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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65EBAE it is the complementary color #9A1451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65EBAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65EBAE shade: #6AEBA9, #7BFDBC, #8CFFCF, #9DFFE2 and #AEFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65EBAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65EBAE shade: #65EBAE, #54D99B, #43C788, #32B575 and #21A362

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65EBAE shade: #65EBAE, #65EB8A, #65EB66, #88EB65 and #ACEB65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65EBAE shade: #65EBAE, #65EBD2, #65DFEB, #65BBEB and #6597EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65EBAE shade matches the following richer shades: #65EBAE and #57F9AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65EBAE shade: #65EBAE, #73DDAD, #81CFAB, #8FC0AA and #9DB2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65EBAE shade: #65EB65, #65EB89, #65EBAC, #65EBD0 and #65E2EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65EBAE shade: #1DE087, #41E69B, #65EBAE, #8AEFC1 and #AEF4D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65EBAE shade: #65EBAE, #6589EB and #EB7765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65EBAE shade: #65EBAE, #AC65EB and #EBAC65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65EBAE shade: #65EBAE, #6589EB, #EB65A3 and #EBC765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65EBAE shade: #65EBAE, #6965EB, #EB65A3 and #E6EB65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

Complementary color

CMYK 0 / 87 / 47 / 40

HEX #9A1451

RGB 154 20 81

HSL 332.69, 0.77%, 0.34%

LAB 33.91, 55.45, 0.48

 

CMYK 55 / 0 / 28 / 8

HEX #6AEBA9

RGB 106 235 169

HSL 149.3, 0.76%, 0.67%

LAB 84.66, -50.6, 21.45

 

CMYK 51 / 0 / 26 / 1

HEX #7BFDBC

RGB 123 253 188

HSL 150, 0.97%, 0.74%

LAB 90.82, -50.53, 20.31

 

CMYK 45 / 0 / 19 / 0

HEX #8CFFCF

RGB 140 255 207

HSL 154.96, 1%, 0.77%

LAB 92.4, -43.53, 12.87

 

CMYK 38 / 0 / 11 / 0

HEX #9DFFE2

RGB 157 255 226

HSL 162.24, 1%, 0.81%

LAB 93.53, -35.25, 4.79

 

CMYK 32 / 0 / 4 / 0

HEX #AEFFF5

RGB 174 255 245

HSL 172.59, 1%, 0.84%

LAB 94.79, -26.64, -3.09

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 61 / 0 / 29 / 15

HEX #54D99B

RGB 84 217 155

HSL 152.03, 0.64%, 0.59%

LAB 78.39, -50.58, 19.98

 

CMYK 66 / 0 / 32 / 22

HEX #43C788

RGB 67 199 136

HSL 151.36, 0.54%, 0.52%

LAB 72.11, -50.35, 21.31

 

CMYK 72 / 0 / 35 / 29

HEX #32B575

RGB 50 181 117

HSL 150.69, 0.57%, 0.45%

LAB 65.76, -49.89, 22.76

 

CMYK 80 / 0 / 40 / 36

HEX #21A362

RGB 33 163 98

HSL 150, 0.66%, 0.38%

LAB 59.34, -49.08, 24.35

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 57 / 0 / 41 / 8

HEX #65EB8A

RGB 101 235 138

HSL 136.57, 0.77%, 0.66%

LAB 83.98, -57.29, 36.27

 

CMYK 57 / 0 / 57 / 8

HEX #65EB66

RGB 101 235 102

HSL 120.45, 0.77%, 0.66%

LAB 83.52, -62.32, 52.85

 

CMYK 42 / 0 / 57 / 8

HEX #88EB65

RGB 136 235 101

HSL 104.33, 0.77%, 0.66%

LAB 84.79, -52.95, 55.1

 

CMYK 27 / 0 / 57 / 8

HEX #ACEB65

RGB 172 235 101

HSL 88.21, 0.77%, 0.66%

LAB 86.57, -40.99, 57.61

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 57 / 0 / 11 / 8

HEX #65EBD2

RGB 101 235 210

HSL 168.81, 0.77%, 0.66%

LAB 85.42, -42.59, 1.1

 

CMYK 57 / 5 / 0 / 8

HEX #65DFEB

RGB 101 223 235

HSL 185.37, 0.77%, 0.66%

LAB 82.67, -30.61, -16.19

 

CMYK 57 / 20 / 0 / 8

HEX #65BBEB

RGB 101 187 235

HSL 201.49, 0.77%, 0.66%

LAB 72.43, -12.4, -31.79

 

CMYK 57 / 36 / 0 / 8

HEX #6597EB

RGB 101 151 235

HSL 217.61, 0.77%, 0.66%

LAB 62.42, 7.73, -47.42

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 65 / 0 / 30 / 2

HEX #57F9AF

RGB 87 249 175

HSL 152.59, 0.93%, 0.66%

LAB 88.39, -58.68, 23.42

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 48 / 0 / 22 / 13

HEX #73DDAD

RGB 115 221 173

HSL 152.83, 0.61%, 0.66%

LAB 80.95, -41.72, 14.23

 

