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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6690B7 it is the complementary color #996F48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6690B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6690B7 shade: #6B90B2, #7CA2C5, #8DB4D8, #9EC6EB and #AFD8FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6690B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6690B7 shade: #6690B7, #557EA4, #446C91, #335A7E and #22486B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6690B7 shade: #6690B7, #667AB7, #6866B7, #7D66B7 and #9366B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6690B7 shade: #6690B7, #667AB7 and #6666B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6690B7 shade matches the following richer shades: #6690B7, #5490C9, #4291DB and #2F92ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6690B7 shade: #6690B7, #788FA5, #8A8E92, #9C8E80 and #AF8D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6690B7 shade: #66B7B1, #66A7B7, #6691B7, #667BB7 and #6666B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6690B7 shade: #40668A, #4E7BA6, #6690B7, #82A4C4 and #9EB9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6690B7 shade: #6690B7, #9C66B7 and #B1B766

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6690B7 shade: #6690B7, #B76691 and #91B766

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6690B7 shade: #6690B7, #9C66B7, #B78C66 and #81B766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6690B7 shade: #6690B7, #B466B7, #B78C66 and #69B766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

Complementary color

CMYK 0 / 27 / 53 / 40

HEX #996F48

RGB 153 111 72

HSL 28.89, 0.36%, 0.44%

LAB 50.23, 11.89, 28.14

 

CMYK 40 / 19 / 0 / 30

HEX #6B90B2

RGB 107 144 178

HSL 208.73, 0.32%, 0.56%

LAB 58.31, -3.95, -21.87

 

CMYK 37 / 18 / 0 / 23

HEX #7CA2C5

RGB 124 162 197

HSL 208.77, 0.39%, 0.63%

LAB 65.09, -4.19, -22.1

 

CMYK 35 / 17 / 0 / 15

HEX #8DB4D8

RGB 141 180 216

HSL 208.8, 0.49%, 0.7%

LAB 71.73, -4.4, -22.35

 

CMYK 33 / 16 / 0 / 8

HEX #9EC6EB

RGB 158 198 235

HSL 208.83, 0.66%, 0.77%

LAB 78.26, -4.59, -22.61

 

CMYK 31 / 15 / 0 / 0

HEX #AFD8FE

RGB 175 216 254

HSL 208.86, 0.98%, 0.84%

LAB 84.68, -4.75, -22.88

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 48 / 23 / 0 / 36

HEX #557EA4

RGB 85 126 164

HSL 208.86, 0.32%, 0.49%

LAB 51.31, -3.47, -24.7

 

CMYK 53 / 26 / 0 / 43

HEX #446C91

RGB 68 108 145

HSL 208.83, 0.36%, 0.42%

LAB 44.23, -2.95, -24.56

 

CMYK 60 / 29 / 0 / 51

HEX #335A7E

RGB 51 90 126

HSL 208.8, 0.42%, 0.35%

LAB 36.97, -2.24, -24.43

 

CMYK 68 / 33 / 0 / 58

HEX #22486B

RGB 34 72 107

HSL 208.77, 0.52%, 0.28%

LAB 29.5, -1.22, -24.33

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 44 / 33 / 0 / 28

HEX #667AB7

RGB 102 122 183

HSL 225.19, 0.36%, 0.56%

LAB 52.02, 9.01, -34.5

 

CMYK 43 / 44 / 0 / 28

HEX #6866B7

RGB 104 102 183

HSL 241.48, 0.36%, 0.56%

LAB 46.8, 21.72, -42.73

 

CMYK 32 / 44 / 0 / 28

HEX #7D66B7

RGB 125 102 183

HSL 257.04, 0.36%, 0.56%

LAB 48.61, 27.35, -39.74

 

CMYK 20 / 44 / 0 / 28

HEX #9366B7

RGB 147 102 183

HSL 273.33, 0.36%, 0.56%

LAB 50.83, 33.7, -36.09

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 44 / 33 / 0 / 28

HEX #667AB7

RGB 102 122 183

HSL 225.19, 0.36%, 0.56%

LAB 52.02, 9.01, -34.5

 

CMYK 44 / 44 / 0 / 28

HEX #6666B7

RGB 102 102 183

HSL 240, 0.36%, 0.56%

LAB 46.64, 21.21, -42.99

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 58 / 28 / 0 / 21

HEX #5490C9

RGB 84 144 201

HSL 209.23, 0.52%, 0.56%

LAB 58.08, -2.54, -35.33

 

CMYK 70 / 34 / 0 / 14

HEX #4291DB

RGB 66 145 219

HSL 209.02, 0.68%, 0.56%

LAB 58.53, -0.22, -44.78

 

