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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65E589 it is the complementary color #9A1A76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65E589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65E589 shade: #6AE584, #7BF797, #8CFFAA, #9DFFBD and #AEFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65E589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65E589 shade: #65E589, #54D376, #43C163, #32AF50 and #219D3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65E589 shade: #66E58A, #66E567, #87E566, #A9E566 and #CBE566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65E589 shade: #66E58A, #66E5AC, #66E5CE, #66D9E5 and #66B7E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65E589 shade matches the following richer shades: #66E58A and #57F383

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65E589 shade: #66E58A, #74D690, #83C896, #91B99C and #A0ABA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65E589 shade: #88E566, #66E566, #66E588, #66E5A9 and #66E5CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65E589 shade: #24D455, #43DF6F, #66E58A, #89EBA5 and #ACF1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65E589 shade: #65E589, #66A9E5 and #E56677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65E589 shade: #65E589, #8866E5 and #E58866

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65E589 shade: #65E589, #66A9E5, #E566C3 and #E5A166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65E589 shade: #65E589, #6683E5, #E566C3 and #E5C766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

Complementary color

CMYK 0 / 83 / 23 / 40

HEX #9A1A76

RGB 154 26 118

HSL 316.88, 0.71%, 0.35%

LAB 35.82, 58.15, -20.35

 

CMYK 54 / 0 / 42 / 10

HEX #6AE584

RGB 106 229 132

HSL 132.68, 0.7%, 0.66%

LAB 82.25, -54.75, 37.06

 

CMYK 50 / 0 / 39 / 3

HEX #7BF797

RGB 123 247 151

HSL 133.55, 0.89%, 0.73%

LAB 88.43, -54.71, 35.77

 

CMYK 45 / 0 / 33 / 0

HEX #8CFFAA

RGB 140 255 170

HSL 135.65, 1%, 0.77%

LAB 91.68, -50.47, 30.71

 

CMYK 38 / 0 / 26 / 0

HEX #9DFFBD

RGB 157 255 189

HSL 139.59, 1%, 0.81%

LAB 92.73, -42.52, 22.65

 

CMYK 32 / 0 / 18 / 0

HEX #AEFFD0

RGB 174 255 208

HSL 145.19, 1%, 0.84%

LAB 93.91, -34.16, 14.71

 

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

CMYK 60 / 0 / 44 / 17

HEX #54D376

RGB 84 211 118

HSL 136.06, 0.59%, 0.58%

LAB 75.93, -55.01, 35.79

 

CMYK 65 / 0 / 49 / 24

HEX #43C163

RGB 67 193 99

HSL 135.24, 0.5%, 0.51%

LAB 69.64, -54.69, 37.23

 

CMYK 71 / 0 / 54 / 31

HEX #32AF50

RGB 50 175 80

HSL 134.4, 0.56%, 0.44%

LAB 63.27, -54.07, 38.71

 

CMYK 79 / 0 / 61 / 38

HEX #219D3D

RGB 33 157 61

HSL 133.55, 0.65%, 0.37%

LAB 56.85, -52.98, 40.19

 

CMYK 55 / 0 / 40 / 10

HEX #66E58A

RGB 102 229 138

HSL 137.01, 0.71%, 0.65%

LAB 82.22, -54.73, 33.98

 

CMYK 55 / 0 / 55 / 10

HEX #66E567

RGB 102 229 103

HSL 120.47, 0.71%, 0.65%

LAB 81.75, -59.76, 50.32

 

CMYK 41 / 0 / 55 / 10

HEX #87E566

RGB 135 229 102

HSL 104.41, 0.71%, 0.65%

LAB 82.99, -50.72, 52.55

 

CMYK 26 / 0 / 55 / 10

HEX #A9E566

RGB 169 229 102

HSL 88.35, 0.71%, 0.65%

LAB 84.71, -39.31, 54.98

 

CMYK 11 / 0 / 55 / 10

HEX #CBE566

RGB 203 229 102

HSL 72.28, 0.71%, 0.65%

LAB 86.85, -26.53, 58

 

CMYK 55 / 0 / 40 / 10

HEX #66E58A

RGB 102 229 138

HSL 137.01, 0.71%, 0.65%

LAB 82.22, -54.73, 33.98

 

CMYK 55 / 0 / 25 / 10

HEX #66E5AC

RGB 102 229 172

HSL 153.07, 0.71%, 0.65%

LAB 82.83, -48.37, 17.33

 

CMYK 55 / 0 / 10 / 10

HEX #66E5CE

RGB 102 229 206

HSL 169.13, 0.71%, 0.65%

LAB 83.61, -40.7, 0.57

 

CMYK 55 / 5 / 0 / 10

HEX #66D9E5

RGB 102 217 229

HSL 185.67, 0.71%, 0.65%

LAB 80.8, -29.17, -15.81

 

CMYK 55 / 20 / 0 / 10

HEX #66B7E5

RGB 102 183 229

HSL 201.73, 0.71%, 0.65%

LAB 71.11, -11.86, -30.56

 

CMYK 55 / 0 / 40 / 10

HEX #66E58A

RGB 102 229 138

HSL 137.01, 0.71%, 0.65%

LAB 82.22, -54.73, 33.98

 

