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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #671998 it is the complementary color #98E667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #671998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #671998 shade: #6C1993, #7D2BA6, #8E3DB9, #9F4FCC and #B061DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #671998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #671998 shade: #671998, #560785, #450072, #34005F and #23004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #671998 shade: #671899, #8A1899, #991885, #991863 and #991840

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #671998 shade: #671899, #451899, #221899 and #181899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #671998 shade matches the following richer shades: #671899 and #6B0AA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #671998 shade: #671899, #64278B, #61357C, #5E446E and #5A525F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #671998 shade: #211899, #431899, #661899, #881899 and #991888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #671998 shade: #370D52, #4F1376, #671899, #7F1EBC and #9628DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #671998 shade: #671998, #991832 and #189932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #671998 shade: #671998, #996618 and #189966

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #671998 shade: #671998, #991832, #4C9918 and #18997F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #671998 shade: #671998, #992518, #4C9918 and #188C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

Complementary color

CMYK 34 / 0 / 55 / 10

HEX #98E667

RGB 152 230 103

HSL 96.85, 0.72%, 0.65%

LAB 84.09, -45.55, 53.59

 

CMYK 27 / 83 / 0 / 42

HEX #6C1993

RGB 108 25 147

HSL 280.82, 0.71%, 0.34%

LAB 29.39, 53.79, -49.14

 

CMYK 25 / 74 / 0 / 35

HEX #7D2BA6

RGB 125 43 166

HSL 280, 0.59%, 0.41%

LAB 35.68, 54.51, -50.38

 

CMYK 23 / 67 / 0 / 27

HEX #8E3DB9

RGB 142 61 185

HSL 279.19, 0.5%, 0.48%

LAB 42.14, 54.43, -51.11

 

CMYK 22 / 61 / 0 / 20

HEX #9F4FCC

RGB 159 79 204

HSL 278.4, 0.55%, 0.55%

LAB 48.66, 53.94, -51.56

 

CMYK 21 / 57 / 0 / 13

HEX #B061DF

RGB 176 97 223

HSL 277.62, 0.66%, 0.63%

LAB 55.18, 53.25, -51.84

 

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

CMYK 35 / 95 / 0 / 48

HEX #560785

RGB 86 7 133

HSL 277.62, 0.9%, 0.27%

LAB 23.08, 52.01, -50.86

 

CMYK 39 / 100 / 0 / 55

HEX #450072

RGB 69 0 114

HSL 276.32, 1%, 0.22%

LAB 17.83, 47.48, -47.45

 

CMYK 45 / 100 / 0 / 63

HEX #34005F

RGB 52 0 95

HSL 272.84, 1%, 0.19%

LAB 12.96, 41.22, -43.05

 

CMYK 54 / 100 / 0 / 70

HEX #23004C

RGB 35 0 76

HSL 267.63, 1%, 0.15%

LAB 7.94, 34.79, -38.47

 

CMYK 33 / 84 / 0 / 40

HEX #671899

RGB 103 24 153

HSL 276.74, 0.73%, 0.35%

LAB 29, 54.56, -53.49

 

CMYK 10 / 84 / 0 / 40

HEX #8A1899

RGB 138 24 153

HSL 293.02, 0.73%, 0.35%

LAB 34.71, 60.65, -43.96

 

CMYK 0 / 84 / 13 / 40

HEX #991885

RGB 153 24 133

HSL 309.3, 0.73%, 0.35%

LAB 36.21, 60.46, -29.12

 

CMYK 0 / 84 / 35 / 40

HEX #991863

RGB 153 24 99

HSL 325.12, 0.73%, 0.35%

LAB 34.65, 56.1, -10.08

 

CMYK 0 / 84 / 58 / 40

HEX #991840

RGB 153 24 64

HSL 341.4, 0.73%, 0.35%

LAB 33.55, 52.89, 11.07

 

CMYK 33 / 84 / 0 / 40

HEX #671899

RGB 103 24 153

HSL 276.74, 0.73%, 0.35%

LAB 29, 54.56, -53.49

 

CMYK 55 / 84 / 0 / 40

HEX #451899

RGB 69 24 153

HSL 260.93, 0.73%, 0.35%

LAB 24.38, 49.81, -61.24

 

CMYK 78 / 84 / 0 / 40

HEX #221899

RGB 34 24 153

HSL 244.65, 0.73%, 0.35%

LAB 21.18, 46.65, -66.64

 

CMYK 84 / 84 / 0 / 40

HEX #181899

RGB 24 24 153

HSL 240, 0.73%, 0.35%

LAB 20.62, 46.11, -67.58

 

CMYK 33 / 84 / 0 / 40

HEX #671899

RGB 103 24 153

HSL 276.74, 0.73%, 0.35%

LAB 29, 54.56, -53.49

 

