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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #652B22 it is the complementary color #9AD4DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #652B22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #652B22 shade: #6A2B1D, #7B3D30, #8C4F43, #9D6156 and #AE7369

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #652B22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #652B22 shade: #652B22, #54190F, #430700, #320000 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #652B22 shade: #632A21 and #632121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #652B22 shade: #632A21, #633B21, #634D21, #635F21 and #556321

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #652B22 shade matches the following richer shades: #632A21, #6E2216, #781A0B and #831200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #652B22 shade: #632A21, #58312B, #4D3936, #434141 and #38494C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #652B22 shade: #63213B, #632129, #632921, #633B21 and #634D21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #652B22 shade: #250F0C, #441C16, #632A21, #82372B and #A14435

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #652B22 shade: #652B22, #4D6321 and #213263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #652B22 shade: #652B22, #216329 and #292163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #652B22 shade: #652B22, #4D6321, #215A63 and #372163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #652B22 shade: #652B22, #396321, #215A63 and #4B2163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

Complementary color

CMYK 30 / 4 / 0 / 13

HEX #9AD4DD

RGB 154 212 221

HSL 188.06, 0.5%, 0.74%

LAB 81.39, -16.37, -10.43

 

CMYK 0 / 59 / 73 / 58

HEX #6A2B1D

RGB 106 43 29

HSL 10.91, 0.57%, 0.26%

LAB 26.39, 27.15, 22.77

 

CMYK 0 / 50 / 61 / 52

HEX #7B3D30

RGB 123 61 48

HSL 10.4, 0.44%, 0.34%

LAB 33.48, 25.64, 20.25

 

CMYK 0 / 44 / 52 / 45

HEX #8C4F43

RGB 140 79 67

HSL 9.86, 0.35%, 0.41%

LAB 40.53, 24.27, 18.22

 

CMYK 0 / 38 / 45 / 38

HEX #9D6156

RGB 157 97 86

HSL 9.3, 0.29%, 0.48%

LAB 47.48, 23.07, 16.53

 

CMYK 0 / 34 / 40 / 32

HEX #AE7369

RGB 174 115 105

HSL 8.7, 0.3%, 0.55%

LAB 54.32, 22.02, 15.08

 

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

CMYK 0 / 70 / 82 / 67

HEX #54190F

RGB 84 25 15

HSL 8.7, 0.7%, 0.19%

LAB 18.43, 26.81, 21.17

 

CMYK 0 / 90 / 100 / 74

HEX #430700

RGB 67 7 0

HSL 6.27, 1%, 0.13%

LAB 11.59, 27.58, 18.07

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 0 / 67 / 67 / 61

HEX #632121

RGB 99 33 33

HSL 0, 0.5%, 0.26%

LAB 23.17, 29.85, 15.95

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 0 / 40 / 67 / 61

HEX #633B21

RGB 99 59 33

HSL 23.64, 0.5%, 0.26%

LAB 29.13, 14.88, 23.28

 

CMYK 0 / 22 / 67 / 61

HEX #634D21

RGB 99 77 33

HSL 40, 0.5%, 0.26%

LAB 34.13, 3.72, 29.05

 

CMYK 0 / 4 / 67 / 61

HEX #635F21

RGB 99 95 33

HSL 56.36, 0.5%, 0.26%

LAB 39.49, -7.04, 34.93

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 0 / 69 / 80 / 57

HEX #6E2216

RGB 110 34 22

HSL 8.18, 0.67%, 0.26%

LAB 25.31, 32.97, 26.06

 

CMYK 0 / 78 / 91 / 53

HEX #781A0B

RGB 120 26 11

HSL 8.26, 0.83%, 0.26%

LAB 26.03, 39.56, 33.38

 

CMYK 0 / 86 / 100 / 49

HEX #831200

RGB 131 18 0

HSL 8.24, 1%, 0.26%

LAB 27.46, 45.35, 40.04

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 0 / 44 / 51 / 65

HEX #58312B

RGB 88 49 43

HSL 8, 0.34%, 0.26%

LAB 25.09, 16.96, 11.46

 

CMYK 0 / 26 / 30 / 70

HEX #4D3936

RGB 77 57 54

HSL 7.83, 0.18%, 0.26%

LAB 26.07, 8.35, 5.3

 

