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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #652FD5 it is the complementary color #9AD02A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #652FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #652FD5 shade: #6A2FD0, #7B41E3, #8C53F6, #9D65FF and #AE77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #652FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #652FD5 shade: #652FD5, #541DC2, #430BAF, #32009C and #210089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #652FD5 shade: #652FD4, #912FD4, #BE2FD4, #D42FBE and #D42F91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #652FD5 shade: #652FD4, #382FD4 and #2F2FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #652FD5 shade matches the following richer shades: #652FD4, #5E1BE8 and #5707FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #652FD5 shade: #652FD4, #6C43C0, #7358AC, #7A6C97 and #818083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #652FD5 shade: #2F53D4, #372FD4, #632FD4, #8F2FD4 and #BB2FD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #652FD5 shade: #441E93, #5425B5, #652FD4, #7E51DB and #9874E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #652FD5 shade: #652FD5, #D42F7F and #3DD42F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #652FD5 shade: #652FD5, #D4632F and #2FD463

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #652FD5 shade: #652FD5, #D42F7F, #A0D42F and #2FD484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #652FD5 shade: #652FD5, #D42F4D, #A0D42F and #2FD4B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

Complementary color

CMYK 26 / 0 / 80 / 18

HEX #9AD02A

RGB 154 208 42

HSL 79.52, 0.66%, 0.49%

LAB 77.37, -39.69, 69.73

 

CMYK 49 / 77 / 0 / 18

HEX #6A2FD0

RGB 106 47 208

HSL 261.99, 0.63%, 0.5%

LAB 37.21, 59.61, -72.75

 

CMYK 46 / 71 / 0 / 11

HEX #7B41E3

RGB 123 65 227

HSL 261.48, 0.74%, 0.57%

LAB 43.56, 58.96, -73.17

 

CMYK 43 / 66 / 0 / 4

HEX #8C53F6

RGB 140 83 246

HSL 260.98, 0.9%, 0.65%

LAB 50, 58.01, -73.31

 

CMYK 38 / 60 / 0 / 0

HEX #9D65FF

RGB 157 101 255

HSL 261.82, 1%, 0.7%

LAB 55.78, 54.39, -68.85

 

CMYK 32 / 53 / 0 / 0

HEX #AE77FF

RGB 174 119 255

HSL 264.26, 1%, 0.73%

LAB 61.14, 48.63, -60.14

 

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

CMYK 57 / 85 / 0 / 24

HEX #541DC2

RGB 84 29 194

HSL 260, 0.74%, 0.44%

LAB 31.02, 60.35, -74.86

 

CMYK 62 / 94 / 0 / 31

HEX #430BAF

RGB 67 11 175

HSL 260.49, 0.88%, 0.36%

LAB 25.34, 59.18, -73.02

 

CMYK 68 / 100 / 0 / 39

HEX #32009C

RGB 50 0 156

HSL 259.23, 1%, 0.31%

LAB 20.36, 55.99, -69.82

 

CMYK 76 / 100 / 0 / 46

HEX #210089

RGB 33 0 137

HSL 254.45, 1%, 0.27%

LAB 16.15, 50.52, -65.05

 

CMYK 52 / 78 / 0 / 17

HEX #652FD4

RGB 101 47 212

HSL 259.64, 0.66%, 0.51%

LAB 37.03, 59.97, -75.38

 

CMYK 32 / 78 / 0 / 17

HEX #912FD4

RGB 145 47 212

HSL 275.64, 0.66%, 0.51%

LAB 42.47, 66.52, -66.25

 

CMYK 10 / 78 / 0 / 17

HEX #BE2FD4

RGB 190 47 212

HSL 292, 0.66%, 0.51%

LAB 49.17, 74.5, -55.09

 

CMYK 0 / 78 / 10 / 17

HEX #D42FBE

RGB 212 47 190

HSL 308, 0.66%, 0.51%

LAB 51.55, 75.43, -38.4

 

CMYK 0 / 78 / 32 / 17

HEX #D42F91

RGB 212 47 145

HSL 324.36, 0.66%, 0.51%

LAB 49.59, 69.71, -14.89

 

CMYK 52 / 78 / 0 / 17

HEX #652FD4

RGB 101 47 212

HSL 259.64, 0.66%, 0.51%

LAB 37.03, 59.97, -75.38

 

CMYK 74 / 78 / 0 / 17

HEX #382FD4

RGB 56 47 212

HSL 243.27, 0.66%, 0.51%

LAB 33.19, 55.31, -81.83

 

CMYK 78 / 78 / 0 / 17

HEX #2F2FD4

RGB 47 47 212

HSL 240, 0.66%, 0.51%

LAB 32.68, 54.68, -82.7

 

CMYK 52 / 78 / 0 / 17

HEX #652FD4

RGB 101 47 212

HSL 259.64, 0.66%, 0.51%

LAB 37.03, 59.97, -75.38

 

CMYK 59 / 88 / 0 / 9

HEX #5E1BE8

RGB 94 27 232

HSL 259.61, 0.82%, 0.51%

LAB 35.96, 71.28, -88.63

 

CMYK 65 / 97 / 0 / 1

HEX #5707FC

RGB 87 7 252

HSL 259.59, 0.98%, 0.51%

LAB 36.38, 79.24, -99.27

 

