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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65C3B1 it is the complementary color #9A3C4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65C3B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65C3B1 shade: #6AC3AC, #7BD5BF, #8CE7D2, #9DF9E5 and #AEFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65C3B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65C3B1 shade: #65C3B1, #54B19E, #439F8B, #328D78 and #217B65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65C3B1 shade: #64C3B0, #64C397, #64C37E, #64C364 and #7EC364

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65C3B1 shade: #64C3B0, #64BBC3, #64A2C3, #6488C3 and #646FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65C3B1 shade matches the following richer shades: #64C3B0, #53D4BB, #42E5C6 and #30F7D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65C3B1 shade: #64C3B0, #76B1A6, #87A09B, #988F90 and #AA7D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65C3B1 shade: #64C37D, #64C397, #64C3B0, #64BCC3 and #64A3C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65C3B1 shade: #3B9987, #47B7A1, #64C3B0, #82CEC0 and #A0DACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65C3B1 shade: #65C3B1, #6464C3 and #C38A64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65C3B1 shade: #65C3B1, #B064C3 and #C3B064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65C3B1 shade: #65C3B1, #6464C3, #C36477 and #C3C364

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65C3B1 shade: #65C3B1, #8164C3, #C36477 and #A6C364

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

Complementary color

CMYK 0 / 61 / 49 / 40

HEX #9A3C4E

RGB 154 60 78

HSL 348.51, 0.44%, 0.42%

LAB 38.99, 40.87, 9.65

 

CMYK 46 / 0 / 12 / 24

HEX #6AC3AC

RGB 106 195 172

HSL 164.49, 0.43%, 0.59%

LAB 72.94, -32.28, 3.28

 

CMYK 42 / 0 / 10 / 16

HEX #7BD5BF

RGB 123 213 191

HSL 165.33, 0.52%, 0.66%

LAB 79.36, -32.14, 2.45

 

CMYK 39 / 0 / 9 / 9

HEX #8CE7D2

RGB 140 231 210

HSL 166.15, 0.65%, 0.73%

LAB 85.7, -31.98, 1.67

 

CMYK 37 / 0 / 8 / 2

HEX #9DF9E5

RGB 157 249 229

HSL 166.96, 0.88%, 0.8%

LAB 91.94, -31.82, 0.94

 

CMYK 32 / 0 / 3 / 0

HEX #AEFFF8

RGB 174 255 248

HSL 174.81, 1%, 0.84%

LAB 94.86, -25.99, -4.52

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

CMYK 53 / 0 / 11 / 31

HEX #54B19E

RGB 84 177 158

HSL 167.74, 0.37%, 0.51%

LAB 66.37, -32.33, 1.31

 

CMYK 58 / 0 / 13 / 38

HEX #439F8B

RGB 67 159 139

HSL 166.96, 0.41%, 0.44%

LAB 59.76, -32.28, 2.26

 

CMYK 65 / 0 / 15 / 45

HEX #328D78

RGB 50 141 120

HSL 166.15, 0.48%, 0.37%

LAB 53.04, -32.09, 3.32

 

CMYK 73 / 0 / 18 / 52

HEX #217B65

RGB 33 123 101

HSL 165.33, 0.58%, 0.31%

LAB 46.22, -31.67, 4.53

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 49 / 0 / 23 / 24

HEX #64C397

RGB 100 195 151

HSL 152.21, 0.44%, 0.58%

LAB 72.21, -38.44, 13.58

 

CMYK 49 / 0 / 35 / 24

HEX #64C37E

RGB 100 195 126

HSL 136.42, 0.44%, 0.58%

LAB 71.72, -43.31, 26.25

 

CMYK 49 / 0 / 49 / 24

HEX #64C364

RGB 100 195 100

HSL 120, 0.44%, 0.58%

LAB 71.32, -47.42, 39.06

 

CMYK 35 / 0 / 49 / 24

HEX #7EC364

RGB 126 195 100

HSL 103.58, 0.44%, 0.58%

LAB 72.49, -39.39, 40.76

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 49 / 4 / 0 / 24

HEX #64BBC3

RGB 100 187 195

HSL 185.05, 0.44%, 0.58%

LAB 71, -24.03, -12.16

 

CMYK 49 / 17 / 0 / 24

HEX #64A2C3

RGB 100 162 195

HSL 200.84, 0.44%, 0.58%

LAB 63.75, -10.94, -23.15

 

CMYK 49 / 30 / 0 / 24

HEX #6488C3

RGB 100 136 195

HSL 217.26, 0.44%, 0.58%

LAB 56.34, 3.8, -34.6

 

CMYK 49 / 43 / 0 / 24

HEX #646FC3

RGB 100 111 195

HSL 233.05, 0.44%, 0.58%

LAB 49.52, 18.86, -45.36

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 61 / 0 / 12 / 17

HEX #53D4BB

RGB 83 212 187

HSL 168.37, 0.6%, 0.58%

LAB 77.59, -41.36, 1.84

 

