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Color name
HEX #686C1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686C1D it is the complementary color #9793E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686C1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686C1D shade: #6D6C18, #7E7E2B, #8F903E, #A0A251 and #B1B464

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686C1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686C1D shade: #686C1D, #575A0A, #464800, #353600 and #242400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686C1D shade: #686C1C, #6C5B1C, #6C451C, #6C301C and #6C1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686C1D shade: #686C1C, #536C1C, #3D6C1C, #286C1C and #1C6C27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686C1D shade matches the following richer shades: #686C1C, #727711 and #7C8306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686C1D shade: #686C1C, #5E6128, #545633, #4A4B3E and #404049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686C1D shade: #6C461C, #6C5B1C, #686C1C, #536C1C and #3E6C1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686C1D shade: #292B0B, #494C14, #686C1C, #888D25 and #A7AD2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686C1D shade: #686C1D, #1C6C30 and #501C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686C1D shade: #686C1D, #1C686C and #6C1C68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686C1D shade: #686C1D, #1C6C30, #201C6C and #6C1C58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686C1D shade: #686C1D, #1C6C48, #201C6C and #6C1C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

Complementary color

CMYK 33 / 35 / 0 / 11

HEX #9793E2

RGB 151 147 226

HSL 243.04, 0.58%, 0.73%

LAB 64.11, 19.53, -39.57

 

CMYK 0 / 1 / 78 / 57

HEX #6D6C18

RGB 109 108 24

HSL 59.29, 0.64%, 0.26%

LAB 44.29, -10.21, 43.88

 

CMYK 0 / 0 / 66 / 51

HEX #7E7E2B

RGB 126 126 43

HSL 60, 0.49%, 0.33%

LAB 51.3, -11.17, 43.54

 

CMYK 1 / 0 / 57 / 44

HEX #8F903E

RGB 143 144 62

HSL 60.73, 0.4%, 0.4%

LAB 58.16, -11.89, 42.62

 

CMYK 1 / 0 / 50 / 36

HEX #A0A251

RGB 160 162 81

HSL 61.48, 0.33%, 0.48%

LAB 64.89, -12.43, 41.47

 

CMYK 2 / 0 / 44 / 29

HEX #B1B464

RGB 177 180 100

HSL 62.25, 0.35%, 0.55%

LAB 71.49, -12.86, 40.27

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 3 / 0 / 89 / 65

HEX #575A0A

RGB 87 90 10

HSL 62.25, 0.8%, 0.2%

LAB 36.67, -11.22, 40.91

 

CMYK 3 / 0 / 100 / 72

HEX #464800

RGB 70 72 0

HSL 61.67, 1%, 0.14%

LAB 29.25, -9.69, 37.7

 

CMYK 2 / 0 / 100 / 79

HEX #353600

RGB 53 54 0

HSL 61.11, 1%, 0.11%

LAB 21.56, -7.71, 29.9

 

CMYK 0 / 0 / 100 / 86

HEX #242400

RGB 36 36 0

HSL 60, 1%, 0.07%

LAB 13.45, -5.61, 19.7

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 0 / 16 / 74 / 58

HEX #6C5B1C

RGB 108 91 28

HSL 47.25, 0.59%, 0.27%

LAB 39.16, -0.67, 37.22

 

CMYK 0 / 36 / 74 / 58

HEX #6C451C

RGB 108 69 28

HSL 30.75, 0.59%, 0.27%

LAB 32.98, 12.67, 30.79

 

CMYK 0 / 56 / 74 / 58

HEX #6C301C

RGB 108 48 28

HSL 15, 0.59%, 0.27%

LAB 27.81, 25.17, 25.1

 

CMYK 0 / 74 / 74 / 58

HEX #6C1C1C

RGB 108 28 28

HSL 0, 0.59%, 0.27%

LAB 24.01, 35.22, 20.7

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 23 / 0 / 74 / 58

HEX #536C1C

RGB 83 108 28

HSL 78.75, 0.59%, 0.27%

LAB 42.23, -21.91, 39.6

 

CMYK 44 / 0 / 74 / 58

HEX #3D6C1C

RGB 61 108 28

HSL 95.25, 0.59%, 0.27%

LAB 40.9, -30.82, 37.82

 

CMYK 63 / 0 / 74 / 58

HEX #286C1C

RGB 40 108 28

HSL 111, 0.59%, 0.27%

LAB 40.02, -37.53, 36.63

 

CMYK 74 / 0 / 64 / 58

HEX #1C6C27

RGB 28 108 39

HSL 128.25, 0.59%, 0.27%

LAB 39.78, -39.07, 31.17

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 4 / 0 / 86 / 53

HEX #727711

RGB 114 119 17

HSL 62.94, 0.75%, 0.27%

LAB 48.02, -14.2, 49.6

 