CMYK 52 / 78 / 0 / 17

HEX #652FD4

RGB 101 47 212

HSL 259.64, 0.66%, 0.51%

LAB 37.03, 59.97, -75.38

 

CMYK 44 / 65 / 0 / 25

HEX #6C43C0

RGB 108 67 192

HSL 259.68, 0.5%, 0.51%

LAB 39.59, 45.93, -59.53

 

CMYK 33 / 49 / 0 / 33

HEX #7358AC

RGB 115 88 172

HSL 259.29, 0.34%, 0.51%

LAB 43.66, 30.02, -41.22

 

CMYK 19 / 28 / 0 / 41

HEX #7A6C97

RGB 122 108 151

HSL 259.53, 0.17%, 0.51%

LAB 48.38, 14.71, -21.38

 

CMYK 2 / 2 / 0 / 49

HEX #818083

RGB 129 128 131

HSL 260, 0.01%, 0.51%

LAB 53.75, 0.98, -1.5

 

CMYK 78 / 61 / 0 / 17

HEX #2F53D4

RGB 47 83 212

HSL 226.91, 0.66%, 0.51%

LAB 40.48, 33.47, -69.86

 

CMYK 74 / 78 / 0 / 17

HEX #372FD4

RGB 55 47 212

HSL 242.91, 0.66%, 0.51%

LAB 33.13, 55.24, -81.94

 

CMYK 53 / 78 / 0 / 17

HEX #632FD4

RGB 99 47 212

HSL 258.91, 0.66%, 0.51%

LAB 36.82, 59.72, -75.73

 

CMYK 33 / 78 / 0 / 17

HEX #8F2FD4

RGB 143 47 212

HSL 274.91, 0.66%, 0.51%

LAB 42.19, 66.19, -66.72

 

CMYK 12 / 78 / 0 / 17

HEX #BB2FD4

RGB 187 47 212

HSL 290.91, 0.66%, 0.51%

LAB 48.7, 73.94, -55.88

 

CMYK 54 / 80 / 0 / 42

HEX #441E93

RGB 68 30 147

HSL 259.49, 0.66%, 0.35%

LAB 24.53, 45.48, -57.31

 

CMYK 54 / 80 / 0 / 29

HEX #5425B5

RGB 84 37 181

HSL 259.58, 0.66%, 0.43%

LAB 30.75, 53.85, -67.62

 

CMYK 52 / 78 / 0 / 17

HEX #652FD4

RGB 101 47 212

HSL 259.64, 0.66%, 0.51%

LAB 37.03, 59.97, -75.38

 

CMYK 42 / 63 / 0 / 14

HEX #7E51DB

RGB 126 81 219

HSL 259.57, 0.66%, 0.59%

LAB 46.22, 49.28, -64.27

 

CMYK 33 / 49 / 0 / 11

HEX #9874E2

RGB 152 116 226

HSL 259.64, 0.65%, 0.67%

LAB 56.74, 37.61, -51.2

 

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

CMYK 0 / 78 / 40 / 17

HEX #D42F7F

RGB 212 47 127

HSL 330.91, 0.66%, 0.51%

LAB 48.96, 67.83, -4.97

 

CMYK 71 / 0 / 78 / 17

HEX #3DD42F

RGB 61 212 47

HSL 114.91, 0.66%, 0.51%

LAB 75, -67.76, 64.78

 

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

CMYK 0 / 53 / 78 / 17

HEX #D4632F

RGB 212 99 47

HSL 18.91, 0.66%, 0.51%

LAB 55.2, 41.39, 49.01

 

CMYK 78 / 0 / 53 / 17

HEX #2FD463

RGB 47 212 99

HSL 138.91, 0.66%, 0.51%

LAB 75.2, -64.54, 44

 

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

CMYK 0 / 78 / 40 / 17

HEX #D42F7F

RGB 212 47 127

HSL 330.91, 0.66%, 0.51%

LAB 48.96, 67.83, -4.97

 

CMYK 25 / 0 / 78 / 17

HEX #A0D42F

RGB 160 212 47

HSL 78.91, 0.66%, 0.51%

LAB 78.91, -38.96, 69.84

 

CMYK 78 / 0 / 38 / 17

HEX #2FD484

RGB 47 212 132

HSL 150.91, 0.66%, 0.51%

LAB 75.67, -59, 28.15

 

CMYK 53 / 78 / 0 / 16

HEX #652FD5

RGB 101 47 213

HSL 259.52, 0.66%, 0.51%

LAB 37.12, 60.24, -75.8

 

CMYK 0 / 78 / 64 / 17

HEX #D42F4D

RGB 212 47 77

HSL 349.09, 0.66%, 0.51%

LAB 47.71, 63.95, 23.82

 

CMYK 25 / 0 / 78 / 17

HEX #A0D42F

RGB 160 212 47

HSL 78.91, 0.66%, 0.51%

LAB 78.91, -38.96, 69.84

 

CMYK 78 / 0 / 14 / 17

HEX #2FD4B6

RGB 47 212 182

HSL 169.09, 0.66%, 0.51%

LAB 76.72, -47.67, 3.17

 

Description

Color code: HEX #652FD5 | qconv.com Color code: HEX #652FD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 47 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 47 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 78 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 78% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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