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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675EB4 it is the complementary color #98A14B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675EB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675EB4 shade: #6C5EAF, #7D70C2, #8E82D5, #9F94E8 and #B0A6FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675EB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675EB4 shade: #675EB4, #564CA1, #453A8E, #34287B and #231668

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675EB4 shade: #685FB3, #7F5FB3, #955FB3, #AC5FB3 and #B35FA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675EB4 shade: #685FB3 and #5F5FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675EB4 shade matches the following richer shades: #685FB3, #594CC6, #4A39D9 and #3B26EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675EB4 shade: #685FB3, #7772A0, #86858D, #95987A and #A4AB68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675EB4 shade: #5F84B3, #5F6DB3, #675FB3, #7E5FB3 and #945FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675EB4 shade: #443D83, #534A9F, #685FB3, #827BC1 and #9D97CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675EB4 shade: #675EB4, #B35F9A and #78B35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675EB4 shade: #675EB4, #B3675F and #5FB367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675EB4 shade: #675EB4, #B35F9A, #ABB35F and #5FB378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675EB4 shade: #675EB4, #B35F81, #ABB35F and #5FB392

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

Complementary color

CMYK 6 / 0 / 53 / 37

HEX #98A14B

RGB 152 161 75

HSL 66.28, 0.36%, 0.46%

LAB 63.9, -15.84, 43.1

 

CMYK 38 / 46 / 0 / 31

HEX #6C5EAF

RGB 108 94 175

HSL 250.37, 0.34%, 0.53%

LAB 44.64, 25.33, -41.46

 

CMYK 36 / 42 / 0 / 24

HEX #7D70C2

RGB 125 112 194

HSL 249.51, 0.4%, 0.6%

LAB 51.66, 24.35, -41.27

 

CMYK 33 / 39 / 0 / 16

HEX #8E82D5

RGB 142 130 213

HSL 248.67, 0.5%, 0.67%

LAB 58.53, 23.48, -41.13

 

CMYK 31 / 36 / 0 / 9

HEX #9F94E8

RGB 159 148 232

HSL 247.86, 0.65%, 0.75%

LAB 65.26, 22.72, -41.04

 

CMYK 30 / 34 / 0 / 2

HEX #B0A6FB

RGB 176 166 251

HSL 247.06, 0.91%, 0.82%

LAB 71.87, 22.04, -40.99

 

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

CMYK 47 / 53 / 0 / 37

HEX #564CA1

RGB 86 76 161

HSL 247.06, 0.36%, 0.46%

LAB 37.34, 26.76, -44.94

 

CMYK 51 / 59 / 0 / 44

HEX #453A8E

RGB 69 58 142

HSL 247.86, 0.42%, 0.39%

LAB 30.02, 28.26, -45.26

 

CMYK 58 / 67 / 0 / 52

HEX #34287B

RGB 52 40 123

HSL 248.67, 0.51%, 0.32%

LAB 22.58, 30.01, -45.54

 

CMYK 66 / 79 / 0 / 59

HEX #231668

RGB 35 22 104

HSL 249.51, 0.65%, 0.25%

LAB 15.12, 31.88, -45.55

 

CMYK 42 / 47 / 0 / 30

HEX #685FB3

RGB 104 95 179

HSL 246.43, 0.36%, 0.54%

LAB 44.78, 24.84, -43.61

 

CMYK 29 / 47 / 0 / 30

HEX #7F5FB3

RGB 127 95 179

HSL 262.86, 0.36%, 0.54%

LAB 46.91, 31.02, -40.09

 

CMYK 17 / 47 / 0 / 30

HEX #955FB3

RGB 149 95 179

HSL 278.57, 0.36%, 0.54%

LAB 49.29, 37.33, -36.18

 

CMYK 4 / 47 / 0 / 30

HEX #AC5FB3

RGB 172 95 179

HSL 295, 0.36%, 0.54%

LAB 52.07, 44.12, -31.62

 

CMYK 0 / 47 / 8 / 30

HEX #B35FA4

RGB 179 95 164

HSL 310.71, 0.36%, 0.54%

LAB 52.34, 43.51, -22.39

 

CMYK 42 / 47 / 0 / 30

HEX #685FB3

RGB 104 95 179

HSL 246.43, 0.36%, 0.54%

LAB 44.78, 24.84, -43.61

 

CMYK 47 / 47 / 0 / 30

HEX #5F5FB3

RGB 95 95 179

HSL 240, 0.36%, 0.54%

LAB 44.05, 22.6, -44.81

 

CMYK 42 / 47 / 0 / 30

HEX #685FB3

RGB 104 95 179

HSL 246.43, 0.36%, 0.54%

LAB 44.78, 24.84, -43.61

 

CMYK 55 / 62 / 0 / 22

HEX #594CC6

RGB 89 76 198

HSL 246.39, 0.52%, 0.54%

LAB 40.2, 38.92, -62.13

 

CMYK 66 / 74 / 0 / 15

HEX #4A39D9

RGB 74 57 217

HSL 246.38, 0.68%, 0.54%

LAB 36.73, 53.39, -78.84

 

CMYK 75 / 84 / 0 / 7

HEX #3B26EC

RGB 59 38 236

HSL 246.36, 0.84%, 0.54%

LAB 34.75, 66.46, -93.01

 