CMYK 36 / 94 / 0 / 35

HEX #6B0AA7

RGB 107 10 167

HSL 277.07, 0.89%, 0.35%

LAB 29.75, 61.4, -60.76

 

CMYK 33 / 84 / 0 / 40

HEX #671899

RGB 103 24 153

HSL 276.74, 0.73%, 0.35%

LAB 29, 54.56, -53.49

 

CMYK 28 / 72 / 0 / 45

HEX #64278B

RGB 100 39 139

HSL 276.6, 0.56%, 0.35%

LAB 29.47, 44.98, -44.11

 

CMYK 22 / 57 / 0 / 51

HEX #61357C

RGB 97 53 124

HSL 277.18, 0.4%, 0.35%

LAB 30.74, 33.31, -32.74

 

CMYK 15 / 38 / 0 / 57

HEX #5E446E

RGB 94 68 110

HSL 277.14, 0.24%, 0.35%

LAB 33.22, 19.86, -20.07

 

CMYK 5 / 14 / 0 / 63

HEX #5A525F

RGB 90 82 95

HSL 276.92, 0.07%, 0.35%

LAB 36.05, 6.04, -6.36

 

CMYK 78 / 84 / 0 / 40

HEX #211899

RGB 33 24 153

HSL 244.19, 0.73%, 0.35%

LAB 21.12, 46.59, -66.74

 

CMYK 56 / 84 / 0 / 40

HEX #431899

RGB 67 24 153

HSL 260, 0.73%, 0.35%

LAB 24.15, 49.58, -61.63

 

CMYK 33 / 84 / 0 / 40

HEX #661899

RGB 102 24 153

HSL 276.28, 0.73%, 0.35%

LAB 28.85, 54.4, -53.75

 

CMYK 11 / 84 / 0 / 40

HEX #881899

RGB 136 24 153

HSL 292.09, 0.73%, 0.35%

LAB 34.37, 60.28, -44.53

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 33 / 84 / 0 / 68

HEX #370D52

RGB 55 13 82

HSL 276.52, 0.73%, 0.19%

LAB 13.88, 33.36, -32.74

 

CMYK 33 / 84 / 0 / 54

HEX #4F1376

RGB 79 19 118

HSL 276.36, 0.72%, 0.27%

LAB 21.71, 44.28, -43.61

 

CMYK 33 / 84 / 0 / 40

HEX #671899

RGB 103 24 153

HSL 276.74, 0.73%, 0.35%

LAB 29, 54.56, -53.49

 

CMYK 32 / 84 / 0 / 26

HEX #7F1EBC

RGB 127 30 188

HSL 276.84, 0.72%, 0.43%

LAB 36.12, 64.02, -62.73

 

CMYK 32 / 82 / 0 / 14

HEX #9628DC

RGB 150 40 220

HSL 276.67, 0.72%, 0.51%

LAB 43.02, 71.25, -69.93

 

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

CMYK 0 / 84 / 67 / 40

HEX #991832

RGB 153 24 50

HSL 347.91, 0.73%, 0.35%

LAB 33.26, 52, 19.82

 

CMYK 84 / 0 / 67 / 40

HEX #189932

RGB 24 153 50

HSL 132.09, 0.73%, 0.35%

LAB 55.28, -54.06, 43.37

 

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

CMYK 0 / 33 / 84 / 40

HEX #996618

RGB 153 102 24

HSL 36.28, 0.73%, 0.35%

LAB 47.42, 14.06, 48.49

 

CMYK 84 / 0 / 33 / 40

HEX #189966

RGB 24 153 102

HSL 156.28, 0.73%, 0.35%

LAB 56.02, -45.35, 17.67

 

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

CMYK 0 / 84 / 67 / 40

HEX #991832

RGB 153 24 50

HSL 347.91, 0.73%, 0.35%

LAB 33.26, 52, 19.82

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 84 / 0 / 17 / 40

HEX #18997F

RGB 24 153 127

HSL 167.91, 0.73%, 0.35%

LAB 56.59, -39.15, 4.37

 

CMYK 32 / 84 / 0 / 40

HEX #671998

RGB 103 25 152

HSL 276.85, 0.72%, 0.35%

LAB 29.02, 54.02, -52.84

 

CMYK 0 / 76 / 84 / 40

HEX #992518

RGB 153 37 24

HSL 6.05, 0.73%, 0.35%

LAB 34.32, 46.94, 36.73

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 84 / 8 / 0 / 40

HEX #188C99

RGB 24 140 153

HSL 186.05, 0.73%, 0.35%

LAB 53.22, -25.17, -15.56

 

Description

Color code: HEX #671998 | qconv.com Color code: HEX #671998 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 25 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 25 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 84 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 84% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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