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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66D592 it is the complementary color #992A6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66D592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66D592 shade: #6BD58D, #7CE7A0, #8DF9B3, #9EFFC6 and #AFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66D592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66D592 shade: #66D592, #55C37F, #44B16C, #339F59 and #228D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66D592 shade: #66D592, #66D574, #76D566, #94D566 and #B2D566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66D592 shade: #66D592, #66D5B0, #66D5CE, #66BED5 and #66A0D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66D592 shade matches the following richer shades: #66D592, #57E58F and #47F48C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66D592 shade: #66D592, #76C595, #86B599, #95A69C and #A5969F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66D592 shade: #77D566, #66D573, #66D591, #66D5AE and #66D5CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66D592 shade: #32B767, #46CC7B, #66D592, #87DEA9 and #A7E7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66D592 shade: #66D592, #6694D5 and #D56668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66D592 shade: #66D592, #9166D5 and #D59166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66D592 shade: #66D592, #6694D5, #D566AA and #D5A766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66D592 shade: #66D592, #6673D5, #D566AA and #D5C866

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

Complementary color

CMYK 0 / 73 / 29 / 40

HEX #992A6D

RGB 153 42 109

HSL 323.78, 0.57%, 0.38%

LAB 36.99, 51.78, -12.9

 

CMYK 50 / 0 / 34 / 16

HEX #6BD58D

RGB 107 213 141

HSL 139.25, 0.56%, 0.63%

LAB 77.66, -46.47, 26.42

 

CMYK 46 / 0 / 31 / 9

HEX #7CE7A0

RGB 124 231 160

HSL 140.19, 0.69%, 0.7%

LAB 83.95, -46.3, 25.23

 

CMYK 43 / 0 / 28 / 2

HEX #8DF9B3

RGB 141 249 179

HSL 141.11, 0.9%, 0.76%

LAB 90.17, -46.09, 24.1

 

CMYK 38 / 0 / 22 / 0

HEX #9EFFC6

RGB 158 255 198

HSL 144.74, 1%, 0.81%

LAB 92.96, -40.59, 18.38

 

CMYK 31 / 0 / 15 / 0

HEX #AFFFD9

RGB 175 255 217

HSL 151.5, 1%, 0.84%

LAB 94.16, -32.14, 10.44

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 56 / 0 / 35 / 24

HEX #55C37F

RGB 85 195 127

HSL 142.91, 0.48%, 0.55%

LAB 71.21, -46.85, 24.94

 

CMYK 62 / 0 / 39 / 31

HEX #44B16C

RGB 68 177 108

HSL 142.02, 0.44%, 0.48%

LAB 64.77, -46.77, 26.32

 

CMYK 68 / 0 / 44 / 38

HEX #339F59

RGB 51 159 89

HSL 141.11, 0.51%, 0.41%

LAB 58.25, -46.47, 27.81

 

CMYK 76 / 0 / 50 / 45

HEX #228D46

RGB 34 141 70

HSL 140.19, 0.61%, 0.34%

LAB 51.65, -45.8, 29.42

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 52 / 0 / 46 / 16

HEX #66D574

RGB 102 213 116

HSL 127.57, 0.57%, 0.62%

LAB 77.09, -51.86, 38.37

 

CMYK 45 / 0 / 52 / 16

HEX #76D566

RGB 118 213 102

HSL 111.35, 0.57%, 0.62%

LAB 77.52, -49.34, 45.85

 

CMYK 31 / 0 / 52 / 16

HEX #94D566

RGB 148 213 102

HSL 95.14, 0.57%, 0.62%

LAB 78.95, -39.62, 47.91

 

CMYK 16 / 0 / 52 / 16

HEX #B2D566

RGB 178 213 102

HSL 78.92, 0.57%, 0.62%

LAB 80.75, -28.61, 50.48

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 52 / 0 / 17 / 16

HEX #66D5B0

RGB 102 213 176

HSL 160, 0.57%, 0.62%

LAB 78.2, -40.58, 8.67

 

CMYK 52 / 0 / 3 / 16

HEX #66D5CE

RGB 102 213 206

HSL 176.22, 0.57%, 0.62%

LAB 78.97, -33.35, -6.25

 

CMYK 52 / 11 / 0 / 16

HEX #66BED5

RGB 102 190 213

HSL 192.43, 0.57%, 0.62%

LAB 72.53, -20.16, -19.68

 

CMYK 52 / 25 / 0 / 16

HEX #66A0D5

RGB 102 160 213

HSL 208.65, 0.57%, 0.62%

LAB 63.97, -4.06, -32.81

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 62 / 0 / 38 / 10

HEX #57E58F

RGB 87 229 143

HSL 143.66, 0.73%, 0.62%

LAB 81.86, -57.05, 30.91

 

