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Color name
HEX #65FB6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65FB6D it is the complementary color #9A0492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65FB6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65FB6D shade: #6AFB68, #7BFF7B, #8CFF8E, #9DFFA1 and #AEFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65FB6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65FB6D shade: #65FB6D, #54E95A, #43D747, #32C534 and #21B321

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65FB6D shade: #64FB6C, #85FB64, #ADFB64, #D6FB64 and #FBF764

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65FB6D shade: #64FB6C, #64FB95, #64FBBD, #64FBE6 and #64E7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65FB6D shade matches the following richer shades: #64FB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65FB6D shade: #64FB6C, #71EE78, #7EE183, #8BD48F and #98C79A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65FB6D shade: #ADFB64, #85FB64, #64FB6C, #64FB94 and #64FBBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65FB6D shade: #14F820, #3CFA46, #64FB6C, #8DFC92 and #B5FDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65FB6D shade: #65FB6D, #64D5FB and #FB6499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65FB6D shade: #65FB6D, #6C64FB and #FB6C64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65FB6D shade: #65FB6D, #64D5FB, #FB64F3 and #FB8A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65FB6D shade: #65FB6D, #64A8FB, #FB64F3 and #FBB764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

Complementary color

CMYK 0 / 97 / 5 / 40

HEX #9A0492

RGB 154 4 146

HSL 303.2, 0.95%, 0.31%

LAB 36.05, 65.73, -37.39

 

CMYK 58 / 0 / 59 / 2

HEX #6AFB68

RGB 106 251 104

HSL 119.18, 0.95%, 0.7%

LAB 88.48, -66.67, 57.77

 

CMYK 52 / 0 / 52 / 0

HEX #7BFF7B

RGB 123 255 123

HSL 120, 1%, 0.74%

LAB 90.4, -61.81, 51.69

 

CMYK 45 / 0 / 44 / 0

HEX #8CFF8E

RGB 140 255 142

HSL 121.04, 1%, 0.77%

LAB 91.26, -54.8, 43.94

 

CMYK 38 / 0 / 37 / 0

HEX #9DFFA1

RGB 157 255 161

HSL 122.45, 1%, 0.81%

LAB 92.25, -47.18, 36.08

 

CMYK 32 / 0 / 29 / 0

HEX #AEFFB4

RGB 174 255 180

HSL 124.44, 1%, 0.84%

LAB 93.37, -39.07, 28.21

 

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

CMYK 64 / 0 / 61 / 9

HEX #54E95A

RGB 84 233 90

HSL 122.42, 0.77%, 0.62%

LAB 82.33, -66.67, 56.6

 

CMYK 69 / 0 / 67 / 16

HEX #43D747

RGB 67 215 71

HSL 121.62, 0.65%, 0.55%

LAB 76.22, -65.8, 57.59

 

CMYK 75 / 0 / 74 / 23

HEX #32C534

RGB 50 197 52

HSL 120.82, 0.6%, 0.48%

LAB 70.08, -64.48, 58.23

 

CMYK 82 / 0 / 82 / 30

HEX #21B321

RGB 33 179 33

HSL 120, 0.69%, 0.42%

LAB 63.9, -62.54, 58.21

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 47 / 0 / 60 / 2

HEX #85FB64

RGB 133 251 100

HSL 106.89, 0.95%, 0.69%

LAB 89.35, -60.18, 60.71

 

CMYK 31 / 0 / 60 / 2

HEX #ADFB64

RGB 173 251 100

HSL 90.99, 0.95%, 0.69%

LAB 91.14, -47.63, 63.22

 

CMYK 15 / 0 / 60 / 2

HEX #D6FB64

RGB 214 251 100

HSL 74.7, 0.95%, 0.69%

LAB 93.54, -32.71, 66.54

 

CMYK 0 / 2 / 60 / 2

HEX #FBF764

RGB 251 247 100

HSL 58.41, 0.95%, 0.69%

LAB 95.14, -16.31, 69.05

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 60 / 0 / 41 / 2

HEX #64FB95

RGB 100 251 149

HSL 139.47, 0.95%, 0.69%

LAB 88.86, -61.78, 37.19

 

CMYK 60 / 0 / 25 / 2

HEX #64FBBD

RGB 100 251 189

HSL 155.36, 0.95%, 0.69%

LAB 89.57, -54.29, 17.94

 

CMYK 60 / 0 / 8 / 2

HEX #64FBE6

RGB 100 251 230

HSL 171.66, 0.95%, 0.69%

LAB 90.51, -44.9, -1.91

 

CMYK 60 / 8 / 0 / 2

HEX #64E7FB

RGB 100 231 251

HSL 187.95, 0.95%, 0.69%

LAB 85.42, -30.19, -20.5

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 53 / 0 / 50 / 7

HEX #71EE78

RGB 113 238 120

HSL 123.36, 0.79%, 0.69%

LAB 85, -58.27, 46.42

 