CMYK 0 / 3 / 3 / 74

HEX #434141

RGB 67 65 65

HSL 0, 0.02%, 0.26%

LAB 27.72, 0.85, 0.3

 

CMYK 26 / 4 / 0 / 70

HEX #38494C

RGB 56 73 76

HSL 189, 0.15%, 0.26%

LAB 29.73, -5.88, -4

 

CMYK 0 / 67 / 40 / 61

HEX #63213B

RGB 99 33 59

HSL 336.36, 0.5%, 0.26%

LAB 23.86, 32.45, -0.83

 

CMYK 0 / 67 / 59 / 61

HEX #632129

RGB 99 33 41

HSL 352.73, 0.5%, 0.26%

LAB 23.34, 30.51, 10.76

 

CMYK 0 / 59 / 67 / 61

HEX #632921

RGB 99 41 33

HSL 7.27, 0.5%, 0.26%

LAB 24.79, 25.59, 18

 

CMYK 0 / 40 / 67 / 61

HEX #633B21

RGB 99 59 33

HSL 23.64, 0.5%, 0.26%

LAB 29.13, 14.88, 23.28

 

CMYK 0 / 22 / 67 / 61

HEX #634D21

RGB 99 77 33

HSL 40, 0.5%, 0.26%

LAB 34.13, 3.72, 29.05

 

CMYK 0 / 59 / 68 / 85

HEX #250F0C

RGB 37 15 12

HSL 7.2, 0.51%, 0.1%

LAB 6.88, 10.95, 5.54

 

CMYK 0 / 59 / 68 / 73

HEX #441C16

RGB 68 28 22

HSL 7.83, 0.51%, 0.18%

LAB 16.09, 18.7, 13.27

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 0 / 58 / 67 / 49

HEX #82372B

RGB 130 55 43

HSL 8.28, 0.5%, 0.34%

LAB 33.25, 31.44, 23.3

 

CMYK 0 / 58 / 67 / 37

HEX #A14435

RGB 161 68 53

HSL 8.33, 0.5%, 0.42%

LAB 41.17, 37.54, 28.1

 

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

CMYK 22 / 0 / 67 / 61

HEX #4D6321

RGB 77 99 33

HSL 80, 0.5%, 0.26%

LAB 38.92, -19.46, 33.77

 

CMYK 67 / 49 / 0 / 61

HEX #213263

RGB 33 50 99

HSL 224.55, 0.5%, 0.26%

LAB 21.96, 10.57, -31.15

 

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

CMYK 67 / 0 / 59 / 61

HEX #216329

RGB 33 99 41

HSL 127.27, 0.5%, 0.26%

LAB 36.76, -34.13, 26.62

 

CMYK 59 / 67 / 0 / 61

HEX #292163

RGB 41 33 99

HSL 247.27, 0.5%, 0.26%

LAB 17.74, 24.2, -37.94

 

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

CMYK 22 / 0 / 67 / 61

HEX #4D6321

RGB 77 99 33

HSL 80, 0.5%, 0.26%

LAB 38.92, -19.46, 33.77

 

CMYK 67 / 9 / 0 / 61

HEX #215A63

RGB 33 90 99

HSL 188.18, 0.5%, 0.26%

LAB 35.08, -15.31, -10.69

 

CMYK 44 / 67 / 0 / 61

HEX #372163

RGB 55 33 99

HSL 260, 0.5%, 0.26%

LAB 19.23, 27.3, -35.46

 

CMYK 0 / 57 / 66 / 60

HEX #652B22

RGB 101 43 34

HSL 8.06, 0.5%, 0.26%

LAB 25.59, 25.39, 18.42

 

CMYK 42 / 0 / 67 / 61

HEX #396321

RGB 57 99 33

HSL 98.18, 0.5%, 0.26%

LAB 37.67, -27.66, 32.05

 

CMYK 67 / 9 / 0 / 61

HEX #215A63

RGB 33 90 99

HSL 188.18, 0.5%, 0.26%

LAB 35.08, -15.31, -10.69

 

CMYK 24 / 67 / 0 / 61

HEX #4B2163

RGB 75 33 99

HSL 278.18, 0.5%, 0.26%

LAB 21.89, 32.37, -31.03

 

Description

Color code: HEX #652B22 | qconv.com Color code: HEX #652B22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 43 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 43 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 66 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 66% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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