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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6718FF it is the complementary color #98E700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6718FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6718FF shade: #6C18FA, #7D2AFF, #8E3CFF, #9F4EFF and #B060FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6718FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6718FF shade: #6718FF, #5606EC, #4500D9, #3400C6 and #2300B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6718FF shade: #6719FF, #A519FF, #E319FF, #FF19DC and #FF199E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6718FF shade: #6719FF, #2A19FF and #1919FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6718FF shade matches the following richer shades: #6719FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6718FF shade: #6719FF, #6D2CEC, #733ED9, #7951C7 and #7F63B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6718FF shade: #1947FF, #2819FF, #6519FF, #A319FF and #E019FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6718FF shade: #4300C5, #5100EF, #6719FF, #8342FF and #9E6CFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6718FF shade: #6718FF, #FF1984 and #28FF19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6718FF shade: #6718FF, #FF6519 and #19FF66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6718FF shade: #6718FF, #FF1984, #B2FF19 and #19FF93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6718FF shade: #6718FF, #FF193F, #B2FF19 and #19FFD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

Complementary color

CMYK 34 / 0 / 100 / 9

HEX #98E700

RGB 152 231 0

HSL 80.52, 1%, 0.45%

LAB 83.88, -51.1, 81.57

 

CMYK 57 / 90 / 0 / 2

HEX #6C18FA

RGB 108 24 250

HSL 262.3, 0.96%, 0.54%

LAB 39.15, 77.31, -93.49

 

CMYK 51 / 84 / 0 / 0

HEX #7D2AFF

RGB 125 42 255

HSL 263.38, 1%, 0.58%

LAB 43.12, 75.23, -89.67

 

CMYK 44 / 76 / 0 / 0

HEX #8E3CFF

RGB 142 60 255

HSL 265.23, 1%, 0.62%

LAB 47.24, 70.93, -82.82

 

CMYK 38 / 69 / 0 / 0

HEX #9F4EFF

RGB 159 78 255

HSL 267.46, 1%, 0.65%

LAB 51.88, 66.03, -75.16

 

CMYK 31 / 62 / 0 / 0

HEX #B060FF

RGB 176 96 255

HSL 270.19, 1%, 0.69%

LAB 56.9, 60.92, -66.95

 

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

CMYK 64 / 97 / 0 / 7

HEX #5606EC

RGB 86 6 236

HSL 260.87, 0.95%, 0.47%

LAB 34.32, 75.66, -93.65

 

CMYK 68 / 100 / 0 / 15

HEX #4500D9

RGB 69 0 217

HSL 259.08, 1%, 0.43%

LAB 30.1, 71.38, -89.84

 

CMYK 74 / 100 / 0 / 22

HEX #3400C6

RGB 52 0 198

HSL 255.76, 1%, 0.39%

LAB 26.18, 66.28, -85.34

 

CMYK 80 / 100 / 0 / 30

HEX #2300B3

RGB 35 0 179

HSL 251.73, 1%, 0.35%

LAB 22.34, 61.17, -80.49

 

CMYK 60 / 90 / 0 / 0

HEX #6719FF

RGB 103 25 255

HSL 260.35, 1%, 0.55%

LAB 39.24, 77.89, -96.16

 

CMYK 35 / 90 / 0 / 0

HEX #A519FF

RGB 165 25 255

HSL 276.52, 1%, 0.55%

LAB 46.86, 83.68, -83.32

 

CMYK 11 / 90 / 0 / 0

HEX #E319FF

RGB 227 25 255

HSL 292.7, 1%, 0.55%

LAB 56.33, 92.05, -67.5

 

CMYK 0 / 90 / 14 / 0

HEX #FF19DC

RGB 255 25 220

HSL 309.13, 1%, 0.55%

LAB 59.09, 91.75, -43.21

 

CMYK 0 / 90 / 38 / 0

HEX #FF199E

RGB 255 25 158

HSL 325.3, 1%, 0.55%

LAB 56.51, 84.96, -11.39

 

CMYK 60 / 90 / 0 / 0

HEX #6719FF

RGB 103 25 255

HSL 260.35, 1%, 0.55%

LAB 39.24, 77.89, -96.16

 

CMYK 84 / 90 / 0 / 0

HEX #2A19FF

RGB 42 25 255

HSL 244.43, 1%, 0.55%

LAB 34.82, 75.11, -103.64

 

CMYK 90 / 90 / 0 / 0

HEX #1919FF

RGB 25 25 255

HSL 240, 1%, 0.55%

LAB 34.24, 74.78, -104.62

 

CMYK 60 / 90 / 0 / 0

HEX #6719FF

RGB 103 25 255

HSL 260.35, 1%, 0.55%

LAB 39.24, 77.89, -96.16

 

CMYK 60 / 90 / 0 / 0

HEX #6719FF

RGB 103 25 255

HSL 260.35, 1%, 0.55%

LAB 39.24, 77.89, -96.16

 