CMYK 80 / 38 / 0 / 7

HEX #2F92ED

RGB 47 146 237

HSL 208.74, 0.84%, 0.56%

LAB 59.23, 3.35, -53.71

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 27 / 13 / 0 / 35

HEX #788FA5

RGB 120 143 165

HSL 209.33, 0.2%, 0.56%

LAB 58.37, -2.97, -14.29

 

CMYK 5 / 3 / 0 / 43

HEX #8A8E92

RGB 138 142 146

HSL 210, 0.04%, 0.56%

LAB 58.81, -0.65, -2.64

 

CMYK 0 / 9 / 18 / 39

HEX #9C8E80

RGB 156 142 128

HSL 30, 0.12%, 0.56%

LAB 59.86, 2.82, 9.35

 

CMYK 0 / 19 / 37 / 31

HEX #AF8D6E

RGB 175 141 110

HSL 28.62, 0.29%, 0.56%

LAB 61.04, 8.45, 21.41

 

CMYK 44 / 0 / 3 / 28

HEX #66B7B1

RGB 102 183 177

HSL 175.56, 0.36%, 0.56%

LAB 69.37, -26.24, -4.69

 

CMYK 44 / 9 / 0 / 28

HEX #66A7B7

RGB 102 167 183

HSL 191.85, 0.36%, 0.56%

LAB 64.87, -16.49, -14.74

 

CMYK 44 / 21 / 0 / 28

HEX #6691B7

RGB 102 145 183

HSL 208.15, 0.36%, 0.56%

LAB 58.5, -4.44, -24.43

 

CMYK 44 / 33 / 0 / 28

HEX #667BB7

RGB 102 123 183

HSL 224.44, 0.36%, 0.56%

LAB 52.3, 8.41, -34.07

 

CMYK 44 / 44 / 0 / 28

HEX #6666B7

RGB 102 102 183

HSL 240, 0.36%, 0.56%

LAB 46.64, 21.21, -42.99

 

CMYK 54 / 26 / 0 / 46

HEX #40668A

RGB 64 102 138

HSL 209.19, 0.37%, 0.4%

LAB 41.89, -2.55, -24.02

 

CMYK 53 / 26 / 0 / 35

HEX #4E7BA6

RGB 78 123 166

HSL 209.32, 0.36%, 0.48%

LAB 50.14, -2.79, -27.7

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 34 / 16 / 0 / 23

HEX #82A4C4

RGB 130 164 196

HSL 209.09, 0.36%, 0.64%

LAB 65.97, -3.87, -20.17

 

CMYK 24 / 11 / 0 / 18

HEX #9EB9D1

RGB 158 185 209

HSL 208.24, 0.36%, 0.72%

LAB 73.91, -3.85, -15.13

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 15 / 44 / 0 / 28

HEX #9C66B7

RGB 156 102 183

HSL 280, 0.36%, 0.56%

LAB 51.83, 36.37, -34.46

 

CMYK 3 / 0 / 44 / 28

HEX #B1B766

RGB 177 183 102

HSL 64.44, 0.36%, 0.56%

LAB 72.34, -14.19, 40.32

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 0 / 44 / 21 / 28

HEX #B76691

RGB 183 102 145

HSL 328.15, 0.36%, 0.56%

LAB 53.62, 38.05, -9.26

 

CMYK 21 / 0 / 44 / 28

HEX #91B766

RGB 145 183 102

HSL 88.15, 0.36%, 0.56%

LAB 70.07, -26.78, 36.98

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 15 / 44 / 0 / 28

HEX #9C66B7

RGB 156 102 183

HSL 280, 0.36%, 0.56%

LAB 51.83, 36.37, -34.46

 

CMYK 0 / 23 / 44 / 28

HEX #B78C66

RGB 183 140 102

HSL 28.15, 0.36%, 0.56%

LAB 61.47, 11.39, 26.57

 

CMYK 30 / 0 / 44 / 28

HEX #81B766

RGB 129 183 102

HSL 100, 0.36%, 0.56%

LAB 69.11, -32.63, 35.57

 

CMYK 44 / 21 / 0 / 28

HEX #6690B7

RGB 102 144 183

HSL 208.89, 0.36%, 0.56%

LAB 58.22, -3.87, -24.88

 

CMYK 2 / 44 / 0 / 28

HEX #B466B7

RGB 180 102 183

HSL 297.78, 0.36%, 0.56%

LAB 54.68, 43.6, -29.79

 

CMYK 0 / 23 / 44 / 28

HEX #B78C66

RGB 183 140 102

HSL 28.15, 0.36%, 0.56%

LAB 61.47, 11.39, 26.57

 

CMYK 43 / 0 / 44 / 28

HEX #69B766

RGB 105 183 102

HSL 117.78, 0.36%, 0.56%

LAB 67.89, -40.59, 33.78

 

Description

Color code: HEX #6690B7 | qconv.com Color code: HEX #6690B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 144 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 144 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 21 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 21% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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