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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #655A58 it is the complementary color #9AA5A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #655A58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #655A58 shade: #6A5A53, #7B6C66, #8C7E79, #9D908C and #AEA29F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #655A58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #655A58 shade: #655A58, #544845, #433632, #32241F and #21120C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #655A58 shade: #645957 and #645757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #655A58 shade: #645957, #645D57, #646057, #646457 and #616457

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #655A58 shade matches the following richer shades: #645957, #744F48, #834439, #923A29 and #A22F1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #655A58 shade: #645957, #556467, #466E76, #377985 and #278494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #655A58 shade: #64575C, #645759, #645957, #645D57 and #646057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #655A58 shade: #383231, #4E4644, #645957, #7B6D6A and #8F817F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #655A58 shade: #655A58, #606457 and #575B64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #655A58 shade: #655A58, #576459 and #595764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #655A58 shade: #655A58, #606457, #576264 and #5C5764

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #655A58 shade: #655A58, #5C6457, #576264 and #605764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

Complementary color

CMYK 8 / 1 / 0 / 35

HEX #9AA5A7

RGB 154 165 167

HSL 189.23, 0.07%, 0.63%

LAB 66.95, -3.47, -2.38

 

CMYK 0 / 15 / 22 / 58

HEX #6A5A53

RGB 106 90 83

HSL 18.26, 0.12%, 0.37%

LAB 39.58, 5.27, 6.45

 

CMYK 0 / 12 / 17 / 52

HEX #7B6C66

RGB 123 108 102

HSL 17.14, 0.09%, 0.44%

LAB 46.84, 4.82, 5.51

 

CMYK 0 / 10 / 14 / 45

HEX #8C7E79

RGB 140 126 121

HSL 15.79, 0.08%, 0.51%

LAB 53.9, 4.44, 4.65

 

CMYK 0 / 8 / 11 / 38

HEX #9D908C

RGB 157 144 140

HSL 14.12, 0.08%, 0.58%

LAB 60.79, 4.11, 3.86

 

CMYK 0 / 7 / 9 / 32

HEX #AEA29F

RGB 174 162 159

HSL 12, 0.08%, 0.65%

LAB 67.53, 3.82, 3.12

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 0 / 14 / 18 / 67

HEX #544845

RGB 84 72 69

HSL 12, 0.1%, 0.3%

LAB 31.69, 4.49, 3.66

 

CMYK 0 / 19 / 25 / 74

HEX #433632

RGB 67 54 50

HSL 14.12, 0.15%, 0.23%

LAB 23.88, 5.03, 4.68

 

CMYK 0 / 28 / 38 / 80

HEX #32241F

RGB 50 36 31

HSL 15.79, 0.23%, 0.16%

LAB 15.69, 5.76, 5.91

 

CMYK 0 / 45 / 64 / 87

HEX #21120C

RGB 33 18 12

HSL 17.14, 0.47%, 0.09%

LAB 7.07, 6.73, 5.74

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 13 / 13 / 61

HEX #645757

RGB 100 87 87

HSL 0, 0.07%, 0.37%

LAB 38.22, 5.3, 1.95

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 7 / 13 / 61

HEX #645D57

RGB 100 93 87

HSL 27.69, 0.07%, 0.37%

LAB 39.96, 1.65, 4.45

 

CMYK 0 / 4 / 13 / 61

HEX #646057

RGB 100 96 87

HSL 41.54, 0.07%, 0.37%

LAB 40.84, -0.16, 5.7

 

CMYK 0 / 0 / 13 / 61

HEX #646457

RGB 100 100 87

HSL 60, 0.07%, 0.37%

LAB 42.02, -2.54, 7.38

 

CMYK 3 / 0 / 13 / 61

HEX #616457

RGB 97 100 87

HSL 73.85, 0.07%, 0.37%

LAB 41.76, -3.77, 6.98

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 32 / 38 / 55

HEX #744F48

RGB 116 79 72

HSL 9.55, 0.23%, 0.37%

LAB 37.43, 14.59, 10.4

 

CMYK 0 / 48 / 56 / 49

HEX #834439

RGB 131 68 57

HSL 8.92, 0.39%, 0.37%

LAB 36.47, 25.82, 18.77

 

CMYK 0 / 60 / 72 / 43

HEX #923A29

RGB 146 58 41

HSL 9.71, 0.56%, 0.37%

LAB 36.55, 36.08, 29.1

 

CMYK 0 / 71 / 84 / 36

HEX #A22F1A

RGB 162 47 26

HSL 9.26, 0.72%, 0.37%

LAB 37.46, 46.23, 39.25

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 17 / 3 / 0 / 60

HEX #556467

RGB 85 100 103

HSL 190, 0.1%, 0.37%

LAB 41.26, -4.98, -3.62

 