CMYK 64 / 0 / 46 / 5

HEX #57F383

RGB 87 243 131

HSL 136.92, 0.87%, 0.65%

LAB 85.89, -64.24, 42.09

 

CMYK 55 / 0 / 40 / 10

HEX #66E58A

RGB 102 229 138

HSL 137.01, 0.71%, 0.65%

LAB 82.22, -54.73, 33.98

 

CMYK 46 / 0 / 33 / 16

HEX #74D690

RGB 116 214 144

HSL 137.14, 0.54%, 0.65%

LAB 78.36, -44, 25.86

 

CMYK 35 / 0 / 25 / 22

HEX #83C896

RGB 131 200 150

HSL 136.52, 0.39%, 0.65%

LAB 75.04, -32.25, 18.26

 

CMYK 22 / 0 / 16 / 27

HEX #91B99C

RGB 145 185 156

HSL 136.5, 0.22%, 0.65%

LAB 71.63, -19.26, 10.37

 

CMYK 6 / 0 / 5 / 33

HEX #A0ABA3

RGB 160 171 163

HSL 136.36, 0.06%, 0.65%

LAB 68.93, -5.41, 2.78

 

CMYK 41 / 0 / 55 / 10

HEX #88E566

RGB 136 229 102

HSL 103.94, 0.71%, 0.65%

LAB 83.04, -50.41, 52.61

 

CMYK 55 / 0 / 55 / 10

HEX #66E566

RGB 102 229 102

HSL 120, 0.71%, 0.65%

LAB 81.74, -59.88, 50.76

 

CMYK 55 / 0 / 41 / 10

HEX #66E588

RGB 102 229 136

HSL 136.06, 0.71%, 0.65%

LAB 82.19, -55.06, 34.95

 

CMYK 55 / 0 / 26 / 10

HEX #66E5A9

RGB 102 229 169

HSL 151.65, 0.71%, 0.65%

LAB 82.77, -48.98, 18.81

 

CMYK 55 / 0 / 11 / 10

HEX #66E5CB

RGB 102 229 203

HSL 167.72, 0.71%, 0.65%

LAB 83.53, -41.42, 2.04

 

CMYK 83 / 0 / 60 / 17

HEX #24D455

RGB 36 212 85

HSL 136.7, 0.71%, 0.49%

LAB 74.9, -67.6, 50.06

 

CMYK 70 / 0 / 50 / 13

HEX #43DF6F

RGB 67 223 111

HSL 136.92, 0.71%, 0.57%

LAB 79.11, -63.67, 43.14

 

CMYK 55 / 0 / 40 / 10

HEX #66E58A

RGB 102 229 138

HSL 137.01, 0.71%, 0.65%

LAB 82.22, -54.73, 33.98

 

CMYK 42 / 0 / 30 / 8

HEX #89EBA5

RGB 137 235 165

HSL 137.14, 0.71%, 0.73%

LAB 85.73, -43.63, 25.17

 

CMYK 29 / 0 / 20 / 5

HEX #ACF1C0

RGB 172 241 192

HSL 137.39, 0.71%, 0.81%

LAB 89.62, -31.2, 16.89

 

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

CMYK 55 / 26 / 0 / 10

HEX #66A9E5

RGB 102 169 229

HSL 208.35, 0.71%, 0.65%

LAB 67.17, -4.22, -36.67

 

CMYK 0 / 55 / 48 / 10

HEX #E56677

RGB 229 102 119

HSL 351.97, 0.71%, 0.65%

LAB 59.43, 50.8, 15.18

 

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

CMYK 41 / 55 / 0 / 10

HEX #8866E5

RGB 136 102 229

HSL 256.06, 0.71%, 0.65%

LAB 52.28, 42.48, -60.1

 

CMYK 0 / 41 / 55 / 10

HEX #E58866

RGB 229 136 102

HSL 16.06, 0.71%, 0.65%

LAB 65.92, 32.24, 33.39

 

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

CMYK 55 / 26 / 0 / 10

HEX #66A9E5

RGB 102 169 229

HSL 208.35, 0.71%, 0.65%

LAB 67.17, -4.22, -36.67

 

CMYK 0 / 55 / 15 / 10

HEX #E566C3

RGB 229 102 195

HSL 316.06, 0.71%, 0.65%

LAB 61.74, 60.06, -25.21

 

CMYK 0 / 30 / 55 / 10

HEX #E5A166

RGB 229 161 102

HSL 27.87, 0.71%, 0.65%

LAB 71.63, 18.96, 40.53

 

CMYK 56 / 0 / 40 / 10

HEX #65E589

RGB 101 229 137

HSL 136.88, 0.71%, 0.65%

LAB 82.17, -55.12, 34.42

 

CMYK 55 / 43 / 0 / 10

HEX #6683E5

RGB 102 131 229

HSL 226.3, 0.71%, 0.65%

LAB 56.8, 17.88, -53.01

 

CMYK 0 / 55 / 15 / 10

HEX #E566C3

RGB 229 102 195

HSL 316.06, 0.71%, 0.65%

LAB 61.74, 60.06, -25.21

 

CMYK 0 / 13 / 55 / 10

HEX #E5C766

RGB 229 199 102

HSL 45.83, 0.71%, 0.65%

LAB 81, -1.09, 51.77

 

Description

Color code: HEX #65E589 | qconv.com Color code: HEX #65E589 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 229 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 229 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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