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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6627E4 it is the complementary color #99D81B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6627E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6627E4 shade: #6B27DF, #7C39F2, #8D4BFF, #9E5DFF and #AF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6627E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6627E4 shade: #6627E4, #5515D1, #4403BE, #3300AB and #220098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6627E4 shade: #6425E4, #9825E4, #CB25E4, #E425C8 and #E42595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6627E4 shade: #6425E4, #3125E4 and #2525E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6627E4 shade matches the following richer shades: #6425E4 and #5E11F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6627E4 shade: #6425E4, #6B38D0, #714CBC, #7860A8 and #7F7494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6627E4 shade: #254BE4, #3125E4, #6425E4, #9725E4 and #CA25E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6627E4 shade: #4314A2, #5218C7, #6425E4, #7E49E8 and #986EED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6627E4 shade: #6627E4, #E4257E and #31E425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6627E4 shade: #6627E4, #E46425 and #25E464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6627E4 shade: #6627E4, #E4257E, #A4E425 and #25E48A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6627E4 shade: #6627E4, #E42544, #A4E425 and #25E4C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

Complementary color

CMYK 29 / 0 / 88 / 15

HEX #99D81B

RGB 153 216 27

HSL 80, 0.78%, 0.48%

LAB 79.59, -44.05, 75.06

 

CMYK 52 / 83 / 0 / 13

HEX #6B27DF

RGB 107 39 223

HSL 262.17, 0.74%, 0.51%

LAB 37.67, 66.59, -80.62

 

CMYK 49 / 76 / 0 / 5

HEX #7C39F2

RGB 124 57 242

HSL 261.73, 0.88%, 0.59%

LAB 43.69, 66.48, -81.45

 

CMYK 45 / 71 / 0 / 0

HEX #8D4BFF

RGB 141 75 255

HSL 262, 1%, 0.65%

LAB 49.39, 64.33, -79.3

 

CMYK 38 / 64 / 0 / 0

HEX #9E5DFF

RGB 158 93 255

HSL 264.07, 1%, 0.68%

LAB 54.36, 58.69, -71.14

 

CMYK 31 / 56 / 0 / 0

HEX #AF6FFF

RGB 175 111 255

HSL 266.67, 1%, 0.72%

LAB 59.62, 53.11, -62.57

 

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

CMYK 59 / 90 / 0 / 18

HEX #5515D1

RGB 85 21 209

HSL 260.43, 0.82%, 0.45%

LAB 31.97, 66.55, -82.05

 

CMYK 64 / 98 / 0 / 25

HEX #4403BE

RGB 68 3 190

HSL 260.86, 0.97%, 0.38%

LAB 26.77, 64.45, -79.59

 

CMYK 70 / 100 / 0 / 33

HEX #3300AB

RGB 51 0 171

HSL 257.89, 1%, 0.34%

LAB 22.46, 59.71, -75.45

 

CMYK 78 / 100 / 0 / 40

HEX #220098

RGB 34 0 152

HSL 253.42, 1%, 0.3%

LAB 18.4, 54.38, -70.66

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 33 / 84 / 0 / 11

HEX #9825E4

RGB 152 37 228

HSL 276.13, 0.78%, 0.52%

LAB 43.65, 74.03, -73.44

 

CMYK 11 / 84 / 0 / 11

HEX #CB25E4

RGB 203 37 228

HSL 292.15, 0.78%, 0.52%

LAB 51.41, 81.93, -60.5

 

CMYK 0 / 84 / 12 / 11

HEX #E425C8

RGB 228 37 200

HSL 308.8, 0.78%, 0.52%

LAB 54.01, 82.3, -40.11

 

CMYK 0 / 84 / 35 / 11

HEX #E42595

RGB 228 37 149

HSL 324.82, 0.78%, 0.52%

LAB 51.82, 76.27, -13.62

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 79 / 84 / 0 / 11

HEX #3125E4

RGB 49 37 228

HSL 243.77, 0.78%, 0.52%

LAB 33.09, 64.1, -91.23

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 62 / 93 / 0 / 3

HEX #5E11F7

RGB 94 17 247

HSL 260.09, 0.93%, 0.52%

LAB 36.92, 77.03, -95.54

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 49 / 73 / 0 / 18

HEX #6B38D0

RGB 107 56 208

HSL 260.13, 0.62%, 0.52%

LAB 38.74, 55.7, -70.23

 

CMYK 40 / 60 / 0 / 26

HEX #714CBC

RGB 113 76 188

HSL 259.82, 0.46%, 0.52%

LAB 41.71, 40.89, -53.75

 

