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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65E167 it is the complementary color #9A1E98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65E167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65E167 shade: #6AE162, #7BF375, #8CFF88, #9DFF9B and #AEFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65E167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65E167 shade: #65E167, #54CF54, #43BD41, #32AB2E and #21991B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65E167 shade: #65E067, #84E065, #A6E065, #C7E065 and #E0D965

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65E167 shade: #65E067, #65E088, #65E0AA, #65E0CB and #65D5E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65E167 shade matches the following richer shades: #65E067, #56EF59 and #47FE4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65E167 shade: #65E067, #74D176, #83C284, #92B492 and #A1A5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65E167 shade: #A7E065, #86E065, #65E065, #65E086 and #65E0A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65E167 shade: #28CB2A, #43D945, #65E067, #88E789 and #AAEEAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65E167 shade: #65E167, #65C8E0 and #E06596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65E167 shade: #65E167, #6565E0 and #E06565

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65E167 shade: #65E167, #65C8E0, #E065E0 and #E07E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65E167 shade: #65E167, #65A3E0, #E065E0 and #E0A365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

Complementary color

CMYK 0 / 81 / 1 / 40

HEX #9A1E98

RGB 154 30 152

HSL 300.97, 0.67%, 0.36%

LAB 37.96, 62.1, -38

 

CMYK 53 / 0 / 56 / 12

HEX #6AE162

RGB 106 225 98

HSL 116.22, 0.68%, 0.63%

LAB 80.63, -57.86, 51.29

 

CMYK 49 / 0 / 52 / 5

HEX #7BF375

RGB 123 243 117

HSL 117.14, 0.84%, 0.71%

LAB 86.8, -57.99, 50.1

 

CMYK 45 / 0 / 47 / 0

HEX #8CFF88

RGB 140 255 136

HSL 117.98, 1%, 0.77%

LAB 91.18, -55.62, 46.71

 

CMYK 38 / 0 / 39 / 0

HEX #9DFF9B

RGB 157 255 155

HSL 118.8, 1%, 0.8%

LAB 92.16, -48.07, 38.92

 

CMYK 32 / 0 / 32 / 0

HEX #AEFFAE

RGB 174 255 174

HSL 120, 1%, 0.84%

LAB 93.27, -40.02, 31.09

 

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

CMYK 59 / 0 / 59 / 19

HEX #54CF54

RGB 84 207 84

HSL 120, 0.56%, 0.57%

LAB 74.29, -58.19, 50.05

 

CMYK 65 / 0 / 66 / 26

HEX #43BD41

RGB 67 189 65

HSL 119.03, 0.49%, 0.5%

LAB 68, -57.57, 51.12

 

CMYK 71 / 0 / 73 / 33

HEX #32AB2E

RGB 50 171 46

HSL 118.08, 0.58%, 0.43%

LAB 61.66, -56.52, 51.86

 

CMYK 78 / 0 / 82 / 40

HEX #21991B

RGB 33 153 27

HSL 117.14, 0.7%, 0.35%

LAB 55.26, -54.83, 51.88

 

CMYK 55 / 0 / 54 / 12

HEX #65E067

RGB 101 224 103

HSL 120.98, 0.66%, 0.64%

LAB 80.21, -58.14, 48.47

 

CMYK 41 / 0 / 55 / 12

HEX #84E065

RGB 132 224 101

HSL 104.88, 0.66%, 0.64%

LAB 81.38, -49.71, 51.07

 

CMYK 26 / 0 / 55 / 12

HEX #A6E065

RGB 166 224 101

HSL 88.29, 0.66%, 0.64%

LAB 83.1, -38.25, 53.53

 

CMYK 11 / 0 / 55 / 12

HEX #C7E065

RGB 199 224 101

HSL 72.2, 0.66%, 0.64%

LAB 85.2, -25.8, 56.49

 

CMYK 0 / 3 / 55 / 12

HEX #E0D965

RGB 224 217 101

HSL 56.59, 0.66%, 0.64%

LAB 85.21, -12.37, 56.99

 

CMYK 55 / 0 / 54 / 12

HEX #65E067

RGB 101 224 103

HSL 120.98, 0.66%, 0.64%

LAB 80.21, -58.14, 48.47

 

CMYK 55 / 0 / 39 / 12

HEX #65E088

RGB 101 224 136

HSL 137.07, 0.66%, 0.64%

LAB 80.66, -53.31, 32.94

 

CMYK 55 / 0 / 24 / 12

HEX #65E0AA

RGB 101 224 170

HSL 153.66, 0.66%, 0.64%

LAB 81.28, -46.89, 16.21

 

CMYK 55 / 0 / 9 / 12

HEX #65E0CB

RGB 101 224 203

HSL 169.76, 0.66%, 0.64%

LAB 82.05, -39.38, -0.13

 

CMYK 55 / 5 / 0 / 12

HEX #65D5E0

RGB 101 213 224

HSL 185.37, 0.66%, 0.64%

LAB 79.46, -28.79, -15.15

 

CMYK 55 / 0 / 54 / 12

HEX #65E067

RGB 101 224 103

HSL 120.98, 0.66%, 0.64%

LAB 80.21, -58.14, 48.47

 

CMYK 64 / 0 / 63 / 6

HEX #56EF59

RGB 86 239 89

HSL 121.18, 0.83%, 0.64%

LAB 84.19, -68.4, 59.12

 

