47 / 13 / 23

HEX #C468AA

RGB 196 104 170

HSL 316.96, 0.44%, 0.59%

LAB 56.62, 45.25, -19.12

 

CMYK 0 / 10 / 47 / 23

HEX #C4B068

RGB 196 176 104

HSL 46.96, 0.44%, 0.59%

LAB 72.09, -2.54, 39.33

 

CMYK 47 / 0 / 34 / 23

HEX #68C482

RGB 104 196 130

HSL 136.96, 0.44%, 0.59%

LAB 72.25, -41.95, 24.88

 

Description

Color code: HEX #687BC4 | qconv.com Color code: HEX #687BC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 123 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 123 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 37 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 37% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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