CMYK 29 / 43 / 0 / 34

HEX #7860A8

RGB 120 96 168

HSL 260, 0.29%, 0.52%

LAB 45.89, 25.58, -35.3

 

CMYK 14 / 22 / 0 / 42

HEX #7F7494

RGB 127 116 148

HSL 260.63, 0.13%, 0.52%

LAB 50.85, 10.93, -15.8

 

CMYK 84 / 67 / 0 / 11

HEX #254BE4

RGB 37 75 228

HSL 228.06, 0.78%, 0.52%

LAB 39.63, 43.5, -80.42

 

CMYK 79 / 84 / 0 / 11

HEX #3125E4

RGB 49 37 228

HSL 243.77, 0.78%, 0.52%

LAB 33.09, 64.1, -91.23

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 34 / 84 / 0 / 11

HEX #9725E4

RGB 151 37 228

HSL 275.81, 0.78%, 0.52%

LAB 43.51, 73.89, -73.67

 

CMYK 11 / 84 / 0 / 11

HEX #CA25E4

RGB 202 37 228

HSL 291.83, 0.78%, 0.52%

LAB 51.25, 81.77, -60.77

 

CMYK 59 / 88 / 0 / 36

HEX #4314A2

RGB 67 20 162

HSL 259.86, 0.78%, 0.36%

LAB 24.65, 53.42, -66.31

 

CMYK 59 / 88 / 0 / 22

HEX #5218C7

RGB 82 24 199

HSL 259.89, 0.78%, 0.44%

LAB 30.81, 63.02, -78.15

 

CMYK 56 / 84 / 0 / 11

HEX #6425E4

RGB 100 37 228

HSL 259.79, 0.78%, 0.52%

LAB 37.18, 67.79, -84.32

 

CMYK 46 / 69 / 0 / 9

HEX #7E49E8

RGB 126 73 232

HSL 260, 0.78%, 0.6%

LAB 45.67, 56.88, -72.55

 

CMYK 36 / 54 / 0 / 7

HEX #986EED

RGB 152 110 237

HSL 259.84, 0.78%, 0.68%

LAB 56.03, 43.81, -58.48

 

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

CMYK 0 / 84 / 45 / 11

HEX #E4257E

RGB 228 37 126

HSL 332.04, 0.78%, 0.52%

LAB 51.06, 74.11, -0.92

 

CMYK 79 / 0 / 84 / 11

HEX #31E425

RGB 49 228 37

HSL 116.23, 0.78%, 0.52%

LAB 79.77, -74.87, 71.79

 

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

CMYK 0 / 56 / 84 / 11

HEX #E46425

RGB 228 100 37

HSL 19.79, 0.78%, 0.52%

LAB 57.79, 46.64, 56.7

 

CMYK 84 / 0 / 56 / 11

HEX #25E464

RGB 37 228 100

HSL 139.79, 0.78%, 0.52%

LAB 80.07, -70.63, 49.36

 

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

CMYK 0 / 84 / 45 / 11

HEX #E4257E

RGB 228 37 126

HSL 332.04, 0.78%, 0.52%

LAB 51.06, 74.11, -0.92

 

CMYK 28 / 0 / 84 / 11

HEX #A4E425

RGB 164 228 37

HSL 80.1, 0.78%, 0.52%

LAB 83.71, -44.81, 76.77

 

CMYK 84 / 0 / 39 / 11

HEX #25E48A

RGB 37 228 138

HSL 151.73, 0.78%, 0.52%

LAB 80.58, -64.54, 31.58

 

CMYK 55 / 83 / 0 / 11

HEX #6627E4

RGB 102 39 228

HSL 260, 0.78%, 0.52%

LAB 37.62, 67.3, -83.58

 

CMYK 0 / 84 / 70 / 11

HEX #E42544

RGB 228 37 68

HSL 350.26, 0.78%, 0.52%

LAB 49.78, 70.36, 32.49

 

CMYK 28 / 0 / 84 / 11

HEX #A4E425

RGB 164 228 37

HSL 80.1, 0.78%, 0.52%

LAB 83.71, -44.81, 76.77

 

CMYK 84 / 0 / 14 / 11

HEX #25E4C4

RGB 37 228 196

HSL 169.95, 0.78%, 0.52%

LAB 81.77, -51.55, 3.01

 

Description

Color code: HEX #6627E4 | qconv.com Color code: HEX #6627E4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 39 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 39 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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