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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6775CB it is the complementary color #988A34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6775CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6775CB shade: #6C75C6, #7D87D9, #8E99EC, #9FABFF and #B0BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6775CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6775CB shade: #6775CB, #5663B8, #4551A5, #343F92 and #232D7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6775CB shade: #6775CA, #7367CA, #8E67CA, #A967CA and #C467CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6775CB shade: #6775CA and #6767CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6775CB shade matches the following richer shades: #6775CA, #5669DB, #465DEB and #3551FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6775CB shade: #6775CA, #7780BA, #888CA9, #989899 and #A9A488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6775CB shade: #67ABCA, #6790CA, #6776CA, #7267CA and #8D67CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6775CB shade: #3848A6, #4859C0, #6775CA, #8590D5 and #A4ACE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6775CB shade: #6775CB, #CA67C5 and #9DCA67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6775CB shade: #6775CB, #CA6776 and #76CA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6775CB shade: #6775CB, #CA67C5, #CABB67 and #67CA6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6775CB shade: #6775CB, #CA67A7, #CABB67 and #67CA8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

Complementary color

CMYK 0 / 9 / 66 / 40

HEX #988A34

RGB 152 138 52

HSL 51.6, 0.49%, 0.4%

LAB 57.17, -5.38, 46.43

 

CMYK 45 / 41 / 0 / 22

HEX #6C75C6

RGB 108 117 198

HSL 234, 0.44%, 0.6%

LAB 51.82, 18.05, -43.39

 

CMYK 42 / 38 / 0 / 15

HEX #7D87D9

RGB 125 135 217

HSL 233.48, 0.55%, 0.67%

LAB 58.69, 17.13, -43.2

 

CMYK 40 / 35 / 0 / 7

HEX #8E99EC

RGB 142 153 236

HSL 232.98, 0.71%, 0.74%

LAB 65.43, 16.35, -43.07

 

CMYK 38 / 33 / 0 / 0

HEX #9FABFF

RGB 159 171 255

HSL 232.5, 1%, 0.81%

LAB 72.04, 15.66, -42.99

 

CMYK 31 / 26 / 0 / 0

HEX #B0BDFF

RGB 176 189 255

HSL 230.13, 1%, 0.85%

LAB 77.78, 10.26, -33.97

 

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

CMYK 53 / 46 / 0 / 28

HEX #5663B8

RGB 86 99 184

HSL 232.04, 0.41%, 0.53%

LAB 44.75, 19.6, -46.65

 

CMYK 58 / 51 / 0 / 35

HEX #4551A5

RGB 69 81 165

HSL 232.5, 0.41%, 0.46%

LAB 37.6, 21.09, -46.97

 

CMYK 64 / 57 / 0 / 43

HEX #343F92

RGB 52 63 146

HSL 232.98, 0.47%, 0.39%

LAB 30.3, 22.97, -47.32

 

CMYK 72 / 65 / 0 / 50

HEX #232D7F

RGB 35 45 127

HSL 233.48, 0.57%, 0.32%

LAB 22.88, 25.35, -47.62

 

CMYK 49 / 42 / 0 / 21

HEX #6775CA

RGB 103 117 202

HSL 231.52, 0.48%, 0.6%

LAB 51.69, 18.06, -45.9

 

CMYK 43 / 49 / 0 / 21

HEX #7367CA

RGB 115 103 202

HSL 247.27, 0.48%, 0.6%

LAB 49.02, 29.42, -50.1

 

CMYK 30 / 49 / 0 / 21

HEX #8E67CA

RGB 142 103 202

HSL 263.64, 0.48%, 0.6%

LAB 51.51, 36.32, -45.98

 

CMYK 16 / 49 / 0 / 21

HEX #A967CA

RGB 169 103 202

HSL 280, 0.48%, 0.6%

LAB 54.45, 43.72, -41.15

 

CMYK 3 / 49 / 0 / 21

HEX #C467CA

RGB 196 103 202

HSL 296.36, 0.48%, 0.6%

LAB 57.75, 51.34, -35.73

 

CMYK 49 / 42 / 0 / 21

HEX #6775CA

RGB 103 117 202

HSL 231.52, 0.48%, 0.6%

LAB 51.69, 18.06, -45.9

 

CMYK 49 / 49 / 0 / 21

HEX #6767CA

RGB 103 103 202

HSL 240, 0.48%, 0.6%

LAB 48.07, 26.61, -51.68

 

CMYK 49 / 42 / 0 / 21

HEX #6775CA

RGB 103 117 202

HSL 231.52, 0.48%, 0.6%

LAB 51.69, 18.06, -45.9

 

CMYK 61 / 52 / 0 / 14

HEX #5669DB

RGB 86 105 219

HSL 231.43, 0.65%, 0.6%

LAB 48.51, 27.43, -60.73

 

CMYK 70 / 60 / 0 / 8

HEX #465DEB

RGB 70 93 235

HSL 231.64, 0.8%, 0.6%

LAB 45.81, 37.92, -74.19

 

CMYK 79 / 68 / 0 / 1

HEX #3551FC

RGB 53 81 252

HSL 231.56, 0.97%, 0.6%

LAB 43.76, 49.34, -87.12

 

