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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #663994 it is the complementary color #99C66B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #663994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #663994 shade: #6B398F, #7C4BA2, #8D5DB5, #9E6FC8 and #AF81DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #663994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #663994 shade: #663994, #552781, #44156E, #33035B and #220048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #663994 shade: #653992, #7D3992, #92398F, #923977 and #92395F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #663994 shade: #653992, #4D3992 and #393992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #663994 shade matches the following richer shades: #653992, #6528A3, #6518B3 and #6407C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #663994 shade: #653992, #654982, #655A71, #666A61 and #667B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #663994 shade: #393D92, #4C3992, #643992, #7C3992 and #923991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #663994 shade: #3C2257, #502D75, #653992, #7A44B0 and #8E5EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #663994 shade: #663994, #923955 and #399240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #663994 shade: #663994, #926439 and #399264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #663994 shade: #663994, #923955, #679239 and #399276

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #663994 shade: #663994, #92393A, #679239 and #399291

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

Complementary color

CMYK 23 / 0 / 46 / 22

HEX #99C66B

RGB 153 198 107

HSL 89.67, 0.44%, 0.6%

LAB 74.96, -30.38, 40.7

 

CMYK 25 / 60 / 0 / 44

HEX #6B398F

RGB 107 57 143

HSL 274.88, 0.43%, 0.39%

LAB 34.06, 38.4, -39.16

 

CMYK 23 / 54 / 0 / 36

HEX #7C4BA2

RGB 124 75 162

HSL 273.79, 0.37%, 0.46%

LAB 41.1, 37.52, -39.3

 

CMYK 22 / 49 / 0 / 29

HEX #8D5DB5

RGB 141 93 181

HSL 272.73, 0.37%, 0.54%

LAB 48.04, 36.61, -39.37

 

CMYK 21 / 45 / 0 / 22

HEX #9E6FC8

RGB 158 111 200

HSL 271.69, 0.45%, 0.61%

LAB 54.87, 35.73, -39.42

 

CMYK 20 / 41 / 0 / 14

HEX #AF81DB

RGB 175 129 219

HSL 270.67, 0.56%, 0.68%

LAB 61.59, 34.91, -39.47

 

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

CMYK 34 / 70 / 0 / 49

HEX #552781

RGB 85 39 129

HSL 270.67, 0.54%, 0.33%

LAB 26.64, 39.22, -42.55

 

CMYK 38 / 81 / 0 / 57

HEX #44156E

RGB 68 21 110

HSL 271.69, 0.68%, 0.26%

LAB 19.6, 39.54, -41.96

 

CMYK 44 / 97 / 0 / 64

HEX #33035B

RGB 51 3 91

HSL 272.73, 0.94%, 0.18%

LAB 12.76, 38.91, -40.7

 

CMYK 53 / 100 / 0 / 72

HEX #220048

RGB 34 0 72

HSL 268.33, 1%, 0.14%

LAB 7.3, 33.57, -36.73

 

CMYK 31 / 61 / 0 / 43

HEX #653992

RGB 101 57 146

HSL 269.66, 0.44%, 0.4%

LAB 33.5, 37.62, -41.94

 

CMYK 14 / 61 / 0 / 43

HEX #7D3992

RGB 125 57 146

HSL 285.84, 0.44%, 0.4%

LAB 36.67, 43.82, -36.68

 

CMYK 0 / 61 / 2 / 43

HEX #92398F

RGB 146 57 143

HSL 302.02, 0.44%, 0.4%

LAB 39.61, 48.87, -30

 

CMYK 0 / 61 / 18 / 43

HEX #923977

RGB 146 57 119

HSL 318.2, 0.44%, 0.4%

LAB 38.5, 44.85, -16.97

 

CMYK 0 / 61 / 35 / 43

HEX #92395F

RGB 146 57 95

HSL 334.38, 0.44%, 0.4%

LAB 37.6, 41.46, -3.27

 

CMYK 31 / 61 / 0 / 43

HEX #653992

RGB 101 57 146

HSL 269.66, 0.44%, 0.4%

LAB 33.5, 37.62, -41.94

 

CMYK 47 / 61 / 0 / 43

HEX #4D3992

RGB 77 57 146

HSL 253.48, 0.44%, 0.4%

LAB 30.83, 31.9, -46.37

 

CMYK 61 / 61 / 0 / 43

HEX #393992

RGB 57 57 146

HSL 240, 0.44%, 0.4%

LAB 29.09, 27.84, -49.28

 

CMYK 31 / 61 / 0 / 43

HEX #653992

RGB 101 57 146

HSL 269.66, 0.44%, 0.4%

LAB 33.5, 37.62, -41.94

 

CMYK 38 / 75 / 0 / 36

HEX #6528A3

RGB 101 40 163

HSL 269.76, 0.61%, 0.4%

LAB 31.64, 50.5, -55.27

 

CMYK 44 / 87 / 0 / 30

HEX #6518B3

RGB 101 24 179

HSL 269.81, 0.76%, 0.4%

LAB 31.05, 60.17, -65.84

 

CMYK 49 / 96 / 0 / 23

HEX #6407C4

RGB 100 7 196

HSL 269.52, 0.93%, 0.4%

LAB 31.46, 67.41, -75.25

 

