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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66EA4E it is the complementary color #9915B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66EA4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66EA4E shade: #6BEA49, #7CFC5C, #8DFF6F, #9EFF82 and #AFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66EA4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66EA4E shade: #66EA4E, #55D83B, #44C628, #33B415 and #22A202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66EA4E shade: #65EA4C, #8FEA4C, #B9EA4C, #E4EA4C and #EAC54C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66EA4E shade: #65EA4C, #4CEA5F, #4CEA89, #4CEAB3 and #4CEADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66EA4E shade matches the following richer shades: #65EA4C and #5AFA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66EA4E shade: #65EA4C, #70DA5D, #7BC96D, #86B97D and #91A98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66EA4E shade: #BAEA4C, #91EA4C, #67EA4C, #4CEA5C and #4CEA86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66EA4E shade: #33CC18, #45E528, #65EA4C, #85EE71 and #A4F296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66EA4E shade: #66EA4E, #4CE4EA and #EA4CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66EA4E shade: #66EA4E, #4C67EA and #EA4C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66EA4E shade: #66EA4E, #4CE4EA, #CF4CEA and #EA524C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66EA4E shade: #66EA4E, #4CB5EA, #CF4CEA and #EA814C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

Complementary color

CMYK 14 / 88 / 0 / 31

HEX #9915B1

RGB 153 21 177

HSL 290.77, 0.79%, 0.39%

LAB 38.7, 68.14, -51.85

 

CMYK 54 / 0 / 69 / 8

HEX #6BEA49

RGB 107 234 73

HSL 107.33, 0.79%, 0.6%

LAB 83.15, -63.33, 64.49

 

CMYK 51 / 0 / 63 / 1

HEX #7CFC5C

RGB 124 252 92

HSL 108, 0.96%, 0.67%

LAB 89.24, -63.78, 63.8

 

CMYK 45 / 0 / 56 / 0

HEX #8DFF6F

RGB 141 255 111

HSL 107.5, 1%, 0.72%

LAB 90.93, -58.32, 57.88

 

CMYK 38 / 0 / 49 / 0

HEX #9EFF82

RGB 158 255 130

HSL 106.56, 1%, 0.75%

LAB 91.86, -51.1, 50.56

 

CMYK 31 / 0 / 42 / 0

HEX #AFFF95

RGB 175 255 149

HSL 105.28, 1%, 0.79%

LAB 92.93, -43.33, 43.02

 

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

CMYK 61 / 0 / 73 / 15

HEX #55D83B

RGB 85 216 59

HSL 110.06, 0.67%, 0.54%

LAB 76.9, -63.45, 62.92

 

CMYK 66 / 0 / 80 / 22

HEX #44C628

RGB 68 198 40

HSL 109.37, 0.66%, 0.47%

LAB 70.71, -62.36, 62.84

 

CMYK 72 / 0 / 88 / 29

HEX #33B415

RGB 51 180 21

HSL 108.68, 0.79%, 0.39%

LAB 64.48, -60.73, 61.75

 

CMYK 79 / 0 / 99 / 36

HEX #22A202

RGB 34 162 2

HSL 108, 0.98%, 0.32%

LAB 58.21, -58.42, 59.34

 

CMYK 57 / 0 / 68 / 8

HEX #65EA4C

RGB 101 234 76

HSL 110.51, 0.79%, 0.61%

LAB 82.98, -64.58, 63.12

 

CMYK 39 / 0 / 68 / 8

HEX #8FEA4C

RGB 143 234 76

HSL 94.56, 0.79%, 0.61%

LAB 84.59, -52.57, 65.3

 

CMYK 21 / 0 / 68 / 8

HEX #B9EA4C

RGB 185 234 76

HSL 78.61, 0.79%, 0.61%

LAB 86.84, -37.68, 68.34

 

CMYK 3 / 0 / 68 / 8

HEX #E4EA4C

RGB 228 234 76

HSL 62.28, 0.79%, 0.61%

LAB 89.79, -20.7, 72.29

 

CMYK 0 / 16 / 68 / 8

HEX #EAC54C

RGB 234 197 76

HSL 45.95, 0.79%, 0.61%

LAB 80.71, 0.32, 63.19

 

CMYK 57 / 0 / 68 / 8

HEX #65EA4C

RGB 101 234 76

HSL 110.51, 0.79%, 0.61%

LAB 82.98, -64.58, 63.12

 

CMYK 68 / 0 / 59 / 8

HEX #4CEA5F

RGB 76 234 95

HSL 127.22, 0.79%, 0.61%

LAB 82.49, -67.97, 54.58

 

CMYK 68 / 0 / 41 / 8

HEX #4CEA89

RGB 76 234 137

HSL 143.16, 0.79%, 0.61%

LAB 83.01, -61.97, 35.39

 

CMYK 68 / 0 / 24 / 8

HEX #4CEAB3

RGB 76 234 179

HSL 159.11, 0.79%, 0.61%

LAB 83.78, -53.7, 14.91

 

CMYK 68 / 0 / 5 / 8

HEX #4CEADE

RGB 76 234 222

HSL 175.44, 0.79%, 0.61%

LAB 84.82, -43.18, -6.17

 

CMYK 57 / 0 / 68 / 8

HEX #65EA4C

RGB 101 234 76

HSL 110.51, 0.79%, 0.61%

LAB 82.98, -64.58, 63.12

 

