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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67565D it is the complementary color #98A9A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67565D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67565D shade: #6C5658, #7D686B, #8E7A7E, #9F8C91 and #B09EA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67565D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67565D shade: #67565D, #56444A, #453237, #342024 and #230E11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67565D shade: #66555C, #665558 and #665555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67565D shade: #66555C, #665561, #665566, #635566 and #5E5566

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67565D shade matches the following richer shades: #66555C, #76465A, #853757, #942854 and #A31852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67565D shade: #66555C, #57655F, #487462, #398364 and #299267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67565D shade: #665565, #665561, #66555C, #665558 and #665755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67565D shade: #393034, #504348, #66555C, #7D6871 and #927C85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67565D shade: #67565D, #666355 and #556366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67565D shade: #67565D, #5C6655 and #555C66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67565D shade: #67565D, #666355, #55665F and #555966

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67565D shade: #67565D, #656655, #55665F and #575566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

Complementary color

CMYK 10 / 0 / 4 / 34

HEX #98A9A2

RGB 152 169 162

HSL 155.29, 0.09%, 0.63%

LAB 67.77, -7.33, 1.58

 

CMYK 0 / 20 / 19 / 58

HEX #6C5658

RGB 108 86 88

HSL 354.55, 0.11%, 0.38%

LAB 38.81, 9.42, 2.28

 

CMYK 0 / 17 / 14 / 51

HEX #7D686B

RGB 125 104 107

HSL 351.43, 0.09%, 0.45%

LAB 46.07, 8.88, 1.44

 

CMYK 0 / 14 / 11 / 44

HEX #8E7A7E

RGB 142 122 126

HSL 348, 0.08%, 0.52%

LAB 53.14, 8.41, 0.67

 

CMYK 0 / 12 / 9 / 38

HEX #9F8C91

RGB 159 140 145

HSL 344.21, 0.09%, 0.59%

LAB 60.04, 8.01, -0.05

 

CMYK 0 / 10 / 7 / 31

HEX #B09EA4

RGB 176 158 164

HSL 340, 0.1%, 0.65%

LAB 66.8, 7.65, -0.72

 

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

CMYK 0 / 21 / 14 / 66

HEX #56444A

RGB 86 68 74

HSL 340, 0.12%, 0.3%

LAB 30.9, 8.85, -0.68

 

CMYK 0 / 28 / 20 / 73

HEX #453237

RGB 69 50 55

HSL 344.21, 0.16%, 0.23%

LAB 23.07, 9.52, 0.19

 

CMYK 0 / 38 / 31 / 80

HEX #342024

RGB 52 32 36

HSL 348, 0.24%, 0.16%

LAB 14.9, 10.39, 1.26

 

CMYK 0 / 60 / 51 / 86

HEX #230E11

RGB 35 14 17

HSL 351.43, 0.43%, 0.1%

LAB 6.43, 11.07, 2.25

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 0 / 17 / 14 / 60

HEX #665558

RGB 102 85 88

HSL 349.41, 0.09%, 0.37%

LAB 37.89, 7.55, 0.86

 

CMYK 0 / 17 / 17 / 60

HEX #665555

RGB 102 85 85

HSL 0, 0.09%, 0.37%

LAB 37.8, 6.99, 2.61

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 0 / 17 / 5 / 60

HEX #665561

RGB 102 85 97

HSL 317.65, 0.09%, 0.37%

LAB 38.17, 9.31, -4.32

 

CMYK 0 / 17 / 0 / 60

HEX #665566

RGB 102 85 102

HSL 300, 0.09%, 0.37%

LAB 38.34, 10.36, -7.18

 

CMYK 3 / 17 / 0 / 60

HEX #635566

RGB 99 85 102

HSL 289.41, 0.09%, 0.37%

LAB 38.04, 9.2, -7.66

 

CMYK 8 / 17 / 0 / 60

HEX #5E5566

RGB 94 85 102

HSL 271.76, 0.09%, 0.37%

LAB 37.55, 7.29, -8.45

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 0 / 41 / 24 / 54

HEX #76465A

RGB 118 70 90

HSL 335, 0.26%, 0.37%

LAB 35.93, 23.53, -3.05

 

CMYK 0 / 59 / 35 / 48

HEX #853757

RGB 133 55 87

HSL 335.38, 0.41%, 0.37%

LAB 34.82, 36.98, -2.52

 

CMYK 0 / 73 / 43 / 42

HEX #942854

RGB 148 40 84

HSL 335.56, 0.57%, 0.37%

LAB 34.91, 48.16, -0.15

 

