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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65ED99 it is the complementary color #9A1266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65ED99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65ED99 shade: #6AED94, #7BFFA7, #8CFFBA, #9DFFCD and #AEFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65ED99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65ED99 shade: #65ED99, #54DB86, #43C973, #32B760 and #21A54D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65ED99 shade: #63EC98, #63EC73, #79EC63, #9EEC63 and #C3EC63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65ED99 shade: #63EC98, #63ECBD, #63ECE2, #63D2EC and #63ADEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65ED99 shade matches the following richer shades: #63EC98 and #55FA94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65ED99 shade: #63EC98, #71DE9B, #7FD09E, #8DC2A2 and #9BB4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65ED99 shade: #7AEC63, #63EC71, #63EC96, #63ECBA and #63ECDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65ED99 shade: #1AE367, #3EE87F, #63EC98, #88F1B0 and #ADF5C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65ED99 shade: #65ED99, #639FEC and #EC6368

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65ED99 shade: #65ED99, #9663EC and #EC9663

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65ED99 shade: #65ED99, #639FEC, #EC63BA and #ECB163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65ED99 shade: #65ED99, #6376EC, #EC63BA and #ECDA63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

Complementary color

CMYK 0 / 88 / 34 / 40

HEX #9A1266

RGB 154 18 102

HSL 322.94, 0.79%, 0.34%

LAB 34.52, 57.97, -12.19

 

CMYK 55 / 0 / 38 / 7

HEX #6AED94

RGB 106 237 148

HSL 139.24, 0.78%, 0.67%

LAB 84.88, -55.28, 32.48

 

CMYK 52 / 0 / 35 / 0

HEX #7BFFA7

RGB 123 255 167

HSL 140, 1%, 0.74%

LAB 91.02, -55.24, 31.21

 

CMYK 45 / 0 / 27 / 0

HEX #8CFFBA

RGB 140 255 186

HSL 144, 1%, 0.77%

LAB 91.97, -47.63, 23.02

 

CMYK 38 / 0 / 20 / 0

HEX #9DFFCD

RGB 157 255 205

HSL 149.39, 1%, 0.81%

LAB 93.06, -39.53, 14.92

 

CMYK 32 / 0 / 12 / 0

HEX #AEFFE0

RGB 174 255 224

HSL 157.04, 1%, 0.84%

LAB 94.27, -31.04, 6.99

 

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

CMYK 62 / 0 / 39 / 14

HEX #54DB86

RGB 84 219 134

HSL 142.22, 0.65%, 0.59%

LAB 78.62, -55.39, 31.18

 

CMYK 67 / 0 / 43 / 21

HEX #43C973

RGB 67 201 115

HSL 141.49, 0.55%, 0.53%

LAB 72.36, -55.08, 32.61

 

CMYK 73 / 0 / 48 / 28

HEX #32B760

RGB 50 183 96

HSL 140.75, 0.57%, 0.46%

LAB 66.05, -54.5, 34.15

 

CMYK 80 / 0 / 53 / 35

HEX #21A54D

RGB 33 165 77

HSL 140, 0.67%, 0.39%

LAB 59.68, -53.5, 35.76

 

CMYK 58 / 0 / 36 / 7

HEX #63EC98

RGB 99 236 152

HSL 143.21, 0.78%, 0.66%

LAB 84.44, -55.72, 29.83

 

CMYK 58 / 0 / 51 / 7

HEX #63EC73

RGB 99 236 115

HSL 127.01, 0.78%, 0.66%

LAB 83.9, -61.52, 47.32

 

CMYK 49 / 0 / 58 / 7

HEX #79EC63

RGB 121 236 99

HSL 110.36, 0.78%, 0.66%

LAB 84.46, -57.91, 55.45

 

CMYK 33 / 0 / 58 / 7

HEX #9EEC63

RGB 158 236 99

HSL 94.16, 0.78%, 0.66%

LAB 86.09, -46.48, 57.74

 

CMYK 17 / 0 / 58 / 7

HEX #C3EC63

RGB 195 236 99

HSL 77.96, 0.78%, 0.66%

LAB 88.21, -33.13, 60.71

 

CMYK 58 / 0 / 36 / 7

HEX #63EC98

RGB 99 236 152

HSL 143.21, 0.78%, 0.66%

LAB 84.44, -55.72, 29.83

 

CMYK 58 / 0 / 20 / 7

HEX #63ECBD

RGB 99 236 189

HSL 159.42, 0.78%, 0.66%

LAB 85.16, -48.28, 11.72

 

CMYK 58 / 0 / 4 / 7

HEX #63ECE2

RGB 99 236 226

HSL 175.62, 0.78%, 0.66%

LAB 86.07, -39.41, -6.36

 

CMYK 58 / 11 / 0 / 7

HEX #63D2EC

RGB 99 210 236

HSL 191.39, 0.78%, 0.66%

LAB 78.93, -24.34, -22.38

 

CMYK 58 / 27 / 0 / 7

HEX #63ADEC

RGB 99 173 236

HSL 207.59, 0.78%, 0.66%

LAB 68.46, -4.88, -38.5

 

CMYK 58 / 0 / 36 / 7

HEX #63EC98

RGB 99 236 152

HSL 143.21, 0.78%, 0.66%

LAB 84.44, -55.72, 29.83

 