CMYK 42 / 47 / 0 / 30

HEX #685FB3

RGB 104 95 179

HSL 246.43, 0.36%, 0.54%

LAB 44.78, 24.84, -43.61

 

CMYK 26 / 29 / 0 / 37

HEX #7772A0

RGB 119 114 160

HSL 246.52, 0.19%, 0.54%

LAB 50.09, 12.37, -24.06

 

CMYK 5 / 6 / 0 / 45

HEX #86858D

RGB 134 133 141

HSL 247.5, 0.03%, 0.54%

LAB 55.85, 1.99, -4.16

 

CMYK 2 / 0 / 20 / 40

HEX #95987A

RGB 149 152 122

HSL 66, 0.13%, 0.54%

LAB 61.87, -6.42, 15.46

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB68

RGB 164 171 104

HSL 66.27, 0.29%, 0.54%

LAB 68.03, -13.04, 33.66

 

CMYK 47 / 26 / 0 / 30

HEX #5F84B3

RGB 95 132 179

HSL 213.57, 0.36%, 0.54%

LAB 54.23, 0.08, -28.79

 

CMYK 47 / 39 / 0 / 30

HEX #5F6DB3

RGB 95 109 179

HSL 230, 0.36%, 0.54%

LAB 47.78, 13.92, -38.88

 

CMYK 42 / 47 / 0 / 30

HEX #675FB3

RGB 103 95 179

HSL 245.71, 0.36%, 0.54%

LAB 44.69, 24.58, -43.75

 

CMYK 30 / 47 / 0 / 30

HEX #7E5FB3

RGB 126 95 179

HSL 262.14, 0.36%, 0.54%

LAB 46.81, 30.74, -40.26

 

CMYK 17 / 47 / 0 / 30

HEX #945FB3

RGB 148 95 179

HSL 277.86, 0.36%, 0.54%

LAB 49.17, 37.04, -36.37

 

CMYK 48 / 53 / 0 / 49

HEX #443D83

RGB 68 61 131

HSL 246, 0.36%, 0.38%

LAB 29.92, 22.53, -38.61

 

CMYK 48 / 53 / 0 / 38

HEX #534A9F

RGB 83 74 159

HSL 246.35, 0.36%, 0.46%

LAB 36.44, 26.69, -45.19

 

CMYK 42 / 47 / 0 / 30

HEX #685FB3

RGB 104 95 179

HSL 246.43, 0.36%, 0.54%

LAB 44.78, 24.84, -43.61

 

CMYK 33 / 36 / 0 / 24

HEX #827BC1

RGB 130 123 193

HSL 246, 0.36%, 0.62%

LAB 54.83, 18.93, -35.69

 

CMYK 24 / 27 / 0 / 19

HEX #9D97CE

RGB 157 151 206

HSL 246.55, 0.36%, 0.7%

LAB 64.77, 13.99, -27.4

 

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

CMYK 0 / 47 / 14 / 30

HEX #B35F9A

RGB 179 95 154

HSL 317.86, 0.36%, 0.54%

LAB 51.95, 41.83, -17.12

 

CMYK 33 / 0 / 47 / 30

HEX #78B35F

RGB 120 179 95

HSL 102.14, 0.36%, 0.54%

LAB 67.32, -34.86, 36.79

 

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

CMYK 0 / 42 / 47 / 30

HEX #B3675F

RGB 179 103 95

HSL 5.71, 0.36%, 0.54%

LAB 51.96, 29.57, 17.78

 

CMYK 47 / 0 / 42 / 30

HEX #5FB367

RGB 95 179 103

HSL 125.71, 0.36%, 0.54%

LAB 66.25, -41.67, 31.07

 

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

CMYK 0 / 47 / 14 / 30

HEX #B35F9A

RGB 179 95 154

HSL 317.86, 0.36%, 0.54%

LAB 51.95, 41.83, -17.12

 

CMYK 4 / 0 / 47 / 30

HEX #ABB35F

RGB 171 179 95

HSL 65.71, 0.36%, 0.54%

LAB 70.68, -15.31, 41.68

 

CMYK 47 / 0 / 33 / 30

HEX #5FB378

RGB 95 179 120

HSL 137.86, 0.36%, 0.54%

LAB 66.54, -38.75, 22.44

 

CMYK 43 / 48 / 0 / 29

HEX #675EB4

RGB 103 94 180

HSL 246.28, 0.36%, 0.54%

LAB 44.5, 25.49, -44.65

 

CMYK 0 / 47 / 28 / 30

HEX #B35F81

RGB 179 95 129

HSL 335.71, 0.36%, 0.54%

LAB 51.1, 38.02, -3.6

 

CMYK 4 / 0 / 47 / 30

HEX #ABB35F

RGB 171 179 95

HSL 65.71, 0.36%, 0.54%

LAB 70.68, -15.31, 41.68

 

CMYK 47 / 0 / 18 / 30

HEX #5FB392

RGB 95 179 146

HSL 156.43, 0.36%, 0.54%

LAB 67.09, -33.45, 9.03

 

Description

Color code: HEX #675EB4 | qconv.com Color code: HEX #675EB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 94 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 94 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 48 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 48% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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