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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #679E1E it is the complementary color #9861E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #679E1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #679E1E shade: #6C9E19, #7DB02C, #8EC23F, #9FD452 and #B0E665

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #679E1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #679E1E shade: #679E1E, #568C0B, #457A00, #346800 and #235600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #679E1E shade: #679E1E, #899E1E, #9E901E, #9E6D1E and #9E4B1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #679E1E shade: #679E1E, #449E1E, #229E1E, #1E9E3C and #1E9E5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #679E1E shade matches the following richer shades: #679E1E and #69AD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #679E1E shade: #679E1E, #658F2D, #637F3C, #60704B and #5E615B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #679E1E shade: #9E8F1E, #8B9E1E, #699E1E, #469E1E and #249E1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #679E1E shade: #3A5910, #507B17, #679E1E, #7DC124 and #93D836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #679E1E shade: #679E1E, #1E9E6D and #9E1E9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #679E1E shade: #679E1E, #1E699E and #9E1E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #679E1E shade: #679E1E, #1E9E6D, #531E9E and #9E1E4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #679E1E shade: #679E1E, #1E9E93, #531E9E and #9E1E28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

Complementary color

CMYK 32 / 57 / 0 / 12

HEX #9861E1

RGB 152 97 225

HSL 265.78, 0.68%, 0.63%

LAB 52.58, 47.9, -57.29

 

CMYK 32 / 0 / 84 / 38

HEX #6C9E19

RGB 108 158 25

HSL 82.56, 0.73%, 0.36%

LAB 59.63, -35.76, 57.42

 

CMYK 29 / 0 / 75 / 31

HEX #7DB02C

RGB 125 176 44

HSL 83.18, 0.6%, 0.43%

LAB 66.21, -36.4, 58.09

 

CMYK 27 / 0 / 68 / 24

HEX #8EC23F

RGB 142 194 63

HSL 83.82, 0.52%, 0.5%

LAB 72.69, -36.84, 57.89

 

CMYK 25 / 0 / 61 / 17

HEX #9FD452

RGB 159 212 82

HSL 84.46, 0.6%, 0.58%

LAB 79.08, -37.13, 57.22

 

CMYK 23 / 0 / 56 / 10

HEX #B0E665

RGB 176 230 101

HSL 85.12, 0.72%, 0.65%

LAB 85.38, -37.31, 56.31

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 39 / 0 / 92 / 45

HEX #568C0B

RGB 86 140 11

HSL 85.12, 0.85%, 0.3%

LAB 52.68, -36.63, 54.09

 

CMYK 43 / 0 / 100 / 52

HEX #457A00

RGB 69 122 0

HSL 86.07, 1%, 0.24%

LAB 45.89, -35.41, 50.35

 

CMYK 50 / 0 / 100 / 59

HEX #346800

RGB 52 104 0

HSL 90, 1%, 0.2%

LAB 38.95, -33.8, 44.6

 

CMYK 59 / 0 / 100 / 66

HEX #235600

RGB 35 86 0

HSL 95.58, 1%, 0.17%

LAB 31.84, -31.97, 38.7

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 13 / 0 / 81 / 38

HEX #899E1E

RGB 137 158 30

HSL 69.84, 0.68%, 0.37%

LAB 61.54, -23.65, 58.47

 

CMYK 0 / 9 / 81 / 38

HEX #9E901E

RGB 158 144 30

HSL 53.44, 0.68%, 0.37%

LAB 59.26, -7.02, 57.11

 

CMYK 0 / 31 / 81 / 38

HEX #9E6D1E

RGB 158 109 30

HSL 37.03, 0.68%, 0.37%

LAB 49.86, 12.55, 48.67

 

CMYK 0 / 53 / 81 / 38

HEX #9E4B1E

RGB 158 75 30

HSL 21.09, 0.68%, 0.37%

LAB 41.84, 31.59, 41.16

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 57 / 0 / 81 / 38

HEX #449E1E

RGB 68 158 30

HSL 102.19, 0.68%, 0.37%

LAB 57.82, -48.94, 53.71

 

CMYK 78 / 0 / 81 / 38

HEX #229E1E

RGB 34 158 30

HSL 118.13, 0.68%, 0.37%

LAB 56.97, -56.1, 52.59

 

CMYK 81 / 0 / 62 / 38

HEX #1E9E3C

RGB 30 158 60

HSL 134.06, 0.68%, 0.37%

LAB 57.13, -53.84, 40.96

 

CMYK 81 / 0 / 40 / 38

HEX #1E9E5F

RGB 30 158 95

HSL 150.47, 0.68%, 0.37%

LAB 57.61, -48.13, 23.68

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 39 / 0 / 92 / 32

HEX #69AD0E

RGB 105 173 14

HSL 85.66, 0.85%, 0.37%

LAB 64.1, -43.71, 63.41

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 29 / 0 / 69 / 44

HEX #658F2D

RGB 101 143 45

HSL 85.71, 0.52%, 0.37%

LAB 54.66, -30.44, 45.64

 

