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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683484 it is the complementary color #97CB7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683484 shade: #6D347F, #7E4692, #8F58A5, #A06AB8 and #B17CCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683484 shade: #683484, #572271, #46105E, #35004B and #240038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683484 shade: #673483, #7C3483, #833474, #83345F and #833449

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683484 shade: #673483, #523483, #3D3483 and #343483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683484 shade matches the following richer shades: #673483, #6C2592, #7016A0 and #7507AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683484 shade: #673483, #634374, #5E5265, #5A6056 and #556F47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683484 shade: #3D3483, #523483, #673483, #7C3483 and #833474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683484 shade: #391C48, #502865, #673483, #7E40A0 and #9450B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683484 shade: #683484, #833440 and #348348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683484 shade: #683484, #836734 and #348367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683484 shade: #683484, #833440, #4F8334 and #348377

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683484 shade: #683484, #834034, #4F8334 and #347783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

Complementary color

CMYK 26 / 0 / 39 / 20

HEX #97CB7B

RGB 151 203 123

HSL 99, 0.43%, 0.64%

LAB 76.51, -31.4, 34.56

 

CMYK 14 / 59 / 0 / 50

HEX #6D347F

RGB 109 52 127

HSL 285.6, 0.42%, 0.35%

LAB 32.35, 37.94, -31.97

 

CMYK 14 / 52 / 0 / 43

HEX #7E4692

RGB 126 70 146

HSL 284.21, 0.35%, 0.42%

LAB 39.4, 37.2, -32.36

 

CMYK 13 / 47 / 0 / 35

HEX #8F58A5

RGB 143 88 165

HSL 282.86, 0.3%, 0.5%

LAB 46.36, 36.37, -32.62

 

CMYK 13 / 42 / 0 / 28

HEX #A06AB8

RGB 160 106 184

HSL 281.54, 0.35%, 0.57%

LAB 53.21, 35.55, -32.83

 

CMYK 13 / 39 / 0 / 20

HEX #B17CCB

RGB 177 124 203

HSL 280.25, 0.43%, 0.64%

LAB 59.96, 34.76, -33.02

 

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

CMYK 23 / 70 / 0 / 56

HEX #572271

RGB 87 34 113

HSL 280.25, 0.54%, 0.29%

LAB 24.84, 38.28, -35.29

 

CMYK 26 / 83 / 0 / 63

HEX #46105E

RGB 70 16 94

HSL 281.54, 0.71%, 0.22%

LAB 17.83, 38.11, -34.3

 

CMYK 29 / 100 / 0 / 71

HEX #35004B

RGB 53 0 75

HSL 282.4, 1%, 0.15%

LAB 11.03, 36.78, -32.58

 

CMYK 36 / 100 / 0 / 78

HEX #240038

RGB 36 0 56

HSL 278.57, 1%, 0.11%

LAB 5.97, 29.07, -27.44

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 5 / 60 / 0 / 49

HEX #7C3483

RGB 124 52 131

HSL 294.68, 0.43%, 0.36%

LAB 34.76, 42.96, -30.5

 

CMYK 0 / 60 / 11 / 49

HEX #833474

RGB 131 52 116

HSL 311.39, 0.43%, 0.36%

LAB 35.09, 42.21, -20.55

 

CMYK 0 / 60 / 27 / 49

HEX #83345F

RGB 131 52 95

HSL 327.34, 0.43%, 0.36%

LAB 34.21, 38.9, -8.59

 

CMYK 0 / 60 / 44 / 49

HEX #833449

RGB 131 52 73

HSL 344.05, 0.43%, 0.36%

LAB 33.48, 36.08, 4.51

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 37 / 60 / 0 / 49

HEX #523483

RGB 82 52 131

HSL 262.78, 0.43%, 0.36%

LAB 29.13, 31.71, -39.81

 

CMYK 53 / 60 / 0 / 49

HEX #3D3483

RGB 61 52 131

HSL 246.84, 0.43%, 0.36%

LAB 26.98, 26.78, -43.38

 

CMYK 60 / 60 / 0 / 49

HEX #343483

RGB 52 52 131

HSL 240, 0.43%, 0.36%

LAB 26.23, 24.94, -44.64

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 26 / 75 / 0 / 43

HEX #6C2592

RGB 108 37 146

HSL 279.08, 0.6%, 0.36%

LAB 30.85, 49.15, -46.16

 

CMYK 30 / 86 / 0 / 37

HEX #7016A0

RGB 112 22 160

HSL 279.13, 0.76%, 0.36%

LAB 30.78, 58.06, -54.8

 

