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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6733A5 it is the complementary color #98CC5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6733A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6733A5 shade: #6C33A0, #7D45B3, #8E57C6, #9F69D9 and #B07BEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6733A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6733A5 shade: #6733A5, #562192, #450F7F, #34006C and #230059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6733A5 shade: #6632A3, #8432A3, #A332A3, #A33285 and #A33267

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6733A5 shade: #6632A3, #4732A3 and #3232A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6733A5 shade matches the following richer shades: #6632A3, #6421B5 and #630FC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6733A5 shade: #6632A3, #674392, #695481, #6A666F and #6C775E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6733A5 shade: #323BA3, #4732A3, #6532A3, #8332A3 and #A132A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6733A5 shade: #3E1E64, #522884, #6632A3, #793CC3 and #8F5BCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6733A5 shade: #6733A5, #A3325A and #32A338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6733A5 shade: #6733A5, #A36532 and #32A365

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6733A5 shade: #6733A5, #A3325A, #70A332 and #32A37C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6733A5 shade: #6733A5, #A33238, #70A332 and #32A39E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

Complementary color

CMYK 25 / 0 / 56 / 20

HEX #98CC5A

RGB 152 204 90

HSL 87.37, 0.53%, 0.58%

LAB 76.44, -35.37, 50.59

 

CMYK 33 / 68 / 0 / 37

HEX #6C33A0

RGB 108 51 160

HSL 271.38, 0.52%, 0.41%

LAB 34.18, 45.96, -49.3

 

CMYK 30 / 61 / 0 / 30

HEX #7D45B3

RGB 125 69 179

HSL 270.55, 0.44%, 0.49%

LAB 41.01, 45.19, -49.52

 

CMYK 28 / 56 / 0 / 22

HEX #8E57C6

RGB 142 87 198

HSL 269.73, 0.49%, 0.56%

LAB 47.81, 44.28, -49.59

 

CMYK 27 / 52 / 0 / 15

HEX #9F69D9

RGB 159 105 217

HSL 268.93, 0.6%, 0.63%

LAB 54.54, 43.34, -49.59

 

CMYK 25 / 48 / 0 / 7

HEX #B07BEC

RGB 176 123 236

HSL 268.14, 0.75%, 0.7%

LAB 61.18, 42.43, -49.58

 

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

CMYK 41 / 77 / 0 / 43

HEX #562192

RGB 86 33 146

HSL 268.14, 0.63%, 0.35%

LAB 27.13, 46.69, -52.33

 

CMYK 46 / 88 / 0 / 50

HEX #450F7F

RGB 69 15 127

HSL 268.93, 0.79%, 0.28%

LAB 20.59, 46.28, -51.25

 

CMYK 52 / 100 / 0 / 58

HEX #34006C

RGB 52 0 108

HSL 268.89, 1%, 0.21%

LAB 14.47, 44.34, -49.17

 

CMYK 61 / 100 / 0 / 65

HEX #230059

RGB 35 0 89

HSL 263.6, 1%, 0.17%

LAB 9.63, 38.15, -44.6

 

CMYK 37 / 69 / 0 / 36

HEX #6632A3

RGB 102 50 163

HSL 267.61, 0.53%, 0.42%

LAB 33.46, 45.95, -52.32

 

CMYK 19 / 69 / 0 / 36

HEX #8432A3

RGB 132 50 163

HSL 283.54, 0.53%, 0.42%

LAB 37.54, 52.42, -45.52

 

CMYK 0 / 69 / 0 / 36

HEX #A332A3

RGB 163 50 163

HSL 300, 0.53%, 0.42%

LAB 42.33, 59.52, -37.61

 

CMYK 0 / 69 / 18 / 36

HEX #A33285

RGB 163 50 133

HSL 315.93, 0.53%, 0.42%

LAB 40.83, 54.77, -21.78

 

CMYK 0 / 69 / 37 / 36

HEX #A33267

RGB 163 50 103

HSL 331.86, 0.53%, 0.42%

LAB 39.66, 50.86, -4.93

 

CMYK 37 / 69 / 0 / 36

HEX #6632A3

RGB 102 50 163

HSL 267.61, 0.53%, 0.42%

LAB 33.46, 45.95, -52.32

 

CMYK 56 / 69 / 0 / 36

HEX #4732A3

RGB 71 50 163

HSL 251.15, 0.53%, 0.42%

LAB 30.07, 40.18, -57.98

 

CMYK 69 / 69 / 0 / 36

HEX #3232A3

RGB 50 50 163

HSL 240, 0.53%, 0.42%

LAB 28.39, 37.12, -60.8

 

CMYK 37 / 69 / 0 / 36

HEX #6632A3

RGB 102 50 163

HSL 267.61, 0.53%, 0.42%

LAB 33.46, 45.95, -52.32

 

CMYK 45 / 82 / 0 / 29

HEX #6421B5

RGB 100 33 181

HSL 267.16, 0.69%, 0.42%

LAB 32.11, 57.57, -65.31

 

CMYK 50 / 92 / 0 / 22

HEX #630FC6

RGB 99 15 198

HSL 267.54, 0.86%, 0.42%

LAB 31.97, 66.46, -75.58

 