CMYK 44 / 0 / 42 / 12

HEX #7EE183

RGB 126 225 131

HSL 123.03, 0.62%, 0.69%

LAB 81.8, -48.02, 37.11

 

CMYK 34 / 0 / 33 / 17

HEX #8BD48F

RGB 139 212 143

HSL 123.29, 0.46%, 0.69%

LAB 78.79, -36.55, 27.14

 

CMYK 24 / 0 / 23 / 22

HEX #98C79A

RGB 152 199 154

HSL 122.55, 0.3%, 0.69%

LAB 75.98, -24.27, 17.62

 

CMYK 31 / 0 / 60 / 2

HEX #ADFB64

RGB 173 251 100

HSL 90.99, 0.95%, 0.69%

LAB 91.14, -47.63, 63.22

 

CMYK 47 / 0 / 60 / 2

HEX #85FB64

RGB 133 251 100

HSL 106.89, 0.95%, 0.69%

LAB 89.35, -60.18, 60.71

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 60 / 0 / 41 / 2

HEX #64FB94

RGB 100 251 148

HSL 139.07, 0.95%, 0.69%

LAB 88.85, -61.95, 37.66

 

CMYK 60 / 0 / 25 / 2

HEX #64FBBC

RGB 100 251 188

HSL 154.97, 0.95%, 0.69%

LAB 89.55, -54.5, 18.43

 

CMYK 92 / 0 / 87 / 3

HEX #14F820

RGB 20 248 32

HSL 123.16, 0.94%, 0.53%

LAB 85.7, -83.02, 77.95

 

CMYK 76 / 0 / 72 / 2

HEX #3CFA46

RGB 60 250 70

HSL 123.16, 0.95%, 0.61%

LAB 86.89, -77.88, 69.06

 

CMYK 60 / 0 / 57 / 2

HEX #64FB6C

RGB 100 251 108

HSL 123.18, 0.95%, 0.69%

LAB 88.35, -67.54, 55.83

 

CMYK 44 / 0 / 42 / 1

HEX #8DFC92

RGB 141 252 146

HSL 122.7, 0.95%, 0.77%

LAB 90.49, -52.74, 41.03

 

CMYK 28 / 0 / 27 / 1

HEX #B5FDB9

RGB 181 253 185

HSL 123.33, 0.95%, 0.85%

LAB 93.27, -35.17, 25.6

 

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

CMYK 60 / 15 / 0 / 2

HEX #64D5FB

RGB 100 213 251

HSL 195.1, 0.95%, 0.69%

LAB 80.33, -21.33, -28.24

 

CMYK 0 / 60 / 39 / 2

HEX #FB6499

RGB 251 100 153

HSL 338.94, 0.95%, 0.69%

LAB 63.28, 62.15, 1.46

 

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

CMYK 57 / 60 / 0 / 2

HEX #6C64FB

RGB 108 100 251

HSL 243.18, 0.95%, 0.69%

LAB 51, 44.51, -74.59

 

CMYK 0 / 57 / 60 / 2

HEX #FB6C64

RGB 251 108 100

HSL 3.18, 0.95%, 0.69%

LAB 63.47, 54.09, 32

 

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

CMYK 60 / 15 / 0 / 2

HEX #64D5FB

RGB 100 213 251

HSL 195.1, 0.95%, 0.69%

LAB 80.33, -21.33, -28.24

 

CMYK 0 / 60 / 3 / 2

HEX #FB64F3

RGB 251 100 243

HSL 303.18, 0.95%, 0.69%

LAB 66.59, 74.15, -44.3

 

CMYK 0 / 45 / 60 / 2

HEX #FB8A64

RGB 251 138 100

HSL 15.1, 0.95%, 0.69%

LAB 69.19, 39.57, 39.17

 

CMYK 60 / 0 / 57 / 2

HEX #65FB6D

RGB 101 251 109

HSL 123.2, 0.95%, 0.69%

LAB 88.38, -67.21, 55.44

 

CMYK 60 / 33 / 0 / 2

HEX #64A8FB

RGB 100 168 251

HSL 212.98, 0.95%, 0.69%

LAB 67.78, 2.86, -47.73

 

CMYK 0 / 60 / 3 / 2

HEX #FB64F3

RGB 251 100 243

HSL 303.18, 0.95%, 0.69%

LAB 66.59, 74.15, -44.3

 

CMYK 0 / 27 / 60 / 2

HEX #FBB764

RGB 251 183 100

HSL 32.98, 0.95%, 0.69%

LAB 79.21, 16.17, 51.19

 

Description

Color code: HEX #65FB6D | qconv.com Color code: HEX #65FB6D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 251 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 251 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 57% 2% C M Y K

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Provide designers and agencies with accurate color values.

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