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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #682812 it is the complementary color #97D7ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #682812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #682812 shade: #6D280D, #7E3A20, #8F4C33, #A05E46 and #B17059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #682812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #682812 shade: #682812, #571600, #460400, #350000 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #682812 shade: #682812 and #681212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #682812 shade: #682812, #683F12, #685612, #626812 and #4B6812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #682812 shade matches the following richer shades: #682812 and #712308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #682812 shade: #682812, #5E2D1C, #543126, #4A3630 and #403B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #682812 shade: #68122A, #681213, #682712, #683E12 and #685512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #682812 shade: #210D05, #441A0C, #682812, #8B3518 and #AE431E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #682812 shade: #682812, #416812 and #121F68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #682812 shade: #682812, #126827 and #271268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #682812 shade: #682812, #416812, #125268 and #381268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #682812 shade: #682812, #276812, #125268 and #521268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

Complementary color

CMYK 36 / 9 / 0 / 7

HEX #97D7ED

RGB 151 215 237

HSL 195.35, 0.7%, 0.76%

LAB 82.54, -14.88, -17.24

 

CMYK 0 / 63 / 88 / 57

HEX #6D280D

RGB 109 40 13

HSL 16.88, 0.79%, 0.24%

LAB 26.15, 29.27, 31.78

 

CMYK 0 / 54 / 75 / 51

HEX #7E3A20

RGB 126 58 32

HSL 16.6, 0.59%, 0.31%

LAB 33.06, 27.5, 29.46

 

CMYK 0 / 47 / 64 / 44

HEX #8F4C33

RGB 143 76 51

HSL 16.3, 0.47%, 0.38%

LAB 39.99, 25.87, 27.2

 

CMYK 0 / 41 / 56 / 37

HEX #A05E46

RGB 160 94 70

HSL 16, 0.39%, 0.45%

LAB 46.87, 24.43, 25.21

 

CMYK 0 / 37 / 50 / 31

HEX #B17059

RGB 177 112 89

HSL 15.68, 0.36%, 0.52%

LAB 53.66, 23.18, 23.49

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 75 / 100 / 66

HEX #571600

RGB 87 22 0

HSL 15.17, 1%, 0.17%

LAB 18.37, 28.89, 27.67

 

CMYK 0 / 94 / 100 / 73

HEX #460400

RGB 70 4 0

HSL 3.43, 1%, 0.14%

LAB 11.88, 29.87, 18.59

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 83 / 83 / 59

HEX #681212

RGB 104 18 18

HSL 0, 0.7%, 0.24%

LAB 21.65, 37.18, 24.25

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 39 / 83 / 59

HEX #683F12

RGB 104 63 18

HSL 31.4, 0.7%, 0.24%

LAB 30.74, 13.9, 33.35

 

CMYK 0 / 17 / 83 / 59

HEX #685612

RGB 104 86 18

HSL 47.44, 0.7%, 0.24%

LAB 37.19, -0.16, 39.37

 

CMYK 6 / 0 / 83 / 59

HEX #626812

RGB 98 104 18

HSL 64.19, 0.7%, 0.24%

LAB 42.06, -13.47, 43.56

 

CMYK 28 / 0 / 83 / 59

HEX #4B6812

RGB 75 104 18

HSL 80.23, 0.7%, 0.24%

LAB 40.31, -23.96, 41.32

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 69 / 93 / 56

HEX #712308

RGB 113 35 8

HSL 15.43, 0.87%, 0.24%

LAB 25.95, 33.2, 34.02

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 52 / 70 / 63

HEX #5E2D1C

RGB 94 45 28

HSL 15.45, 0.54%, 0.24%

LAB 24.77, 20.73, 20.97

 

CMYK 0 / 42 / 55 / 67

HEX #543126

RGB 84 49 38

HSL 14.35, 0.38%, 0.24%

LAB 24.39, 14.55, 13.72

 

CMYK 0 / 27 / 35 / 71

HEX #4A3630

RGB 74 54 48

HSL 13.85, 0.21%, 0.24%

LAB 24.66, 7.95, 7.24

 

