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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66D3E5 it is the complementary color #992C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66D3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66D3E5 shade: #6BD3E0, #7CE5F3, #8DF7FF, #9EFFFF and #AFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66D3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66D3E5 shade: #66D3E5, #55C1D2, #44AFBF, #339DAC and #228B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66D3E5 shade: #66D3E5, #66B0E5, #668EE5, #666CE5 and #8266E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66D3E5 shade: #66D3E5, #66B0E5, #668EE5, #666CE5 and #6666E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66D3E5 shade matches the following richer shades: #66D3E5 and #57DDF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66D3E5 shade: #66D3E5, #74C8D6, #83BEC8, #91B4B9 and #A0A9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66D3E5 shade: #66E5B2, #66E5D4, #66D4E5, #66B2E5 and #6690E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66D3E5 shade: #24BBD4, #43C9DF, #66D3E5, #89DDEB and #ACE7F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66D3E5 shade: #66D3E5, #9066E5 and #E5C366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66D3E5 shade: #66D3E5, #E566D4 and #D4E566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66D3E5 shade: #66D3E5, #9066E5, #E57766 and #BAE566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66D3E5 shade: #66D3E5, #B666E5, #E57766 and #94E566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

Complementary color

CMYK 0 / 71 / 83 / 40

HEX #992C1A

RGB 153 44 26

HSL 8.5, 0.71%, 0.35%

LAB 35.3, 44.35, 36.6

 

CMYK 52 / 6 / 0 / 12

HEX #6BD3E0

RGB 107 211 224

HSL 186.67, 0.65%, 0.65%

LAB 79.1, -26.62, -15.68

 

CMYK 49 / 6 / 0 / 5

HEX #7CE5F3

RGB 124 229 243

HSL 187.06, 0.83%, 0.72%

LAB 85.4, -26.8, -16.23

 

CMYK 45 / 3 / 0 / 0

HEX #8DF7FF

RGB 141 247 255

HSL 184.21, 1%, 0.78%

LAB 91.42, -28.68, -13.42

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 60 / 8 / 0 / 18

HEX #55C1D2

RGB 85 193 210

HSL 188.16, 0.58%, 0.58%

LAB 72.71, -25.88, -17.83

 

CMYK 64 / 8 / 0 / 25

HEX #44AFBF

RGB 68 175 191

HSL 187.8, 0.49%, 0.51%

LAB 66.25, -25.37, -17.22

 

CMYK 70 / 9 / 0 / 33

HEX #339DAC

RGB 51 157 172

HSL 187.44, 0.54%, 0.44%

LAB 59.7, -24.67, -16.54

 

CMYK 78 / 9 / 0 / 40

HEX #228B99

RGB 34 139 153

HSL 187.06, 0.64%, 0.37%

LAB 53.06, -23.69, -15.79

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 55 / 23 / 0 / 10

HEX #66B0E5

RGB 102 176 229

HSL 205.04, 0.71%, 0.65%

LAB 69.14, -8.08, -33.62

 

CMYK 55 / 38 / 0 / 10

HEX #668EE5

RGB 102 142 229

HSL 221.1, 0.71%, 0.65%

LAB 59.73, 11.31, -48.35

 

CMYK 55 / 53 / 0 / 10

HEX #666CE5

RGB 102 108 229

HSL 237.17, 0.71%, 0.65%

LAB 50.93, 31.81, -62.42

 

CMYK 43 / 55 / 0 / 10

HEX #8266E5

RGB 130 102 229

HSL 253.23, 0.71%, 0.65%

LAB 51.73, 41.15, -61.02

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 55 / 23 / 0 / 10

HEX #66B0E5

RGB 102 176 229

HSL 205.04, 0.71%, 0.65%

LAB 69.14, -8.08, -33.62

 

CMYK 55 / 38 / 0 / 10

HEX #668EE5

RGB 102 142 229

HSL 221.1, 0.71%, 0.65%

LAB 59.73, 11.31, -48.35

 

CMYK 55 / 53 / 0 / 10

HEX #666CE5

RGB 102 108 229

HSL 237.17, 0.71%, 0.65%

LAB 50.93, 31.81, -62.42

 

CMYK 55 / 55 / 0 / 10

HEX #6666E5

RGB 102 102 229

HSL 240, 0.71%, 0.65%

LAB 49.48, 35.43, -64.76

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 64 / 9 / 0 / 5

HEX #57DDF3

RGB 87 221 243

HSL 188.46, 0.87%, 0.65%

LAB 81.95, -29.75, -21.55

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 46 / 7 / 0 / 16

HEX #74C8D6

RGB 116 200 214

HSL 188.57, 0.54%, 0.65%

LAB 75.99, -21.85, -14.93

 

