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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6636D8 it is the complementary color #99C927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6636D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6636D8 shade: #6B36D3, #7C48E6, #8D5AF9, #9E6CFF and #AF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6636D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6636D8 shade: #6636D8, #5524C5, #4412B2, #33009F and #22008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6636D8 shade: #6535D8, #9135D8, #BD35D8, #D835C7 and #D8359B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6636D8 shade: #6535D8, #3935D8 and #3535D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6636D8 shade matches the following richer shades: #6535D8 and #5E22EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6636D8 shade: #6535D8, #6D49C5, #755CB1, #7D6F9E and #85838B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6636D8 shade: #355ED8, #3835D8, #6335D8, #8F35D8 and #BA35D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6636D8 shade: #431E9D, #5224C0, #6535D8, #8058DF and #9A7AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6636D8 shade: #6636D8, #D83589 and #48D835

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6636D8 shade: #6636D8, #D86335 and #35D863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6636D8 shade: #6636D8, #D83589, #AAD835 and #35D884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6636D8 shade: #6636D8, #D83558, #AAD835 and #35D8B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

Complementary color

CMYK 24 / 0 / 81 / 21

HEX #99C927

RGB 153 201 39

HSL 77.78, 0.68%, 0.47%

LAB 75.26, -37.07, 68.62

 

CMYK 49 / 74 / 0 / 17

HEX #6B36D3

RGB 107 54 211

HSL 260.25, 0.64%, 0.52%

LAB 38.67, 57.43, -72.08

 

CMYK 46 / 69 / 0 / 10

HEX #7C48E6

RGB 124 72 230

HSL 259.75, 0.76%, 0.59%

LAB 45.13, 56.5, -72.31

 

CMYK 43 / 64 / 0 / 2

HEX #8D5AF9

RGB 141 90 249

HSL 259.25, 0.93%, 0.66%

LAB 51.63, 55.39, -72.32

 

CMYK 38 / 58 / 0 / 0

HEX #9E6CFF

RGB 158 108 255

HSL 260.41, 1%, 0.71%

LAB 57.28, 50.89, -66.42

 

CMYK 31 / 51 / 0 / 0

HEX #AF7EFF

RGB 175 126 255

HSL 262.79, 1%, 0.75%

LAB 62.72, 45.08, -57.61

 

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

CMYK 57 / 82 / 0 / 23

HEX #5524C5

RGB 85 36 197

HSL 258.26, 0.69%, 0.46%

LAB 32.31, 58.65, -74.48

 

CMYK 62 / 90 / 0 / 30

HEX #4412B2

RGB 68 18 178

HSL 258.75, 0.82%, 0.38%

LAB 26.38, 58.28, -73.1

 

CMYK 68 / 100 / 0 / 38

HEX #33009F

RGB 51 0 159

HSL 259.25, 1%, 0.31%

LAB 20.85, 56.77, -70.83

 

CMYK 76 / 100 / 0 / 45

HEX #22008C

RGB 34 0 140

HSL 254.57, 1%, 0.27%

LAB 16.67, 51.33, -66.08

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 33 / 75 / 0 / 15

HEX #9135D8

RGB 145 53 216

HSL 273.87, 0.68%, 0.53%

LAB 43.54, 65.18, -66.81

 

CMYK 13 / 75 / 0 / 15

HEX #BD35D8

RGB 189 53 216

HSL 290.06, 0.68%, 0.53%

LAB 49.89, 73.21, -56.24

 

CMYK 0 / 75 / 8 / 15

HEX #D835C7

RGB 216 53 199

HSL 306.26, 0.68%, 0.53%

LAB 53.24, 75.93, -40.89

 

CMYK 0 / 75 / 28 / 15

HEX #D8359B

RGB 216 53 155

HSL 322.45, 0.68%, 0.53%

LAB 51.28, 70.11, -18.21

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 74 / 75 / 0 / 15

HEX #3935D8

RGB 57 53 216

HSL 241.47, 0.68%, 0.53%

LAB 34.75, 53.57, -81.57

 

CMYK 75 / 75 / 0 / 15

HEX #3535D8

RGB 53 53 216

HSL 240, 0.68%, 0.53%

LAB 34.52, 53.25, -81.95

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 60 / 86 / 0 / 7

HEX #5E22EC

RGB 94 34 236

HSL 257.82, 0.84%, 0.53%

LAB 37.08, 70.23, -89.06

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 45 / 63 / 0 / 23

HEX #6D49C5

RGB 109 73 197

HSL 257.42, 0.52%, 0.53%

LAB 41.29, 44.21, -59.69

 

