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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6872C9 it is the complementary color #978D36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6872C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6872C9 shade: #6D72C4, #7E84D7, #8F96EA, #A0A8FD and #B1BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6872C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6872C9 shade: #6872C9, #5760B6, #464EA3, #353C90 and #242A7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6872C9 shade: #6972C8, #7969C8, #9269C8, #AC69C8 and #C669C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6872C9 shade: #6972C8 and #6969C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6872C9 shade matches the following richer shades: #6972C8, #5865D9, #4858E9 and #374BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6872C9 shade: #6972C8, #7980B8, #8A8DA7, #9A9A97 and #ABA786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6872C9 shade: #69A7C8, #698DC8, #6974C8, #7769C8 and #9169C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6872C9 shade: #3B46A4, #4A56BE, #6972C8, #878FD3 and #A5ABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6872C9 shade: #6872C9, #C869C0 and #9AC869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6872C9 shade: #6872C9, #C86974 and #74C869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6872C9 shade: #6872C9, #C869C0, #C8BD69 and #69C871

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6872C9 shade: #6872C9, #C869A4, #C8BD69 and #69C88D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

Complementary color

CMYK 0 / 7 / 64 / 41

HEX #978D36

RGB 151 141 54

HSL 53.81, 0.47%, 0.4%

LAB 57.94, -7.33, 46.31

 

CMYK 44 / 42 / 0 / 23

HEX #6D72C4

RGB 109 114 196

HSL 236.55, 0.42%, 0.6%

LAB 51, 19.52, -43.54

 

CMYK 41 / 39 / 0 / 16

HEX #7E84D7

RGB 126 132 215

HSL 235.96, 0.53%, 0.67%

LAB 57.89, 18.59, -43.34

 

CMYK 39 / 36 / 0 / 8

HEX #8F96EA

RGB 143 150 234

HSL 235.38, 0.68%, 0.74%

LAB 64.64, 17.78, -43.21

 

CMYK 37 / 34 / 0 / 1

HEX #A0A8FD

RGB 160 168 253

HSL 234.84, 0.96%, 0.81%

LAB 71.26, 17.08, -43.11

 

CMYK 31 / 27 / 0 / 0

HEX #B1BAFF

RGB 177 186 255

HSL 233.08, 1%, 0.85%

LAB 77.09, 12.19, -35.03

 

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

CMYK 52 / 47 / 0 / 29

HEX #5760B6

RGB 87 96 182

HSL 234.32, 0.39%, 0.53%

LAB 43.9, 21.05, -46.84

 

CMYK 57 / 52 / 0 / 36

HEX #464EA3

RGB 70 78 163

HSL 234.84, 0.4%, 0.46%

LAB 36.73, 22.56, -47.17

 

CMYK 63 / 58 / 0 / 44

HEX #353C90

RGB 53 60 144

HSL 235.38, 0.46%, 0.39%

LAB 29.42, 24.43, -47.52

 

CMYK 71 / 66 / 0 / 51

HEX #242A7D

RGB 36 42 125

HSL 235.96, 0.55%, 0.32%

LAB 21.99, 26.77, -47.82

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

CMYK 40 / 48 / 0 / 22

HEX #7969C8

RGB 121 105 200

HSL 250.11, 0.46%, 0.6%

LAB 49.9, 29.14, -47.52

 

CMYK 27 / 48 / 0 / 22

HEX #9269C8

RGB 146 105 200

HSL 265.89, 0.46%, 0.6%

LAB 52.27, 35.76, -43.61

 

CMYK 14 / 48 / 0 / 22

HEX #AC69C8

RGB 172 105 200

HSL 282.32, 0.46%, 0.6%

LAB 55.12, 43.06, -38.93

 

CMYK 1 / 48 / 0 / 22

HEX #C669C8

RGB 198 105 200

HSL 298.74, 0.46%, 0.6%

LAB 58.3, 50.54, -33.72

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

CMYK 48 / 48 / 0 / 22

HEX #6969C8

RGB 105 105 200

HSL 240, 0.46%, 0.6%

LAB 48.61, 25.24, -49.66

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

CMYK 59 / 53 / 0 / 15

HEX #5865D9

RGB 88 101 217

HSL 233.95, 0.63%, 0.6%

LAB 47.48, 29.6, -61.24

 

CMYK 69 / 62 / 0 / 9

HEX #4858E9

RGB 72 88 233

HSL 234.04, 0.79%, 0.6%

LAB 44.58, 40.55, -75.08

 

CMYK 78 / 70 / 0 / 2

HEX #374BFA

RGB 55 75 250

HSL 233.85, 0.95%, 0.6%

LAB 42.38, 52.29, -88.27

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

CMYK 34 / 30 / 0 / 28

HEX #7980B8

RGB 121 128 184

HSL 233.33, 0.31%, 0.6%

LAB 55.04, 10.96, -30.27

 

