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Color name
HEX #66C015

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66C015 it is the complementary color #993FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66C015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66C015 shade: #6BC010, #7CD223, #8DE436, #9EF649 and #AFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66C015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66C015 shade: #66C015, #55AE02, #449C00, #338A00 and #227800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66C015 shade: #66C015, #94C015, #C0BE15, #C09015 and #C06215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66C015 shade: #66C015, #38C015, #15C020, #15C04E and #15C07D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66C015 shade matches the following richer shades: #66C015 and #65D204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66C015 shade: #66C015, #67AF26, #689E38, #698C49 and #6A7B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66C015 shade: #C0BD15, #95C015, #68C015, #3AC015 and #15C01D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66C015 shade: #3F760D, #529B11, #66C015, #7AE519 and #8FE93F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66C015 shade: #66C015, #15C090 and #C015AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66C015 shade: #66C015, #1568C0 and #C01568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66C015 shade: #66C015, #15C090, #6D15C0 and #C01545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66C015 shade: #66C015, #15BDC0, #6D15C0 and #C01815

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

Complementary color

CMYK 35 / 73 / 0 / 8

HEX #993FEA

RGB 153 63 234

HSL 271.58, 0.8%, 0.58%

LAB 47.32, 66.6, -70.85

 

CMYK 44 / 0 / 92 / 25

HEX #6BC010

RGB 107 192 16

HSL 88.98, 0.85%, 0.41%

LAB 70.08, -50.64, 68.07

 

CMYK 41 / 0 / 83 / 18

HEX #7CD223

RGB 124 210 35

HSL 89.49, 0.71%, 0.48%

LAB 76.37, -51.56, 70.04

 

CMYK 38 / 0 / 76 / 11

HEX #8DE436

RGB 141 228 54

HSL 90, 0.76%, 0.55%

LAB 82.6, -52.22, 70.85

 

CMYK 36 / 0 / 70 / 4

HEX #9EF649

RGB 158 246 73

HSL 90.52, 0.91%, 0.63%

LAB 88.76, -52.67, 70.9

 

CMYK 31 / 0 / 64 / 0

HEX #AFFF5C

RGB 175 255 92

HSL 89.45, 1%, 0.68%

LAB 92.31, -49.27, 67.77

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 51 / 0 / 99 / 32

HEX #55AE02

RGB 85 174 2

HSL 91.05, 0.98%, 0.35%

LAB 63.51, -50.93, 64.17

 

CMYK 56 / 0 / 100 / 39

HEX #449C00

RGB 68 156 0

HSL 93.85, 1%, 0.31%

LAB 57.08, -49.25, 59.11

 

CMYK 63 / 0 / 100 / 46

HEX #338A00

RGB 51 138 0

HSL 97.83, 1%, 0.27%

LAB 50.55, -47.28, 53.71

 

CMYK 72 / 0 / 100 / 53

HEX #227800

RGB 34 120 0

HSL 103, 1%, 0.24%

LAB 43.91, -44.94, 48.24

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 23 / 0 / 89 / 25

HEX #94C015

RGB 148 192 21

HSL 75.44, 0.8%, 0.42%

LAB 72.26, -35.53, 69.95

 

CMYK 0 / 1 / 89 / 25

HEX #C0BE15

RGB 192 190 21

HSL 59.3, 0.8%, 0.42%

LAB 74.88, -16.14, 73.39

 

CMYK 0 / 25 / 89 / 25

HEX #C09015

RGB 192 144 21

HSL 43.16, 0.8%, 0.42%

LAB 62.68, 8.13, 63.78

 

CMYK 0 / 49 / 89 / 25

HEX #C06215

RGB 192 98 21

HSL 27.02, 0.8%, 0.42%

LAB 51.83, 33.19, 55.32

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 71 / 0 / 89 / 25

HEX #38C015

RGB 56 192 21

HSL 107.72, 0.8%, 0.42%

LAB 68.46, -63.62, 65.22

 

CMYK 89 / 0 / 83 / 25

HEX #15C020

RGB 21 192 32

HSL 123.86, 0.8%, 0.42%

LAB 67.99, -67.55, 62.21

 

CMYK 89 / 0 / 59 / 25

HEX #15C04E

RGB 21 192 78

HSL 140, 0.8%, 0.42%

LAB 68.32, -63.43, 45.56

 

CMYK 89 / 0 / 35 / 25

HEX #15C07D

RGB 21 192 125

HSL 156.49, 0.8%, 0.42%

LAB 69, -55.42, 22.8

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 52 / 0 / 98 / 18

HEX #65D204

RGB 101 210 4

HSL 91.75, 0.96%, 0.42%

LAB 75.37, -59.43, 73.6

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 41 / 0 / 78 / 31

HEX #67AF26

RGB 103 175 38

HSL 91.53, 0.64%, 0.42%

LAB 64.71, -44.31, 58.23

 

