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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67344F it is the complementary color #98CBB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67344F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67344F shade: #6C344A, #7D465D, #8E5870, #9F6A83 and #B07C96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67344F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67344F shade: #67344F, #56223C, #451029, #340016 and #230003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67344F shade: #65334D, #653340 and #653333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67344F shade: #65334D, #65335B, #623365, #543365 and #473365

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67344F shade matches the following richer shades: #65334D, #72264E, #7E1A4F, #8A0E50 and #970150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67344F shade: #65334D, #593F4D, #4C4C4C, #40584B and #34644B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67344F shade: #623365, #65335B, #65334E, #653340 and #653333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67344F shade: #2E1723, #4A2538, #65334D, #814163 and #9C4E78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67344F shade: #67344F, #655433 and #336265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67344F shade: #67344F, #4E6533 and #334E65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67344F shade: #67344F, #655433, #33654A and #334465

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67344F shade: #67344F, #656433, #33654A and #333465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

Complementary color

CMYK 25 / 0 / 13 / 20

HEX #98CBB0

RGB 152 203 176

HSL 148.24, 0.33%, 0.7%

LAB 77.59, -22.15, 8.11

 

CMYK 0 / 52 / 31 / 58

HEX #6C344A

RGB 108 52 74

HSL 336.43, 0.35%, 0.31%

LAB 29.76, 27.65, -2.01

 

CMYK 0 / 44 / 26 / 51

HEX #7D465D

RGB 125 70 93

HSL 334.91, 0.28%, 0.38%

LAB 36.99, 26.71, -3.27

 

CMYK 0 / 38 / 21 / 44

HEX #8E5870

RGB 142 88 112

HSL 333.33, 0.23%, 0.45%

LAB 44.09, 25.82, -4.27

 

CMYK 0 / 33 / 18 / 38

HEX #9F6A83

RGB 159 106 131

HSL 331.7, 0.22%, 0.52%

LAB 51.06, 25, -5.13

 

CMYK 0 / 30 / 15 / 31

HEX #B07C96

RGB 176 124 150

HSL 330, 0.25%, 0.59%

LAB 57.89, 24.25, -5.89

 

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

CMYK 0 / 60 / 30 / 66

HEX #56223C

RGB 86 34 60

HSL 330, 0.43%, 0.24%

LAB 21.76, 27.37, -4.88

 

CMYK 0 / 77 / 41 / 73

HEX #451029

RGB 69 16 41

HSL 331.7, 0.62%, 0.17%

LAB 14.38, 27.77, -2.79

 

CMYK 0 / 100 / 58 / 80

HEX #340016

RGB 52 0 22

HSL 334.62, 1%, 0.1%

LAB 7.12, 27.45, 0.42

 

CMYK 0 / 100 / 91 / 86

HEX #230003

RGB 35 0 3

HSL 354.86, 1%, 0.07%

LAB 3.29, 14.9, 3.97

 

CMYK 0 / 50 / 24 / 60

HEX #65334D

RGB 101 51 77

HSL 328.8, 0.33%, 0.3%

LAB 28.56, 26.03, -5.87

 

CMYK 0 / 50 / 37 / 60

HEX #653340

RGB 101 51 64

HSL 344.4, 0.33%, 0.3%

LAB 28.13, 24.03, 2.06

 

CMYK 0 / 50 / 50 / 60

HEX #653333

RGB 101 51 51

HSL 0, 0.33%, 0.3%

LAB 27.77, 22.37, 10.16

 

CMYK 0 / 50 / 24 / 60

HEX #65334D

RGB 101 51 77

HSL 328.8, 0.33%, 0.3%

LAB 28.56, 26.03, -5.87

 

CMYK 0 / 50 / 10 / 60

HEX #65335B

RGB 101 51 91

HSL 312, 0.33%, 0.3%

LAB 29.13, 28.52, -14.16

 

CMYK 3 / 50 / 0 / 60

HEX #623365

RGB 98 51 101

HSL 296.4, 0.33%, 0.3%

LAB 29.17, 29.51, -20.6

 

CMYK 17 / 50 / 0 / 60

HEX #543365

RGB 84 51 101

HSL 279.6, 0.33%, 0.3%

LAB 27.28, 24.92, -23.71

 

CMYK 30 / 50 / 0 / 60

HEX #473365

RGB 71 51 101

HSL 264, 0.33%, 0.3%

LAB 25.7, 20.77, -26.29

 

CMYK 0 / 50 / 24 / 60

HEX #65334D

RGB 101 51 77

HSL 328.8, 0.33%, 0.3%

LAB 28.56, 26.03, -5.87

 

CMYK 0 / 67 / 32 / 55

HEX #72264E

RGB 114 38 78

HSL 328.42, 0.5%, 0.3%

LAB 28.15, 37.66, -6.93

 

CMYK 0 / 79 / 37 / 51

HEX #7E1A4F

RGB 126 26 79

HSL 328.2, 0.66%, 0.3%

LAB 28.74, 46.17, -6.47

 

CMYK 0 / 90 / 42 / 46

HEX #8A0E50

RGB 138 14 80

HSL 328.06, 0.82%, 0.3%

LAB 30.15, 52.52, -4.78

 

