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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6607CD it is the complementary color #99F832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6607CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6607CD shade: #6B07C8, #7C19DB, #8D2BEE, #9E3DFF and #AF4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6607CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6607CD shade: #6607CD, #5500BA, #4400A7, #330094 and #220081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6607CD shade: #6707CE, #9C07CE, #CE07CA, #CE0795 and #CE075F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6607CD shade: #6707CE, #3107CE and #0707CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6607CD shade matches the following richer shades: #6707CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6607CD shade: #6707CE, #6718BD, #682AAC, #693B9A and #694C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6607CD shade: #0714CE, #2F07CE, #6407CE, #9907CE and #CE07CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6607CD shade: #3F047F, #5306A6, #6707CE, #7A09F6 and #9031F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6607CD shade: #6607CD, #CE0749 and #07CE14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6607CD shade: #6607CD, #CE6407 and #07CE64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6607CD shade: #6607CD, #CE0749, #71CE07 and #07CE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6607CD shade: #6607CD, #CE070E, #71CE07 and #07CEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

Complementary color

CMYK 38 / 0 / 80 / 3

HEX #99F832

RGB 153 248 50

HSL 88.79, 0.93%, 0.58%

LAB 88.99, -56.36, 78.1

 

CMYK 47 / 97 / 0 / 22

HEX #6B07C8

RGB 107 7 200

HSL 271.09, 0.93%, 0.41%

LAB 32.81, 68.92, -75.33

 

CMYK 43 / 89 / 0 / 14

HEX #7C19DB

RGB 124 25 219

HSL 270.62, 0.8%, 0.48%

LAB 38.01, 71.59, -77.69

 

CMYK 41 / 82 / 0 / 7

HEX #8D2BEE

RGB 141 43 238

HSL 270.15, 0.85%, 0.55%

LAB 43.6, 72.92, -79.25

 

CMYK 38 / 76 / 0 / 0

HEX #9E3DFF

RGB 158 61 255

HSL 270, 1%, 0.62%

LAB 49.29, 72.9, -79.4

 

CMYK 31 / 69 / 0 / 0

HEX #AF4FFF

RGB 175 79 255

HSL 272.73, 1%, 0.65%

LAB 53.95, 68.53, -71.72

 

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

CMYK 54 / 100 / 0 / 27

HEX #5500BA

RGB 85 0 186

HSL 267.42, 1%, 0.36%

LAB 28.05, 65.13, -75.04

 

CMYK 59 / 100 / 0 / 35

HEX #4400A7

RGB 68 0 167

HSL 264.43, 1%, 0.33%

LAB 23.73, 59.62, -70.86

 

CMYK 66 / 100 / 0 / 42

HEX #330094

RGB 51 0 148

HSL 260.68, 1%, 0.29%

LAB 19.4, 54.07, -66.47

 

CMYK 74 / 100 / 0 / 49

HEX #220081

RGB 34 0 129

HSL 255.81, 1%, 0.25%

LAB 15.09, 48.5, -61.76

 

CMYK 50 / 97 / 0 / 19

HEX #6707CE

RGB 103 7 206

HSL 268.94, 0.93%, 0.42%

LAB 32.9, 69.88, -78.7

 

CMYK 24 / 97 / 0 / 19

HEX #9C07CE

RGB 156 7 206

HSL 284.92, 0.93%, 0.42%

LAB 40.7, 75.66, -65.61

 

CMYK 0 / 97 / 2 / 19

HEX #CE07CA

RGB 206 7 202

HSL 301.21, 0.93%, 0.42%

LAB 48.93, 82.52, -49.57

 

CMYK 0 / 97 / 28 / 19

HEX #CE0795

RGB 206 7 149

HSL 317.19, 0.93%, 0.42%

LAB 46.24, 75.75, -22.52

 

CMYK 0 / 97 / 54 / 19

HEX #CE075F

RGB 206 7 95

HSL 333.47, 0.93%, 0.42%

LAB 44.38, 70.84, 7.96

 

CMYK 50 / 97 / 0 / 19

HEX #6707CE

RGB 103 7 206

HSL 268.94, 0.93%, 0.42%

LAB 32.9, 69.88, -78.7

 

CMYK 76 / 97 / 0 / 19

HEX #3107CE

RGB 49 7 206

HSL 252.66, 0.93%, 0.42%

LAB 27.47, 66.8, -87.88

 

CMYK 97 / 97 / 0 / 19

HEX #0707CE

RGB 7 7 206

HSL 240, 0.93%, 0.42%

LAB 25.72, 66.05, -90.83

 

CMYK 50 / 97 / 0 / 19

HEX #6707CE

RGB 103 7 206

HSL 268.94, 0.93%, 0.42%

LAB 32.9, 69.88, -78.7

 

CMYK 50 / 97 / 0 / 19

HEX #6707CE

RGB 103 7 206

HSL 268.94, 0.93%, 0.42%

LAB 32.9, 69.88, -78.7

 

