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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66A5D1 it is the complementary color #995A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66A5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66A5D1 shade: #6BA5CC, #7CB7DF, #8DC9F2, #9EDBFF and #AFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66A5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66A5D1 shade: #66A5D1, #5593BE, #4481AB, #336F98 and #225D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66A5D1 shade: #65A5D1, #6588D1, #656BD1, #7D65D1 and #9A65D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66A5D1 shade: #65A5D1, #6588D1, #656BD1 and #6565D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66A5D1 shade matches the following richer shades: #65A5D1, #55A7E1 and #45AAF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66A5D1 shade: #65A5D1, #75A2C1, #869FB1, #969CA0 and #A69990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66A5D1 shade: #65D1C2, #65C2D1, #65A6D1, #6589D1 and #656DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66A5D1 shade: #347DB0, #4692C7, #65A5D1, #85B7DA and #A5CAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66A5D1 shade: #66A5D1, #A665D1 and #D1D165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66A5D1 shade: #66A5D1, #D165A6 and #A6D165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66A5D1 shade: #66A5D1, #A665D1, #D19065 and #90D165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66A5D1 shade: #66A5D1, #C665D1, #D19065 and #70D165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

Complementary color

CMYK 0 / 41 / 70 / 40

HEX #995A2E

RGB 153 90 46

HSL 24.67, 0.54%, 0.39%

LAB 44.63, 21.93, 35.75

 

CMYK 48 / 19 / 0 / 20

HEX #6BA5CC

RGB 107 165 204

HSL 204.12, 0.49%, 0.61%

LAB 65.28, -8.32, -25.79

 

CMYK 44 / 18 / 0 / 13

HEX #7CB7DF

RGB 124 183 223

HSL 204.24, 0.61%, 0.68%

LAB 71.88, -8.63, -26.03

 

CMYK 42 / 17 / 0 / 5

HEX #8DC9F2

RGB 141 201 242

HSL 204.36, 0.8%, 0.75%

LAB 78.37, -8.89, -26.28

 

CMYK 38 / 14 / 0 / 0

HEX #9EDBFF

RGB 158 219 255

HSL 202.27, 1%, 0.81%

LAB 84.56, -10.63, -23.68

 

CMYK 31 / 7 / 0 / 0

HEX #AFEDFF

RGB 175 237 255

HSL 193.5, 1%, 0.84%

LAB 90.28, -15.3, -14.97

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 55 / 23 / 0 / 25

HEX #5593BE

RGB 85 147 190

HSL 204.57, 0.45%, 0.54%

LAB 58.52, -7.52, -28.44

 

CMYK 60 / 25 / 0 / 33

HEX #4481AB

RGB 68 129 171

HSL 204.47, 0.43%, 0.47%

LAB 51.69, -6.86, -28.23

 

CMYK 66 / 27 / 0 / 40

HEX #336F98

RGB 51 111 152

HSL 204.36, 0.5%, 0.4%

LAB 44.72, -5.97, -28.02

 

CMYK 74 / 30 / 0 / 48

HEX #225D85

RGB 34 93 133

HSL 204.24, 0.59%, 0.33%

LAB 37.59, -4.75, -27.78

 

CMYK 52 / 21 / 0 / 18

HEX #65A5D1

RGB 101 165 209

HSL 204.44, 0.54%, 0.61%

LAB 65.18, -8.26, -28.72

 

CMYK 52 / 35 / 0 / 18

HEX #6588D1

RGB 101 136 209

HSL 220.56, 0.54%, 0.61%

LAB 57.05, 8.35, -41.39

 

CMYK 52 / 49 / 0 / 18

HEX #656BD1

RGB 101 107 209

HSL 236.67, 0.54%, 0.61%

LAB 49.36, 25.9, -53.63

 

CMYK 40 / 52 / 0 / 18

HEX #7D65D1

RGB 125 101 209

HSL 253.33, 0.54%, 0.61%

LAB 49.82, 35.01, -52.77

 

CMYK 26 / 52 / 0 / 18

HEX #9A65D1

RGB 154 101 209

HSL 269.44, 0.54%, 0.61%

LAB 52.71, 42.33, -48

 

CMYK 52 / 21 / 0 / 18

HEX #65A5D1

RGB 101 165 209

HSL 204.44, 0.54%, 0.61%

LAB 65.18, -8.26, -28.72

 

CMYK 52 / 35 / 0 / 18

HEX #6588D1

RGB 101 136 209

HSL 220.56, 0.54%, 0.61%

LAB 57.05, 8.35, -41.39

 

CMYK 52 / 49 / 0 / 18

HEX #656BD1

RGB 101 107 209

HSL 236.67, 0.54%, 0.61%

LAB 49.36, 25.9, -53.63

 

CMYK 52 / 52 / 0 / 18

HEX #6565D1

RGB 101 101 209

HSL 240, 0.54%, 0.61%

LAB 47.85, 29.57, -56.04

 

CMYK 52 / 21 / 0 / 18

HEX #65A5D1

RGB 101 165 209

HSL 204.44, 0.54%, 0.61%

LAB 65.18, -8.26, -28.72

 

CMYK 62 / 26 / 0 / 12

HEX #55A7E1

RGB 85 167 225

HSL 204.86, 0.7%, 0.61%

LAB 65.75, -7.63, -36.73

 

