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Color name
HEX #666AC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #666AC8 it is the complementary color #999537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #666AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #666AC8 shade: #6B6AC3, #7C7CD6, #8D8EE9, #9EA0FC and #AFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #666AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #666AC8 shade: #666AC8, #5558B5, #4446A2, #33348F and #22227C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #666AC8 shade: #6569C7, #7B65C7, #9665C7, #B065C7 and #C765C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #666AC8 shade: #6569C7 and #6565C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #666AC8 shade matches the following richer shades: #6569C7, #5459D8, #434AE9 and #323AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #666AC8 shade: #6569C7, #7678B6, #8788A5, #989794 and #A8A783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #666AC8 shade: #659EC7, #6584C7, #656AC7, #7A65C7 and #9465C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #666AC8 shade: #393EA0, #464BBC, #6569C7, #8386D2 and #A1A4DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #666AC8 shade: #666AC8, #C765B8 and #91C765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #666AC8 shade: #666AC8, #C7656A and #6AC765

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #666AC8 shade: #666AC8, #C765B8, #C7C265 and #65C774

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #666AC8 shade: #666AC8, #C7659B, #C7C265 and #65C791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

Complementary color

CMYK 0 / 3 / 64 / 40

HEX #999537

RGB 153 149 55

HSL 57.55, 0.47%, 0.41%

LAB 60.38, -10.68, 48.52

 

CMYK 45 / 46 / 0 / 24

HEX #6B6AC3

RGB 107 106 195

HSL 240.67, 0.43%, 0.59%

LAB 48.73, 23.6, -46.59

 

CMYK 42 / 42 / 0 / 16

HEX #7C7CD6

RGB 124 124 214

HSL 240, 0.52%, 0.66%

LAB 55.64, 22.54, -46.35

 

CMYK 39 / 39 / 0 / 9

HEX #8D8EE9

RGB 141 142 233

HSL 239.35, 0.68%, 0.73%

LAB 62.42, 21.62, -46.16

 

CMYK 37 / 37 / 0 / 1

HEX #9EA0FC

RGB 158 160 252

HSL 238.72, 0.94%, 0.8%

LAB 69.07, 20.82, -46.02

 

CMYK 31 / 30 / 0 / 0

HEX #AFB2FF

RGB 175 178 255

HSL 237.75, 1%, 0.84%

LAB 74.94, 16.06, -38.39

 

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

CMYK 53 / 51 / 0 / 29

HEX #5558B5

RGB 85 88 181

HSL 238.13, 0.39%, 0.52%

LAB 41.61, 25.32, -49.94

 

CMYK 58 / 57 / 0 / 36

HEX #4446A2

RGB 68 70 162

HSL 238.72, 0.41%, 0.45%

LAB 34.43, 26.98, -50.29

 

CMYK 64 / 64 / 0 / 44

HEX #33348F

RGB 51 52 143

HSL 239.35, 0.47%, 0.38%

LAB 27.14, 29, -50.62

 

CMYK 73 / 73 / 0 / 51

HEX #22227C

RGB 34 34 124

HSL 240, 0.57%, 0.31%

LAB 19.8, 31.4, -50.78

 

CMYK 49 / 47 / 0 / 22

HEX #6569C7

RGB 101 105 199

HSL 237.55, 0.47%, 0.59%

LAB 48.25, 24.01, -49.67

 

CMYK 38 / 49 / 0 / 22

HEX #7B65C7

RGB 123 101 199

HSL 253.47, 0.47%, 0.59%

LAB 49.06, 31.74, -48.28

 

CMYK 25 / 49 / 0 / 22

HEX #9665C7

RGB 150 101 199

HSL 270, 0.47%, 0.59%

LAB 51.74, 38.87, -43.85

 

CMYK 12 / 49 / 0 / 22

HEX #B065C7

RGB 176 101 199

HSL 285.92, 0.47%, 0.59%

LAB 54.72, 46.12, -38.95

 

CMYK 0 / 49 / 2 / 22

HEX #C765C3

RGB 199 101 195

HSL 302.45, 0.47%, 0.59%

LAB 57.45, 51.92, -32.18

 

CMYK 49 / 47 / 0 / 22

HEX #6569C7

RGB 101 105 199

HSL 237.55, 0.47%, 0.59%

LAB 48.25, 24.01, -49.67

 

CMYK 49 / 49 / 0 / 22

HEX #6565C7

RGB 101 101 199

HSL 240, 0.47%, 0.59%

LAB 47.23, 26.46, -51.3

 

CMYK 49 / 47 / 0 / 22

HEX #6569C7

RGB 101 105 199

HSL 237.55, 0.47%, 0.59%

LAB 48.25, 24.01, -49.67

 

CMYK 61 / 59 / 0 / 15

HEX #5459D8

RGB 84 89 216

HSL 237.73, 0.63%, 0.59%

LAB 44.21, 35.97, -65.98

 

CMYK 71 / 68 / 0 / 9

HEX #434AE9

RGB 67 74 233

HSL 237.47, 0.79%, 0.59%

LAB 41.17, 48.31, -80.66

 

