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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #680C72 it is the complementary color #97F38D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #680C72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #680C72 shade: #6D0C6D, #7E1E80, #8F3093, #A042A6 and #B154B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #680C72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #680C72 shade: #680C72, #57005F, #46004C, #350039 and #240026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #680C72 shade: #690C73, #730C61, #730C45, #730C29 and #730C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #680C72 shade: #690C73, #4D0C73, #310C73, #150C73 and #0C0C73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #680C72 shade matches the following richer shades: #690C73 and #71017D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #680C72 shade: #690C73, #601669, #58205E, #502B54 and #48354A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #680C72 shade: #310C73, #4D0C73, #690C73, #730C62 and #730C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #680C72 shade: #250428, #47084E, #690C73, #8B1098 and #AD13BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #680C72 shade: #680C72, #73160C and #0C733F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #680C72 shade: #680C72, #73690C and #0C7369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #680C72 shade: #680C72, #73160C, #16730C and #0C6973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #680C72 shade: #680C72, #73350C, #16730C and #0C4A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

Complementary color

CMYK 38 / 0 / 42 / 5

HEX #97F38D

RGB 151 243 141

HSL 114.12, 0.81%, 0.75%

LAB 88.26, -46.78, 40.7

 

CMYK 0 / 89 / 0 / 57

HEX #6D0C6D

RGB 109 12 109

HSL 300, 0.8%, 0.24%

LAB 25.62, 50.17, -31.25

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 3 / 67 / 0 / 42

HEX #8F3093

RGB 143 48 147

HSL 297.58, 0.51%, 0.38%

LAB 37.95, 52.72, -35.09

 

CMYK 4 / 60 / 0 / 35

HEX #A042A6

RGB 160 66 166

HSL 296.4, 0.43%, 0.45%

LAB 44.41, 52.67, -36.13

 

CMYK 4 / 55 / 0 / 27

HEX #B154B9

RGB 177 84 185

HSL 295.25, 0.42%, 0.53%

LAB 50.91, 52.25, -36.87

 

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

CMYK 8 / 100 / 0 / 63

HEX #57005F

RGB 87 0 95

HSL 294.95, 1%, 0.19%

LAB 19.44, 46.27, -32.21

 

CMYK 8 / 100 / 0 / 70

HEX #46004C

RGB 70 0 76

HSL 295.26, 1%, 0.15%

LAB 14.53, 39.81, -27.43

 

CMYK 7 / 100 / 0 / 78

HEX #350039

RGB 53 0 57

HSL 295.79, 1%, 0.11%

LAB 9.42, 33.07, -22.42

 

CMYK 5 / 100 / 0 / 85

HEX #240026

RGB 36 0 38

HSL 296.84, 1%, 0.07%

LAB 4.65, 23.3, -16.05

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 0 / 90 / 16 / 55

HEX #730C61

RGB 115 12 97

HSL 310.49, 0.81%, 0.25%

LAB 26.07, 49.55, -22.65

 

CMYK 0 / 90 / 40 / 55

HEX #730C45

RGB 115 12 69

HSL 326.8, 0.81%, 0.25%

LAB 24.76, 45.94, -5.97

 

CMYK 0 / 90 / 64 / 55

HEX #730C29

RGB 115 12 41

HSL 343.11, 0.81%, 0.25%

LAB 23.89, 43.47, 12.07

 

CMYK 0 / 90 / 88 / 55

HEX #730C0E

RGB 115 12 14

HSL 358.83, 0.81%, 0.25%

LAB 23.47, 42.22, 29.14

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 33 / 90 / 0 / 55

HEX #4D0C73

RGB 77 12 115

HSL 277.86, 0.81%, 0.25%

LAB 20.36, 45.5, -43.91

 

CMYK 57 / 90 / 0 / 55

HEX #310C73

RGB 49 12 115

HSL 261.55, 0.81%, 0.25%

LAB 16.27, 41.67, -50.76

 

CMYK 82 / 90 / 0 / 55

HEX #150C73

RGB 21 12 115

HSL 245.24, 0.81%, 0.25%

LAB 13.59, 39.35, -55.29

 

CMYK 90 / 90 / 0 / 55

HEX #0C0C73

RGB 12 12 115

HSL 240, 0.81%, 0.25%

LAB 13.1, 38.95, -56.12

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 10 / 99 / 0 / 51

HEX #71017D

RGB 113 1 125

HSL 294.19, 0.98%, 0.25%

LAB 26.77, 55.72, -39.59

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 9 / 79 / 0 / 59

HEX #601669

RGB 96 22 105

HSL 293.49, 0.65%, 0.25%

LAB 23.94, 43.84, -31.48

 