CMYK 34 / 0 / 65 / 38

HEX #689E38

RGB 104 158 56

HSL 91.76, 0.48%, 0.42%

LAB 59.6, -35.32, 46.23

 

CMYK 25 / 0 / 48 / 45

HEX #698C49

RGB 105 140 73

HSL 91.34, 0.31%, 0.42%

LAB 54.28, -24.54, 31.75

 

CMYK 14 / 0 / 27 / 52

HEX #6A7B5A

RGB 106 123 90

HSL 90.91, 0.15%, 0.42%

LAB 49.46, -12.71, 16.03

 

CMYK 0 / 2 / 89 / 25

HEX #C0BD15

RGB 192 189 21

HSL 58.95, 0.8%, 0.42%

LAB 74.61, -15.63, 73.17

 

CMYK 22 / 0 / 89 / 25

HEX #95C015

RGB 149 192 21

HSL 75.09, 0.8%, 0.42%

LAB 72.32, -35.13, 70.02

 

CMYK 46 / 0 / 89 / 25

HEX #68C015

RGB 104 192 21

HSL 90.88, 0.8%, 0.42%

LAB 69.96, -51.48, 67.1

 

CMYK 70 / 0 / 89 / 25

HEX #3AC015

RGB 58 192 21

HSL 107.02, 0.8%, 0.42%

LAB 68.5, -63.25, 65.27

 

CMYK 89 / 0 / 85 / 25

HEX #15C01D

RGB 21 192 29

HSL 122.81, 0.8%, 0.42%

LAB 67.98, -67.7, 62.94

 

CMYK 47 / 0 / 89 / 54

HEX #3F760D

RGB 63 118 13

HSL 91.43, 0.8%, 0.26%

LAB 44.29, -35.41, 46.08

 

CMYK 47 / 0 / 89 / 39

HEX #529B11

RGB 82 155 17

HSL 91.74, 0.8%, 0.34%

LAB 57.34, -44.14, 56.79

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 47 / 0 / 89 / 10

HEX #7AE519

RGB 122 229 25

HSL 91.47, 0.8%, 0.5%

LAB 81.97, -59.79, 76.8

 

CMYK 39 / 0 / 73 / 9

HEX #8FE93F

RGB 143 233 63

HSL 91.76, 0.79%, 0.58%

LAB 84.21, -53.05, 69.56

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 89 / 0 / 25 / 25

HEX #15C090

RGB 21 192 144

HSL 163.16, 0.8%, 0.42%

LAB 69.38, -51.14, 13.12

 

CMYK 0 / 89 / 10 / 25

HEX #C015AC

RGB 192 21 172

HSL 307.02, 0.8%, 0.42%

LAB 45.25, 74.34, -38.02

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 89 / 46 / 0 / 25

HEX #1568C0

RGB 21 104 192

HSL 210.88, 0.8%, 0.42%

LAB 44.04, 10.04, -52.58

 

CMYK 0 / 89 / 46 / 25

HEX #C01568

RGB 192 21 104

HSL 330.88, 0.8%, 0.42%

LAB 42.37, 66.63, -0.94

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 89 / 0 / 25 / 25

HEX #15C090

RGB 21 192 144

HSL 163.16, 0.8%, 0.42%

LAB 69.38, -51.14, 13.12

 

CMYK 43 / 89 / 0 / 25

HEX #6D15C0

RGB 109 21 192

HSL 270.88, 0.8%, 0.42%

LAB 33.12, 64.86, -70.11

 

CMYK 0 / 89 / 64 / 25

HEX #C01545

RGB 192 21 69

HSL 343.16, 0.8%, 0.42%

LAB 41.49, 64.14, 19.91

 

CMYK 47 / 0 / 89 / 25

HEX #66C015

RGB 102 192 21

HSL 91.58, 0.8%, 0.42%

LAB 69.88, -52.11, 67

 

CMYK 89 / 2 / 0 / 25

HEX #15BDC0

RGB 21 189 192

HSL 181.05, 0.8%, 0.42%

LAB 69.73, -36.73, -12.61

 

CMYK 43 / 89 / 0 / 25

HEX #6D15C0

RGB 109 21 192

HSL 270.88, 0.8%, 0.42%

LAB 33.12, 64.86, -70.11

 

CMYK 0 / 88 / 89 / 25

HEX #C01815

RGB 192 24 21

HSL 1.05, 0.8%, 0.42%

LAB 41.08, 61.89, 47.1

 

Description

Color code: HEX #66C015 | qconv.com Color code: HEX #66C015 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 192 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 192 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 89 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 89% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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