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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6636A5 it is the complementary color #99C95A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6636A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6636A5 shade: #6B36A0, #7C48B3, #8D5AC6, #9E6CD9 and #AF7EEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6636A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6636A5 shade: #6636A5, #552492, #44127F, #33006C and #220059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6636A5 shade: #6635A5, #8435A5, #A235A5, #A5358A and #A5356C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6636A5 shade: #6635A5, #4735A5 and #3535A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6636A5 shade matches the following richer shades: #6635A5, #6323B7, #6112C9 and #5E00DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6636A5 shade: #6635A5, #684793, #6A5982, #6D6A70 and #6F7C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6636A5 shade: #3542A5, #4635A5, #6435A5, #8235A5 and #9F35A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6636A5 shade: #3F2167, #522B86, #6635A5, #7942C1 and #8F61CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6636A5 shade: #6636A5, #A53560 and #35A537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6636A5 shade: #6636A5, #A56435 and #35A564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6636A5 shade: #6636A5, #A53560, #76A535 and #35A57A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6636A5 shade: #6636A5, #A5353F, #76A535 and #35A59C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

Complementary color

CMYK 24 / 0 / 55 / 21

HEX #99C95A

RGB 153 201 90

HSL 85.95, 0.51%, 0.57%

LAB 75.63, -33.62, 49.66

 

CMYK 33 / 66 / 0 / 37

HEX #6B36A0

RGB 107 54 160

HSL 270, 0.5%, 0.42%

LAB 34.6, 44.21, -48.62

 

CMYK 31 / 60 / 0 / 30

HEX #7C48B3

RGB 124 72 179

HSL 269.16, 0.43%, 0.49%

LAB 41.49, 43.34, -48.75

 

CMYK 29 / 55 / 0 / 22

HEX #8D5AC6

RGB 141 90 198

HSL 268.33, 0.49%, 0.56%

LAB 48.33, 42.38, -48.77

 

CMYK 27 / 50 / 0 / 15

HEX #9E6CD9

RGB 158 108 217

HSL 267.52, 0.59%, 0.64%

LAB 55.08, 41.43, -48.74

 

CMYK 26 / 47 / 0 / 7

HEX #AF7EEC

RGB 175 126 236

HSL 266.73, 0.74%, 0.71%

LAB 61.73, 40.51, -48.71

 

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

CMYK 42 / 75 / 0 / 43

HEX #552492

RGB 85 36 146

HSL 266.73, 0.6%, 0.36%

LAB 27.49, 45.13, -51.76

 

CMYK 46 / 86 / 0 / 50

HEX #44127F

RGB 68 18 127

HSL 267.52, 0.75%, 0.28%

LAB 20.8, 45.1, -50.9

 

CMYK 53 / 100 / 0 / 58

HEX #33006C

RGB 51 0 108

HSL 268.33, 1%, 0.21%

LAB 14.32, 44.25, -49.42

 

CMYK 62 / 100 / 0 / 65

HEX #220059

RGB 34 0 89

HSL 262.92, 1%, 0.17%

LAB 9.49, 38.08, -44.83

 

CMYK 38 / 68 / 0 / 35

HEX #6635A5

RGB 102 53 165

HSL 266.25, 0.51%, 0.43%

LAB 34.16, 44.93, -52.37

 

CMYK 20 / 68 / 0 / 35

HEX #8435A5

RGB 132 53 165

HSL 282.32, 0.51%, 0.43%

LAB 38.14, 51.51, -45.75

 

CMYK 2 / 68 / 0 / 35

HEX #A235A5

RGB 162 53 165

HSL 298.39, 0.51%, 0.43%

LAB 42.68, 58.49, -38.25

 

CMYK 0 / 68 / 16 / 35

HEX #A5358A

RGB 165 53 138

HSL 314.46, 0.51%, 0.43%

LAB 41.81, 54.87, -23.29

 

CMYK 0 / 68 / 35 / 35

HEX #A5356C

RGB 165 53 108

HSL 330.54, 0.51%, 0.43%

LAB 40.62, 50.83, -6.59

 

CMYK 38 / 68 / 0 / 35

HEX #6635A5

RGB 102 53 165

HSL 266.25, 0.51%, 0.43%

LAB 34.16, 44.93, -52.37

 

CMYK 57 / 68 / 0 / 35

HEX #4735A5

RGB 71 53 165

HSL 249.64, 0.51%, 0.43%

LAB 30.88, 39.06, -57.86

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 38 / 68 / 0 / 35

HEX #6635A5

RGB 102 53 165

HSL 266.25, 0.51%, 0.43%

LAB 34.16, 44.93, -52.37

 

CMYK 46 / 81 / 0 / 28

HEX #6323B7

RGB 99 35 183

HSL 265.95, 0.68%, 0.43%

LAB 32.42, 57.18, -65.98

 

CMYK 52 / 91 / 0 / 21

HEX #6112C9

RGB 97 18 201

HSL 265.9, 0.84%, 0.43%

LAB 32.24, 66.35, -76.9

 

