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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6647AE it is the complementary color #99B851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6647AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6647AE shade: #6B47A9, #7C59BC, #8D6BCF, #9E7DE2 and #AF8FF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6647AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6647AE shade: #6647AE, #55359B, #442388, #331175 and #220062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6647AE shade: #6546AD, #8146AD, #9D46AD, #AD46A2 and #AD4686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6647AE shade: #6546AD, #4A46AD and #4646AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6647AE shade matches the following richer shades: #6546AD, #5E33C1, #561FD5 and #4E0BE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6647AE shade: #6546AD, #6D5A9A, #756E86, #7D8272 and #85965E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6647AE shade: #465EAD, #4A46AD, #6546AD, #8146AD and #9C46AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6647AE shade: #432F73, #543B90, #6546AD, #7C60BE and #947DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6647AE shade: #6647AE, #AD467A and #51AD46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6647AE shade: #6647AE, #AD6546 and #46AD65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6647AE shade: #6647AE, #AD467A, #8EAD46 and #46AD7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6647AE shade: #6647AE, #AD465B, #8EAD46 and #46AD99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

Complementary color

CMYK 17 / 0 / 56 / 28

HEX #99B851

RGB 153 184 81

HSL 78.06, 0.42%, 0.52%

LAB 70.63, -26.42, 48.05

 

CMYK 37 / 58 / 0 / 34

HEX #6B47A9

RGB 107 71 169

HSL 262.04, 0.41%, 0.47%

LAB 38.72, 37.18, -47.38

 

CMYK 34 / 53 / 0 / 26

HEX #7C59BC

RGB 124 89 188

HSL 261.21, 0.42%, 0.54%

LAB 45.72, 36.06, -47.25

 

CMYK 32 / 48 / 0 / 19

HEX #8D6BCF

RGB 141 107 207

HSL 260.4, 0.51%, 0.62%

LAB 52.6, 35.03, -47.11

 

CMYK 30 / 45 / 0 / 11

HEX #9E7DE2

RGB 158 125 226

HSL 259.6, 0.64%, 0.69%

LAB 59.37, 34.07, -46.99

 

CMYK 29 / 42 / 0 / 4

HEX #AF8FF5

RGB 175 143 245

HSL 258.82, 0.84%, 0.76%

LAB 66.02, 33.2, -46.9

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 45 / 66 / 0 / 39

HEX #55359B

RGB 85 53 155

HSL 258.82, 0.49%, 0.41%

LAB 31.45, 38.66, -50.82

 

CMYK 50 / 74 / 0 / 47

HEX #442388

RGB 68 35 136

HSL 259.6, 0.59%, 0.34%

LAB 24.35, 39.86, -50.76

 

CMYK 56 / 85 / 0 / 54

HEX #331175

RGB 51 17 117

HSL 260.4, 0.75%, 0.26%

LAB 17.41, 40.51, -50.17

 

CMYK 65 / 100 / 0 / 62

HEX #220062

RGB 34 0 98

HSL 260.82, 1%, 0.19%

LAB 10.72, 40.43, -48.86

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 25 / 60 / 0 / 32

HEX #8146AD

RGB 129 70 173

HSL 274.37, 0.42%, 0.48%

LAB 41.32, 44.19, -45.45

 

CMYK 9 / 60 / 0 / 32

HEX #9D46AD

RGB 157 70 173

HSL 290.68, 0.42%, 0.48%

LAB 45.03, 51.36, -39.31

 

CMYK 0 / 60 / 6 / 32

HEX #AD46A2

RGB 173 70 162

HSL 306.41, 0.42%, 0.48%

LAB 46.81, 53.62, -29.85

 

CMYK 0 / 60 / 23 / 32

HEX #AD4686

RGB 173 70 134

HSL 322.72, 0.42%, 0.48%

LAB 45.61, 49.25, -14.91

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 57 / 60 / 0 / 32

HEX #4A46AD

RGB 74 70 173

HSL 242.33, 0.42%, 0.48%

LAB 35.7, 31.81, -54.79

 

CMYK 60 / 60 / 0 / 32

HEX #4646AD

RGB 70 70 173

HSL 240, 0.42%, 0.48%

LAB 35.4, 31.07, -55.3

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 51 / 74 / 0 / 24

HEX #5E33C1

RGB 94 51 193

HSL 258.17, 0.58%, 0.48%

LAB 35.2, 52.05, -67.35

 

CMYK 60 / 85 / 0 / 16

HEX #561FD5

RGB 86 31 213

HSL 258.13, 0.75%, 0.48%

LAB 33.48, 64.72, -81.86

 