CMYK 54 / 81 / 0 / 7

HEX #6D2CEC

RGB 109 44 236

HSL 260.31, 0.83%, 0.55%

LAB 39.76, 68.25, -84.57

 

CMYK 47 / 71 / 0 / 15

HEX #733ED9

RGB 115 62 217

HSL 260.52, 0.67%, 0.55%

LAB 41.37, 56.48, -71.07

 

CMYK 39 / 59 / 0 / 22

HEX #7951C7

RGB 121 81 199

HSL 260.34, 0.51%, 0.55%

LAB 44.34, 42.85, -55.86

 

CMYK 29 / 45 / 0 / 29

HEX #7F63B4

RGB 127 99 180

HSL 260.74, 0.35%, 0.55%

LAB 47.92, 28.91, -39.08

 

CMYK 90 / 72 / 0 / 0

HEX #1947FF

RGB 25 71 255

HSL 228, 1%, 0.55%

LAB 41.11, 54.68, -93.19

 

CMYK 84 / 90 / 0 / 0

HEX #2819FF

RGB 40 25 255

HSL 243.91, 1%, 0.55%

LAB 34.73, 75.06, -103.78

 

CMYK 60 / 90 / 0 / 0

HEX #6519FF

RGB 101 25 255

HSL 259.83, 1%, 0.55%

LAB 39.04, 77.75, -96.49

 

CMYK 36 / 90 / 0 / 0

HEX #A319FF

RGB 163 25 255

HSL 276, 1%, 0.55%

LAB 46.58, 83.45, -83.8

 

CMYK 12 / 90 / 0 / 0

HEX #E019FF

RGB 224 25 255

HSL 291.91, 1%, 0.55%

LAB 55.85, 91.6, -68.3

 

CMYK 66 / 100 / 0 / 23

HEX #4300C5

RGB 67 0 197

HSL 260.41, 1%, 0.39%

LAB 27.37, 66.62, -82.74

 

CMYK 66 / 100 / 0 / 6

HEX #5100EF

RGB 81 0 239

HSL 260.33, 1%, 0.47%

LAB 33.94, 76.94, -96

 

CMYK 60 / 90 / 0 / 0

HEX #6719FF

RGB 103 25 255

HSL 260.35, 1%, 0.55%

LAB 39.24, 77.89, -96.16

 

CMYK 49 / 74 / 0 / 0

HEX #8342FF

RGB 131 66 255

HSL 260.63, 1%, 0.63%

LAB 46.9, 66.88, -83.43

 

CMYK 38 / 58 / 0 / 0

HEX #9E6CFF

RGB 158 108 255

HSL 260.41, 1%, 0.71%

LAB 57.28, 50.89, -66.42

 

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

CMYK 0 / 90 / 48 / 0

HEX #FF1984

RGB 255 25 132

HSL 332.09, 1%, 0.55%

LAB 55.71, 82.78, 2.86

 

CMYK 84 / 0 / 90 / 0

HEX #28FF19

RGB 40 255 25

HSL 116.09, 1%, 0.55%

LAB 87.99, -83.77, 81.1

 

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

CMYK 0 / 60 / 90 / 0

HEX #FF6519

RGB 255 101 25

HSL 19.83, 1%, 0.55%

LAB 62.2, 55.69, 66.17

 

CMYK 90 / 0 / 60 / 0

HEX #19FF66

RGB 25 255 102

HSL 140.09, 1%, 0.55%

LAB 88.3, -79.42, 58.07

 

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

CMYK 0 / 90 / 48 / 0

HEX #FF1984

RGB 255 25 132

HSL 332.09, 1%, 0.55%

LAB 55.71, 82.78, 2.86

 

CMYK 30 / 0 / 90 / 0

HEX #B2FF19

RGB 178 255 25

HSL 80.09, 1%, 0.55%

LAB 92.16, -51.32, 86.25

 

CMYK 90 / 0 / 42 / 0

HEX #19FF93

RGB 25 255 147

HSL 151.83, 1%, 0.55%

LAB 88.84, -72.81, 37.92

 

CMYK 60 / 91 / 0 / 0

HEX #6718FF

RGB 103 24 255

HSL 260.52, 1%, 0.55%

LAB 39.17, 78.11, -96.28

 

CMYK 0 / 90 / 75 / 0

HEX #FF193F

RGB 255 25 63

HSL 350.09, 1%, 0.55%

LAB 54.36, 79.03, 42.07

 

CMYK 30 / 0 / 90 / 0

HEX #B2FF19

RGB 178 255 25

HSL 80.09, 1%, 0.55%

LAB 92.16, -51.32, 86.25

 

CMYK 90 / 0 / 15 / 0

HEX #19FFD8

RGB 25 255 216

HSL 169.83, 1%, 0.55%

LAB 90.18, -57.95, 4.72

 

Description

Color code: HEX #6718FF | qconv.com Color code: HEX #6718FF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 24 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 24 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 91 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 91% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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