CMYK 57 / 100 / 0 / 15

HEX #5E00DA

RGB 94 0 218

HSL 265.87, 1%, 0.43%

LAB 32.79, 72.89, -85.87

 

CMYK 38 / 68 / 0 / 35

HEX #6635A5

RGB 102 53 165

HSL 266.25, 0.51%, 0.43%

LAB 34.16, 44.93, -52.37

 

CMYK 29 / 52 / 0 / 42

HEX #684793

RGB 104 71 147

HSL 266.05, 0.35%, 0.43%

LAB 37.03, 30.52, -36.87

 

CMYK 18 / 32 / 0 / 49

HEX #6A5982

RGB 106 89 130

HSL 264.88, 0.19%, 0.43%

LAB 40.93, 15.78, -20.41

 

CMYK 3 / 5 / 0 / 56

HEX #6D6A70

RGB 109 106 112

HSL 270, 0.03%, 0.43%

LAB 45.26, 2.4, -2.94

 

CMYK 10 / 0 / 24 / 51

HEX #6F7C5E

RGB 111 124 94

HSL 86, 0.14%, 0.43%

LAB 50.22, -10.6, 14.82

 

CMYK 68 / 60 / 0 / 35

HEX #3542A5

RGB 53 66 165

HSL 233.04, 0.51%, 0.43%

LAB 32.63, 28.04, -55.06

 

CMYK 58 / 68 / 0 / 35

HEX #4635A5

RGB 70 53 165

HSL 249.11, 0.51%, 0.43%

LAB 30.8, 38.9, -58.01

 

CMYK 39 / 68 / 0 / 35

HEX #6435A5

RGB 100 53 165

HSL 265.18, 0.51%, 0.43%

LAB 33.92, 44.52, -52.77

 

CMYK 21 / 68 / 0 / 35

HEX #8235A5

RGB 130 53 165

HSL 281.25, 0.51%, 0.43%

LAB 37.86, 51.05, -46.23

 

CMYK 4 / 68 / 0 / 35

HEX #9F35A5

RGB 159 53 165

HSL 296.79, 0.51%, 0.43%

LAB 42.21, 57.78, -39.03

 

CMYK 39 / 68 / 0 / 60

HEX #3F2167

RGB 63 33 103

HSL 265.71, 0.51%, 0.27%

LAB 20.53, 30.4, -35.92

 

CMYK 39 / 68 / 0 / 47

HEX #522B86

RGB 82 43 134

HSL 265.71, 0.51%, 0.35%

LAB 27.42, 37.74, -44.45

 

CMYK 38 / 68 / 0 / 35

HEX #6635A5

RGB 102 53 165

HSL 266.25, 0.51%, 0.43%

LAB 34.16, 44.93, -52.37

 

CMYK 37 / 66 / 0 / 24

HEX #7942C1

RGB 121 66 193

HSL 265.98, 0.51%, 0.51%

LAB 40.92, 49.37, -57.91

 

CMYK 30 / 52 / 0 / 20

HEX #8F61CB

RGB 143 97 203

HSL 266.04, 0.5%, 0.59%

LAB 50.34, 40.23, -48.42

 

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

CMYK 0 / 68 / 42 / 35

HEX #A53560

RGB 165 53 96

HSL 336.96, 0.51%, 0.43%

LAB 40.23, 49.48, 0.35

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

CMYK 0 / 39 / 68 / 35

HEX #A56435

RGB 165 100 53

HSL 25.18, 0.51%, 0.43%

LAB 48.72, 21.92, 37.09

 

CMYK 68 / 0 / 39 / 35

HEX #35A564

RGB 53 165 100

HSL 145.18, 0.51%, 0.43%

LAB 60.42, -46.44, 24.77

 

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

CMYK 0 / 68 / 42 / 35

HEX #A53560

RGB 165 53 96

HSL 336.96, 0.51%, 0.43%

LAB 40.23, 49.48, 0.35

 

CMYK 28 / 0 / 68 / 35

HEX #76A535

RGB 118 165 53

HSL 85.18, 0.51%, 0.43%

LAB 62.52, -33.49, 50.86

 

CMYK 68 / 0 / 26 / 35

HEX #35A57A

RGB 53 165 122

HSL 156.96, 0.51%, 0.43%

LAB 60.85, -41.8, 13.29

 

CMYK 38 / 67 / 0 / 35

HEX #6636A5

RGB 102 54 165

HSL 265.95, 0.51%, 0.43%

LAB 34.35, 44.41, -52.06

 

CMYK 0 / 68 / 62 / 35

HEX #A5353F

RGB 165 53 63

HSL 354.64, 0.51%, 0.43%

LAB 39.42, 46.58, 19.97

 

CMYK 28 / 0 / 68 / 35

HEX #76A535

RGB 118 165 53

HSL 85.18, 0.51%, 0.43%

LAB 62.52, -33.49, 50.86

 

CMYK 68 / 0 / 5 / 35

HEX #35A59C

RGB 53 165 156

HSL 175.18, 0.51%, 0.43%

LAB 61.71, -33.06, -4.51

 

Description

Color code: HEX #6636A5 | qconv.com Color code: HEX #6636A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 54 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 54 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 67 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 67% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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