CMYK 71 / 29 / 0 / 5

HEX #45AAF1

RGB 69 170 241

HSL 204.77, 0.86%, 0.61%

LAB 66.8, -6.51, -43.9

 

CMYK 52 / 21 / 0 / 18

HEX #65A5D1

RGB 101 165 209

HSL 204.44, 0.54%, 0.61%

LAB 65.18, -8.26, -28.72

 

CMYK 39 / 16 / 0 / 24

HEX #75A2C1

RGB 117 162 193

HSL 204.47, 0.38%, 0.61%

LAB 64.54, -7.18, -20.74

 

CMYK 24 / 10 / 0 / 31

HEX #869FB1

RGB 134 159 177

HSL 205.12, 0.22%, 0.61%

LAB 64.19, -4.6, -12.22

 

CMYK 6 / 2 / 0 / 37

HEX #969CA0

RGB 150 156 160

HSL 204, 0.05%, 0.61%

LAB 64, -1.34, -2.84

 

CMYK 0 / 8 / 13 / 35

HEX #A69990

RGB 166 153 144

HSL 24.55, 0.11%, 0.61%

LAB 64.08, 3.2, 6.44

 

CMYK 52 / 0 / 7 / 18

HEX #65D1C2

RGB 101 209 194

HSL 171.67, 0.54%, 0.61%

LAB 77.44, -34.71, -2.07

 

CMYK 52 / 7 / 0 / 18

HEX #65C2D1

RGB 101 194 209

HSL 188.33, 0.54%, 0.61%

LAB 73.52, -23.52, -16.02

 

CMYK 52 / 21 / 0 / 18

HEX #65A6D1

RGB 101 166 209

HSL 203.89, 0.54%, 0.61%

LAB 65.47, -8.8, -28.28

 

CMYK 52 / 34 / 0 / 18

HEX #6589D1

RGB 101 137 209

HSL 220, 0.54%, 0.61%

LAB 57.33, 7.75, -40.96

 

CMYK 52 / 48 / 0 / 18

HEX #656DD1

RGB 101 109 209

HSL 235.56, 0.54%, 0.61%

LAB 49.87, 24.68, -52.81

 

CMYK 70 / 29 / 0 / 31

HEX #347DB0

RGB 52 125 176

HSL 204.68, 0.54%, 0.45%

LAB 50.13, -5.66, -33.59

 

CMYK 65 / 27 / 0 / 22

HEX #4692C7

RGB 70 146 199

HSL 204.65, 0.54%, 0.53%

LAB 58.02, -6.97, -34.34

 

CMYK 52 / 21 / 0 / 18

HEX #65A5D1

RGB 101 165 209

HSL 204.44, 0.54%, 0.61%

LAB 65.18, -8.26, -28.72

 

CMYK 39 / 16 / 0 / 15

HEX #85B7DA

RGB 133 183 218

HSL 204.71, 0.53%, 0.69%

LAB 72.17, -7.68, -22.81

 

CMYK 28 / 11 / 0 / 11

HEX #A5CAE4

RGB 165 202 228

HSL 204.76, 0.54%, 0.77%

LAB 79.52, -6.39, -16.9

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 21 / 52 / 0 / 18

HEX #A665D1

RGB 166 101 209

HSL 276.11, 0.54%, 0.61%

LAB 54.05, 45.51, -45.79

 

CMYK 0 / 0 / 52 / 18

HEX #D1D165

RGB 209 209 101

HSL 60, 0.54%, 0.61%

LAB 81.89, -14.46, 52.86

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 0 / 52 / 21 / 18

HEX #D165A6

RGB 209 101 166

HSL 323.89, 0.54%, 0.61%

LAB 57.67, 50.25, -15.05

 

CMYK 21 / 0 / 52 / 18

HEX #A6D165

RGB 166 209 101

HSL 83.89, 0.54%, 0.61%

LAB 78.84, -31.38, 48.5

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 21 / 52 / 0 / 18

HEX #A665D1

RGB 166 101 209

HSL 276.11, 0.54%, 0.61%

LAB 54.05, 45.51, -45.79

 

CMYK 0 / 31 / 52 / 18

HEX #D19065

RGB 209 144 101

HSL 23.89, 0.54%, 0.61%

LAB 65.31, 19.84, 32.66

 

CMYK 31 / 0 / 52 / 18

HEX #90D165

RGB 144 209 101

HSL 96.11, 0.54%, 0.61%

LAB 77.56, -39.35, 46.67

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 5 / 52 / 0 / 18

HEX #C665D1

RGB 198 101 209

HSL 293.89, 0.54%, 0.61%

LAB 57.96, 54.19, -39.36

 

CMYK 0 / 31 / 52 / 18

HEX #D19065

RGB 209 144 101

HSL 23.89, 0.54%, 0.61%

LAB 65.31, 19.84, 32.66

 

CMYK 46 / 0 / 52 / 18

HEX #70D165

RGB 112 209 101

HSL 113.89, 0.54%, 0.61%

LAB 76.06, -49.59, 44.5

 

Description

Color code: HEX #66A5D1 | qconv.com Color code: HEX #66A5D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 165 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 165 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 21% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - ANA STORE│ANAマイレージクラ...
Link: http://store.ana.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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