CMYK 46 / 87 / 0 / 26

HEX #6718BD

RGB 103 24 189

HSL 268.73, 0.77%, 0.42%

LAB 32.28, 62.72, -69.75

 

CMYK 40 / 76 / 0 / 33

HEX #682AAC

RGB 104 42 172

HSL 268.62, 0.61%, 0.42%

LAB 33.09, 52.37, -58.31

 

CMYK 32 / 62 / 0 / 40

HEX #693B9A

RGB 105 59 154

HSL 269.05, 0.45%, 0.42%

LAB 34.93, 39.54, -44.47

 

CMYK 23 / 45 / 0 / 46

HEX #694C89

RGB 105 76 137

HSL 268.52, 0.29%, 0.42%

LAB 37.8, 25.21, -29.56

 

CMYK 97 / 90 / 0 / 19

HEX #0714CE

RGB 7 20 206

HSL 236.08, 0.93%, 0.42%

LAB 26.74, 62.92, -89.14

 

CMYK 77 / 97 / 0 / 19

HEX #2F07CE

RGB 47 7 206

HSL 252.06, 0.93%, 0.42%

LAB 27.33, 66.74, -88.11

 

CMYK 51 / 97 / 0 / 19

HEX #6407CE

RGB 100 7 206

HSL 268.04, 0.93%, 0.42%

LAB 32.52, 69.63, -79.34

 

CMYK 26 / 97 / 0 / 19

HEX #9907CE

RGB 153 7 206

HSL 284.02, 0.93%, 0.42%

LAB 40.21, 75.27, -66.41

 

CMYK 0 / 97 / 0 / 19

HEX #CE07CE

RGB 206 7 206

HSL 300, 0.93%, 0.42%

LAB 49.17, 83.1, -51.5

 

CMYK 50 / 97 / 0 / 50

HEX #3F047F

RGB 63 4 127

HSL 268.78, 0.94%, 0.26%

LAB 18.7, 48.69, -54.4

 

CMYK 50 / 96 / 0 / 35

HEX #5306A6

RGB 83 6 166

HSL 268.88, 0.93%, 0.34%

LAB 25.93, 59.3, -66.56

 

CMYK 50 / 97 / 0 / 19

HEX #6707CE

RGB 103 7 206

HSL 268.94, 0.93%, 0.42%

LAB 32.9, 69.88, -78.7

 

CMYK 50 / 96 / 0 / 4

HEX #7A09F6

RGB 122 9 246

HSL 268.61, 0.93%, 0.5%

LAB 39.56, 79.85, -90.51

 

CMYK 42 / 80 / 0 / 3

HEX #9031F7

RGB 144 49 247

HSL 268.79, 0.93%, 0.58%

LAB 45.42, 73.38, -81.33

 

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

CMYK 0 / 97 / 65 / 19

HEX #CE0749

RGB 206 7 73

HSL 340.1, 0.93%, 0.42%

LAB 43.88, 69.49, 21.08

 

CMYK 97 / 0 / 90 / 19

HEX #07CE14

RGB 7 206 20

HSL 123.92, 0.93%, 0.42%

LAB 72.39, -72.66, 68.53

 

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

CMYK 0 / 51 / 97 / 19

HEX #CE6407

RGB 206 100 7

HSL 28.04, 0.93%, 0.42%

LAB 54.29, 37.63, 61.38

 

CMYK 97 / 0 / 51 / 19

HEX #07CE64

RGB 7 206 100

HSL 148.04, 0.93%, 0.42%

LAB 72.96, -65.43, 40.7

 

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

CMYK 0 / 97 / 65 / 19

HEX #CE0749

RGB 206 7 73

HSL 340.1, 0.93%, 0.42%

LAB 43.88, 69.49, 21.08

 

CMYK 45 / 0 / 97 / 19

HEX #71CE07

RGB 113 206 7

HSL 88.04, 0.93%, 0.42%

LAB 74.62, -54.29, 72.9

 

CMYK 97 / 0 / 32 / 19

HEX #07CE8C

RGB 7 206 140

HSL 160.1, 0.93%, 0.42%

LAB 73.6, -57.95, 21.11

 

CMYK 50 / 97 / 0 / 20

HEX #6607CD

RGB 102 7 205

HSL 268.79, 0.93%, 0.42%

LAB 32.67, 69.57, -78.51

 

CMYK 0 / 97 / 93 / 19

HEX #CE070E

RGB 206 7 14

HSL 357.89, 0.93%, 0.42%

LAB 43.22, 67.68, 52.77

 

CMYK 45 / 0 / 97 / 19

HEX #71CE07

RGB 113 206 7

HSL 88.04, 0.93%, 0.42%

LAB 74.62, -54.29, 72.9

 

CMYK 97 / 0 / 3 / 19

HEX #07CEC8

RGB 7 206 200

HSL 178.19, 0.93%, 0.42%

LAB 75.05, -42.52, -9.02

 

Description

Color code: HEX #6607CD | qconv.com Color code: HEX #6607CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 7 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 7 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 97 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 97% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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