CMYK 22 / 0 / 53 / 50

HEX #637F3C

RGB 99 127 60

HSL 85.07, 0.36%, 0.37%

LAB 49.69, -21.93, 32.88

 

CMYK 14 / 0 / 33 / 56

HEX #60704B

RGB 96 112 75

HSL 85.95, 0.2%, 0.37%

LAB 45.06, -13.13, 18.65

 

CMYK 3 / 0 / 6 / 62

HEX #5E615B

RGB 94 97 91

HSL 90, 0.03%, 0.37%

LAB 40.71, -2.42, 3.01

 

CMYK 0 / 9 / 81 / 38

HEX #9E8F1E

RGB 158 143 30

HSL 52.97, 0.68%, 0.37%

LAB 58.98, -6.48, 56.86

 

CMYK 12 / 0 / 81 / 38

HEX #8B9E1E

RGB 139 158 30

HSL 68.91, 0.68%, 0.37%

LAB 61.69, -22.78, 58.65

 

CMYK 34 / 0 / 81 / 38

HEX #699E1E

RGB 105 158 30

HSL 84.84, 0.68%, 0.37%

LAB 59.48, -36.7, 55.84

 

CMYK 56 / 0 / 81 / 38

HEX #469E1E

RGB 70 158 30

HSL 101.25, 0.68%, 0.37%

LAB 57.89, -48.39, 53.8

 

CMYK 77 / 0 / 81 / 38

HEX #249E1E

RGB 36 158 30

HSL 117.19, 0.68%, 0.37%

LAB 57, -55.8, 52.64

 

CMYK 35 / 0 / 82 / 65

HEX #3A5910

RGB 58 89 16

HSL 85.48, 0.7%, 0.21%

LAB 34.15, -23.83, 35.85

 

CMYK 35 / 0 / 81 / 52

HEX #507B17

RGB 80 123 23

HSL 85.8, 0.68%, 0.29%

LAB 46.89, -30.8, 45.88

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 35 / 0 / 81 / 24

HEX #7DC124

RGB 125 193 36

HSL 85.99, 0.69%, 0.45%

LAB 71.3, -44.22, 65.28

 

CMYK 32 / 0 / 75 / 15

HEX #93D836

RGB 147 216 54

HSL 85.56, 0.68%, 0.53%

LAB 79.37, -45.18, 67.88

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 81 / 0 / 31 / 38

HEX #1E9E6D

RGB 30 158 109

HSL 157.03, 0.68%, 0.37%

LAB 57.88, -45.14, 16.33

 

CMYK 0 / 81 / 1 / 38

HEX #9E1E9C

RGB 158 30 156

HSL 300.94, 0.68%, 0.37%

LAB 38.89, 63.56, -38.9

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 81 / 34 / 0 / 38

HEX #1E699E

RGB 30 105 158

HSL 204.84, 0.68%, 0.37%

LAB 42.53, -3.16, -35.04

 

CMYK 0 / 81 / 34 / 38

HEX #9E1E69

RGB 158 30 105

HSL 324.84, 0.68%, 0.37%

LAB 36.4, 56.48, -11.18

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 81 / 0 / 31 / 38

HEX #1E9E6D

RGB 30 158 109

HSL 157.03, 0.68%, 0.37%

LAB 57.88, -45.14, 16.33

 

CMYK 47 / 81 / 0 / 38

HEX #531E9E

RGB 83 30 158

HSL 264.84, 0.68%, 0.37%

LAB 27.4, 50.57, -59.28

 

CMYK 0 / 81 / 50 / 38

HEX #9E1E4F

RGB 158 30 79

HSL 337.03, 0.68%, 0.37%

LAB 35.52, 53.86, 4.21

 

CMYK 35 / 0 / 81 / 38

HEX #679E1E

RGB 103 158 30

HSL 85.78, 0.68%, 0.37%

LAB 59.37, -37.45, 55.7

 

CMYK 81 / 0 / 7 / 38

HEX #1E9E93

RGB 30 158 147

HSL 174.84, 0.68%, 0.37%

LAB 58.82, -35.23, -3.74

 

CMYK 47 / 81 / 0 / 38

HEX #531E9E

RGB 83 30 158

HSL 264.84, 0.68%, 0.37%

LAB 27.4, 50.57, -59.28

 

CMYK 0 / 81 / 75 / 38

HEX #9E1E28

RGB 158 30 40

HSL 355.31, 0.68%, 0.37%

LAB 34.7, 51.34, 28.17

 

Description

Color code: HEX #679E1E | qconv.com Color code: HEX #679E1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 158 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 158 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 81 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 81% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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