CMYK 80 / 77 / 0 / 2

HEX #323AFA

RGB 50 58 250

HSL 237.6, 0.95%, 0.59%

LAB 38.91, 61.13, -94.02

 

CMYK 49 / 47 / 0 / 22

HEX #6569C7

RGB 101 105 199

HSL 237.55, 0.47%, 0.59%

LAB 48.25, 24.01, -49.67

 

CMYK 35 / 34 / 0 / 29

HEX #7678B6

RGB 118 120 182

HSL 238.13, 0.3%, 0.59%

LAB 52.58, 14.31, -32.97

 

CMYK 18 / 18 / 0 / 35

HEX #8788A5

RGB 135 136 165

HSL 238, 0.14%, 0.59%

LAB 57.54, 5.88, -15.45

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 1 / 22 / 34

HEX #A8A783

RGB 168 167 131

HSL 58.38, 0.18%, 0.59%

LAB 67.73, -5.73, 18.8

 

CMYK 49 / 21 / 0 / 22

HEX #659EC7

RGB 101 158 199

HSL 205.1, 0.47%, 0.59%

LAB 62.8, -7.34, -26.84

 

CMYK 49 / 34 / 0 / 22

HEX #6584C7

RGB 101 132 199

HSL 221.02, 0.47%, 0.59%

LAB 55.47, 7.63, -38.23

 

CMYK 49 / 47 / 0 / 22

HEX #656AC7

RGB 101 106 199

HSL 236.94, 0.47%, 0.59%

LAB 48.51, 23.4, -49.26

 

CMYK 39 / 49 / 0 / 22

HEX #7A65C7

RGB 122 101 199

HSL 252.86, 0.47%, 0.59%

LAB 48.97, 31.49, -48.43

 

CMYK 26 / 49 / 0 / 22

HEX #9465C7

RGB 148 101 199

HSL 268.78, 0.47%, 0.59%

LAB 51.53, 38.33, -44.2

 

CMYK 64 / 61 / 0 / 37

HEX #393EA0

RGB 57 62 160

HSL 237.09, 0.47%, 0.43%

LAB 31.47, 29.49, -53.93

 

CMYK 63 / 60 / 0 / 26

HEX #464BBC

RGB 70 75 188

HSL 237.46, 0.47%, 0.51%

LAB 37.78, 33, -60.29

 

CMYK 49 / 47 / 0 / 22

HEX #6569C7

RGB 101 105 199

HSL 237.55, 0.47%, 0.59%

LAB 48.25, 24.01, -49.67

 

CMYK 38 / 36 / 0 / 18

HEX #8386D2

RGB 131 134 210

HSL 237.72, 0.47%, 0.67%

LAB 58.54, 17.33, -39.49

 

CMYK 27 / 26 / 0 / 13

HEX #A1A4DD

RGB 161 164 221

HSL 237, 0.47%, 0.75%

LAB 69, 11.47, -29.16

 

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

CMYK 0 / 49 / 8 / 22

HEX #C765B8

RGB 199 101 184

HSL 309.18, 0.47%, 0.59%

LAB 56.99, 50.01, -26.6

 

CMYK 27 / 0 / 49 / 22

HEX #91C765

RGB 145 199 101

HSL 93.06, 0.47%, 0.59%

LAB 74.7, -34.47, 43.22

 

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

CMYK 0 / 49 / 47 / 22

HEX #C7656A

RGB 199 101 106

HSL 356.94, 0.47%, 0.59%

LAB 54.54, 39.4, 15.32

 

CMYK 47 / 0 / 49 / 22

HEX #6AC765

RGB 106 199 101

HSL 116.94, 0.47%, 0.59%

LAB 72.79, -47.22, 40.44

 

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

CMYK 0 / 49 / 8 / 22

HEX #C765B8

RGB 199 101 184

HSL 309.18, 0.47%, 0.59%

LAB 56.99, 50.01, -26.6

 

CMYK 0 / 3 / 49 / 22

HEX #C7C265

RGB 199 194 101

HSL 56.94, 0.47%, 0.59%

LAB 77.08, -10.95, 46.98

 

CMYK 49 / 0 / 42 / 22

HEX #65C774

RGB 101 199 116

HSL 129.18, 0.47%, 0.59%

LAB 72.81, -46.41, 32.88

 

CMYK 49 / 47 / 0 / 22

HEX #666AC8

RGB 102 106 200

HSL 237.55, 0.47%, 0.59%

LAB 48.64, 23.93, -49.62

 

CMYK 0 / 49 / 22 / 22

HEX #C7659B

RGB 199 101 155

HSL 326.94, 0.47%, 0.59%

LAB 55.9, 45.44, -11.46

 

CMYK 0 / 3 / 49 / 22

HEX #C7C265

RGB 199 194 101

HSL 56.94, 0.47%, 0.59%

LAB 77.08, -10.95, 46.98

 

CMYK 49 / 0 / 27 / 22

HEX #65C791

RGB 101 199 145

HSL 146.94, 0.47%, 0.59%

LAB 73.32, -41.21, 18.36

 

Description

Color code: HEX #666AC8 | qconv.com Color code: HEX #666AC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 106 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 106 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 47 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 47% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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