CMYK 34 / 48 / 0 / 31

HEX #755CB1

RGB 117 92 177

HSL 257.65, 0.35%, 0.53%

LAB 45.1, 29.52, -41.86

 

CMYK 21 / 30 / 0 / 38

HEX #7D6F9E

RGB 125 111 158

HSL 257.87, 0.2%, 0.53%

LAB 49.73, 15.6, -23.39

 

CMYK 4 / 6 / 0 / 45

HEX #85838B

RGB 133 131 139

HSL 255, 0.03%, 0.53%

LAB 55.16, 2.36, -4.04

 

CMYK 75 / 56 / 0 / 15

HEX #355ED8

RGB 53 94 216

HSL 224.91, 0.68%, 0.53%

LAB 43.83, 28.53, -66.68

 

CMYK 74 / 75 / 0 / 15

HEX #3835D8

RGB 56 53 216

HSL 241.1, 0.68%, 0.53%

LAB 34.69, 53.49, -81.67

 

CMYK 54 / 75 / 0 / 15

HEX #6335D8

RGB 99 53 216

HSL 256.93, 0.68%, 0.53%

LAB 38.12, 58.11, -75.89

 

CMYK 34 / 75 / 0 / 15

HEX #8F35D8

RGB 143 53 216

HSL 273.13, 0.68%, 0.53%

LAB 43.28, 64.84, -67.25

 

CMYK 14 / 75 / 0 / 15

HEX #BA35D8

RGB 186 53 216

HSL 288.96, 0.68%, 0.53%

LAB 49.43, 72.64, -57

 

CMYK 57 / 81 / 0 / 38

HEX #431E9D

RGB 67 30 157

HSL 257.48, 0.68%, 0.37%

LAB 25.43, 48.17, -61.97

 

CMYK 57 / 81 / 0 / 25

HEX #5224C0

RGB 82 36 192

HSL 257.69, 0.68%, 0.45%

LAB 31.49, 56.98, -72.91

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 43 / 61 / 0 / 13

HEX #8058DF

RGB 128 88 223

HSL 257.78, 0.68%, 0.61%

LAB 48.13, 46.95, -63.45

 

CMYK 33 / 47 / 0 / 10

HEX #9A7AE5

RGB 154 122 229

HSL 257.94, 0.67%, 0.69%

LAB 58.46, 35.48, -50.13

 

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

CMYK 0 / 75 / 37 / 15

HEX #D83589

RGB 216 53 137

HSL 329.08, 0.68%, 0.53%

LAB 50.63, 68.11, -8.44

 

CMYK 67 / 0 / 75 / 15

HEX #48D835

RGB 72 216 53

HSL 113.01, 0.68%, 0.53%

LAB 76.53, -66.63, 64.46

 

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

CMYK 0 / 54 / 75 / 15

HEX #D86335

RGB 216 99 53

HSL 16.93, 0.68%, 0.53%

LAB 55.87, 43.15, 46.98

 

CMYK 75 / 0 / 54 / 15

HEX #35D863

RGB 53 216 99

HSL 136.93, 0.68%, 0.53%

LAB 76.54, -65.09, 45.65

 

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

CMYK 0 / 75 / 37 / 15

HEX #D83589

RGB 216 53 137

HSL 329.08, 0.68%, 0.53%

LAB 50.63, 68.11, -8.44

 

CMYK 21 / 0 / 75 / 15

HEX #AAD835

RGB 170 216 53

HSL 76.93, 0.68%, 0.53%

LAB 80.69, -36.61, 69.91

 

CMYK 75 / 0 / 39 / 15

HEX #35D884

RGB 53 216 132

HSL 149.08, 0.68%, 0.53%

LAB 77, -59.72, 29.94

 

CMYK 53 / 75 / 0 / 15

HEX #6636D8

RGB 102 54 216

HSL 257.78, 0.68%, 0.53%

LAB 38.59, 58.05, -75.12

 

CMYK 0 / 75 / 59 / 15

HEX #D83558

RGB 216 53 88

HSL 347.12, 0.68%, 0.53%

LAB 49.31, 63.95, 19.39

 

CMYK 21 / 0 / 75 / 15

HEX #AAD835

RGB 170 216 53

HSL 76.93, 0.68%, 0.53%

LAB 80.69, -36.61, 69.91

 

CMYK 75 / 0 / 16 / 15

HEX #35D8B5

RGB 53 216 181

HSL 167.12, 0.68%, 0.53%

LAB 78, -48.95, 5.56

 

Description

Color code: HEX #6636D8 | qconv.com Color code: HEX #6636D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 54 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 54 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 75 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 75% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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