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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65317E it is the complementary color #9ACE81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65317E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65317E shade: #6A3179, #7B438C, #8C559F, #9D67B2 and #AE79C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65317E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65317E shade: #65317E, #541F6B, #430D58, #320045 and #210032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65317E shade: #64307C, #78307C, #7C306C, #7C3057 and #7C3043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65317E shade: #64307C, #4F307C, #3A307C and #30307C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65317E shade matches the following richer shades: #64307C, #68228A, #6D1498 and #7206A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65317E shade: #64307C, #5F3E6E, #5A4C60, #555A52 and #506844

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65317E shade: #3A307C, #4F307C, #63307C, #77307C and #7C306D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65317E shade: #341941, #4C245F, #64307C, #7B3C9A and #9348B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65317E shade: #65317E, #7C303A and #307C44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65317E shade: #65317E, #7C6330 and #307C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65317E shade: #65317E, #7C303A, #497C30 and #307C72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65317E shade: #65317E, #7C3D30, #497C30 and #30707C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

Complementary color

CMYK 25 / 0 / 37 / 19

HEX #9ACE81

RGB 154 206 129

HSL 100.52, 0.44%, 0.66%

LAB 77.64, -30.92, 32.99

 

CMYK 12 / 60 / 0 / 53

HEX #6A3179

RGB 106 49 121

HSL 287.5, 0.42%, 0.33%

LAB 30.98, 37.38, -30.41

 

CMYK 12 / 52 / 0 / 45

HEX #7B438C

RGB 123 67 140

HSL 286.03, 0.35%, 0.41%

LAB 38.05, 36.66, -30.85

 

CMYK 12 / 47 / 0 / 38

HEX #8C559F

RGB 140 85 159

HSL 284.59, 0.3%, 0.48%

LAB 45.05, 35.85, -31.15

 

CMYK 12 / 42 / 0 / 30

HEX #9D67B2

RGB 157 103 178

HSL 283.2, 0.33%, 0.55%

LAB 51.93, 35.03, -31.39

 

CMYK 12 / 39 / 0 / 23

HEX #AE79C5

RGB 174 121 197

HSL 281.84, 0.4%, 0.62%

LAB 58.7, 34.24, -31.61

 

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

CMYK 21 / 71 / 0 / 58

HEX #541F6B

RGB 84 31 107

HSL 281.84, 0.55%, 0.27%

LAB 23.43, 37.63, -33.71

 

CMYK 24 / 85 / 0 / 65

HEX #430D58

RGB 67 13 88

HSL 283.2, 0.74%, 0.2%

LAB 16.43, 37.25, -32.57

 

CMYK 28 / 100 / 0 / 73

HEX #320045

RGB 50 0 69

HSL 283.48, 1%, 0.14%

LAB 9.86, 35.01, -30.31

 

CMYK 34 / 100 / 0 / 80

HEX #210032

RGB 33 0 50

HSL 279.6, 1%, 0.1%

LAB 5, 26, -24.61

 

CMYK 19 / 61 / 0 / 51

HEX #64307C

RGB 100 48 124

HSL 281.05, 0.44%, 0.34%

LAB 30.1, 36.93, -33.74

 

CMYK 3 / 61 / 0 / 51

HEX #78307C

RGB 120 48 124

HSL 296.84, 0.44%, 0.34%

LAB 33.05, 42.43, -28.87

 

CMYK 0 / 61 / 13 / 51

HEX #7C306C

RGB 124 48 108

HSL 312.63, 0.44%, 0.34%

LAB 32.88, 40.67, -19.01

 

CMYK 0 / 61 / 30 / 51

HEX #7C3057

RGB 124 48 87

HSL 329.21, 0.44%, 0.34%

LAB 32, 37.41, -6.86

 

CMYK 0 / 61 / 46 / 51

HEX #7C3043

RGB 124 48 67

HSL 345, 0.44%, 0.34%

LAB 31.36, 34.89, 5.22

 

CMYK 19 / 61 / 0 / 51

HEX #64307C

RGB 100 48 124

HSL 281.05, 0.44%, 0.34%

LAB 30.1, 36.93, -33.74

 

CMYK 36 / 61 / 0 / 51

HEX #4F307C

RGB 79 48 124

HSL 264.47, 0.44%, 0.34%

LAB 27.38, 31.38, -38.24

 

CMYK 53 / 61 / 0 / 51

HEX #3A307C

RGB 58 48 124

HSL 247.89, 0.44%, 0.34%

LAB 25.16, 26.41, -41.94

 

CMYK 61 / 61 / 0 / 51

HEX #30307C

RGB 48 48 124

HSL 240, 0.44%, 0.34%

LAB 24.31, 24.36, -43.36

 

CMYK 19 / 61 / 0 / 51

HEX #64307C

RGB 100 48 124

HSL 281.05, 0.44%, 0.34%

LAB 30.1, 36.93, -33.74

 

CMYK 25 / 75 / 0 / 46

HEX #68228A

RGB 104 34 138

HSL 280.38, 0.6%, 0.34%

LAB 29.22, 47.79, -43.88

 

CMYK 28 / 87 / 0 / 40

HEX #6D1498

RGB 109 20 152

HSL 280.45, 0.77%, 0.34%

LAB 29.46, 56.44, -52.09

 