CMYK 38 / 0 / 17 / 19

HEX #81CFAB

RGB 129 207 171

HSL 152.31, 0.45%, 0.66%

LAB 77.42, -32.03, 10.38

 

CMYK 26 / 0 / 11 / 25

HEX #8FC0AA

RGB 143 192 170

HSL 153.06, 0.28%, 0.66%

LAB 73.83, -20.7, 5.88

 

CMYK 12 / 0 / 5 / 30

HEX #9DB2A9

RGB 157 178 169

HSL 154.29, 0.12%, 0.66%

LAB 70.78, -9.03, 2.14

 

CMYK 57 / 0 / 57 / 8

HEX #65EB65

RGB 101 235 101

HSL 120, 0.77%, 0.66%

LAB 83.51, -62.44, 53.28

 

CMYK 57 / 0 / 42 / 8

HEX #65EB89

RGB 101 235 137

HSL 136.12, 0.77%, 0.66%

LAB 83.96, -57.45, 36.75

 

CMYK 57 / 0 / 27 / 8

HEX #65EBAC

RGB 101 235 172

HSL 151.79, 0.77%, 0.66%

LAB 84.57, -51.07, 19.75

 

CMYK 57 / 0 / 11 / 8

HEX #65EBD0

RGB 101 235 208

HSL 167.91, 0.77%, 0.66%

LAB 85.37, -43.08, 2.08

 

CMYK 57 / 4 / 0 / 8

HEX #65E2EB

RGB 101 226 235

HSL 184.03, 0.77%, 0.66%

LAB 83.53, -32.04, -14.9

 

CMYK 87 / 0 / 40 / 12

HEX #1DE087

RGB 29 224 135

HSL 152.62, 0.77%, 0.5%

LAB 79.23, -64.31, 31.3

 

CMYK 72 / 0 / 33 / 10

HEX #41E69B

RGB 65 230 155

HSL 152.73, 0.77%, 0.58%

LAB 81.88, -58.84, 24.71

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 42 / 0 / 19 / 6

HEX #8AEFC1

RGB 138 239 193

HSL 152.67, 0.76%, 0.74%

LAB 87.48, -39.8, 13.12

 

CMYK 29 / 0 / 13 / 4

HEX #AEF4D4

RGB 174 244 212

HSL 152.57, 0.76%, 0.82%

LAB 90.99, -28.24, 8.48

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 57 / 42 / 0 / 8

HEX #6589EB

RGB 101 137 235

HSL 223.88, 0.77%, 0.66%

LAB 58.65, 16.01, -53.39

 

CMYK 0 / 49 / 57 / 8

HEX #EB7765

RGB 235 119 101

HSL 8.06, 0.77%, 0.66%

LAB 63.17, 43.19, 30.59

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 27 / 57 / 0 / 8

HEX #AC65EB

RGB 172 101 235

HSL 271.79, 0.77%, 0.66%

LAB 56.16, 52.92, -57.03

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC65

RGB 235 172 101

HSL 31.79, 0.77%, 0.66%

LAB 74.89, 15.48, 45.16

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 57 / 42 / 0 / 8

HEX #6589EB

RGB 101 137 235

HSL 223.88, 0.77%, 0.66%

LAB 58.65, 16.01, -53.39

 

CMYK 0 / 57 / 31 / 8

HEX #EB65A3

RGB 235 101 163

HSL 332.24, 0.77%, 0.66%

LAB 61.32, 57.93, -7.46

 

CMYK 0 / 15 / 57 / 8

HEX #EBC765

RGB 235 199 101

HSL 43.88, 0.77%, 0.66%

LAB 81.54, 1.31, 53.02

 

CMYK 57 / 0 / 26 / 8

HEX #65EBAE

RGB 101 235 174

HSL 152.69, 0.77%, 0.66%

LAB 84.61, -50.66, 18.76

 

CMYK 55 / 57 / 0 / 8

HEX #6965EB

RGB 105 101 235

HSL 241.79, 0.77%, 0.66%

LAB 49.87, 38.46, -67.5

 

CMYK 0 / 57 / 31 / 8

HEX #EB65A3

RGB 235 101 163

HSL 332.24, 0.77%, 0.66%

LAB 61.32, 57.93, -7.46

 

CMYK 2 / 0 / 57 / 8

HEX #E6EB65

RGB 230 235 101

HSL 62.24, 0.77%, 0.66%

LAB 90.4, -18.82, 62.98

 

Description

Color code: HEX #65EBAE | qconv.com Color code: HEX #65EBAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 235 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 235 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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