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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6714E5 it is the complementary color #98EB1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6714E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6714E5 shade: #6C14E0, #7D26F3, #8E38FF, #9F4AFF and #B05CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6714E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6714E5 shade: #6714E5, #5602D2, #4500BF, #3400AC and #230099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6714E5 shade: #6713E5, #9F13E5, #D813E5, #E513BA and #E51382

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6714E5 shade: #6713E5, #2E13E5 and #1313E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6714E5 shade matches the following richer shades: #6713E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6714E5 shade: #6713E5, #6B28D1, #6F3CBD, #7350A9 and #776495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6714E5 shade: #1333E5, #2C13E5, #6413E5, #9C13E5 and #D413E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6714E5 shade: #450D99, #5610BF, #6713E5, #7E35ED and #965BF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6714E5 shade: #6714E5, #E5136B and #17E513

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6714E5 shade: #6714E5, #E56413 and #13E564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6714E5 shade: #6714E5, #E5136B, #95E513 and #13E58E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6714E5 shade: #6714E5, #E5132C, #95E513 and #13E5CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

Complementary color

CMYK 35 / 0 / 89 / 8

HEX #98EB1A

RGB 152 235 26

HSL 83.83, 0.84%, 0.51%

LAB 85.08, -52.32, 79.77

 

CMYK 52 / 91 / 0 / 12

HEX #6C14E0

RGB 108 20 224

HSL 265.88, 0.84%, 0.48%

LAB 36.12, 72.19, -83.75

 

CMYK 49 / 84 / 0 / 5

HEX #7D26F3

RGB 125 38 243

HSL 265.46, 0.9%, 0.55%

LAB 41.56, 73.65, -85.5

 

CMYK 44 / 78 / 0 / 0

HEX #8E38FF

RGB 142 56 255

HSL 265.93, 1%, 0.61%

LAB 46.71, 72.46, -83.69

 

CMYK 38 / 71 / 0 / 0

HEX #9F4AFF

RGB 159 74 255

HSL 268.18, 1%, 0.65%

LAB 51.25, 67.8, -76.18

 

CMYK 31 / 64 / 0 / 0

HEX #B05CFF

RGB 176 92 255

HSL 270.92, 1%, 0.68%

LAB 56.19, 62.84, -68.08

 

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

CMYK 59 / 99 / 0 / 18

HEX #5602D2

RGB 86 2 210

HSL 264.23, 0.98%, 0.42%

LAB 31.06, 70.3, -84.14

 

CMYK 64 / 100 / 0 / 25

HEX #4500BF

RGB 69 0 191

HSL 261.68, 1%, 0.37%

LAB 26.81, 65.31, -80.11

 

CMYK 70 / 100 / 0 / 33

HEX #3400AC

RGB 52 0 172

HSL 258.14, 1%, 0.34%

LAB 22.68, 59.99, -75.68

 

CMYK 77 / 100 / 0 / 40

HEX #230099

RGB 35 0 153

HSL 253.73, 1%, 0.3%

LAB 18.62, 54.67, -70.91

 

CMYK 55 / 92 / 0 / 10

HEX #6713E5

RGB 103 19 229

HSL 264, 0.85%, 0.49%

LAB 36, 73.12, -86.83

 

CMYK 31 / 92 / 0 / 10

HEX #9F13E5

RGB 159 19 229

HSL 280, 0.85%, 0.49%

LAB 43.5, 78.88, -74.22

 

CMYK 6 / 92 / 0 / 10

HEX #D813E5

RGB 216 19 229

HSL 296.29, 0.85%, 0.49%

LAB 52.64, 87.05, -58.97

 

CMYK 0 / 92 / 19 / 10

HEX #E513BA

RGB 229 19 186

HSL 312.29, 0.85%, 0.49%

LAB 52.59, 83.42, -34.24

 

CMYK 0 / 92 / 43 / 10

HEX #E51382

RGB 229 19 130

HSL 328.29, 0.85%, 0.49%

LAB 50.38, 77.58, -4.34

 

CMYK 55 / 92 / 0 / 10

HEX #6713E5

RGB 103 19 229

HSL 264, 0.85%, 0.49%

LAB 36, 73.12, -86.83

 

CMYK 80 / 92 / 0 / 10

HEX #2E13E5

RGB 46 19 229

HSL 247.71, 0.85%, 0.49%

LAB 31.12, 70.07, -95.07

 

CMYK 92 / 92 / 0 / 10

HEX #1313E5

RGB 19 19 229

HSL 240, 0.85%, 0.49%

LAB 30.06, 69.5, -96.87

 

CMYK 55 / 92 / 0 / 10

HEX #6713E5

RGB 103 19 229

HSL 264, 0.85%, 0.49%

LAB 36, 73.12, -86.83

 

CMYK 55 / 92 / 0 / 10

HEX #6713E5

RGB 103 19 229

HSL 264, 0.85%, 0.49%

LAB 36, 73.12, -86.83

 