CMYK 33 / 96 / 0 / 31

HEX #7507AF

RGB 117 7 175

HSL 279.29, 0.92%, 0.36%

LAB 31.87, 64.75, -62.02

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 15 / 42 / 0 / 55

HEX #634374

RGB 99 67 116

HSL 279.18, 0.27%, 0.36%

LAB 33.83, 23.63, -22.84

 

CMYK 7 / 19 / 0 / 60

HEX #5E5265

RGB 94 82 101

HSL 277.89, 0.1%, 0.36%

LAB 36.66, 8.93, -9.17

 

CMYK 6 / 0 / 10 / 62

HEX #5A6056

RGB 90 96 86

HSL 96, 0.05%, 0.36%

LAB 39.93, -4.43, 4.91

 

CMYK 23 / 0 / 36 / 56

HEX #556F47

RGB 85 111 71

HSL 99, 0.22%, 0.36%

LAB 43.88, -17.67, 19.27

 

CMYK 53 / 60 / 0 / 49

HEX #3D3483

RGB 61 52 131

HSL 246.84, 0.43%, 0.36%

LAB 26.98, 26.78, -43.38

 

CMYK 37 / 60 / 0 / 49

HEX #523483

RGB 82 52 131

HSL 262.78, 0.43%, 0.36%

LAB 29.13, 31.71, -39.81

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 5 / 60 / 0 / 49

HEX #7C3483

RGB 124 52 131

HSL 294.68, 0.43%, 0.36%

LAB 34.76, 42.96, -30.5

 

CMYK 0 / 60 / 11 / 49

HEX #833474

RGB 131 52 116

HSL 311.39, 0.43%, 0.36%

LAB 35.09, 42.21, -20.55

 

CMYK 21 / 61 / 0 / 72

HEX #391C48

RGB 57 28 72

HSL 279.55, 0.44%, 0.2%

LAB 16.35, 23.23, -21.9

 

CMYK 21 / 60 / 0 / 60

HEX #502865

RGB 80 40 101

HSL 279.34, 0.43%, 0.28%

LAB 24.2, 30.3, -28.6

 

CMYK 21 / 60 / 0 / 49

HEX #673483

RGB 103 52 131

HSL 278.73, 0.43%, 0.36%

LAB 31.76, 37.21, -35.45

 

CMYK 21 / 60 / 0 / 37

HEX #7E40A0

RGB 126 64 160

HSL 278.75, 0.43%, 0.44%

LAB 38.97, 43.58, -41.48

 

CMYK 20 / 57 / 0 / 27

HEX #9450B9

RGB 148 80 185

HSL 278.86, 0.43%, 0.52%

LAB 46.36, 46.53, -44.32

 

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

CMYK 0 / 60 / 51 / 49

HEX #833440

RGB 131 52 64

HSL 350.89, 0.43%, 0.36%

LAB 33.25, 35.13, 10

 

CMYK 60 / 0 / 45 / 49

HEX #348348

RGB 52 131 72

HSL 135.19, 0.43%, 0.36%

LAB 48.8, -37.86, 24.82

 

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

CMYK 0 / 21 / 60 / 49

HEX #836734

RGB 131 103 52

HSL 38.73, 0.43%, 0.36%

LAB 45.32, 4.86, 32.62

 

CMYK 60 / 0 / 21 / 49

HEX #348367

RGB 52 131 103

HSL 158.73, 0.43%, 0.36%

LAB 49.43, -31.31, 8.01

 

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

CMYK 0 / 60 / 51 / 49

HEX #833440

RGB 131 52 64

HSL 350.89, 0.43%, 0.36%

LAB 33.25, 35.13, 10

 

CMYK 40 / 0 / 60 / 49

HEX #4F8334

RGB 79 131 52

HSL 99.49, 0.43%, 0.36%

LAB 49.67, -32.5, 36.61

 

CMYK 60 / 0 / 9 / 49

HEX #348377

RGB 52 131 119

HSL 170.89, 0.43%, 0.36%

LAB 49.85, -27.14, -0.73

 

CMYK 21 / 61 / 0 / 48

HEX #683484

RGB 104 52 132

HSL 279, 0.43%, 0.36%

LAB 31.95, 37.71, -35.75

 

CMYK 0 / 51 / 60 / 49

HEX #834034

RGB 131 64 52

HSL 9.11, 0.43%, 0.36%

LAB 35.48, 27.63, 20.58

 

CMYK 40 / 0 / 60 / 49

HEX #4F8334

RGB 79 131 52

HSL 99.49, 0.43%, 0.36%

LAB 49.67, -32.5, 36.61

 

CMYK 60 / 9 / 0 / 49

HEX #347783

RGB 52 119 131

HSL 189.11, 0.43%, 0.36%

LAB 46.4, -17.35, -12.96

 

Description

Color code: HEX #683484 | qconv.com Color code: HEX #683484 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 52 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 52 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 61 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 61% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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