CMYK 72 / 0 / 71 / 0

HEX #47FE4A

RGB 71 254 74

HSL 120.98, 0.99%, 0.64%

LAB 88.31, -77.2, 69.19

 

CMYK 55 / 0 / 54 / 12

HEX #65E067

RGB 101 224 103

HSL 120.98, 0.66%, 0.64%

LAB 80.21, -58.14, 48.47

 

CMYK 44 / 0 / 44 / 18

HEX #74D176

RGB 116 209 118

HSL 121.29, 0.5%, 0.64%

LAB 76.45, -46.1, 36.67

 

CMYK 32 / 0 / 32 / 24

HEX #83C284

RGB 131 194 132

HSL 120.95, 0.34%, 0.64%

LAB 72.94, -32.6, 24.96

 

CMYK 19 / 0 / 19 / 29

HEX #92B492

RGB 146 180 146

HSL 120, 0.18%, 0.64%

LAB 70.06, -18.22, 13.6

 

CMYK 2 / 0 / 2 / 35

HEX #A1A5A1

RGB 161 165 161

HSL 120, 0.02%, 0.64%

LAB 67.32, -2.18, 1.56

 

CMYK 25 / 0 / 55 / 12

HEX #A7E065

RGB 167 224 101

HSL 87.8, 0.66%, 0.64%

LAB 83.16, -37.89, 53.61

 

CMYK 40 / 0 / 55 / 12

HEX #86E065

RGB 134 224 101

HSL 103.9, 0.66%, 0.64%

LAB 81.47, -49.09, 51.2

 

CMYK 55 / 0 / 55 / 12

HEX #65E065

RGB 101 224 101

HSL 120, 0.66%, 0.64%

LAB 80.19, -58.39, 49.37

 

CMYK 55 / 0 / 40 / 12

HEX #65E086

RGB 101 224 134

HSL 136.1, 0.66%, 0.64%

LAB 80.63, -53.65, 33.91

 

CMYK 55 / 0 / 25 / 12

HEX #65E0A7

RGB 101 224 167

HSL 152.2, 0.66%, 0.64%

LAB 81.22, -47.51, 17.69

 

CMYK 80 / 0 / 79 / 20

HEX #28CB2A

RGB 40 203 42

HSL 120.74, 0.67%, 0.48%

LAB 71.78, -68.37, 63.07

 

CMYK 69 / 0 / 68 / 15

HEX #43D945

RGB 67 217 69

HSL 120.8, 0.66%, 0.56%

LAB 76.83, -66.64, 59.02

 

CMYK 55 / 0 / 54 / 12

HEX #65E067

RGB 101 224 103

HSL 120.98, 0.66%, 0.64%

LAB 80.21, -58.14, 48.47

 

CMYK 41 / 0 / 41 / 9

HEX #88E789

RGB 136 231 137

HSL 120.63, 0.66%, 0.72%

LAB 84.07, -46.75, 37.14

 

CMYK 29 / 0 / 28 / 7

HEX #AAEEAB

RGB 170 238 171

HSL 120.88, 0.67%, 0.8%

LAB 88.27, -34.06, 25.82

 

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

CMYK 55 / 11 / 0 / 12

HEX #65C8E0

RGB 101 200 224

HSL 191.71, 0.66%, 0.64%

LAB 75.73, -22.36, -20.78

 

CMYK 0 / 55 / 33 / 12

HEX #E06596

RGB 224 101 150

HSL 336.1, 0.66%, 0.64%

LAB 59.3, 52.9, -3.11

 

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

CMYK 55 / 55 / 0 / 12

HEX #6565E0

RGB 101 101 224

HSL 240, 0.66%, 0.64%

LAB 48.83, 34.27, -62.99

 

CMYK 0 / 55 / 55 / 12

HEX #E06565

RGB 224 101 101

HSL 0, 0.66%, 0.64%

LAB 58.13, 48, 23.69

 

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

CMYK 55 / 11 / 0 / 12

HEX #65C8E0

RGB 101 200 224

HSL 191.71, 0.66%, 0.64%

LAB 75.73, -22.36, -20.78

 

CMYK 0 / 55 / 0 / 12

HEX #E065E0

RGB 224 101 224

HSL 300, 0.66%, 0.64%

LAB 62.11, 63.81, -41.03

 

CMYK 0 / 44 / 55 / 12

HEX #E07E65

RGB 224 126 101

HSL 12.2, 0.66%, 0.64%

LAB 63.1, 35.45, 30.2

 

CMYK 55 / 0 / 54 / 12

HEX #65E167

RGB 101 225 103

HSL 120.97, 0.67%, 0.64%

LAB 80.51, -58.51, 48.83

 

CMYK 55 / 27 / 0 / 12

HEX #65A3E0

RGB 101 163 224

HSL 209.76, 0.66%, 0.64%

LAB 65.23, -2.61, -36.94

 

CMYK 0 / 55 / 0 / 12

HEX #E065E0

RGB 224 101 224

HSL 300, 0.66%, 0.64%

LAB 62.11, 63.81, -41.03

 

CMYK 0 / 27 / 55 / 12

HEX #E0A365

RGB 224 163 101

HSL 30.24, 0.66%, 0.64%

LAB 71.54, 15.76, 40.82

 

Description

Color code: HEX #65E167 | qconv.com Color code: HEX #65E167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 225 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 225 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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