CMYK 49 / 81 / 0 / 18

HEX #6B28D1

RGB 107 40 209

HSL 263.79, 0.68%, 0.49%

LAB 36.46, 62.78, -74.56

 

CMYK 41 / 68 / 0 / 26

HEX #6F3CBD

RGB 111 60 189

HSL 263.72, 0.52%, 0.49%

LAB 38.35, 49.4, -59.78

 

CMYK 32 / 53 / 0 / 34

HEX #7350A9

RGB 115 80 169

HSL 263.6, 0.36%, 0.49%

LAB 41.61, 33.97, -42.71

 

CMYK 20 / 33 / 0 / 42

HEX #776495

RGB 119 100 149

HSL 263.27, 0.2%, 0.49%

LAB 45.92, 18.06, -24.03

 

CMYK 92 / 78 / 0 / 10

HEX #1333E5

RGB 19 51 229

HSL 230.86, 0.85%, 0.49%

LAB 34.32, 56.83, -89.78

 

CMYK 81 / 92 / 0 / 10

HEX #2C13E5

RGB 44 19 229

HSL 247.14, 0.85%, 0.49%

LAB 31.02, 70.01, -95.25

 

CMYK 56 / 92 / 0 / 10

HEX #6413E5

RGB 100 19 229

HSL 263.14, 0.85%, 0.49%

LAB 35.66, 72.89, -87.4

 

CMYK 32 / 92 / 0 / 10

HEX #9C13E5

RGB 156 19 229

HSL 279.14, 0.85%, 0.49%

LAB 43.05, 78.51, -74.97

 

CMYK 7 / 92 / 0 / 10

HEX #D413E5

RGB 212 19 229

HSL 295.14, 0.85%, 0.49%

LAB 51.97, 86.42, -60.08

 

CMYK 55 / 92 / 0 / 40

HEX #450D99

RGB 69 13 153

HSL 264, 0.84%, 0.33%

LAB 23.18, 53.38, -63.23

 

CMYK 55 / 92 / 0 / 25

HEX #5610BF

RGB 86 16 191

HSL 264, 0.85%, 0.41%

LAB 29.69, 63.47, -75.28

 

CMYK 55 / 92 / 0 / 10

HEX #6713E5

RGB 103 19 229

HSL 264, 0.85%, 0.49%

LAB 36, 73.12, -86.83

 

CMYK 47 / 78 / 0 / 7

HEX #7E35ED

RGB 126 53 237

HSL 263.8, 0.84%, 0.57%

LAB 42.91, 67.14, -79.89

 

CMYK 38 / 62 / 0 / 6

HEX #965BF0

RGB 150 91 240

HSL 263.76, 0.83%, 0.65%

LAB 52.13, 54.35, -66.45

 

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

CMYK 0 / 92 / 53 / 10

HEX #E5136B

RGB 229 19 107

HSL 334.86, 0.85%, 0.49%

LAB 49.72, 75.79, 8.74

 

CMYK 90 / 0 / 92 / 10

HEX #17E513

RGB 23 229 19

HSL 118.86, 0.85%, 0.49%

LAB 79.77, -78.16, 74.95

 

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

CMYK 0 / 56 / 92 / 10

HEX #E56413

RGB 229 100 19

HSL 23.14, 0.85%, 0.49%

LAB 57.87, 46.66, 62.86

 

CMYK 92 / 0 / 56 / 10

HEX #13E564

RGB 19 229 100

HSL 143.14, 0.85%, 0.49%

LAB 80.23, -72.16, 49.52

 

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

CMYK 0 / 92 / 53 / 10

HEX #E5136B

RGB 229 19 107

HSL 334.86, 0.85%, 0.49%

LAB 49.72, 75.79, 8.74

 

CMYK 35 / 0 / 92 / 10

HEX #95E513

RGB 149 229 19

HSL 82.86, 0.85%, 0.49%

LAB 83.17, -51.09, 79.15

 

CMYK 92 / 0 / 38 / 10

HEX #13E58E

RGB 19 229 142

HSL 155.14, 0.85%, 0.49%

LAB 80.81, -65.26, 29.83

 

CMYK 55 / 91 / 0 / 10

HEX #6714E5

RGB 103 20 229

HSL 263.83, 0.84%, 0.49%

LAB 36.06, 72.92, -86.72

 

CMYK 0 / 92 / 81 / 10

HEX #E5132C

RGB 229 19 44

HSL 352.86, 0.85%, 0.49%

LAB 48.64, 72.79, 45.06

 

CMYK 35 / 0 / 92 / 10

HEX #95E513

RGB 149 229 19

HSL 82.86, 0.85%, 0.49%

LAB 83.17, -51.09, 79.15

 

CMYK 92 / 0 / 10 / 10

HEX #13E5CD

RGB 19 229 205

HSL 173.14, 0.85%, 0.49%

LAB 82.16, -50.56, -1.2

 

Description

Color code: HEX #6714E5 | qconv.com Color code: HEX #6714E5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 20 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 20 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 91 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 91% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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