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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #670D66 it is the complementary color #98F299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #670D66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #670D66 shade: #6C0D61, #7D1F74, #8E3187, #9F439A and #B055AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #670D66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #670D66 shade: #670D66, #560053, #450040, #34002D and #23001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #670D66 shade: #680C67, #680C4E, #680C36, #680C1D and #680C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #670D66 shade: #680C67, #500C68, #380C68, #1F0C68 and #0C0C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #670D66 shade matches the following richer shades: #680C67 and #710370

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #670D66 shade: #680C67, #5E165E, #551F54, #4B294B and #423242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #670D66 shade: #370C68, #4F0C68, #680C68, #680C4F and #680C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #670D66 shade: #1E031E, #430843, #680C67, #8D118B and #B115B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #670D66 shade: #670D66, #681F0C and #0C6843

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #670D66 shade: #670D66, #68680C and #0C6868

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #670D66 shade: #670D66, #681F0C, #0C680C and #0C5668

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #670D66 shade: #670D66, #683A0C, #0C680C and #0C3A68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

Complementary color

CMYK 37 / 0 / 37 / 5

HEX #98F299

RGB 152 242 153

HSL 120.67, 0.78%, 0.77%

LAB 88.2, -44.3, 34.68

 

CMYK 0 / 88 / 10 / 58

HEX #6C0D61

RGB 108 13 97

HSL 306.95, 0.79%, 0.24%

LAB 24.76, 47.77, -24.8

 

CMYK 0 / 75 / 7 / 51

HEX #7D1F74

RGB 125 31 116

HSL 305.74, 0.6%, 0.31%

LAB 30.88, 49.46, -27.2

 

CMYK 0 / 65 / 5 / 44

HEX #8E3187

RGB 142 49 135

HSL 304.52, 0.49%, 0.37%

LAB 37.29, 49.93, -28.79

 

CMYK 0 / 58 / 3 / 38

HEX #9F439A

RGB 159 67 154

HSL 303.26, 0.41%, 0.44%

LAB 43.83, 49.76, -29.9

 

CMYK 0 / 52 / 2 / 31

HEX #B055AD

RGB 176 85 173

HSL 301.98, 0.37%, 0.51%

LAB 50.39, 49.28, -30.71

 

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

CMYK 0 / 100 / 3 / 66

HEX #560053

RGB 86 0 83

HSL 302.09, 1%, 0.17%

LAB 18.38, 44.02, -25.87

 

CMYK 0 / 100 / 7 / 73

HEX #450040

RGB 69 0 64

HSL 304.35, 1%, 0.14%

LAB 13.44, 37.5, -20.8

 

CMYK 0 / 100 / 13 / 80

HEX #34002D

RGB 52 0 45

HSL 308.08, 1%, 0.1%

LAB 8.3, 30.7, -15.4

 

CMYK 0 / 100 / 26 / 86

HEX #23001A

RGB 35 0 26

HSL 315.43, 1%, 0.07%

LAB 3.9, 19.19, -7.77

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

CMYK 0 / 88 / 25 / 59

HEX #680C4E

RGB 104 12 78

HSL 316.96, 0.79%, 0.23%

LAB 22.85, 44.26, -15.2

 

CMYK 0 / 88 / 48 / 59

HEX #680C36

RGB 104 12 54

HSL 332.61, 0.79%, 0.23%

LAB 21.84, 41.41, -0.21

 

CMYK 0 / 88 / 72 / 59

HEX #680C1D

RGB 104 12 29

HSL 348.91, 0.79%, 0.23%

LAB 21.19, 39.48, 16.4

 

CMYK 0 / 88 / 88 / 59

HEX #680C0C

RGB 104 12 12

HSL 0, 0.79%, 0.23%

LAB 20.95, 38.77, 26.68

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

CMYK 23 / 88 / 0 / 59

HEX #500C68

RGB 80 12 104

HSL 284.35, 0.79%, 0.23%

LAB 19.91, 43.6, -37.45

 

CMYK 46 / 88 / 0 / 59

HEX #380C68

RGB 56 12 104

HSL 268.7, 0.79%, 0.23%

LAB 16.02, 39.61, -43.97

 

CMYK 70 / 88 / 0 / 59

HEX #1F0C68

RGB 31 12 104

HSL 252.39, 0.79%, 0.23%

LAB 12.95, 36.61, -49.15

 

CMYK 88 / 88 / 0 / 59

HEX #0C0C68

RGB 12 12 104

HSL 240, 0.79%, 0.23%

LAB 11.56, 35.31, -51.5

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

CMYK 0 / 97 / 1 / 56

HEX #710370

RGB 113 3 112

HSL 300.55, 0.95%, 0.23%

LAB 26, 53.17, -32.53

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

CMYK 0 / 77 / 0 / 63

HEX #5E165E

RGB 94 22 94

HSL 300, 0.62%, 0.23%

LAB 22.87, 41.28, -26

 