CMYK 0 / 8 / 11 / 75

HEX #403B39

RGB 64 59 57

HSL 17.14, 0.06%, 0.24%

LAB 25.3, 1.74, 2.01

 

CMYK 0 / 83 / 60 / 59

HEX #68122A

RGB 104 18 42

HSL 343.26, 0.7%, 0.24%

LAB 22.1, 38.59, 8.54

 

CMYK 0 / 83 / 82 / 59

HEX #681213

RGB 104 18 19

HSL 359.3, 0.7%, 0.24%

LAB 21.66, 37.22, 23.64

 

CMYK 0 / 63 / 83 / 59

HEX #682712

RGB 104 39 18

HSL 14.65, 0.7%, 0.24%

LAB 25.07, 27.9, 27.78

 

CMYK 0 / 40 / 83 / 59

HEX #683E12

RGB 104 62 18

HSL 30.7, 0.7%, 0.24%

LAB 30.48, 14.51, 33.1

 

CMYK 0 / 18 / 83 / 59

HEX #685512

RGB 104 85 18

HSL 46.74, 0.7%, 0.24%

LAB 36.9, 0.44, 39.1

 

CMYK 0 / 61 / 85 / 87

HEX #210D05

RGB 33 13 5

HSL 17.14, 0.74%, 0.07%

LAB 5.62, 8.49, 6.52

 

CMYK 0 / 62 / 82 / 73

HEX #441A0C

RGB 68 26 12

HSL 15, 0.7%, 0.16%

LAB 15.46, 19.19, 18.29

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 0 / 62 / 83 / 45

HEX #8B3518

RGB 139 53 24

HSL 15.13, 0.71%, 0.32%

LAB 34.19, 35.08, 35.68

 

CMYK 0 / 61 / 83 / 32

HEX #AE431E

RGB 174 67 30

HSL 15.42, 0.71%, 0.4%

LAB 42.92, 41.9, 43.13

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 38 / 0 / 83 / 59

HEX #416812

RGB 65 104 18

HSL 87.21, 0.7%, 0.24%

LAB 39.69, -28.12, 40.52

 

CMYK 83 / 70 / 0 / 59

HEX #121F68

RGB 18 31 104

HSL 230.93, 0.7%, 0.24%

LAB 16.04, 23.97, -44.07

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 83 / 0 / 63 / 59

HEX #126827

RGB 18 104 39

HSL 134.65, 0.7%, 0.24%

LAB 38.16, -39.27, 29.24

 

CMYK 63 / 83 / 0 / 59

HEX #271268

RGB 39 18 104

HSL 254.65, 0.7%, 0.24%

LAB 14.75, 34.6, -46.13

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 38 / 0 / 83 / 59

HEX #416812

RGB 65 104 18

HSL 87.21, 0.7%, 0.24%

LAB 39.69, -28.12, 40.52

 

CMYK 83 / 21 / 0 / 59

HEX #125268

RGB 18 82 104

HSL 195.35, 0.7%, 0.24%

LAB 32.17, -11.19, -18.31

 

CMYK 46 / 83 / 0 / 59

HEX #381268

RGB 56 18 104

HSL 266.51, 0.7%, 0.24%

LAB 16.86, 37.16, -42.6

 

CMYK 0 / 62 / 83 / 59

HEX #682812

RGB 104 40 18

HSL 15.35, 0.7%, 0.24%

LAB 25.27, 27.37, 27.99

 

CMYK 63 / 0 / 83 / 59

HEX #276812

RGB 39 104 18

HSL 105.35, 0.7%, 0.24%

LAB 38.51, -37.02, 38.98

 

CMYK 83 / 21 / 0 / 59

HEX #125268

RGB 18 82 104

HSL 195.35, 0.7%, 0.24%

LAB 32.17, -11.19, -18.31

 

CMYK 21 / 83 / 0 / 59

HEX #521268

RGB 82 18 104

HSL 284.65, 0.7%, 0.24%

LAB 20.93, 42.05, -35.8

 

Description

Color code: HEX #682812 | qconv.com Color code: HEX #682812 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 40 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 40 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 83 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 83% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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