CMYK 0 / 85 / 50 / 36

HEX #A31852

RGB 163 24 82

HSL 334.96, 0.74%, 0.37%

LAB 36.08, 56.98, 3.2

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 14 / 0 / 6 / 60

HEX #57655F

RGB 87 101 95

HSL 154.29, 0.07%, 0.37%

LAB 41.47, -6.66, 1.59

 

CMYK 38 / 0 / 16 / 55

HEX #487462

RGB 72 116 98

HSL 155.45, 0.23%, 0.37%

LAB 45.29, -19.62, 5.17

 

CMYK 56 / 0 / 24 / 49

HEX #398364

RGB 57 131 100

HSL 154.86, 0.39%, 0.37%

LAB 49.52, -30.87, 9.91

 

CMYK 72 / 0 / 29 / 43

HEX #299267

RGB 41 146 103

HSL 155.43, 0.56%, 0.37%

LAB 54.04, -40.09, 14.42

 

CMYK 0 / 17 / 1 / 60

HEX #665565

RGB 102 85 101

HSL 303.53, 0.09%, 0.37%

LAB 38.31, 10.15, -6.61

 

CMYK 0 / 17 / 5 / 60

HEX #665561

RGB 102 85 97

HSL 317.65, 0.09%, 0.37%

LAB 38.17, 9.31, -4.32

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 0 / 17 / 14 / 60

HEX #665558

RGB 102 85 88

HSL 349.41, 0.09%, 0.37%

LAB 37.89, 7.55, 0.86

 

CMYK 0 / 15 / 17 / 60

HEX #665755

RGB 102 87 85

HSL 7.06, 0.09%, 0.37%

LAB 38.37, 5.77, 3.43

 

CMYK 0 / 16 / 9 / 78

HEX #393034

RGB 57 48 52

HSL 333.33, 0.09%, 0.21%

LAB 20.95, 4.9, -1.05

 

CMYK 0 / 16 / 10 / 69

HEX #504348

RGB 80 67 72

HSL 336.92, 0.09%, 0.29%

LAB 29.88, 6.55, -0.95

 

CMYK 0 / 17 / 10 / 60

HEX #66555C

RGB 102 85 92

HSL 335.29, 0.09%, 0.37%

LAB 38.01, 8.32, -1.45

 

CMYK 0 / 17 / 10 / 51

HEX #7D6871

RGB 125 104 113

HSL 334.29, 0.09%, 0.45%

LAB 46.25, 9.98, -1.91

 

CMYK 0 / 15 / 9 / 43

HEX #927C85

RGB 146 124 133

HSL 335.45, 0.09%, 0.53%

LAB 54.26, 10.06, -1.74

 

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

CMYK 0 / 3 / 17 / 60

HEX #666355

RGB 102 99 85

HSL 49.41, 0.09%, 0.37%

LAB 41.85, -1.48, 8.39

 

CMYK 17 / 3 / 0 / 60

HEX #556366

RGB 85 99 102

HSL 190.59, 0.09%, 0.37%

LAB 40.92, -4.62, -3.5

 

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

CMYK 10 / 0 / 17 / 60

HEX #5C6655

RGB 92 102 85

HSL 95.29, 0.09%, 0.37%

LAB 41.9, -7.35, 8.33

 

CMYK 17 / 10 / 0 / 60

HEX #555C66

RGB 85 92 102

HSL 215.29, 0.09%, 0.37%

LAB 38.8, -0.4, -6.65

 

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

CMYK 0 / 3 / 17 / 60

HEX #666355

RGB 102 99 85

HSL 49.41, 0.09%, 0.37%

LAB 41.85, -1.48, 8.39

 

CMYK 17 / 0 / 7 / 60

HEX #55665F

RGB 85 102 95

HSL 155.29, 0.09%, 0.37%

LAB 41.63, -8, 1.8

 

CMYK 17 / 13 / 0 / 60

HEX #555966

RGB 85 89 102

HSL 225.88, 0.09%, 0.37%

LAB 37.91, 1.44, -7.99

 

CMYK 0 / 17 / 10 / 60

HEX #67565D

RGB 103 86 93

HSL 335.29, 0.09%, 0.37%

LAB 38.43, 8.3, -1.45

 

CMYK 1 / 0 / 17 / 60

HEX #656655

RGB 101 102 85

HSL 63.53, 0.09%, 0.37%

LAB 42.65, -3.67, 9.5

 

CMYK 17 / 0 / 7 / 60

HEX #55665F

RGB 85 102 95

HSL 155.29, 0.09%, 0.37%

LAB 41.63, -8, 1.8

 

CMYK 15 / 17 / 0 / 60

HEX #575566

RGB 87 85 102

HSL 247.06, 0.09%, 0.37%

LAB 36.9, 4.66, -9.49

 

Description

Color code: HEX #67565D | qconv.com Color code: HEX #67565D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 86 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 86 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 10 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 10% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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