CMYK 49 / 42 / 0 / 21

HEX #6775CA

RGB 103 117 202

HSL 231.52, 0.48%, 0.6%

LAB 51.69, 18.06, -45.9

 

CMYK 36 / 31 / 0 / 27

HEX #7780BA

RGB 119 128 186

HSL 231.94, 0.33%, 0.6%

LAB 54.97, 10.93, -31.52

 

CMYK 20 / 17 / 0 / 34

HEX #888CA9

RGB 136 140 169

HSL 232.73, 0.16%, 0.6%

LAB 58.84, 4.85, -15.76

 

CMYK 1 / 1 / 0 / 40

HEX #989899

RGB 152 152 153

HSL 240, 0%, 0.6%

LAB 62.87, 0.2, -0.53

 

CMYK 0 / 3 / 20 / 34

HEX #A9A488

RGB 169 164 136

HSL 50.91, 0.16%, 0.6%

LAB 67.1, -2.97, 15.2

 

CMYK 49 / 15 / 0 / 21

HEX #67ABCA

RGB 103 171 202

HSL 198.79, 0.48%, 0.6%

LAB 66.73, -13.09, -22.47

 

CMYK 49 / 29 / 0 / 21

HEX #6790CA

RGB 103 144 202

HSL 215.15, 0.48%, 0.6%

LAB 59.06, 1.98, -34.3

 

CMYK 49 / 42 / 0 / 21

HEX #6776CA

RGB 103 118 202

HSL 230.91, 0.48%, 0.6%

LAB 51.96, 17.45, -45.48

 

CMYK 44 / 49 / 0 / 21

HEX #7267CA

RGB 114 103 202

HSL 246.67, 0.48%, 0.6%

LAB 48.94, 29.18, -50.24

 

CMYK 30 / 49 / 0 / 21

HEX #8D67CA

RGB 141 103 202

HSL 263.03, 0.48%, 0.6%

LAB 51.41, 36.05, -46.15

 

CMYK 66 / 57 / 0 / 35

HEX #3848A6

RGB 56 72 166

HSL 231.27, 0.5%, 0.44%

LAB 34.45, 24.93, -52.69

 

CMYK 63 / 54 / 0 / 25

HEX #4859C0

RGB 72 89 192

HSL 231.5, 0.49%, 0.52%

LAB 41.73, 25.84, -56.21

 

CMYK 49 / 42 / 0 / 21

HEX #6775CA

RGB 103 117 202

HSL 231.52, 0.48%, 0.6%

LAB 51.69, 18.06, -45.9

 

CMYK 38 / 32 / 0 / 16

HEX #8590D5

RGB 133 144 213

HSL 231.75, 0.49%, 0.68%

LAB 61.43, 12.85, -36.64

 

CMYK 27 / 23 / 0 / 12

HEX #A4ACE0

RGB 164 172 224

HSL 232, 0.49%, 0.76%

LAB 71.4, 8.62, -27.09

 

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

CMYK 0 / 49 / 2 / 21

HEX #CA67C5

RGB 202 103 197

HSL 303.03, 0.48%, 0.6%

LAB 58.31, 52.15, -31.96

 

CMYK 22 / 0 / 49 / 21

HEX #9DCA67

RGB 157 202 103

HSL 87.27, 0.48%, 0.6%

LAB 76.31, -31.24, 44.37

 

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

CMYK 0 / 49 / 42 / 21

HEX #CA6776

RGB 202 103 118

HSL 350.91, 0.48%, 0.6%

LAB 55.65, 40.72, 9.89

 

CMYK 42 / 0 / 49 / 21

HEX #76CA67

RGB 118 202 103

HSL 110.91, 0.48%, 0.6%

LAB 74.24, -44.63, 41.36

 

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

CMYK 0 / 49 / 2 / 21

HEX #CA67C5

RGB 202 103 197

HSL 303.03, 0.48%, 0.6%

LAB 58.31, 52.15, -31.96

 

CMYK 0 / 7 / 49 / 21

HEX #CABB67

RGB 202 187 103

HSL 50.91, 0.48%, 0.6%

LAB 75.5, -5.92, 44.15

 

CMYK 49 / 0 / 47 / 21

HEX #67CA6C

RGB 103 202 108

HSL 123.03, 0.48%, 0.6%

LAB 73.68, -48.32, 38.06

 

CMYK 49 / 42 / 0 / 20

HEX #6775CB

RGB 103 117 203

HSL 231.6, 0.49%, 0.6%

LAB 51.74, 18.37, -46.39

 

CMYK 0 / 49 / 17 / 21

HEX #CA67A7

RGB 202 103 167

HSL 321.21, 0.48%, 0.6%

LAB 57.12, 47.2, -16.55

 

CMYK 0 / 7 / 49 / 21

HEX #CABB67

RGB 202 187 103

HSL 50.91, 0.48%, 0.6%

LAB 75.5, -5.92, 44.15

 

CMYK 49 / 0 / 32 / 21

HEX #67CA8A

RGB 103 202 138

HSL 141.21, 0.48%, 0.6%

LAB 74.16, -43.35, 23.24

 

Description

Color code: HEX #6775CB | qconv.com Color code: HEX #6775CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 117 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 117 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 42 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 42% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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