CMYK 35 / 5 / 0 / 22

HEX #83BEC8

RGB 131 190 200

HSL 188.7, 0.39%, 0.65%

LAB 73.43, -16.49, -11.11

 

CMYK 22 / 3 / 0 / 27

HEX #91B4B9

RGB 145 180 185

HSL 187.5, 0.22%, 0.65%

LAB 70.98, -10.66, -6.46

 

CMYK 6 / 1 / 0 / 33

HEX #A0A9AB

RGB 160 169 171

HSL 190.91, 0.06%, 0.65%

LAB 68.6, -2.77, -2.13

 

CMYK 55 / 0 / 22 / 10

HEX #66E5B2

RGB 102 229 178

HSL 155.91, 0.71%, 0.65%

LAB 82.95, -47.1, 14.37

 

CMYK 55 / 0 / 7 / 10

HEX #66E5D4

RGB 102 229 212

HSL 171.97, 0.71%, 0.65%

LAB 83.77, -39.23, -2.37

 

CMYK 55 / 7 / 0 / 10

HEX #66D4E5

RGB 102 212 229

HSL 188.03, 0.71%, 0.65%

LAB 79.37, -26.74, -17.96

 

CMYK 55 / 22 / 0 / 10

HEX #66B2E5

RGB 102 178 229

HSL 204.09, 0.71%, 0.65%

LAB 69.7, -9.17, -32.74

 

CMYK 55 / 37 / 0 / 10

HEX #6690E5

RGB 102 144 229

HSL 220.16, 0.71%, 0.65%

LAB 60.27, 10.13, -47.49

 

CMYK 83 / 12 / 0 / 17

HEX #24BBD4

RGB 36 187 212

HSL 188.52, 0.71%, 0.49%

LAB 69.94, -28.58, -23.22

 

CMYK 70 / 10 / 0 / 13

HEX #43C9DF

RGB 67 201 223

HSL 188.46, 0.71%, 0.57%

LAB 75.01, -28.79, -21.43

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 42 / 6 / 0 / 8

HEX #89DDEB

RGB 137 221 235

HSL 188.57, 0.71%, 0.73%

LAB 83.46, -21.95, -14.86

 

CMYK 29 / 4 / 0 / 5

HEX #ACE7F1

RGB 172 231 241

HSL 188.7, 0.71%, 0.81%

LAB 88.1, -16.32, -10.91

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 37 / 55 / 0 / 10

HEX #9066E5

RGB 144 102 229

HSL 259.84, 0.71%, 0.65%

LAB 53.05, 44.31, -58.83

 

CMYK 0 / 15 / 55 / 10

HEX #E5C366

RGB 229 195 102

HSL 43.94, 0.71%, 0.65%

LAB 79.98, 0.98, 50.58

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 0 / 55 / 7 / 10

HEX #E566D4

RGB 229 102 212

HSL 308.03, 0.71%, 0.65%

LAB 62.44, 62.69, -33.75

 

CMYK 7 / 0 / 55 / 10

HEX #D4E566

RGB 212 229 102

HSL 68.03, 0.71%, 0.65%

LAB 87.48, -23, 58.89

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 37 / 55 / 0 / 10

HEX #9066E5

RGB 144 102 229

HSL 259.84, 0.71%, 0.65%

LAB 53.05, 44.31, -58.83

 

CMYK 0 / 48 / 55 / 10

HEX #E57766

RGB 229 119 102

HSL 8.03, 0.71%, 0.65%

LAB 62.35, 41.03, 28.8

 

CMYK 19 / 0 / 55 / 10

HEX #BAE566

RGB 186 229 102

HSL 80.31, 0.71%, 0.65%

LAB 85.72, -33.05, 56.42

 

CMYK 55 / 8 / 0 / 10

HEX #66D3E5

RGB 102 211 229

HSL 188.5, 0.71%, 0.65%

LAB 79.08, -26.25, -18.39

 

CMYK 21 / 55 / 0 / 10

HEX #B666E5

RGB 182 102 229

HSL 277.8, 0.71%, 0.65%

LAB 57.18, 53.52, -51.99

 

CMYK 0 / 48 / 55 / 10

HEX #E57766

RGB 229 119 102

HSL 8.03, 0.71%, 0.65%

LAB 62.35, 41.03, 28.8

 

CMYK 35 / 0 / 55 / 10

HEX #94E566

RGB 148 229 102

HSL 98.27, 0.71%, 0.65%

LAB 83.6, -46.56, 53.41

 

Description

Color code: HEX #66D3E5 | qconv.com Color code: HEX #66D3E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 211 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 211 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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