CMYK 71 / 0 / 43 / 4

HEX #47F48C

RGB 71 244 140

HSL 143.93, 0.89%, 0.62%

LAB 85.97, -65.84, 37.74

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 40 / 0 / 24 / 23

HEX #76C595

RGB 118 197 149

HSL 143.54, 0.41%, 0.62%

LAB 73.52, -34.91, 16.59

 

CMYK 26 / 0 / 15 / 29

HEX #86B599

RGB 134 181 153

HSL 144.26, 0.24%, 0.62%

LAB 69.76, -21.46, 9.26

 

CMYK 10 / 0 / 6 / 35

HEX #95A69C

RGB 149 166 156

HSL 144.71, 0.09%, 0.62%

LAB 66.57, -7.95, 3.14

 

CMYK 0 / 9 / 4 / 35

HEX #A5969F

RGB 165 150 159

HSL 324, 0.08%, 0.62%

LAB 63.6, 7.17, -2.72

 

CMYK 44 / 0 / 52 / 16

HEX #77D566

RGB 119 213 102

HSL 110.81, 0.57%, 0.62%

LAB 77.56, -49.04, 45.91

 

CMYK 52 / 0 / 46 / 16

HEX #66D573

RGB 102 213 115

HSL 127.03, 0.57%, 0.62%

LAB 77.07, -52.01, 38.85

 

CMYK 52 / 0 / 32 / 16

HEX #66D591

RGB 102 213 145

HSL 143.24, 0.57%, 0.62%

LAB 77.55, -46.98, 24.16

 

CMYK 52 / 0 / 18 / 16

HEX #66D5AE

RGB 102 213 174

HSL 158.92, 0.57%, 0.62%

LAB 78.15, -41.03, 9.67

 

CMYK 52 / 0 / 4 / 16

HEX #66D5CC

RGB 102 213 204

HSL 175.14, 0.57%, 0.62%

LAB 78.91, -33.86, -5.26

 

CMYK 73 / 0 / 44 / 28

HEX #32B767

RGB 50 183 103

HSL 143.91, 0.57%, 0.46%

LAB 66.15, -53.31, 30.68

 

CMYK 66 / 0 / 40 / 20

HEX #46CC7B

RGB 70 204 123

HSL 143.73, 0.57%, 0.54%

LAB 73.49, -54.27, 29.99

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 39 / 0 / 24 / 13

HEX #87DEA9

RGB 135 222 169

HSL 143.45, 0.57%, 0.7%

LAB 81.98, -37.67, 17.9

 

CMYK 28 / 0 / 17 / 9

HEX #A7E7C0

RGB 167 231 192

HSL 143.44, 0.57%, 0.78%

LAB 86.59, -28.01, 12.57

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 52 / 31 / 0 / 16

HEX #6694D5

RGB 102 148 213

HSL 215.14, 0.57%, 0.62%

LAB 60.61, 2.78, -38.05

 

CMYK 0 / 52 / 51 / 16

HEX #D56668

RGB 213 102 104

HSL 358.92, 0.57%, 0.62%

LAB 56.73, 43.83, 19.8

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 32 / 52 / 0 / 16

HEX #9166D5

RGB 145 102 213

HSL 263.24, 0.57%, 0.62%

LAB 52.2, 40.44, -51.13

 

CMYK 0 / 32 / 52 / 16

HEX #D59166

RGB 213 145 102

HSL 23.24, 0.57%, 0.62%

LAB 66.03, 21.03, 33.12

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 52 / 31 / 0 / 16

HEX #6694D5

RGB 102 148 213

HSL 215.14, 0.57%, 0.62%

LAB 60.61, 2.78, -38.05

 

CMYK 0 / 52 / 20 / 16

HEX #D566AA

RGB 213 102 170

HSL 323.24, 0.57%, 0.62%

LAB 58.56, 51.6, -15.97

 

CMYK 0 / 22 / 52 / 16

HEX #D5A766

RGB 213 167 102

HSL 35.14, 0.57%, 0.62%

LAB 71.38, 9.15, 39.84

 

CMYK 52 / 0 / 31 / 16

HEX #66D592

RGB 102 213 146

HSL 143.78, 0.57%, 0.62%

LAB 77.57, -46.79, 23.67

 

CMYK 52 / 46 / 0 / 16

HEX #6673D5

RGB 102 115 213

HSL 232.97, 0.57%, 0.62%

LAB 51.71, 22.49, -52.13

 

CMYK 0 / 52 / 20 / 16

HEX #D566AA

RGB 213 102 170

HSL 323.24, 0.57%, 0.62%

LAB 58.56, 51.6, -15.97

 

CMYK 0 / 6 / 52 / 16

HEX #D5C866

RGB 213 200 102

HSL 52.97, 0.57%, 0.62%

LAB 79.85, -8.19, 50.07

 

Description

Color code: HEX #66D592 | qconv.com Color code: HEX #66D592 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 213 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 213 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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