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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6864A9 it is the complementary color #979B56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6864A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6864A9 shade: #6D64A4, #7E76B7, #8F88CA, #A09ADD and #B1ACF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6864A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6864A9 shade: #6864A9, #575296, #464083, #352E70 and #241C5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6864A9 shade: #6864A9, #7B64A9, #8D64A9, #A064A9 and #A964A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6864A9 shade: #6864A9 and #6464A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6864A9 shade matches the following richer shades: #6864A9, #5751BD, #463DD0, #342AE4 and #2316F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6864A9 shade: #6864A9, #797796, #8A8B83, #9B9E6F and #ACB15C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6864A9 shade: #6485A9, #6473A9, #6764A9, #7A64A9 and #8C64A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6864A9 shade: #454279, #555193, #6864A9, #827FB8 and #9C99C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6864A9 shade: #6864A9, #A96498 and #7CA964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6864A9 shade: #6864A9, #A96764 and #64A967

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6864A9 shade: #6864A9, #A96498, #A6A964 and #64A975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6864A9 shade: #6864A9, #A96483, #A6A964 and #64A98A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

Complementary color

CMYK 3 / 0 / 45 / 39

HEX #979B56

RGB 151 155 86

HSL 63.48, 0.29%, 0.47%

LAB 62.25, -12.02, 35.55

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 31 / 36 / 0 / 28

HEX #7E76B7

RGB 126 118 183

HSL 247.38, 0.31%, 0.59%

LAB 52.74, 18.09, -33.24

 

CMYK 29 / 33 / 0 / 21

HEX #8F88CA

RGB 143 136 202

HSL 246.36, 0.38%, 0.66%

LAB 59.63, 17.42, -33.21

 

CMYK 28 / 30 / 0 / 13

HEX #A09ADD

RGB 160 154 221

HSL 245.37, 0.5%, 0.74%

LAB 66.37, 16.83, -33.23

 

CMYK 26 / 28 / 0 / 6

HEX #B1ACF0

RGB 177 172 240

HSL 244.41, 0.69%, 0.81%

LAB 72.99, 16.3, -33.29

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 42 / 45 / 0 / 41

HEX #575296

RGB 87 82 150

HSL 244.41, 0.29%, 0.45%

LAB 38.31, 19.85, -36.76

 

CMYK 47 / 51 / 0 / 49

HEX #464083

RGB 70 64 131

HSL 245.37, 0.34%, 0.38%

LAB 30.9, 21.07, -37.04

 

CMYK 53 / 59 / 0 / 56

HEX #352E70

RGB 53 46 112

HSL 246.36, 0.42%, 0.31%

LAB 23.27, 22.58, -37.38

 

CMYK 61 / 70 / 0 / 64

HEX #241C5D

RGB 36 28 93

HSL 247.38, 0.54%, 0.24%

LAB 15.47, 24.44, -37.69

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 27 / 41 / 0 / 34

HEX #7B64A9

RGB 123 100 169

HSL 260, 0.29%, 0.53%

LAB 47.22, 24.32, -33.77

 

CMYK 17 / 41 / 0 / 34

HEX #8D64A9

RGB 141 100 169

HSL 275.65, 0.29%, 0.53%

LAB 49.06, 29.81, -30.76

 

CMYK 5 / 41 / 0 / 34

HEX #A064A9

RGB 160 100 169

HSL 292.17, 0.29%, 0.53%

LAB 51.21, 35.76, -27.25

 

CMYK 0 / 41 / 5 / 34

HEX #A964A0

RGB 169 100 160

HSL 307.83, 0.29%, 0.53%

LAB 51.94, 36.93, -20.78

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 41 / 41 / 0 / 34

HEX #6464A9

RGB 100 100 169

HSL 240, 0.29%, 0.53%

LAB 45.2, 17.76, -37.09

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 54 / 57 / 0 / 26

HEX #5751BD

RGB 87 81 189

HSL 243.33, 0.45%, 0.53%

LAB 40.55, 32.67, -56.32

 

CMYK 66 / 71 / 0 / 18

HEX #463DD0

RGB 70 61 208

HSL 243.67, 0.61%, 0.53%

LAB 36.35, 47.97, -74.27

 

CMYK 77 / 82 / 0 / 11

HEX #342AE4

RGB 52 42 228

HSL 243.23, 0.78%, 0.53%

LAB 33.96, 62.16, -89.78

 