CMYK 31 / 96 / 0 / 35

HEX #7206A6

RGB 114 6 166

HSL 280.5, 0.93%, 0.34%

LAB 30.55, 62.72, -58.8

 

CMYK 19 / 61 / 0 / 51

HEX #64307C

RGB 100 48 124

HSL 281.05, 0.44%, 0.34%

LAB 30.1, 36.93, -33.74

 

CMYK 14 / 44 / 0 / 57

HEX #5F3E6E

RGB 95 62 110

HSL 281.25, 0.28%, 0.34%

LAB 31.82, 23.94, -22.25

 

CMYK 6 / 21 / 0 / 62

HEX #5A4C60

RGB 90 76 96

HSL 282, 0.12%, 0.34%

LAB 34.37, 10.04, -9.51

 

CMYK 6 / 0 / 9 / 65

HEX #555A52

RGB 85 90 82

HSL 97.5, 0.05%, 0.34%

LAB 37.58, -3.67, 3.94

 

CMYK 23 / 0 / 35 / 59

HEX #506844

RGB 80 104 68

HSL 100, 0.21%, 0.34%

LAB 41.25, -16.36, 17.47

 

CMYK 53 / 61 / 0 / 51

HEX #3A307C

RGB 58 48 124

HSL 247.89, 0.44%, 0.34%

LAB 25.16, 26.41, -41.94

 

CMYK 36 / 61 / 0 / 51

HEX #4F307C

RGB 79 48 124

HSL 264.47, 0.44%, 0.34%

LAB 27.38, 31.38, -38.24

 

CMYK 20 / 61 / 0 / 51

HEX #63307C

RGB 99 48 124

HSL 280.26, 0.44%, 0.34%

LAB 29.97, 36.66, -33.97

 

CMYK 4 / 61 / 0 / 51

HEX #77307C

RGB 119 48 124

HSL 296.05, 0.44%, 0.34%

LAB 32.9, 42.15, -29.13

 

CMYK 0 / 61 / 12 / 51

HEX #7C306D

RGB 124 48 109

HSL 311.84, 0.44%, 0.34%

LAB 32.93, 40.84, -19.57

 

CMYK 20 / 62 / 0 / 75

HEX #341941

RGB 52 25 65

HSL 280.5, 0.44%, 0.18%

LAB 14.44, 21.69, -20.11

 

CMYK 20 / 62 / 0 / 63

HEX #4C245F

RGB 76 36 95

HSL 280.68, 0.45%, 0.26%

LAB 22.39, 29.98, -27.6

 

CMYK 19 / 61 / 0 / 51

HEX #64307C

RGB 100 48 124

HSL 281.05, 0.44%, 0.34%

LAB 30.1, 36.93, -33.74

 

CMYK 20 / 61 / 0 / 40

HEX #7B3C9A

RGB 123 60 154

HSL 280.21, 0.44%, 0.42%

LAB 37.44, 43.52, -40.33

 

CMYK 20 / 61 / 0 / 28

HEX #9348B7

RGB 147 72 183

HSL 280.54, 0.44%, 0.5%

LAB 44.6, 49.91, -45.96

 

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

CMYK 0 / 61 / 53 / 51

HEX #7C303A

RGB 124 48 58

HSL 352.11, 0.44%, 0.34%

LAB 31.12, 33.96, 10.78

 

CMYK 61 / 0 / 45 / 51

HEX #307C44

RGB 48 124 68

HSL 135.79, 0.44%, 0.34%

LAB 46.26, -36.56, 23.74

 

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

CMYK 0 / 20 / 61 / 51

HEX #7C6330

RGB 124 99 48

HSL 40.26, 0.44%, 0.34%

LAB 43.39, 3.63, 32.31

 

CMYK 61 / 0 / 20 / 51

HEX #307C63

RGB 48 124 99

HSL 160.26, 0.44%, 0.34%

LAB 46.9, -29.86, 6.74

 

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

CMYK 0 / 61 / 53 / 51

HEX #7C303A

RGB 124 48 58

HSL 352.11, 0.44%, 0.34%

LAB 31.12, 33.96, 10.78

 

CMYK 41 / 0 / 61 / 51

HEX #497C30

RGB 73 124 48

HSL 100.26, 0.44%, 0.34%

LAB 47.03, -31.87, 35.47

 

CMYK 61 / 0 / 8 / 51

HEX #307C72

RGB 48 124 114

HSL 172.11, 0.44%, 0.34%

LAB 47.31, -25.86, -1.52

 

CMYK 20 / 61 / 0 / 51

HEX #65317E

RGB 101 49 126

HSL 280.52, 0.44%, 0.34%

LAB 30.57, 37.12, -34.24

 

CMYK 0 / 51 / 61 / 51

HEX #7C3D30

RGB 124 61 48

HSL 10.26, 0.44%, 0.34%

LAB 33.64, 26.06, 20.49

 

CMYK 41 / 0 / 61 / 51

HEX #497C30

RGB 73 124 48

HSL 100.26, 0.44%, 0.34%

LAB 47.03, -31.87, 35.47

 

CMYK 61 / 10 / 0 / 51

HEX #30707C

RGB 48 112 124

HSL 189.47, 0.44%, 0.34%

LAB 43.76, -16.52, -12.79

 

Description

Color code: HEX #65317E | qconv.com Color code: HEX #65317E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 49 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 49 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 61 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 61% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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