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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #684EAF it is the complementary color #97B150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #684EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #684EAF shade: #6D4EAA, #7E60BD, #8F72D0, #A084E3 and #B196F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #684EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #684EAF shade: #684EAF, #573C9C, #462A89, #351876 and #240663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #684EAF shade: #694FAF, #834FAF, #9D4FAF, #AF4FA8 and #AF4F8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #684EAF shade: #694FAF and #4F4FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #684EAF shade matches the following richer shades: #694FAF, #5F3AC4, #5525D9 and #4C11ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #684EAF shade: #694FAF, #72639B, #7C7886, #858C72 and #8FA15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #684EAF shade: #4F68AF, #4F4FAF, #684FAF, #824FAF and #9C4FAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #684EAF shade: #473577, #584293, #694FAF, #816BBC and #9987C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #684EAF shade: #684EAF, #AF4F82 and #5BAF4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #684EAF shade: #684EAF, #AF684F and #4FAF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #684EAF shade: #684EAF, #AF4F82, #96AF4F and #4FAF7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #684EAF shade: #684EAF, #AF4F65, #96AF4F and #4FAF99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

Complementary color

CMYK 15 / 0 / 55 / 31

HEX #97B150

RGB 151 177 80

HSL 76.08, 0.38%, 0.5%

LAB 68.46, -23.89, 45.99

 

CMYK 36 / 54 / 0 / 33

HEX #6D4EAA

RGB 109 78 170

HSL 260.22, 0.37%, 0.49%

LAB 40.58, 33.85, -44.99

 

CMYK 33 / 49 / 0 / 26

HEX #7E60BD

RGB 126 96 189

HSL 259.35, 0.41%, 0.56%

LAB 47.59, 32.76, -44.83

 

CMYK 31 / 45 / 0 / 18

HEX #8F72D0

RGB 143 114 208

HSL 258.51, 0.5%, 0.63%

LAB 54.48, 31.77, -44.69

 

CMYK 30 / 42 / 0 / 11

HEX #A084E3

RGB 160 132 227

HSL 257.68, 0.63%, 0.7%

LAB 61.24, 30.88, -44.58

 

CMYK 28 / 39 / 0 / 4

HEX #B196F6

RGB 177 150 246

HSL 256.88, 0.84%, 0.78%

LAB 67.88, 30.06, -44.51

 

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

CMYK 44 / 62 / 0 / 39

HEX #573C9C

RGB 87 60 156

HSL 256.88, 0.44%, 0.42%

LAB 33.26, 35.31, -48.48

 

CMYK 49 / 69 / 0 / 46

HEX #462A89

RGB 70 42 137

HSL 257.68, 0.53%, 0.35%

LAB 26.05, 36.66, -48.6

 

CMYK 55 / 80 / 0 / 54

HEX #351876

RGB 53 24 118

HSL 258.51, 0.66%, 0.28%

LAB 18.88, 37.82, -48.39

 

CMYK 64 / 94 / 0 / 61

HEX #240663

RGB 36 6 99

HSL 259.35, 0.89%, 0.21%

LAB 12, 38.11, -47.39

 

CMYK 40 / 55 / 0 / 31

HEX #694FAF

RGB 105 79 175

HSL 256.25, 0.38%, 0.5%

LAB 40.72, 33.65, -47.74

 

CMYK 25 / 55 / 0 / 31

HEX #834FAF

RGB 131 79 175

HSL 272.5, 0.38%, 0.5%

LAB 43.53, 40.29, -43.09

 

CMYK 10 / 55 / 0 / 31

HEX #9D4FAF

RGB 157 79 175

HSL 288.75, 0.38%, 0.5%

LAB 46.78, 47.32, -37.72

 

CMYK 0 / 55 / 4 / 31

HEX #AF4FA8

RGB 175 79 168

HSL 304.38, 0.38%, 0.5%

LAB 48.92, 51.02, -30.07

 

CMYK 0 / 55 / 19 / 31

HEX #AF4F8E

RGB 175 79 142

HSL 320.63, 0.38%, 0.5%

LAB 47.83, 46.76, -16.33

 

CMYK 40 / 55 / 0 / 31

HEX #694FAF

RGB 105 79 175

HSL 256.25, 0.38%, 0.5%

LAB 40.72, 33.65, -47.74

 

CMYK 55 / 55 / 0 / 31

HEX #4F4FAF

RGB 79 79 175

HSL 240, 0.38%, 0.5%

LAB 38.46, 27.78, -51.49

 

CMYK 40 / 55 / 0 / 31

HEX #694FAF

RGB 105 79 175

HSL 256.25, 0.38%, 0.5%

LAB 40.72, 33.65, -47.74

 

CMYK 52 / 70 / 0 / 23

HEX #5F3AC4

RGB 95 58 196

HSL 256.09, 0.54%, 0.5%

LAB 36.83, 49.5, -66.44

 

CMYK 61 / 83 / 0 / 15

HEX #5525D9

RGB 85 37 217

HSL 256, 0.71%, 0.5%

LAB 34.53, 63.55, -82.44

 

CMYK 68 / 93 / 0 / 7

HEX #4C11ED

RGB 76 17 237

HSL 256.09, 0.87%, 0.5%

LAB 34.09, 73.69, -94.63

 

