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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #680751 it is the complementary color #97F8AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #680751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #680751 shade: #6D074C, #7E195F, #8F2B72, #A03D85 and #B14F98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #680751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #680751 shade: #680751, #57003E, #46002B, #350018 and #240005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #680751 shade: #680751, #680737, #68071D and #680707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #680751 shade: #680751, #650768, #4B0768, #310768 and #160768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #680751 shade matches the following richer shades: #680751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #680751 shade: #680751, #5F104C, #561948, #4D2243 and #442B3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #680751 shade: #4B0768, #650768, #680752, #680738 and #68071E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #680751 shade: #1B0115, #420433, #680751, #8F096F and #B60C8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #680751 shade: #680751, #683107 and #076858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #680751 shade: #680751, #526807 and #075268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #680751 shade: #680751, #683107, #07681E and #073E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #680751 shade: #680751, #684E07, #07681E and #072168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

Complementary color

CMYK 39 / 0 / 30 / 3

HEX #97F8AE

RGB 151 248 174

HSL 134.23, 0.87%, 0.78%

LAB 90.22, -43.79, 26.78

 

CMYK 0 / 94 / 30 / 57

HEX #6D074C

RGB 109 7 76

HSL 319.41, 0.88%, 0.23%

LAB 23.42, 46.31, -12.87

 

CMYK 0 / 80 / 25 / 51

HEX #7E195F

RGB 126 25 95

HSL 318.42, 0.67%, 0.3%

LAB 29.3, 48.51, -16.14

 

CMYK 0 / 70 / 20 / 44

HEX #8F2B72

RGB 143 43 114

HSL 317.4, 0.54%, 0.36%

LAB 35.56, 49.32, -18.4

 

CMYK 0 / 62 / 17 / 37

HEX #A03D85

RGB 160 61 133

HSL 316.36, 0.45%, 0.43%

LAB 42.01, 49.33, -20

 

CMYK 0 / 55 / 14 / 31

HEX #B14F98

RGB 177 79 152

HSL 315.31, 0.39%, 0.5%

LAB 48.52, 48.93, -21.21

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 100 / 29 / 66

HEX #57003E

RGB 87 0 62

HSL 317.24, 1%, 0.17%

LAB 17.34, 41.11, -12.99

 

CMYK 0 / 100 / 39 / 73

HEX #46002B

RGB 70 0 43

HSL 323.14, 1%, 0.14%

LAB 12.46, 34.68, -7.12

 

CMYK 0 / 100 / 55 / 79

HEX #350018

RGB 53 0 24

HSL 332.83, 1%, 0.1%

LAB 7.43, 28.02, -0.59

 

CMYK 0 / 100 / 86 / 86

HEX #240005

RGB 36 0 5

HSL 351.67, 1%, 0.07%

LAB 3.49, 15.9, 3.46

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 93 / 47 / 59

HEX #680737

RGB 104 7 55

HSL 330.31, 0.87%, 0.22%

LAB 21.47, 42.69, -1.45

 

CMYK 0 / 93 / 72 / 59

HEX #68071D

RGB 104 7 29

HSL 346.39, 0.87%, 0.22%

LAB 20.77, 40.69, 15.87

 

CMYK 0 / 93 / 93 / 59

HEX #680707

RGB 104 7 7

HSL 0, 0.87%, 0.22%

LAB 20.48, 39.87, 28.24

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 3 / 93 / 0 / 59

HEX #650768

RGB 101 7 104

HSL 298.14, 0.87%, 0.22%

LAB 23.4, 48.76, -31.64

 

CMYK 28 / 93 / 0 / 59

HEX #4B0768

RGB 75 7 104

HSL 282.06, 0.87%, 0.22%

LAB 18.57, 44.1, -39.67

 

CMYK 53 / 93 / 0 / 59

HEX #310768

RGB 49 7 104

HSL 265.98, 0.87%, 0.22%

LAB 14.43, 40.44, -46.63

 

CMYK 79 / 93 / 0 / 59

HEX #160768

RGB 22 7 104

HSL 249.28, 0.87%, 0.22%

LAB 11.43, 38.11, -51.69

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 83 / 20 / 63

HEX #5F104C

RGB 95 16 76

HSL 314.43, 0.71%, 0.22%

LAB 21.3, 40.59, -16.38

 