CMYK 6 / 66 / 0 / 63

HEX #58205E

RGB 88 32 94

HSL 294.19, 0.49%, 0.25%

LAB 23.39, 35.32, -25.23

 

CMYK 5 / 49 / 0 / 67

HEX #502B54

RGB 80 43 84

HSL 294.15, 0.32%, 0.25%

LAB 23.91, 24.5, -17.88

 

CMYK 3 / 28 / 0 / 71

HEX #48354A

RGB 72 53 74

HSL 294.29, 0.17%, 0.25%

LAB 25.01, 12.83, -9.64

 

CMYK 57 / 90 / 0 / 55

HEX #310C73

RGB 49 12 115

HSL 261.55, 0.81%, 0.25%

LAB 16.27, 41.67, -50.76

 

CMYK 33 / 90 / 0 / 55

HEX #4D0C73

RGB 77 12 115

HSL 277.86, 0.81%, 0.25%

LAB 20.36, 45.5, -43.91

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 0 / 90 / 15 / 55

HEX #730C62

RGB 115 12 98

HSL 309.9, 0.81%, 0.25%

LAB 26.13, 49.69, -23.21

 

CMYK 0 / 90 / 39 / 55

HEX #730C46

RGB 115 12 70

HSL 326.21, 0.81%, 0.25%

LAB 24.8, 46.05, -6.59

 

CMYK 7 / 90 / 0 / 84

HEX #250428

RGB 37 4 40

HSL 295, 0.82%, 0.09%

LAB 5.72, 22.46, -15.9

 

CMYK 9 / 90 / 0 / 69

HEX #47084E

RGB 71 8 78

HSL 294, 0.81%, 0.17%

LAB 15.82, 37.65, -26.73

 

CMYK 9 / 90 / 0 / 55

HEX #690C73

RGB 105 12 115

HSL 294.17, 0.81%, 0.25%

LAB 25.27, 50.43, -35.71

 

CMYK 9 / 89 / 0 / 40

HEX #8B1098

RGB 139 16 152

HSL 294.26, 0.81%, 0.33%

LAB 34.25, 62.35, -44.1

 

CMYK 9 / 90 / 0 / 25

HEX #AD13BE

RGB 173 19 190

HSL 294.04, 0.82%, 0.41%

LAB 42.87, 73.98, -52.63

 

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

CMYK 0 / 81 / 90 / 55

HEX #73160C

RGB 115 22 12

HSL 5.83, 0.81%, 0.25%

LAB 24.47, 39.3, 31.08

 

CMYK 90 / 0 / 45 / 55

HEX #0C733F

RGB 12 115 63

HSL 149.71, 0.81%, 0.25%

LAB 42.31, -39.96, 21.27

 

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

CMYK 0 / 9 / 90 / 55

HEX #73690C

RGB 115 105 12

HSL 54.17, 0.81%, 0.25%

LAB 43.91, -6.09, 47.49

 

CMYK 90 / 0 / 9 / 55

HEX #0C7369

RGB 12 115 105

HSL 174.17, 0.81%, 0.25%

LAB 43.3, -29.13, -2.14

 

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

CMYK 0 / 81 / 90 / 55

HEX #73160C

RGB 115 22 12

HSL 5.83, 0.81%, 0.25%

LAB 24.47, 39.3, 31.08

 

CMYK 81 / 0 / 90 / 55

HEX #16730C

RGB 22 115 12

HSL 114.17, 0.81%, 0.25%

LAB 41.94, -44.96, 43.75

 

CMYK 90 / 9 / 0 / 55

HEX #0C6973

RGB 12 105 115

HSL 185.83, 0.81%, 0.25%

LAB 40.28, -20.77, -12.71

 

CMYK 9 / 89 / 0 / 55

HEX #680C72

RGB 104 12 114

HSL 294.12, 0.81%, 0.25%

LAB 25.02, 50.06, -35.49

 

CMYK 0 / 54 / 90 / 55

HEX #73350C

RGB 115 53 12

HSL 23.88, 0.81%, 0.25%

LAB 29.95, 24.72, 35.94

 

CMYK 81 / 0 / 90 / 55

HEX #16730C

RGB 22 115 12

HSL 114.17, 0.81%, 0.25%

LAB 41.94, -44.96, 43.75

 

CMYK 90 / 36 / 0 / 55

HEX #0C4A73

RGB 12 74 115

HSL 203.88, 0.81%, 0.25%

LAB 29.94, -2.39, -28.73

 

Description

Color code: HEX #680C72 | qconv.com Color code: HEX #680C72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 12 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 12 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 89 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 89% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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