CMYK 31 / 61 / 0 / 43

HEX #653992

RGB 101 57 146

HSL 269.66, 0.44%, 0.4%

LAB 33.5, 37.62, -41.94

 

CMYK 22 / 44 / 0 / 49

HEX #654982

RGB 101 73 130

HSL 269.47, 0.28%, 0.4%

LAB 36.26, 24.03, -27.72

 

CMYK 11 / 20 / 0 / 56

HEX #655A71

RGB 101 90 113

HSL 268.7, 0.11%, 0.4%

LAB 40.03, 9.33, -11.43

 

CMYK 4 / 0 / 8 / 58

HEX #666A61

RGB 102 106 97

HSL 86.67, 0.04%, 0.4%

LAB 44.23, -3.37, 4.51

 

CMYK 17 / 0 / 35 / 52

HEX #667B50

RGB 102 123 80

HSL 89.3, 0.21%, 0.4%

LAB 48.97, -15.92, 21.06

 

CMYK 61 / 58 / 0 / 43

HEX #393D92

RGB 57 61 146

HSL 237.3, 0.44%, 0.4%

LAB 30.11, 25.21, -47.61

 

CMYK 48 / 61 / 0 / 43

HEX #4C3992

RGB 76 57 146

HSL 252.81, 0.44%, 0.4%

LAB 30.73, 31.68, -46.53

 

CMYK 32 / 61 / 0 / 43

HEX #643992

RGB 100 57 146

HSL 268.99, 0.44%, 0.4%

LAB 33.37, 37.37, -42.14

 

CMYK 15 / 61 / 0 / 43

HEX #7C3992

RGB 124 57 146

HSL 285.17, 0.44%, 0.4%

LAB 36.53, 43.56, -36.91

 

CMYK 0 / 61 / 1 / 43

HEX #923991

RGB 146 57 145

HSL 300.67, 0.44%, 0.4%

LAB 39.72, 49.23, -31.05

 

CMYK 31 / 61 / 0 / 66

HEX #3C2257

RGB 60 34 87

HSL 269.43, 0.44%, 0.24%

LAB 19.19, 24.45, -27.52

 

CMYK 32 / 62 / 0 / 54

HEX #502D75

RGB 80 45 117

HSL 269.17, 0.44%, 0.32%

LAB 26.35, 31.5, -35.46

 

CMYK 31 / 61 / 0 / 43

HEX #653992

RGB 101 57 146

HSL 269.66, 0.44%, 0.4%

LAB 33.5, 37.62, -41.94

 

CMYK 31 / 61 / 0 / 31

HEX #7A44B0

RGB 122 68 176

HSL 270, 0.44%, 0.48%

LAB 40.26, 44.27, -48.98

 

CMYK 26 / 51 / 0 / 25

HEX #8E5EC0

RGB 142 94 192

HSL 269.39, 0.44%, 0.56%

LAB 48.96, 38.95, -44.29

 

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

CMYK 0 / 61 / 42 / 43

HEX #923955

RGB 146 57 85

HSL 341.12, 0.44%, 0.4%

LAB 37.29, 40.26, 2.62

 

CMYK 61 / 0 / 56 / 43

HEX #399240

RGB 57 146 64

HSL 124.72, 0.44%, 0.4%

LAB 53.81, -44.02, 35.3

 

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

CMYK 0 / 32 / 61 / 43

HEX #926439

RGB 146 100 57

HSL 28.99, 0.44%, 0.4%

LAB 46.34, 13.83, 31.53

 

CMYK 61 / 0 / 32 / 43

HEX #399264

RGB 57 146 100

HSL 148.99, 0.44%, 0.4%

LAB 54.39, -37.7, 16.68

 

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

CMYK 0 / 61 / 42 / 43

HEX #923955

RGB 146 57 85

HSL 341.12, 0.44%, 0.4%

LAB 37.29, 40.26, 2.62

 

CMYK 29 / 0 / 61 / 43

HEX #679239

RGB 103 146 57

HSL 88.99, 0.44%, 0.4%

LAB 55.82, -30.04, 41.57

 

CMYK 61 / 0 / 19 / 43

HEX #399276

RGB 57 146 118

HSL 161.12, 0.44%, 0.4%

LAB 54.8, -33.56, 7.02

 

CMYK 31 / 61 / 0 / 42

HEX #663994

RGB 102 57 148

HSL 269.67, 0.44%, 0.4%

LAB 33.75, 38.38, -42.74

 

CMYK 0 / 61 / 60 / 43

HEX #92393A

RGB 146 57 58

HSL 359.33, 0.44%, 0.4%

LAB 36.64, 37.69, 18.83

 

CMYK 29 / 0 / 61 / 43

HEX #679239

RGB 103 146 57

HSL 88.99, 0.44%, 0.4%

LAB 55.82, -30.04, 41.57

 

CMYK 61 / 0 / 1 / 43

HEX #399291

RGB 57 146 145

HSL 179.33, 0.44%, 0.4%

LAB 55.56, -26.29, -7.37

 

Description

Color code: HEX #663994 | qconv.com Color code: HEX #663994 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 57 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 57 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 61 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 61% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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