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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #674D98 it is the complementary color #98B267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #674D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #674D98 shade: #6C4D93, #7D5FA6, #8E71B9, #9F83CC and #B095DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #674D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #674D98 shade: #674D98, #563B85, #452972, #34175F and #23054C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #674D98 shade: #674C98, #7B4C98, #8F4C98, #984C8C and #984C78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #674D98 shade: #674C98, #524C98 and #4C4C98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #674D98 shade matches the following richer shades: #674C98, #613AAB, #5B27BD, #5615D0 and #5002E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #674D98 shade: #674C98, #6C5F86, #727273, #788460 and #7D974E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #674D98 shade: #4C5C98, #514C98, #664C98, #7A4C98 and #8E4C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #674D98 shade: #423161, #543F7D, #674C98, #7B5FAE and #917BBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #674D98 shade: #674D98, #984C70 and #51984C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #674D98 shade: #674D98, #98664C and #4C9866

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #674D98 shade: #674D98, #984C70, #7F984C and #4C9875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #674D98 shade: #674D98, #984C59, #7F984C and #4C988B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

Complementary color

CMYK 15 / 0 / 42 / 30

HEX #98B267

RGB 152 178 103

HSL 80.8, 0.33%, 0.55%

LAB 69.11, -21.5, 35.36

 

CMYK 27 / 48 / 0 / 42

HEX #6C4D93

RGB 108 77 147

HSL 266.57, 0.31%, 0.44%

LAB 38.9, 28.07, -33.88

 

CMYK 25 / 43 / 0 / 35

HEX #7D5FA6

RGB 125 95 166

HSL 265.35, 0.29%, 0.51%

LAB 46.04, 27.15, -33.85

 

CMYK 23 / 39 / 0 / 27

HEX #8E71B9

RGB 142 113 185

HSL 264.17, 0.34%, 0.58%

LAB 53.02, 26.32, -33.85

 

CMYK 22 / 36 / 0 / 20

HEX #9F83CC

RGB 159 131 204

HSL 263.01, 0.42%, 0.66%

LAB 59.86, 25.57, -33.88

 

CMYK 21 / 33 / 0 / 13

HEX #B095DF

RGB 176 149 223

HSL 261.89, 0.54%, 0.73%

LAB 66.56, 24.89, -33.94

 

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

CMYK 35 / 56 / 0 / 48

HEX #563B85

RGB 86 59 133

HSL 261.89, 0.39%, 0.38%

LAB 31.35, 29.06, -37.47

 

CMYK 39 / 64 / 0 / 55

HEX #452972

RGB 69 41 114

HSL 263.01, 0.47%, 0.3%

LAB 23.89, 30.25, -37.58

 

CMYK 45 / 76 / 0 / 63

HEX #34175F

RGB 52 23 95

HSL 264.17, 0.61%, 0.23%

LAB 16.35, 31.35, -37.5

 

CMYK 54 / 93 / 0 / 70

HEX #23054C

RGB 35 5 76

HSL 265.35, 0.88%, 0.16%

LAB 8.89, 31.95, -36.9

 

CMYK 32 / 50 / 0 / 40

HEX #674C98

RGB 103 76 152

HSL 261.32, 0.33%, 0.45%

LAB 38.41, 28.56, -37.72

 

CMYK 19 / 50 / 0 / 40

HEX #7B4C98

RGB 123 76 152

HSL 277.11, 0.33%, 0.45%

LAB 40.65, 34.3, -34.03

 

CMYK 6 / 50 / 0 / 40

HEX #8F4C98

RGB 143 76 152

HSL 292.89, 0.33%, 0.45%

LAB 43.18, 40.23, -29.88

 

CMYK 0 / 50 / 8 / 40

HEX #984C8C

RGB 152 76 140

HSL 309.47, 0.33%, 0.45%

LAB 43.85, 40.72, -21.51

 

CMYK 0 / 50 / 21 / 40

HEX #984C78

RGB 152 76 120

HSL 325.26, 0.33%, 0.45%

LAB 43.06, 37.38, -10.55

 

CMYK 32 / 50 / 0 / 40

HEX #674C98

RGB 103 76 152

HSL 261.32, 0.33%, 0.45%

LAB 38.41, 28.56, -37.72

 

CMYK 46 / 50 / 0 / 40

HEX #524C98

RGB 82 76 152

HSL 244.74, 0.33%, 0.45%

LAB 36.42, 22.99, -41

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 32 / 50 / 0 / 40

HEX #674C98

RGB 103 76 152

HSL 261.32, 0.33%, 0.45%

LAB 38.41, 28.56, -37.72

 

CMYK 43 / 66 / 0 / 33

HEX #613AAB

RGB 97 58 171

HSL 260.71, 0.49%, 0.45%

LAB 35.02, 42.85, -54.61

 

CMYK 52 / 79 / 0 / 26

HEX #5B27BD

RGB 91 39 189

HSL 260.8, 0.66%, 0.45%

LAB 32.59, 56.03, -69.29

 

CMYK 59 / 90 / 0 / 18

HEX #5615D0

RGB 86 21 208

HSL 260.86, 0.82%, 0.45%

LAB 31.96, 66.38, -81.48

 