CMYK 64 / 0 / 76 / 2

HEX #5AFA3C

RGB 90 250 60

HSL 110.53, 0.95%, 0.61%

LAB 87.42, -73.55, 73.02

 

CMYK 57 / 0 / 68 / 8

HEX #65EA4C

RGB 101 234 76

HSL 110.51, 0.79%, 0.61%

LAB 82.98, -64.58, 63.12

 

CMYK 49 / 0 / 57 / 15

HEX #70DA5D

RGB 112 218 93

HSL 110.88, 0.63%, 0.61%

LAB 78.68, -54.12, 51.34

 

CMYK 39 / 0 / 46 / 21

HEX #7BC96D

RGB 123 201 109

HSL 110.87, 0.46%, 0.61%

LAB 74.25, -41.83, 38.45

 

CMYK 28 / 0 / 32 / 27

HEX #86B97D

RGB 134 185 125

HSL 111, 0.3%, 0.61%

LAB 70.35, -28.46, 25.22

 

CMYK 14 / 0 / 17 / 34

HEX #91A98D

RGB 145 169 141

HSL 111.43, 0.14%, 0.61%

LAB 66.76, -13.78, 11.7

 

CMYK 21 / 0 / 68 / 8

HEX #BAEA4C

RGB 186 234 76

HSL 78.23, 0.79%, 0.61%

LAB 86.9, -37.3, 68.42

 

CMYK 38 / 0 / 68 / 8

HEX #91EA4C

RGB 145 234 76

HSL 93.8, 0.79%, 0.61%

LAB 84.68, -51.92, 65.43

 

CMYK 56 / 0 / 68 / 8

HEX #67EA4C

RGB 103 234 76

HSL 109.75, 0.79%, 0.61%

LAB 83.05, -64.09, 63.21

 

CMYK 68 / 0 / 61 / 8

HEX #4CEA5C

RGB 76 234 92

HSL 126.08, 0.79%, 0.61%

LAB 82.46, -68.31, 55.85

 

CMYK 68 / 0 / 43 / 8

HEX #4CEA86

RGB 76 234 134

HSL 142.03, 0.79%, 0.61%

LAB 82.97, -62.47, 36.83

 

CMYK 75 / 0 / 88 / 20

HEX #33CC18

RGB 51 204 24

HSL 111, 0.79%, 0.45%

LAB 72.2, -68.03, 67.85

 

CMYK 70 / 0 / 83 / 10

HEX #45E528

RGB 69 229 40

HSL 110.79, 0.78%, 0.53%

LAB 80.44, -72.03, 71.81

 

CMYK 57 / 0 / 68 / 8

HEX #65EA4C

RGB 101 234 76

HSL 110.51, 0.79%, 0.61%

LAB 82.98, -64.58, 63.12

 

CMYK 44 / 0 / 53 / 7

HEX #85EE71

RGB 133 238 113

HSL 110.4, 0.79%, 0.69%

LAB 85.67, -53.72, 50.67

 

CMYK 32 / 0 / 38 / 5

HEX #A4F296

RGB 164 242 150

HSL 110.87, 0.78%, 0.77%

LAB 88.73, -41.01, 36.99

 

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

CMYK 68 / 3 / 0 / 8

HEX #4CE4EA

RGB 76 228 234

HSL 182.28, 0.79%, 0.61%

LAB 83.42, -37.2, -14.59

 

CMYK 0 / 68 / 29 / 8

HEX #EA4CA6

RGB 234 76 166

HSL 325.82, 0.79%, 0.61%

LAB 57.48, 68.31, -14.98

 

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

CMYK 68 / 56 / 0 / 8

HEX #4C67EA

RGB 76 103 234

HSL 229.75, 0.79%, 0.61%

LAB 48.48, 32.19, -69.26

 

CMYK 0 / 68 / 56 / 8

HEX #EA4C67

RGB 234 76 103

HSL 349.75, 0.79%, 0.61%

LAB 55.73, 62.27, 19.59

 

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

CMYK 68 / 3 / 0 / 8

HEX #4CE4EA

RGB 76 228 234

HSL 182.28, 0.79%, 0.61%

LAB 83.42, -37.2, -14.59

 

CMYK 12 / 68 / 0 / 8

HEX #CF4CEA

RGB 207 76 234

HSL 289.75, 0.79%, 0.61%

LAB 56.46, 72, -55.74

 

CMYK 0 / 65 / 68 / 8

HEX #EA524C

RGB 234 82 76

HSL 2.28, 0.79%, 0.61%

LAB 56.14, 58.23, 35.78

 

CMYK 56 / 0 / 67 / 8

HEX #66EA4E

RGB 102 234 78

HSL 110.77, 0.79%, 0.61%

LAB 83.03, -64.17, 62.41

 

CMYK 68 / 23 / 0 / 8

HEX #4CB5EA

RGB 76 181 234

HSL 200.13, 0.79%, 0.61%

LAB 69.84, -13.84, -35.32

 

CMYK 12 / 68 / 0 / 8

HEX #CF4CEA

RGB 207 76 234

HSL 289.75, 0.79%, 0.61%

LAB 56.46, 72, -55.74

 

CMYK 0 / 45 / 68 / 8

HEX #EA814C

RGB 234 129 76

HSL 20.13, 0.79%, 0.61%

LAB 64.74, 36.1, 45.84

 

Description

Color code: HEX #66EA4E | qconv.com Color code: HEX #66EA4E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 234 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 234 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 67 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 67% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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