CMYK 67 / 95 / 0 / 9

HEX #4E0BE9

RGB 78 11 233

HSL 258.11, 0.91%, 0.48%

LAB 33.44, 73.87, -93.44

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 29 / 42 / 0 / 40

HEX #6D5A9A

RGB 109 90 154

HSL 257.81, 0.26%, 0.48%

LAB 42.61, 22.28, -32.24

 

CMYK 13 / 18 / 0 / 47

HEX #756E86

RGB 117 110 134

HSL 257.5, 0.1%, 0.48%

LAB 47.82, 7.8, -12.2

 

CMYK 4 / 0 / 12 / 49

HEX #7D8272

RGB 125 130 114

HSL 78.75, 0.07%, 0.48%

LAB 53.54, -4.94, 8.03

 

CMYK 11 / 0 / 37 / 41

HEX #85965E

RGB 133 150 94

HSL 78.21, 0.23%, 0.48%

LAB 59.53, -15.81, 27.56

 

CMYK 60 / 46 / 0 / 32

HEX #465EAD

RGB 70 94 173

HSL 226.02, 0.42%, 0.48%

LAB 41.73, 15.68, -45.1

 

CMYK 57 / 60 / 0 / 32

HEX #4A46AD

RGB 74 70 173

HSL 242.33, 0.42%, 0.48%

LAB 35.7, 31.81, -54.79

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 25 / 60 / 0 / 32

HEX #8146AD

RGB 129 70 173

HSL 274.37, 0.42%, 0.48%

LAB 41.32, 44.19, -45.45

 

CMYK 10 / 60 / 0 / 32

HEX #9C46AD

RGB 156 70 173

HSL 290.1, 0.42%, 0.48%

LAB 44.89, 51.1, -39.54

 

CMYK 42 / 59 / 0 / 55

HEX #432F73

RGB 67 47 115

HSL 257.65, 0.42%, 0.32%

LAB 25.15, 26.32, -36.2

 

CMYK 42 / 59 / 0 / 44

HEX #543B90

RGB 84 59 144

HSL 257.65, 0.42%, 0.4%

LAB 31.87, 31.7, -43.43

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

CMYK 35 / 49 / 0 / 25

HEX #7C60BE

RGB 124 96 190

HSL 257.87, 0.42%, 0.56%

LAB 47.45, 32.5, -45.64

 

CMYK 27 / 38 / 0 / 21

HEX #947DCA

RGB 148 125 202

HSL 257.92, 0.42%, 0.64%

LAB 57.3, 25.28, -36.82

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 0 / 60 / 29 / 32

HEX #AD467A

RGB 173 70 122

HSL 329.71, 0.42%, 0.48%

LAB 45.18, 47.59, -8.28

 

CMYK 53 / 0 / 60 / 32

HEX #51AD46

RGB 81 173 70

HSL 113.59, 0.42%, 0.48%

LAB 63.41, -47.67, 43.87

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 0 / 42 / 60 / 32

HEX #AD6546

RGB 173 101 70

HSL 18.06, 0.42%, 0.48%

LAB 50.26, 25.96, 29.85

 

CMYK 60 / 0 / 42 / 32

HEX #46AD65

RGB 70 173 101

HSL 138.06, 0.42%, 0.48%

LAB 63.45, -45.96, 28.31

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 0 / 60 / 29 / 32

HEX #AD467A

RGB 173 70 122

HSL 329.71, 0.42%, 0.48%

LAB 45.18, 47.59, -8.28

 

CMYK 18 / 0 / 60 / 32

HEX #8EAD46

RGB 142 173 70

HSL 78.06, 0.42%, 0.48%

LAB 66.58, -26.44, 48.33

 

CMYK 60 / 0 / 29 / 32

HEX #46AD7A

RGB 70 173 122

HSL 150.29, 0.42%, 0.48%

LAB 63.83, -41.91, 17.51

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 0 / 60 / 47 / 32

HEX #AD465B

RGB 173 70 91

HSL 347.77, 0.42%, 0.48%

LAB 44.26, 44.01, 9.41

 

CMYK 18 / 0 / 60 / 32

HEX #8EAD46

RGB 142 173 70

HSL 78.06, 0.42%, 0.48%

LAB 66.58, -26.44, 48.33

 

CMYK 60 / 0 / 12 / 32

HEX #46AD99

RGB 70 173 153

HSL 168.35, 0.42%, 0.48%

LAB 64.56, -34.66, 1.39

 

Description

Color code: HEX #6647AE | qconv.com Color code: HEX #6647AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 71 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 71 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 59 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 59% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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