CMYK 66 / 0 / 41 / 2

HEX #55FA94

RGB 85 250 148

HSL 142.91, 0.94%, 0.66%

LAB 88.18, -64.39, 36.72

 

CMYK 58 / 0 / 36 / 7

HEX #63EC98

RGB 99 236 152

HSL 143.21, 0.78%, 0.66%

LAB 84.44, -55.72, 29.83

 

CMYK 49 / 0 / 30 / 13

HEX #71DE9B

RGB 113 222 155

HSL 143.12, 0.62%, 0.66%

LAB 80.81, -46.2, 23.45

 

CMYK 39 / 0 / 24 / 18

HEX #7FD09E

RGB 127 208 158

HSL 142.96, 0.46%, 0.66%

LAB 77.34, -35.66, 17.18

 

CMYK 27 / 0 / 16 / 24

HEX #8DC2A2

RGB 141 194 162

HSL 143.77, 0.3%, 0.66%

LAB 74.1, -23.93, 10.58

 

CMYK 14 / 0 / 8 / 29

HEX #9BB4A5

RGB 155 180 165

HSL 144, 0.14%, 0.66%

LAB 71.1, -11.55, 4.77

 

CMYK 48 / 0 / 58 / 7

HEX #7AEC63

RGB 122 236 99

HSL 109.93, 0.78%, 0.66%

LAB 84.5, -57.64, 55.5

 

CMYK 58 / 0 / 52 / 7

HEX #63EC71

RGB 99 236 113

HSL 126.13, 0.78%, 0.66%

LAB 83.88, -61.78, 48.23

 

CMYK 58 / 0 / 36 / 7

HEX #63EC96

RGB 99 236 150

HSL 142.34, 0.78%, 0.66%

LAB 84.4, -56.08, 30.8

 

CMYK 58 / 0 / 21 / 7

HEX #63ECBA

RGB 99 236 186

HSL 158.1, 0.78%, 0.66%

LAB 85.09, -48.94, 13.19

 

CMYK 58 / 0 / 6 / 7

HEX #63ECDF

RGB 99 236 223

HSL 174.31, 0.78%, 0.66%

LAB 85.99, -40.18, -4.91

 

CMYK 89 / 0 / 55 / 11

HEX #1AE367

RGB 26 227 103

HSL 142.99, 0.79%, 0.5%

LAB 79.69, -70.74, 47.51

 

CMYK 73 / 0 / 45 / 9

HEX #3EE87F

RGB 62 232 127

HSL 142.94, 0.79%, 0.58%

LAB 81.98, -65.08, 38.96

 

CMYK 58 / 0 / 36 / 7

HEX #63EC98

RGB 99 236 152

HSL 143.21, 0.78%, 0.66%

LAB 84.44, -55.72, 29.83

 

CMYK 44 / 0 / 27 / 5

HEX #88F1B0

RGB 136 241 176

HSL 142.86, 0.79%, 0.74%

LAB 87.62, -44.51, 22.1

 

CMYK 29 / 0 / 18 / 4

HEX #ADF5C9

RGB 173 245 201

HSL 143.33, 0.78%, 0.82%

LAB 90.96, -31.12, 14.13

 

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

CMYK 58 / 33 / 0 / 7

HEX #639FEC

RGB 99 159 236

HSL 213.72, 0.78%, 0.66%

LAB 64.57, 3.02, -44.59

 

CMYK 0 / 58 / 56 / 7

HEX #EC6368

RGB 236 99 104

HSL 357.81, 0.78%, 0.66%

LAB 59.67, 53.33, 24.34

 

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

CMYK 36 / 58 / 0 / 7

HEX #9663EC

RGB 150 99 236

HSL 262.34, 0.78%, 0.66%

LAB 53.45, 49.12, -62.07

 

CMYK 0 / 36 / 58 / 7

HEX #EC9663

RGB 236 150 99

HSL 22.34, 0.78%, 0.66%

LAB 69.86, 27.41, 40.09

 

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

CMYK 58 / 33 / 0 / 7

HEX #639FEC

RGB 99 159 236

HSL 213.72, 0.78%, 0.66%

LAB 64.57, 3.02, -44.59

 

CMYK 0 / 58 / 21 / 7

HEX #EC63BA

RGB 236 99 186

HSL 321.9, 0.78%, 0.66%

LAB 61.91, 62.11, -19.74

 

CMYK 0 / 25 / 58 / 7

HEX #ECB163

RGB 236 177 99

HSL 34.16, 0.78%, 0.66%

LAB 76.18, 13.1, 47.72

 

CMYK 57 / 0 / 35 / 7

HEX #65ED99

RGB 101 237 153

HSL 142.94, 0.79%, 0.66%

LAB 84.81, -55.51, 29.83

 

CMYK 58 / 50 / 0 / 7

HEX #6376EC

RGB 99 118 236

HSL 231.68, 0.78%, 0.66%

LAB 53.67, 27.42, -61.94

 

CMYK 0 / 58 / 21 / 7

HEX #EC63BA

RGB 236 99 186

HSL 321.9, 0.78%, 0.66%

LAB 61.91, 62.11, -19.74

 

CMYK 0 / 8 / 58 / 7

HEX #ECDA63

RGB 236 218 99

HSL 52.12, 0.78%, 0.66%

LAB 86.44, -8.13, 59.56

 

Description

Color code: HEX #65ED99 | qconv.com Color code: HEX #65ED99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 237 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 237 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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