CMYK 5 / 0 / 95 / 49

HEX #7C8306

RGB 124 131 6

HSL 63.36, 0.91%, 0.27%

LAB 52.43, -16.26, 55.84

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 3 / 0 / 59 / 62

HEX #5E6128

RGB 94 97 40

HSL 63.16, 0.42%, 0.27%

LAB 39.72, -9.98, 31.53

 

CMYK 2 / 0 / 41 / 66

HEX #545633

RGB 84 86 51

HSL 63.43, 0.26%, 0.27%

LAB 35.56, -6.99, 20.12

 

CMYK 1 / 0 / 17 / 71

HEX #4A4B3E

RGB 74 75 62

HSL 64.62, 0.09%, 0.27%

LAB 31.43, -3.06, 7.62

 

CMYK 12 / 12 / 0 / 71

HEX #404049

RGB 64 64 73

HSL 240, 0.07%, 0.27%

LAB 27.4, 2.13, -5.45

 

CMYK 0 / 35 / 74 / 58

HEX #6C461C

RGB 108 70 28

HSL 31.5, 0.59%, 0.27%

LAB 33.25, 12.05, 31.08

 

CMYK 0 / 16 / 74 / 58

HEX #6C5B1C

RGB 108 91 28

HSL 47.25, 0.59%, 0.27%

LAB 39.16, -0.67, 37.22

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 23 / 0 / 74 / 58

HEX #536C1C

RGB 83 108 28

HSL 78.75, 0.59%, 0.27%

LAB 42.23, -21.91, 39.6

 

CMYK 43 / 0 / 74 / 58

HEX #3E6C1C

RGB 62 108 28

HSL 94.5, 0.59%, 0.27%

LAB 40.95, -30.45, 37.89

 

CMYK 5 / 0 / 74 / 83

HEX #292B0B

RGB 41 43 11

HSL 63.75, 0.59%, 0.11%

LAB 16.62, -6.37, 19.37

 

CMYK 4 / 0 / 74 / 70

HEX #494C14

RGB 73 76 20

HSL 63.21, 0.58%, 0.19%

LAB 30.96, -9.52, 31.43

 

CMYK 4 / 0 / 74 / 58

HEX #686C1C

RGB 104 108 28

HSL 63, 0.59%, 0.27%

LAB 43.88, -12.36, 41.78

 

CMYK 4 / 0 / 74 / 45

HEX #888D25

RGB 136 141 37

HSL 62.88, 0.58%, 0.35%

LAB 56.5, -15.06, 51.49

 

CMYK 3 / 0 / 73 / 32

HEX #A7AD2E

RGB 167 173 46

HSL 62.83, 0.58%, 0.43%

LAB 68.24, -17.56, 60.36

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 74 / 0 / 56 / 58

HEX #1C6C30

RGB 28 108 48

HSL 135, 0.59%, 0.27%

LAB 39.89, -37.76, 26.61

 

CMYK 26 / 74 / 0 / 58

HEX #501C6C

RGB 80 28 108

HSL 279, 0.59%, 0.27%

LAB 22.37, 38.35, -36.09

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 74 / 4 / 0 / 58

HEX #1C686C

RGB 28 104 108

HSL 183, 0.59%, 0.27%

LAB 39.97, -20.87, -8.89

 

CMYK 0 / 74 / 4 / 58

HEX #6C1C68

RGB 108 28 104

HSL 303, 0.59%, 0.27%

LAB 26.79, 44.3, -26.17

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 74 / 0 / 56 / 58

HEX #1C6C30

RGB 28 108 48

HSL 135, 0.59%, 0.27%

LAB 39.89, -37.76, 26.61

 

CMYK 70 / 74 / 0 / 58

HEX #201C6C

RGB 32 28 108

HSL 243, 0.59%, 0.27%

LAB 16.6, 29.19, -45.73

 

CMYK 0 / 74 / 19 / 58

HEX #6C1C58

RGB 108 28 88

HSL 315, 0.59%, 0.27%

LAB 25.93, 41.63, -17.04

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 74 / 0 / 33 / 58

HEX #1C6C48

RGB 28 108 72

HSL 153, 0.59%, 0.27%

LAB 40.31, -33.03, 13.43

 

CMYK 70 / 74 / 0 / 58

HEX #201C6C

RGB 32 28 108

HSL 243, 0.59%, 0.27%

LAB 16.6, 29.19, -45.73

 

CMYK 0 / 74 / 41 / 58

HEX #6C1C40

RGB 108 28 64

HSL 333, 0.59%, 0.27%

LAB 24.92, 38.33, -2.48

 

Description

Color code: HEX #686C1D | qconv.com Color code: HEX #686C1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 108 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 108 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 73 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 73% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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