CMYK 0 / 71 / 16 / 66

HEX #561948

RGB 86 25 72

HSL 313.77, 0.55%, 0.22%

LAB 20.6, 33.91, -14.88

 

CMYK 0 / 56 / 13 / 70

HEX #4D2243

RGB 77 34 67

HSL 313.95, 0.39%, 0.22%

LAB 20.55, 25.29, -11.67

 

CMYK 0 / 37 / 9 / 73

HEX #442B3E

RGB 68 43 62

HSL 314.4, 0.23%, 0.22%

LAB 21.22, 15.15, -7.34

 

CMYK 28 / 93 / 0 / 59

HEX #4B0768

RGB 75 7 104

HSL 282.06, 0.87%, 0.22%

LAB 18.57, 44.1, -39.67

 

CMYK 3 / 93 / 0 / 59

HEX #650768

RGB 101 7 104

HSL 298.14, 0.87%, 0.22%

LAB 23.4, 48.76, -31.64

 

CMYK 0 / 93 / 21 / 59

HEX #680752

RGB 104 7 82

HSL 313.61, 0.87%, 0.22%

LAB 22.67, 45.94, -18.17

 

CMYK 0 / 93 / 46 / 59

HEX #680738

RGB 104 7 56

HSL 329.69, 0.87%, 0.22%

LAB 21.51, 42.78, -2.1

 

CMYK 0 / 93 / 71 / 59

HEX #68071E

RGB 104 7 30

HSL 345.77, 0.87%, 0.22%

LAB 20.78, 40.74, 15.2

 

CMYK 0 / 96 / 22 / 89

HEX #1B0115

RGB 27 1 21

HSL 313.85, 0.93%, 0.05%

LAB 2.79, 12.48, -5.74

 

CMYK 0 / 94 / 23 / 74

HEX #420433

RGB 66 4 51

HSL 314.52, 0.89%, 0.14%

LAB 12.51, 33.15, -12.99

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 94 / 22 / 44

HEX #8F096F

RGB 143 9 111

HSL 314.33, 0.88%, 0.3%

LAB 32.22, 58.06, -21.68

 

CMYK 0 / 93 / 23 / 29

HEX #B60C8D

RGB 182 12 141

HSL 314.47, 0.88%, 0.38%

LAB 41.42, 69.52, -25.49

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 53 / 93 / 59

HEX #683107

RGB 104 49 7

HSL 25.98, 0.87%, 0.22%

LAB 27.17, 21.94, 34.9

 

CMYK 93 / 0 / 15 / 59

HEX #076858

RGB 7 104 88

HSL 170.1, 0.87%, 0.22%

LAB 38.99, -29.44, 1.85

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 21 / 0 / 93 / 59

HEX #526807

RGB 82 104 7

HSL 73.61, 0.87%, 0.22%

LAB 40.75, -21.3, 44.95

 

CMYK 93 / 21 / 0 / 59

HEX #075268

RGB 7 82 104

HSL 193.61, 0.87%, 0.22%

LAB 31.99, -12.24, -18.61

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 53 / 93 / 59

HEX #683107

RGB 104 49 7

HSL 25.98, 0.87%, 0.22%

LAB 27.17, 21.94, 34.9

 

CMYK 93 / 0 / 71 / 59

HEX #07681E

RGB 7 104 30

HSL 134.23, 0.87%, 0.22%

LAB 37.91, -41.7, 33.31

 

CMYK 93 / 40 / 0 / 59

HEX #073E68

RGB 7 62 104

HSL 205.98, 0.87%, 0.22%

LAB 25.23, 0.57, -29.22

 

CMYK 0 / 93 / 22 / 59

HEX #680751

RGB 104 7 81

HSL 314.23, 0.87%, 0.22%

LAB 22.62, 45.8, -17.58

 

CMYK 0 / 25 / 93 / 59

HEX #684E07

RGB 104 78 7

HSL 43.92, 0.87%, 0.22%

LAB 34.82, 4.31, 41.02

 

CMYK 93 / 0 / 71 / 59

HEX #07681E

RGB 7 104 30

HSL 134.23, 0.87%, 0.22%

LAB 37.91, -41.7, 33.31

 

CMYK 93 / 68 / 0 / 59

HEX #072168

RGB 7 33 104

HSL 223.92, 0.87%, 0.22%

LAB 16.17, 21.62, -43.88

 

Description

Color code: HEX #680751 | qconv.com Color code: HEX #680751 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 7 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 7 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 22 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 22% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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