CMYK 0 / 64 / 1 / 67

HEX #551F54

RGB 85 31 84

HSL 301.11, 0.47%, 0.23%

LAB 22.13, 32.91, -20.62

 

CMYK 0 / 45 / 0 / 71

HEX #4B294B

RGB 75 41 75

HSL 300, 0.29%, 0.23%

LAB 22.27, 21.96, -14.48

 

CMYK 0 / 24 / 0 / 74

HEX #423242

RGB 66 50 66

HSL 300, 0.14%, 0.23%

LAB 23.11, 10.55, -7.23

 

CMYK 47 / 88 / 0 / 59

HEX #370C68

RGB 55 12 104

HSL 268.04, 0.79%, 0.23%

LAB 15.87, 39.46, -44.22

 

CMYK 24 / 88 / 0 / 59

HEX #4F0C68

RGB 79 12 104

HSL 283.7, 0.79%, 0.23%

LAB 19.74, 43.41, -37.74

 

CMYK 0 / 88 / 0 / 59

HEX #680C68

RGB 104 12 104

HSL 300, 0.79%, 0.23%

LAB 24.34, 48.3, -30.1

 

CMYK 0 / 88 / 24 / 59

HEX #680C4F

RGB 104 12 79

HSL 316.3, 0.79%, 0.23%

LAB 22.9, 44.4, -15.79

 

CMYK 0 / 88 / 47 / 59

HEX #680C37

RGB 104 12 55

HSL 331.96, 0.79%, 0.23%

LAB 21.88, 41.51, -0.86

 

CMYK 0 / 90 / 0 / 88

HEX #1E031E

RGB 30 3 30

HSL 300, 0.82%, 0.06%

LAB 3.93, 15.93, -11

 

CMYK 0 / 88 / 0 / 74

HEX #430843

RGB 67 8 67

HSL 300, 0.79%, 0.15%

LAB 14.24, 34.62, -21.66

 

CMYK 0 / 88 / 1 / 59

HEX #680C67

RGB 104 12 103

HSL 300.65, 0.79%, 0.23%

LAB 24.27, 48.13, -29.55

 

CMYK 0 / 88 / 1 / 45

HEX #8D118B

RGB 141 17 139

HSL 300.97, 0.78%, 0.31%

LAB 33.83, 60.39, -36.75

 

CMYK 0 / 88 / 1 / 31

HEX #B115B0

RGB 177 21 176

HSL 300.38, 0.79%, 0.39%

LAB 42.79, 72.15, -44.46

 

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

CMYK 0 / 70 / 88 / 59

HEX #681F0C

RGB 104 31 12

HSL 12.39, 0.79%, 0.23%

LAB 23.5, 31.7, 29.37

 

CMYK 88 / 0 / 36 / 59

HEX #0C6843

RGB 12 104 67

HSL 155.87, 0.79%, 0.23%

LAB 38.52, -34.66, 13.91

 

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

CMYK 0 / 0 / 88 / 59

HEX #68680C

RGB 104 104 12

HSL 60, 0.79%, 0.23%

LAB 42.57, -10.83, 45.96

 

CMYK 88 / 0 / 0 / 59

HEX #0C6868

RGB 12 104 104

HSL 180, 0.79%, 0.23%

LAB 39.54, -24, -7.1

 

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

CMYK 0 / 70 / 88 / 59

HEX #681F0C

RGB 104 31 12

HSL 12.39, 0.79%, 0.23%

LAB 23.5, 31.7, 29.37

 

CMYK 88 / 0 / 88 / 59

HEX #0C680C

RGB 12 104 12

HSL 120, 0.79%, 0.23%

LAB 37.85, -42.69, 40.02

 

CMYK 88 / 17 / 0 / 59

HEX #0C5668

RGB 12 86 104

HSL 191.74, 0.79%, 0.23%

LAB 33.42, -14.18, -16.39

 

CMYK 0 / 87 / 1 / 60

HEX #670D66

RGB 103 13 102

HSL 300.67, 0.78%, 0.23%

LAB 24.1, 47.51, -29.19

 

CMYK 0 / 44 / 88 / 59

HEX #683A0C

RGB 104 58 12

HSL 30, 0.79%, 0.23%

LAB 29.4, 16.73, 34.77

 

CMYK 88 / 0 / 88 / 59

HEX #0C680C

RGB 12 104 12

HSL 120, 0.79%, 0.23%

LAB 37.85, -42.69, 40.02

 

CMYK 88 / 44 / 0 / 59

HEX #0C3A68

RGB 12 58 104

HSL 210, 0.79%, 0.23%

LAB 24.01, 3.79, -31.16

 

Description

Color code: HEX #670D66 | qconv.com Color code: HEX #670D66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 13 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 13 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 1 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 1% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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