CMYK 65 / 99 / 0 / 11

HEX #5002E2

RGB 80 2 226

HSL 260.89, 0.98%, 0.45%

LAB 32.35, 73.64, -91.25

 

CMYK 32 / 50 / 0 / 40

HEX #674C98

RGB 103 76 152

HSL 261.32, 0.33%, 0.45%

LAB 38.41, 28.56, -37.72

 

CMYK 19 / 29 / 0 / 47

HEX #6C5F86

RGB 108 95 134

HSL 260, 0.17%, 0.45%

LAB 42.9, 13.76, -19.78

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 9 / 0 / 27 / 48

HEX #788460

RGB 120 132 96

HSL 80, 0.16%, 0.45%

LAB 53.32, -11.09, 18.02

 

CMYK 17 / 0 / 48 / 41

HEX #7D974E

RGB 125 151 78

HSL 81.37, 0.32%, 0.45%

LAB 59.01, -21.55, 35.28

 

CMYK 50 / 39 / 0 / 40

HEX #4C5C98

RGB 76 92 152

HSL 227.37, 0.33%, 0.45%

LAB 40.34, 11.25, -34.8

 

CMYK 47 / 50 / 0 / 40

HEX #514C98

RGB 81 76 152

HSL 243.95, 0.33%, 0.45%

LAB 36.34, 22.74, -41.14

 

CMYK 33 / 50 / 0 / 40

HEX #664C98

RGB 102 76 152

HSL 260.53, 0.33%, 0.45%

LAB 38.31, 28.28, -37.89

 

CMYK 20 / 50 / 0 / 40

HEX #7A4C98

RGB 122 76 152

HSL 276.32, 0.33%, 0.45%

LAB 40.53, 34, -34.22

 

CMYK 7 / 50 / 0 / 40

HEX #8E4C98

RGB 142 76 152

HSL 292.11, 0.33%, 0.45%

LAB 43.04, 39.93, -30.1

 

CMYK 32 / 49 / 0 / 62

HEX #423161

RGB 66 49 97

HSL 261.25, 0.33%, 0.29%

LAB 24.38, 19.38, -25.82

 

CMYK 33 / 50 / 0 / 51

HEX #543F7D

RGB 84 63 125

HSL 260.32, 0.33%, 0.37%

LAB 31.63, 23.75, -32.06

 

CMYK 32 / 50 / 0 / 40

HEX #674C98

RGB 103 76 152

HSL 261.32, 0.33%, 0.45%

LAB 38.41, 28.56, -37.72

 

CMYK 29 / 45 / 0 / 32

HEX #7B5FAE

RGB 123 95 174

HSL 261.27, 0.33%, 0.53%

LAB 46.25, 28.6, -38.24

 

CMYK 23 / 35 / 0 / 26

HEX #917BBC

RGB 145 123 188

HSL 260.31, 0.33%, 0.61%

LAB 55.9, 22.12, -31.05

 

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

CMYK 0 / 50 / 26 / 40

HEX #984C70

RGB 152 76 112

HSL 331.58, 0.33%, 0.45%

LAB 42.78, 36.16, -6.06

 

CMYK 47 / 0 / 50 / 40

HEX #51984C

RGB 81 152 76

HSL 116.05, 0.33%, 0.45%

LAB 56.81, -38.18, 33.04

 

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

CMYK 0 / 33 / 50 / 40

HEX #98664C

RGB 152 102 76

HSL 20.53, 0.33%, 0.45%

LAB 47.88, 17.03, 22.83

 

CMYK 50 / 0 / 33 / 40

HEX #4C9866

RGB 76 152 102

HSL 140.53, 0.33%, 0.45%

LAB 57.03, -35.25, 19.26

 

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

CMYK 0 / 50 / 26 / 40

HEX #984C70

RGB 152 76 112

HSL 331.58, 0.33%, 0.45%

LAB 42.78, 36.16, -6.06

 

CMYK 16 / 0 / 50 / 40

HEX #7F984C

RGB 127 152 76

HSL 79.74, 0.33%, 0.45%

LAB 59.43, -21.48, 36.83

 

CMYK 50 / 0 / 23 / 40

HEX #4C9875

RGB 76 152 117

HSL 152.37, 0.33%, 0.45%

LAB 57.34, -32.13, 11.29

 

CMYK 32 / 49 / 0 / 40

HEX #674D98

RGB 103 77 152

HSL 260.8, 0.33%, 0.45%

LAB 38.65, 27.95, -37.33

 

CMYK 0 / 50 / 41 / 40

HEX #984C59

RGB 152 76 89

HSL 349.74, 0.33%, 0.45%

LAB 42.1, 33.12, 7.13

 

CMYK 16 / 0 / 50 / 40

HEX #7F984C

RGB 127 152 76

HSL 79.74, 0.33%, 0.45%

LAB 59.43, -21.48, 36.83

 

CMYK 50 / 0 / 9 / 40

HEX #4C988B

RGB 76 152 139

HSL 169.74, 0.33%, 0.45%

LAB 57.9, -26.86, -0.4

 

Description

Color code: HEX #674D98 | qconv.com Color code: HEX #674D98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 77 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 77 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 49 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 49% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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