CMYK 0 / 99 / 47 / 41

HEX #970150

RGB 151 1 80

HSL 328.4, 0.99%, 0.3%

LAB 32.21, 57.62, -1.42

 

CMYK 0 / 50 / 24 / 60

HEX #65334D

RGB 101 51 77

HSL 328.8, 0.33%, 0.3%

LAB 28.56, 26.03, -5.87

 

CMYK 0 / 29 / 13 / 65

HEX #593F4D

RGB 89 63 77

HSL 327.69, 0.17%, 0.3%

LAB 29.95, 13.87, -3.98

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 27 / 0 / 15 / 65

HEX #40584B

RGB 64 88 75

HSL 147.5, 0.16%, 0.3%

LAB 35.16, -12.19, 4.61

 

CMYK 48 / 0 / 25 / 61

HEX #34644B

RGB 52 100 75

HSL 148.75, 0.32%, 0.3%

LAB 38.47, -22.79, 9.2

 

CMYK 3 / 50 / 0 / 60

HEX #623365

RGB 98 51 101

HSL 296.4, 0.33%, 0.3%

LAB 29.17, 29.51, -20.6

 

CMYK 0 / 50 / 10 / 60

HEX #65335B

RGB 101 51 91

HSL 312, 0.33%, 0.3%

LAB 29.13, 28.52, -14.16

 

CMYK 0 / 50 / 23 / 60

HEX #65334E

RGB 101 51 78

HSL 327.6, 0.33%, 0.3%

LAB 28.6, 26.19, -6.47

 

CMYK 0 / 50 / 37 / 60

HEX #653340

RGB 101 51 64

HSL 344.4, 0.33%, 0.3%

LAB 28.13, 24.03, 2.06

 

CMYK 0 / 50 / 50 / 60

HEX #653333

RGB 101 51 51

HSL 0, 0.33%, 0.3%

LAB 27.77, 22.37, 10.16

 

CMYK 0 / 50 / 24 / 82

HEX #2E1723

RGB 46 23 35

HSL 328.7, 0.33%, 0.14%

LAB 11.38, 13.67, -3.29

 

CMYK 0 / 50 / 24 / 71

HEX #4A2538

RGB 74 37 56

HSL 329.19, 0.33%, 0.22%

LAB 20.3, 20.29, -4.51

 

CMYK 0 / 50 / 24 / 60

HEX #65334D

RGB 101 51 77

HSL 328.8, 0.33%, 0.3%

LAB 28.56, 26.03, -5.87

 

CMYK 0 / 50 / 23 / 49

HEX #814163

RGB 129 65 99

HSL 328.13, 0.33%, 0.38%

LAB 36.65, 31.98, -7.49

 

CMYK 0 / 50 / 23 / 39

HEX #9C4E78

RGB 156 78 120

HSL 327.69, 0.33%, 0.46%

LAB 44.05, 37.69, -9.01

 

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

CMYK 0 / 17 / 50 / 60

HEX #655433

RGB 101 84 51

HSL 39.6, 0.33%, 0.3%

LAB 36.64, 2.12, 21.85

 

CMYK 50 / 3 / 0 / 60

HEX #336265

RGB 51 98 101

HSL 183.6, 0.33%, 0.3%

LAB 38.51, -15.11, -6.69

 

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

CMYK 23 / 0 / 50 / 60

HEX #4E6533

RGB 78 101 51

HSL 87.6, 0.33%, 0.3%

LAB 39.86, -18.12, 25.44

 

CMYK 50 / 23 / 0 / 60

HEX #334E65

RGB 51 78 101

HSL 207.6, 0.33%, 0.3%

LAB 32.02, -3.14, -16.55

 

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

CMYK 0 / 17 / 50 / 60

HEX #655433

RGB 101 84 51

HSL 39.6, 0.33%, 0.3%

LAB 36.64, 2.12, 21.85

 

CMYK 50 / 0 / 27 / 60

HEX #33654A

RGB 51 101 74

HSL 147.6, 0.33%, 0.3%

LAB 38.73, -23.83, 10.17

 

CMYK 50 / 33 / 0 / 60

HEX #334465

RGB 51 68 101

HSL 219.6, 0.33%, 0.3%

LAB 28.84, 3.34, -21.47

 

CMYK 0 / 50 / 23 / 60

HEX #67344F

RGB 103 52 79

HSL 328.24, 0.33%, 0.3%

LAB 29.17, 26.53, -6.25

 

CMYK 0 / 1 / 50 / 60

HEX #656433

RGB 101 100 51

HSL 58.8, 0.33%, 0.3%

LAB 41.41, -7.36, 27.76

 

CMYK 50 / 0 / 27 / 60

HEX #33654A

RGB 51 101 74

HSL 147.6, 0.33%, 0.3%

LAB 38.73, -23.83, 10.17

 

CMYK 50 / 49 / 0 / 60

HEX #333465

RGB 51 52 101

HSL 238.8, 0.33%, 0.3%

LAB 24, 14.22, -29.12

 

Description

Color code: HEX #67344F | qconv.com Color code: HEX #67344F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 52 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 52 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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