CMYK 37 / 69 / 0 / 36

HEX #6632A3

RGB 102 50 163

HSL 267.61, 0.53%, 0.42%

LAB 33.46, 45.95, -52.32

 

CMYK 29 / 54 / 0 / 43

HEX #674392

RGB 103 67 146

HSL 267.34, 0.37%, 0.42%

LAB 35.93, 32.37, -38.02

 

CMYK 19 / 35 / 0 / 49

HEX #695481

RGB 105 84 129

HSL 268, 0.21%, 0.42%

LAB 39.46, 18.29, -22.08

 

CMYK 5 / 8 / 0 / 56

HEX #6A666F

RGB 106 102 111

HSL 266.67, 0.04%, 0.42%

LAB 43.82, 3.44, -4.49

 

CMYK 9 / 0 / 21 / 53

HEX #6C775E

RGB 108 119 94

HSL 86.4, 0.12%, 0.42%

LAB 48.5, -9.01, 12.4

 

CMYK 69 / 64 / 0 / 36

HEX #323BA3

RGB 50 59 163

HSL 235.22, 0.53%, 0.42%

LAB 30.52, 31.44, -57.31

 

CMYK 56 / 69 / 0 / 36

HEX #4732A3

RGB 71 50 163

HSL 251.15, 0.53%, 0.42%

LAB 30.07, 40.18, -57.98

 

CMYK 38 / 69 / 0 / 36

HEX #6532A3

RGB 101 50 163

HSL 267.08, 0.53%, 0.42%

LAB 33.33, 45.75, -52.52

 

CMYK 20 / 69 / 0 / 36

HEX #8332A3

RGB 131 50 163

HSL 283.01, 0.53%, 0.42%

LAB 37.39, 52.19, -45.77

 

CMYK 1 / 69 / 0 / 36

HEX #A132A3

RGB 161 50 163

HSL 298.94, 0.53%, 0.42%

LAB 42, 59.05, -38.14

 

CMYK 38 / 70 / 0 / 61

HEX #3E1E64

RGB 62 30 100

HSL 267.43, 0.54%, 0.25%

LAB 19.53, 31.05, -35.59

 

CMYK 38 / 70 / 0 / 48

HEX #522884

RGB 82 40 132

HSL 267.39, 0.53%, 0.34%

LAB 26.67, 38.82, -44.4

 

CMYK 37 / 69 / 0 / 36

HEX #6632A3

RGB 102 50 163

HSL 267.61, 0.53%, 0.42%

LAB 33.46, 45.95, -52.32

 

CMYK 38 / 69 / 0 / 24

HEX #793CC3

RGB 121 60 195

HSL 267.11, 0.53%, 0.5%

LAB 39.98, 52.87, -60.6

 

CMYK 30 / 55 / 0 / 20

HEX #8F5BCC

RGB 143 91 204

HSL 267.61, 0.53%, 0.58%

LAB 49.11, 43.81, -50.96

 

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

CMYK 0 / 69 / 45 / 36

HEX #A3325A

RGB 163 50 90

HSL 338.76, 0.53%, 0.42%

LAB 39.25, 49.46, 2.67

 

CMYK 69 / 0 / 66 / 36

HEX #32A338

RGB 50 163 56

HSL 123.19, 0.53%, 0.42%

LAB 59.12, -52.84, 45.11

 

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

CMYK 0 / 38 / 69 / 36

HEX #A36532

RGB 163 101 50

HSL 27.08, 0.53%, 0.42%

LAB 48.67, 20.31, 38.52

 

CMYK 69 / 0 / 38 / 36

HEX #32A365

RGB 50 163 101

HSL 147.08, 0.53%, 0.42%

LAB 59.72, -45.98, 23.29

 

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

CMYK 0 / 69 / 45 / 36

HEX #A3325A

RGB 163 50 90

HSL 338.76, 0.53%, 0.42%

LAB 39.25, 49.46, 2.67

 

CMYK 31 / 0 / 69 / 36

HEX #70A332

RGB 112 163 50

HSL 87.08, 0.53%, 0.42%

LAB 61.54, -35.09, 50.95

 

CMYK 69 / 0 / 24 / 36

HEX #32A37C

RGB 50 163 124

HSL 159.29, 0.53%, 0.42%

LAB 60.18, -40.98, 11.24

 

CMYK 38 / 69 / 0 / 35

HEX #6733A5

RGB 103 51 165

HSL 267.37, 0.53%, 0.42%

LAB 33.92, 46.17, -52.77

 

CMYK 0 / 69 / 66 / 36

HEX #A33238

RGB 163 50 56

HSL 356.81, 0.53%, 0.42%

LAB 38.47, 46.7, 23.04

 

CMYK 31 / 0 / 69 / 36

HEX #70A332

RGB 112 163 50

HSL 87.08, 0.53%, 0.42%

LAB 61.54, -35.09, 50.95

 

CMYK 69 / 0 / 3 / 36

HEX #32A39E

RGB 50 163 158

HSL 177.35, 0.53%, 0.42%

LAB 61.08, -31.99, -6.57

 

Description

Color code: HEX #6733A5 | qconv.com Color code: HEX #6733A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 51 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 51 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 69 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 69% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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