CMYK 17 / 16 / 0 / 35

HEX #8A8DA7

RGB 138 141 167

HSL 233.79, 0.14%, 0.6%

LAB 59.2, 4.48, -14.06

 

CMYK 0 / 0 / 2 / 40

HEX #9A9A97

RGB 154 154 151

HSL 60, 0.01%, 0.6%

LAB 63.52, -0.57, 1.56

 

CMYK 0 / 2 / 22 / 33

HEX #ABA786

RGB 171 167 134

HSL 53.51, 0.18%, 0.6%

LAB 68.03, -4.11, 17.62

 

CMYK 48 / 17 / 0 / 22

HEX #69A7C8

RGB 105 167 200

HSL 200.84, 0.46%, 0.6%

LAB 65.6, -11.03, -23.07

 

CMYK 48 / 30 / 0 / 22

HEX #698DC8

RGB 105 141 200

HSL 217.26, 0.46%, 0.6%

LAB 58.25, 3.6, -34.43

 

CMYK 48 / 42 / 0 / 22

HEX #6974C8

RGB 105 116 200

HSL 233.05, 0.46%, 0.6%

LAB 51.46, 18.53, -45.13

 

CMYK 41 / 48 / 0 / 22

HEX #7769C8

RGB 119 105 200

HSL 248.84, 0.46%, 0.6%

LAB 49.73, 28.63, -47.8

 

CMYK 28 / 48 / 0 / 22

HEX #9169C8

RGB 145 105 200

HSL 265.26, 0.46%, 0.6%

LAB 52.17, 35.48, -43.78

 

CMYK 64 / 57 / 0 / 36

HEX #3B46A4

RGB 59 70 164

HSL 233.71, 0.47%, 0.44%

LAB 33.96, 26.03, -52.28

 

CMYK 61 / 55 / 0 / 25

HEX #4A56BE

RGB 74 86 190

HSL 233.79, 0.47%, 0.52%

LAB 40.94, 27.41, -56.31

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

CMYK 36 / 32 / 0 / 17

HEX #878FD3

RGB 135 143 211

HSL 233.68, 0.46%, 0.68%

LAB 61.22, 13.44, -35.83

 

CMYK 26 / 23 / 0 / 13

HEX #A5ABDE

RGB 165 171 222

HSL 233.68, 0.46%, 0.76%

LAB 71.15, 9, -26.39

 

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

CMYK 0 / 48 / 4 / 22

HEX #C869C0

RGB 200 105 192

HSL 305.05, 0.46%, 0.6%

LAB 58.22, 49.69, -29.27

 

CMYK 23 / 0 / 48 / 22

HEX #9AC869

RGB 154 200 105

HSL 89.05, 0.46%, 0.6%

LAB 75.57, -31.19, 42.45

 

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

CMYK 0 / 48 / 42 / 22

HEX #C86974

RGB 200 105 116

HSL 353.05, 0.46%, 0.6%

LAB 55.73, 38.74, 11.13

 

CMYK 42 / 0 / 48 / 22

HEX #74C869

RGB 116 200 105

HSL 113.05, 0.46%, 0.6%

LAB 73.57, -44.12, 39.53

 

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

CMYK 0 / 48 / 4 / 22

HEX #C869C0

RGB 200 105 192

HSL 305.05, 0.46%, 0.6%

LAB 58.22, 49.69, -29.27

 

CMYK 0 / 5 / 48 / 22

HEX #C8BD69

RGB 200 189 105

HSL 53.05, 0.46%, 0.6%

LAB 75.88, -7.6, 43.59

 

CMYK 48 / 0 / 44 / 22

HEX #69C871

RGB 105 200 113

HSL 125.05, 0.46%, 0.6%

LAB 73.22, -46.2, 34.97

 

CMYK 48 / 43 / 0 / 21

HEX #6872C9

RGB 104 114 201

HSL 233.81, 0.47%, 0.6%

LAB 50.91, 19.82, -46.56

 

CMYK 0 / 48 / 18 / 22

HEX #C869A4

RGB 200 105 164

HSL 322.74, 0.46%, 0.6%

LAB 57.14, 45.08, -14.82

 

CMYK 0 / 5 / 48 / 22

HEX #C8BD69

RGB 200 189 105

HSL 53.05, 0.46%, 0.6%

LAB 75.88, -7.6, 43.59

 

CMYK 48 / 0 / 30 / 22

HEX #69C88D

RGB 105 200 141

HSL 142.74, 0.46%, 0.6%

LAB 73.7, -41.39, 21.03

 

Description

Color code: HEX #6872C9 | qconv.com Color code: HEX #6872C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 114 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 114 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 43 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 43% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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