CMYK 40 / 55 / 0 / 31

HEX #694FAF

RGB 105 79 175

HSL 256.25, 0.38%, 0.5%

LAB 40.72, 33.65, -47.74

 

CMYK 26 / 36 / 0 / 39

HEX #72639B

RGB 114 99 155

HSL 256.07, 0.22%, 0.5%

LAB 45.45, 18.58, -28.35

 

CMYK 7 / 10 / 0 / 47

HEX #7C7886

RGB 124 120 134

HSL 257.14, 0.06%, 0.5%

LAB 51.2, 4.4, -7.08

 

CMYK 5 / 0 / 19 / 45

HEX #858C72

RGB 133 140 114

HSL 76.15, 0.1%, 0.5%

LAB 57.03, -7.4, 13.05

 

CMYK 11 / 0 / 42 / 37

HEX #8FA15D

RGB 143 161 93

HSL 75.88, 0.27%, 0.5%

LAB 63.44, -17.65, 33.26

 

CMYK 55 / 41 / 0 / 31

HEX #4F68AF

RGB 79 104 175

HSL 224.38, 0.38%, 0.5%

LAB 45.16, 11.94, -40.77

 

CMYK 55 / 55 / 0 / 31

HEX #4F4FAF

RGB 79 79 175

HSL 240, 0.38%, 0.5%

LAB 38.46, 27.78, -51.49

 

CMYK 41 / 55 / 0 / 31

HEX #684FAF

RGB 104 79 175

HSL 255.63, 0.38%, 0.5%

LAB 40.62, 33.41, -47.9

 

CMYK 26 / 55 / 0 / 31

HEX #824FAF

RGB 130 79 175

HSL 271.88, 0.38%, 0.5%

LAB 43.41, 40.03, -43.29

 

CMYK 11 / 55 / 0 / 31

HEX #9C4FAF

RGB 156 79 175

HSL 288.13, 0.38%, 0.5%

LAB 46.65, 47.05, -37.94

 

CMYK 40 / 55 / 0 / 53

HEX #473577

RGB 71 53 119

HSL 256.36, 0.38%, 0.34%

LAB 27.35, 24.74, -35.19

 

CMYK 40 / 55 / 0 / 42

HEX #584293

RGB 88 66 147

HSL 256.3, 0.38%, 0.42%

LAB 34.14, 29.28, -41.59

 

CMYK 40 / 55 / 0 / 31

HEX #694FAF

RGB 105 79 175

HSL 256.25, 0.38%, 0.5%

LAB 40.72, 33.65, -47.74

 

CMYK 31 / 43 / 0 / 26

HEX #816BBC

RGB 129 107 188

HSL 256.3, 0.38%, 0.58%

LAB 50.47, 26.82, -39.67

 

CMYK 24 / 33 / 0 / 21

HEX #9987C9

RGB 153 135 201

HSL 256.36, 0.38%, 0.66%

LAB 60.17, 20.74, -31.74

 

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

CMYK 0 / 55 / 26 / 31

HEX #AF4F82

RGB 175 79 130

HSL 328.13, 0.38%, 0.5%

LAB 47.39, 45, -9.78

 

CMYK 48 / 0 / 55 / 31

HEX #5BAF4F

RGB 91 175 79

HSL 112.5, 0.38%, 0.5%

LAB 64.52, -44.54, 41

 

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

CMYK 0 / 41 / 55 / 31

HEX #AF684F

RGB 175 104 79

HSL 15.63, 0.38%, 0.5%

LAB 51.36, 25.87, 26.17

 

CMYK 55 / 0 / 41 / 31

HEX #4FAF68

RGB 79 175 104

HSL 135.63, 0.38%, 0.5%

LAB 64.42, -44.11, 28.05

 

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

CMYK 0 / 55 / 26 / 31

HEX #AF4F82

RGB 175 79 130

HSL 328.13, 0.38%, 0.5%

LAB 47.39, 45, -9.78

 

CMYK 14 / 0 / 55 / 31

HEX #96AF4F

RGB 150 175 79

HSL 75.63, 0.38%, 0.5%

LAB 67.81, -23.39, 45.68

 

CMYK 55 / 0 / 29 / 31

HEX #4FAF7C

RGB 79 175 124

HSL 148.13, 0.38%, 0.5%

LAB 64.79, -40.33, 17.77

 

CMYK 41 / 55 / 0 / 31

HEX #684EAF

RGB 104 78 175

HSL 256.08, 0.38%, 0.5%

LAB 40.39, 34, -48.28

 

CMYK 0 / 55 / 42 / 31

HEX #AF4F65

RGB 175 79 101

HSL 346.25, 0.38%, 0.5%

LAB 46.51, 41.36, 6.51

 

CMYK 14 / 0 / 55 / 31

HEX #96AF4F

RGB 150 175 79

HSL 75.63, 0.38%, 0.5%

LAB 67.81, -23.39, 45.68

 

CMYK 55 / 0 / 13 / 31

HEX #4FAF99

RGB 79 175 153

HSL 166.25, 0.38%, 0.5%

LAB 65.45, -33.73, 2.73

 

Description

Color code: HEX #684EAF | qconv.com Color code: HEX #684EAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 78 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 78 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 55 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 55% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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