CMYK 41 / 7 / 0 / 54

HEX #466E76

RGB 70 110 118

HSL 190, 0.26%, 0.37%

LAB 43.89, -11.77, -8.89

 

CMYK 59 / 9 / 0 / 48

HEX #377985

RGB 55 121 133

HSL 189.23, 0.41%, 0.37%

LAB 47.21, -17.2, -12.91

 

CMYK 74 / 11 / 0 / 42

HEX #278494

RGB 39 132 148

HSL 188.81, 0.58%, 0.37%

LAB 50.77, -21.05, -16.36

 

CMYK 0 / 13 / 8 / 61

HEX #64575C

RGB 100 87 92

HSL 336.92, 0.07%, 0.37%

LAB 38.37, 6.27, -0.94

 

CMYK 0 / 13 / 11 / 61

HEX #645759

RGB 100 87 89

HSL 350.77, 0.07%, 0.37%

LAB 38.28, 5.69, 0.79

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 7 / 13 / 61

HEX #645D57

RGB 100 93 87

HSL 27.69, 0.07%, 0.37%

LAB 39.96, 1.65, 4.45

 

CMYK 0 / 4 / 13 / 61

HEX #646057

RGB 100 96 87

HSL 41.54, 0.07%, 0.37%

LAB 40.84, -0.16, 5.7

 

CMYK 0 / 11 / 13 / 78

HEX #383231

RGB 56 50 49

HSL 8.57, 0.07%, 0.21%

LAB 21.37, 2.46, 1.6

 

CMYK 0 / 10 / 13 / 69

HEX #4E4644

RGB 78 70 68

HSL 12, 0.07%, 0.29%

LAB 30.44, 2.97, 2.43

 

CMYK 0 / 11 / 13 / 61

HEX #645957

RGB 100 89 87

HSL 9.23, 0.07%, 0.37%

LAB 38.8, 4.08, 2.78

 

CMYK 0 / 11 / 14 / 52

HEX #7B6D6A

RGB 123 109 106

HSL 10.59, 0.07%, 0.45%

LAB 47.22, 4.94, 3.67

 

CMYK 0 / 10 / 11 / 44

HEX #8F817F

RGB 143 129 127

HSL 7.5, 0.07%, 0.53%

LAB 55.15, 4.95, 3.01

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 4 / 0 / 13 / 61

HEX #606457

RGB 96 100 87

HSL 78.46, 0.07%, 0.37%

LAB 41.67, -4.18, 6.84

 

CMYK 13 / 9 / 0 / 61

HEX #575B64

RGB 87 91 100

HSL 221.54, 0.07%, 0.37%

LAB 38.6, 0.47, -5.7

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 13 / 0 / 11 / 61

HEX #576459

RGB 87 100 89

HSL 129.23, 0.07%, 0.37%

LAB 41, -7.36, 4.56

 

CMYK 11 / 13 / 0 / 61

HEX #595764

RGB 89 87 100

HSL 249.23, 0.07%, 0.37%

LAB 37.59, 3.69, -7.19

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 4 / 0 / 13 / 61

HEX #606457

RGB 96 100 87

HSL 78.46, 0.07%, 0.37%

LAB 41.67, -4.18, 6.84

 

CMYK 13 / 2 / 0 / 61

HEX #576264

RGB 87 98 100

HSL 189.23, 0.07%, 0.37%

LAB 40.71, -3.76, -2.58

 

CMYK 8 / 13 / 0 / 61

HEX #5C5764

RGB 92 87 100

HSL 263.08, 0.07%, 0.37%

LAB 37.86, 4.83, -6.75

 

CMYK 0 / 11 / 13 / 60

HEX #655A58

RGB 101 90 88

HSL 9.23, 0.07%, 0.37%

LAB 39.21, 4.07, 2.77

 

CMYK 8 / 0 / 13 / 61

HEX #5C6457

RGB 92 100 87

HSL 96.92, 0.07%, 0.37%

LAB 41.34, -5.79, 6.33

 

CMYK 13 / 2 / 0 / 61

HEX #576264

RGB 87 98 100

HSL 189.23, 0.07%, 0.37%

LAB 40.71, -3.76, -2.58

 

CMYK 4 / 13 / 0 / 61

HEX #605764

RGB 96 87 100

HSL 281.54, 0.07%, 0.37%

LAB 38.24, 6.36, -6.15

 

Description

Color code: HEX #655A58 | qconv.com Color code: HEX #655A58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 90 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 90 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 13 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 13% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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