CMYK 86 / 91 / 0 / 3

HEX #2316F7

RGB 35 22 247

HSL 243.47, 0.93%, 0.53%

LAB 33.24, 73.67, -101.78

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 19 / 21 / 0 / 41

HEX #797796

RGB 121 119 150

HSL 243.87, 0.13%, 0.53%

LAB 51.22, 7.58, -16.46

 

CMYK 1 / 0 / 6 / 45

HEX #8A8B83

RGB 138 139 131

HSL 67.5, 0.03%, 0.53%

LAB 57.57, -1.9, 4.14

 

CMYK 2 / 0 / 30 / 38

HEX #9B9E6F

RGB 155 158 111

HSL 63.83, 0.2%, 0.53%

LAB 63.81, -8.91, 24.26

 

CMYK 3 / 0 / 48 / 31

HEX #ACB15C

RGB 172 177 92

HSL 63.53, 0.35%, 0.53%

LAB 70.17, -14.17, 42.57

 

CMYK 41 / 21 / 0 / 34

HEX #6485A9

RGB 100 133 169

HSL 211.3, 0.29%, 0.53%

LAB 54.4, -2.1, -22.76

 

CMYK 41 / 32 / 0 / 34

HEX #6473A9

RGB 100 115 169

HSL 226.96, 0.29%, 0.53%

LAB 49.3, 8.57, -30.66

 

CMYK 39 / 41 / 0 / 34

HEX #6764A9

RGB 103 100 169

HSL 242.61, 0.29%, 0.53%

LAB 45.45, 18.58, -36.69

 

CMYK 28 / 41 / 0 / 34

HEX #7A64A9

RGB 122 100 169

HSL 259.13, 0.29%, 0.53%

LAB 47.13, 24.03, -33.93

 

CMYK 17 / 41 / 0 / 34

HEX #8C64A9

RGB 140 100 169

HSL 274.78, 0.29%, 0.53%

LAB 48.95, 29.5, -30.94

 

CMYK 43 / 45 / 0 / 53

HEX #454279

RGB 69 66 121

HSL 243.27, 0.29%, 0.37%

LAB 30.74, 16.31, -31.05

 

CMYK 42 / 45 / 0 / 42

HEX #555193

RGB 85 81 147

HSL 243.64, 0.29%, 0.45%

LAB 37.7, 19.04, -35.92

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 29 / 31 / 0 / 28

HEX #827FB8

RGB 130 127 184

HSL 243.16, 0.29%, 0.61%

LAB 55.47, 14.21, -29.54

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 0 / 41 / 10 / 34

HEX #A96498

RGB 169 100 152

HSL 314.78, 0.29%, 0.53%

LAB 51.63, 35.49, -16.55

 

CMYK 27 / 0 / 41 / 34

HEX #7CA964

RGB 124 169 100

HSL 99.13, 0.29%, 0.53%

LAB 64.63, -28.03, 30.83

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 0 / 39 / 41 / 34

HEX #A96764

RGB 169 103 100

HSL 2.61, 0.29%, 0.53%

LAB 50.75, 26.15, 12.97

 

CMYK 41 / 0 / 39 / 34

HEX #64A967

RGB 100 169 103

HSL 122.61, 0.29%, 0.53%

LAB 63.4, -35.73, 27.39

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 0 / 41 / 10 / 34

HEX #A96498

RGB 169 100 152

HSL 314.78, 0.29%, 0.53%

LAB 51.63, 35.49, -16.55

 

CMYK 2 / 0 / 41 / 34

HEX #A6A964

RGB 166 169 100

HSL 62.61, 0.29%, 0.53%

LAB 67.58, -11.64, 35.2

 

CMYK 41 / 0 / 31 / 34

HEX #64A975

RGB 100 169 117

HSL 134.78, 0.29%, 0.53%

LAB 63.65, -33.3, 20.17

 

CMYK 38 / 41 / 0 / 34

HEX #6864A9

RGB 104 100 169

HSL 243.48, 0.29%, 0.53%

LAB 45.53, 18.85, -36.56

 

CMYK 0 / 41 / 22 / 34

HEX #A96483

RGB 169 100 131

HSL 333.04, 0.29%, 0.53%

LAB 50.91, 32.04, -5.22

 

CMYK 2 / 0 / 41 / 34

HEX #A6A964

RGB 166 169 100

HSL 62.61, 0.29%, 0.53%

LAB 67.58, -11.64, 35.2

 

CMYK 41 / 0 / 18 / 34

HEX #64A98A

RGB 100 169 138

HSL 153.04, 0.29%, 0.53%

LAB 64.1, -29.08, 9.22

 

Description

Color code: HEX #6864A9 | qconv.com Color code: HEX #6864A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 100 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 100 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 41 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 41% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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