CMYK 71 / 0 / 14 / 10

HEX #42E5C6

RGB 66 229 198

HSL 168.59, 0.76%, 0.58%

LAB 82.53, -48.56, 3.11

 

CMYK 81 / 0 / 15 / 3

HEX #30F7D1

RGB 48 247 209

HSL 168.54, 0.93%, 0.58%

LAB 87.85, -55.1, 5.01

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 33 / 0 / 6 / 31

HEX #76B1A6

RGB 118 177 166

HSL 168.81, 0.27%, 0.58%

LAB 68.06, -21.59, -0.47

 

CMYK 16 / 0 / 3 / 37

HEX #87A09B

RGB 135 160 155

HSL 168, 0.12%, 0.58%

LAB 63.88, -9.75, -0.33

 

CMYK 0 / 6 / 5 / 40

HEX #988F90

RGB 152 143 144

HSL 353.33, 0.04%, 0.58%

LAB 60.19, 3.52, 0.66

 

CMYK 0 / 26 / 21 / 33

HEX #AA7D86

RGB 170 125 134

HSL 348, 0.21%, 0.58%

LAB 57.01, 18.83, 1.99

 

CMYK 49 / 0 / 36 / 24

HEX #64C37D

RGB 100 195 125

HSL 135.79, 0.44%, 0.58%

LAB 71.7, -43.48, 26.75

 

CMYK 49 / 0 / 23 / 24

HEX #64C397

RGB 100 195 151

HSL 152.21, 0.44%, 0.58%

LAB 72.21, -38.44, 13.58

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 49 / 4 / 0 / 24

HEX #64BCC3

RGB 100 188 195

HSL 184.42, 0.44%, 0.58%

LAB 71.29, -24.53, -11.72

 

CMYK 49 / 16 / 0 / 24

HEX #64A3C3

RGB 100 163 195

HSL 200.21, 0.44%, 0.58%

LAB 64.03, -11.48, -22.71

 

CMYK 61 / 0 / 12 / 40

HEX #3B9987

RGB 59 153 135

HSL 168.51, 0.44%, 0.42%

LAB 57.52, -32.09, 1.25

 

CMYK 61 / 0 / 12 / 28

HEX #47B7A1

RGB 71 183 161

HSL 168.21, 0.44%, 0.5%

LAB 67.86, -37.03, 1.77

 

CMYK 49 / 0 / 10 / 24

HEX #64C3B0

RGB 100 195 176

HSL 168, 0.44%, 0.58%

LAB 72.81, -32.78, 0.89

 

CMYK 37 / 0 / 7 / 19

HEX #82CEC0

RGB 130 206 192

HSL 168.95, 0.44%, 0.66%

LAB 77.69, -26.7, -0.48

 

CMYK 27 / 0 / 5 / 15

HEX #A0DACF

RGB 160 218 207

HSL 168.62, 0.44%, 0.74%

LAB 82.98, -20.78, -0.59

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

CMYK 49 / 49 / 0 / 24

HEX #6464C3

RGB 100 100 195

HSL 240, 0.44%, 0.58%

LAB 46.66, 25.62, -49.91

 

CMYK 0 / 29 / 49 / 24

HEX #C38A64

RGB 195 138 100

HSL 24, 0.44%, 0.58%

LAB 62.25, 17.27, 28.95

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

CMYK 10 / 49 / 0 / 24

HEX #B064C3

RGB 176 100 195

HSL 288, 0.44%, 0.58%

LAB 54.33, 45.83, -37.28

 

CMYK 0 / 10 / 49 / 24

HEX #C3B064

RGB 195 176 100

HSL 48, 0.44%, 0.58%

LAB 71.94, -3.33, 41.17

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

CMYK 49 / 49 / 0 / 24

HEX #6464C3

RGB 100 100 195

HSL 240, 0.44%, 0.58%

LAB 46.66, 25.62, -49.91

 

CMYK 0 / 49 / 39 / 24

HEX #C36477

RGB 195 100 119

HSL 348, 0.44%, 0.58%

LAB 54.08, 39.85, 6.93

 

CMYK 0 / 0 / 49 / 24

HEX #C3C364

RGB 195 195 100

HSL 60, 0.44%, 0.58%

LAB 77.01, -13.19, 47.3

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B1

RGB 101 195 177

HSL 168.51, 0.44%, 0.58%

LAB 72.87, -32.3, 0.44

 

CMYK 34 / 49 / 0 / 24

HEX #8164C3

RGB 129 100 195

HSL 258.32, 0.44%, 0.58%

LAB 49.16, 32.8, -45.79

 

CMYK 0 / 49 / 39 / 24

HEX #C36477

RGB 195 100 119

HSL 348, 0.44%, 0.58%

LAB 54.08, 39.85, 6.93

 

CMYK 15 / 0 / 49 / 24

HEX #A6C364

RGB 166 195 100

HSL 78.32, 0.44%, 0.58%

LAB 74.86, -24.79, 44.21

 

Description

Color code: HEX #65C3B1 | qconv.com Color code: HEX #65C3B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 195 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 195 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 9% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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